Isaiah in Art and Music

2020 ◽  
pp. 573-597
Author(s):  
John F. A. Sawyer
Keyword(s):  
World Peace ◽  
Islamic Art ◽  
Musical Settings ◽  
Religious Traditions ◽  
Jewish Art ◽  
Christian Art ◽  
Siege Of Jerusalem ◽  
Peaceable Kingdom ◽  
State Of Israel

The extraordinary role of Isaiah in Christian art and music, from the ox and the ass on ancient catacombs to Handel’s Messiah, is well known, but there are also significant portrayals of him and his prophecies in Jewish art and music, as well as a few striking illustrations of episodes in his life in Islamic art. This chapter looks first at examples of how the call of the prophet, Sennacherib’s siege of Jerusalem, his martyrdom, and other scenes from his life have been depicted in the art of all three religious traditions, and then Christian portrayals of the Annunciation, the Nativity, the Fall of idols in Egypt, the Passion, and the Winepress with texts from Isaiah, as well as world peace and the peaceable kingdom. Musical settings of texts from Isaiah range from Veni Immanuel, the Rorate, Mendelssohn’s Elijah, and Brahms German Requiem, to modern Jewish celebrations of the establishment of the State of Israel in 1948 and popular Hebrew songs like “Mayim be-sason” (12:3) and “Yerushalayim shel zahab.”

Editor’s Corner: Critics or Caretakers?

2015 ◽  
Vol 44 (3) ◽  
pp. 38-39
Author(s):  
Philip Tite
Keyword(s):  
Religious Studies ◽  
Religious Traditions ◽  
Short Piece ◽  
Short Essay ◽  
Academic Study

A short essay, in responding to an online roundtable (the Religious Studies Project), explores the role of progressive ideology in the academic study of religion, specifically with a focus on debates over Russell McCutcheon's distinction between scholars functioning as cultural critics or caretakers of religious traditions. This short piece is part of the "Editor's Corner" (an occasional section of the Bulletin where the editors offer provocative musings on theoretical challenges facing the discipline).

“Eternal Bodies”: images of archangels in the upper parts of Nubian buildings

2020 ◽  
pp. 713-736
Author(s):  
Magdalena Łaptaś
Keyword(s):  
Near East ◽  
Structural Elements ◽  
Christian Art ◽  
The Earth ◽  
Cosmic Space

Images of archangels and angels, which were painted on the walls, in the upper parts of the buildings and, on their structural elements, were very popular in Christian Nubian painting as attested by the discoveries from Church SWN.BV on the citadel in Old Dongola. These images, which derive from pre-Christian art, depict the eternal nature of the archangels and angels. Presenting this group of representations, the author traces the origins of these images to highlight the role of these spiritual beings as intermediaries between God and humankind. As such, they move freely between the Heavens and the Earth, so the air and cosmic space are their natural surroundings. Moreover, archangels govern the forces of nature, the planets, and the seven skies. Therefore, their sanctuaries were located on hill summits, in the upper chapels, on structural elements of ecclesiastical buildings, etc. The Nubian tradition is therefore part of a broader Mediterranean tradition, the roots of which should be sought in the Near East.

The Role of Medicine in World Peace

1958 ◽  
Vol 33 (5) ◽  
pp. 555-556
Author(s):  
HERMAN J. MOERSCH
Keyword(s):  
World Peace

Gandhi’s Metaphysics as Encountering the 'Unreasonable'

2021 ◽  
Vol 26 ◽  
pp. 31-54
Author(s):  
Michael Allen ◽  
Keyword(s):  
Spiritual Growth ◽  
Liberal State ◽  
Liberal Democracies ◽  
Cultural Adaptations ◽  
Religious Traditions ◽  
Moral Learning ◽  
Devotional Practices ◽  
Cultural Resonance ◽  
Conflict Resolutions

In this article, I reconsider Gandhi's relationship to liberal democracy. I argue that a properly Gandhian approach to this relationship should emphasize the role of the satyagrahi facilitating conflict resolutions and progress in truth. Above all, this approach calls upon courageous, exemplary individuals to pass over and join the viewpoints of 'unreasonables' marginalized by the liberal state. However, I also argue that contemporary Gandhians should explore cultural adaptations of the satyagrahi-role appropriate to highly materialistic, multicultural liberal-democracies. In these societies, the traditional figure of the ascetic or saint may lack popular cultural resonance. Moreover, moral learning and spiritual insight often derives from popular culture and entertainment as much as religious traditions, or devotional practices. Contemporary Gandhi’s scholars should thus consider the prospects for 'alternative satyagrahis' embracing some materialist values and cultural motifs, as appropriate sources spiritual growth and soul-force.

scholarly journals The Role of Military Service in the Integration/Segregation of Muslims, Christians and Druze within Israel

Societies ◽  
2019 ◽  
Vol 9 (1) ◽  
pp. 1 ◽  
Author(s):  
Rami Zeedan
Keyword(s):  
Ethnic Minority ◽  
Social System ◽  
Military Service ◽  
The State ◽  
The Social ◽  
Positive Peace ◽  
New Nation ◽  
State Relations ◽  
State Of Israel

This study applies the negative peace/positive peace approach to internal nation-state relations between the majority and ethnic minority. This approach focuses on the policies implemented by the state. In order to understand the social system from its formation, an important focus should be given to the period of establishment of a new state, whereas physical borders are defined along with the borders of society, which determines who is included in the new nation and who is excluded. The conclusions are based on the case of the Israeli Druze, an ethnic minority with whom the state of Israel and its Jewish majority have achieved positive peace. This study suggests that the positive peace with the Druze was achieved following their integration in the army—as a decision of the state of Israel—that lead to their integration in the Israeli society. Conversely to the Israeli Muslims, where a negative peace is maintained, following the early year’s state policy to exclude them.

scholarly journals Japanese Concepts of Angels: Analyzing Depictions of Celestial Beings in the shōjo Manga Kamikaze Kaitō Jeanne

2021 ◽  
Vol 12 (1) ◽  
Author(s):  
Dunja Sharbat Dar
Keyword(s):  
Popular Culture ◽  
The Other ◽  
Religious Traditions ◽  
Cultural Perspectives ◽  
Christian Religion ◽  
Hermeneutic Approach ◽  
Shojo Manga ◽  
Insight Into

White wings, long hair, 'pure' faces: the appearance of angels frequently follows similar aesthetics connected to Christian imagery. Angels and Christian religion also are popular themes in manga, Japanese comics, often intermingled with Buddhist or Shinto notions. Since imagery in popular culture resonates and shapes vernacular and cultural perspectives, manga like Kamikaze Kaitō Jeanne (KKJ) provide an important insight into the conceptualization of angels in Japan. This article therefore analyzes the contrary role of angels in KKJ as the Other, the mysterious, serene one, while simultaneously angels are depicted as part of the circle of life every creature undergoes in Buddhist cosmology. Based on a visual hermeneutic approach, this article demonstrates how the intermix of both visual and religious traditions in Japan shape the depiction of angels in Japanese popcultural media.

scholarly journals Peranan Tuan Guru Ormas Islam Nahdlatul Wathan di Lombok Wadah Ajaran Keagamaan dan Sosial (Islam)

2021 ◽  
Vol 5 (2) ◽  
pp. 221
Author(s):  
Jun Mawalidin
Keyword(s):  
Theoretical Analysis ◽  
Research Method ◽  
Religious Life ◽  
Religious Expression ◽  
Religious Traditions ◽  
Library Research ◽  
Mass Organization ◽  
Very High ◽  
High Place

<p class="05Abstrak">Abstract</p><p class="06IsiAbstrak">The teachings of Islam for the Sasak people get a very high place in carrying out their daily religious life in accordance with the teachings of their religion. The purpose of this study is to analyze theoretical analysis on Islamic religious traditions that have existed in the Sasak community since the beginning of their entry, placing more emphasis on strengthening religious practices or rituals that at a glance place great importance on religious expression. This research method uses the library research method about the role of the Nahdlatul Wathan Islamic mass organization figure in Lombok. The results showed that Nahdlatul Wathan focused on three areas of development, namely education, social and da'wah. The presence of Tuan Guru on the island of a thousand mosques gives a different feel. Bahklan is a characteristic of society, its influence can be felt in various fields, not only in the field of education, in politics but also in the executive field. </p><p class="06IsiAbstrak"><strong>Keywords:</strong> Tuan Guru, Community, Lombok, Nahdlatul Wathan.</p><p class="061AbstrakIndonesia">Abstrak</p><p class="061IsiAbstrakIndoneia">Ajaran Islam bagi masyarakat sasak mendapatkan tempat yang sangat tinggi dalam menjalankan kehidupan keagamaannya sehari-hari sesuai dengan ajaran agama yang dianut. Tujuan dari penelitian ini adalah melakukan telaah teori analisis pada Tradisi keagamaan Islam yang terdapat di masyarakat Sasak sejak awal masuknya, lebih menekankan pada penguatan-penguatan amalan atau ritual keagamaan yang secara sepintas sangat mementingkan ekspresi keagamaan. Metode penelitian ini menggunakan metode <em>library research</em> tentang peranan tokoh ormas islam nahdlatul wathan yang ada di lombok. Hasil penelitian menunjukkan bahwa Nahdlatul Wathan fokus pada tiga bidang pembangunan, yaitu pendidikan, sosial dan dakwah. Kehadiran Tuan Guru di pulau seribu masjid memberikan nuansa yang berbeda. Bahklan merupakan ciri khas masyarakat, pengaruhnya dapat dirasakan di berbagai bidang, tidak hanya di bidang pendidikan, di bidang politik tetapi juga di bidang eksekutif.  </p><p class="05Abstrak"><strong>Kata kunci:</strong> Tuan Guru,<em> </em>Masyarakat, Lombok, Nahdlatul Wathan.</p>

Before Kṛṣṇa

2021 ◽  
Author(s):  
Kanika Kishore Saxena
Keyword(s):  
Historical Data ◽  
Religious History ◽  
Religious Traditions ◽  
The Social ◽  
Wide Range ◽  
History Of ◽  
Coherent Picture

Mathura is famous for its association with Vāsudeva‒Kṛṣṇa, an important deity of the Hindu pantheon. However, apart from the sanctity attached to this place by Hindus, it has also provided conditions for the nurturing of Buddhist, Jaina, nāga and yakṣa traditions. This book engages in a wide range of epigraphic, archaeological and art historical data from the various sites in the Mathura area and weaves this to present a coherent picture of the variegated religious history of the area from c.600 CE to c.1000 CE, which witnessed various religions/cults/sects competing for attention and patronage. The chapters in this book have been divided according to religious traditions, namely, Jainism, Buddhism and Hinduism, along with the Kṛṣṇa, yakṣa, nāga, and mātṛkā cults. It raises many important issues related to Jainism, Hinduism, Buddhism and Jainism as well as older cults of the yakṣas and nāgas. The objects of donation ranged from images, stūpas, temples to tanks and gardens. Donations by monks and nuns; together with laity from different locations within and beyond Mathura, amply reflect on the social mosaic of the time. The role of monastics and laity, the nature of patronage, and the social and political underpinnings of the religious history are also examined, all within a long, diachronic frame. This book reveals the complexity of the religious history of Mathura to provide the reader a taste of its diversity and plurality.

Epilogue

2020 ◽  
pp. 226-230
Author(s):  
Cailah Jackson
Keyword(s):  
Art History ◽  
The Political ◽  
Islamic Art ◽  
Historical Sources ◽  
Complex Objects ◽  
Late Medieval ◽  
The Aesthetic ◽  
Visual Properties ◽  
Artistic Communities

THIS BOOK HAS uncovered the aesthetic variety and documentary richness of the Islamic arts of the book of the late medieval Lands of Rūm and produced new ways of understanding this material in its proper cultural and intellectual contexts. It has done so by considering the manuscripts as ‘whole’, complex objects. This approach has entailed looking closely at the codicological and visual properties of the manuscripts themselves, reading their inscriptions and analysing this material within a framework that accounts for patronage beyond dynastic confines – a facet that is sometimes overlooked in the wider scholarly field of Islamic art history. The manuscripts discussed here show that some of Rūm’s cities (particularly Konya) were home to dynamic artistic communities that consisted of local and émigré craftsmen, including converts to Islam and, possibly, Christians. This material also reveals that patrons were often drawn from the political classes, but were, generally speaking, otherwise not well-known from historical sources. In some cases, patrons’ affiliations and intellectual interests challenge simplistic or unambiguous conceptions of the ‘frontier’ and the role of ‘Turkishness’ in late medieval Rūm....

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