Emblems

2019 ◽  
pp. 755-778
Author(s):  
Valérie Hayaert
Keyword(s):  
Early Modern ◽  
The Body ◽  
Visual Images ◽  
Legal Ethics ◽  
Mnemonic Devices ◽  
Emblem Books ◽  
Fertile Ground ◽  
History Of ◽  
Professional Ethos

The early modern tradition of the emblem book offers a fertile ground to uncover the renewal of legal ethics during the Renaissance. Andrea Alciato was first and foremost a lawyer, and juridical themes abound in his Emblematum libellus. Later emblematists forged visible figures of norm and law, which stage and enact the rites and harmony of a living legal visual tradition. Inserted into the body of law reference texts or used as ingenious mnemonic devices, emblems played a role in the ars memorativa deployed by legal educators. In the case of Johannes Buno, visual images were designed especially to help fix the order of titles in the Digest and their contents. Emblems and symbolic places would serve as topical frameworks, headings for the reference texts, and notable visual commonplaces to highlight important issues. The emblematic quality of memory images was valuable for the jurist, who could reconstruct an entire legal text, speech, or case. The importance of emblems in transmitting law and the imaginary representation of legality was key to building a professional ethos in the humanist respublica jurisconsultorum. Emblem books provided shared judicial values, norms of conduct, and signs of office. The early history of legal emblems requires being attentive to the profound multivalence of their form and structure: their prolixity of applications and the variegated ways in which images and texts illuminate each other and provide numerous examples of making, seeing, and saying judicial ethics.

Introduction

2018 ◽  
pp. 1-36
Author(s):  
Laura Kounine
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
The Body ◽  
History Of Emotions ◽  
Current State ◽  
History Of ◽  
Western Germany ◽  
The Rich ◽  
The Witch ◽  
Witch Hunts

This Introduction sets out the intentions of this book: to use the rich witch-trial records from the early modern duchy of Württemberg in south-western Germany to explore the central themes of emotions, gender, and selfhood. It provides an overview of the key historiographical debates on witchcraft persecutions in the early modern period, and suggests new questions that need to be asked. It also provides a methodological and theoretical framework in which to address these questions, and provides an overview of the current state of the field of the history of emotions, and, by drawing on psychological approaches to listening to self-narratives, it suggests ways in which historical studies of emotions can be pushed further by incorporating the body and subjective states. It also sets out the legal, political, and religious framework of the Lutheran duchy of Württemberg, in order to put the witch-hunts in this region into context.

Zur Autonomie indirekter Redewiedergabe – Eine diachrone Perspektive

2019 ◽  
Vol 47 (1) ◽  
pp. 70-101
Author(s):  
Ulrike Demske
Keyword(s):  
Early Modern ◽  
Common Knowledge ◽  
17Th Century ◽  
Historical Record ◽  
16Th Century ◽  
Reported Speech ◽  
Historical Sources ◽  
History Of ◽  
Verbal Mood

Abstract Regarding verbal mood and complementation patterns of reporting verbs, the distinction between direct and indirect reported speech is well established in present-day German. This paper looks into the history of German: Common knowledge has it that both the use of verbal mood as well as the quality of clause linkage undergo considerable changes giving rise to the question how these changes affect the manifestations of indirect reported speech in earlier stages of German. The historical record of the 16th century (with an outlook on the 17th century) shows that the distinction between direct and indirect reported speech is not yet grammaticalized in historical sources at the time. In particular with respect to dependent (in)direct reported speech, both types prefer V2-complements with only verbal mood differentiating between the types. Although present and past subjunctive have a much wider distribution in earlier stages of German, the occurrence of free indirect speech likewise testifies to its increasing use as a marker of indirect reported speech. The growing conventionalization of patterns of indirect reported speech in the course of Early Modern German may be considered as an example for an increase of subjectification in its development.

Doctoring the Body and Exciting the Soul: Drugs and consumer culture in medieval and early modern Iran

2019 ◽  
Vol 54 (2) ◽  
pp. 554-617
Author(s):  
RANIN KAZEMI
Keyword(s):  
Middle East ◽  
Early Modern ◽  
Social History ◽  
Consumer Culture ◽  
Rural Areas ◽  
Early Modern Period ◽  
The Body ◽  
Mass Consumption ◽  
History Of ◽  
Urban And Rural Areas

AbstractThis article focuses on the development of early modern consumerism in a part of the Middle East that historians of consumer culture are yet to fully explore. Making use of a wide variety of unexplored and underexplored original sources, the article contends that early modern consumer culture in Iran was grounded deeply in the ever-widening patterns of exchange and use that had developed slowly over the course of the previous centuries. The discussion below takes the growing popular interest in a few key psychoactive substances as a useful barometer of the dynamics of mass consumption, and chronicles how the slow and ever-expanding use of alcohol, opium, and cannabis (or a cannabis-like product) in the medieval period led to the popularity of coffee, tobacco, older drugs, and still other commodities in the sixteenth and seventeenth centuries. The aim here is to use the history of drug culture as an entry point to scrutinize the emergence of early modern consumerism among the elites and the non-elites in both urban and rural areas of the Middle East. In doing so, this article reconstructs the cultural and social history of recreational drugs prior to and during the early modern period, and elucidates the socio-economic context that helped bring about a ‘psychoactive revolution’ in the Safavid state (1501–1736).

The Hurt(ful) Body

2017 ◽  
Keyword(s):  
Early Modern ◽  
Cultural History ◽  
Art History ◽  
Interdisciplinary Approach ◽  
Early Modern Period ◽  
The Body ◽  
Literary Studies ◽  
Dialectical Approach ◽  
History Of ◽  
Theatre Studies

This book offers a cross-disciplinary approach to pain and suffering in the early modern period, based on research in the fields of literary studies, art history, theatre studies, cultural history and the study of emotions. It has a sustained focus on visual sources, textual material and documents about actual events rather than well-known thinkers or ‘masterpieces’ of art history, and a preference for cases and historical contexts over systematic theory-building. The hurt(ful) body brings under discussion visual and performative representations of embodied pain, using an insistently dialectical approach that takes into account the perspective of the hurt body itself, the power and afflictions of its beholder and, finally, the routinising and redeeming of hurt within institutional contexts. The volume’s two-fold approach of the hurt body, defining ‘hurt’ both from the perspective of the victim and the beholder (as well as their combined creation of a gaze), is unique. It establishes a double perspective about the riddle of ‘cruel’ viewing by tracking the shifting cultural meanings of victims’ bodies, and confronting them to the values of audiences, religious and popular institutional settings, and practices of punishment. It encompasses both the victim’s presence as an image or performed event of pain and the conundrum of the look – the transmitted ‘pain’ experienced by the watching audience. This will be done through three rubrics: the early modern performing body, beholder or audience responses, and the operations of institutional power. Because of its interdisciplinary approach of the history of pain and the hurt(ful) body, the book will be of interest for Lecturers and students from different fields, like the history of ideas, the history of the body, urban history, theatre studies, literary studies, art history, emotion studies and performance studies

Body and Soul

2017 ◽  
Author(s):  
Margaret Ezell
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
The Body ◽  
English Civil War ◽  
Individual Identity ◽  
Focal Points ◽  
Fertile Ground ◽  
Body And Soul ◽  
Classical Philosophy ◽  
The Relationship

During the late sixteenth and early seventeenth centuries, the soul, its nature, and its relationship with the body became focal points for religious, medical, political, and ethical debates, and the choice of vocabulary itself had profound implications in how human and divine nature were represented in early modern English writings. The perceived complexities of the relationship between the body and the soul as delineated in competing schools of classical philosophy provided English writers a fertile ground for analysing the human experience in general and the nature of individual identity. Debates over what happens to the body and the soul at death and at resurrection permeate the writings of the period. During the English Civil War years they were markers of both political and religious affiliations, and this chapter demonstrates how the medical turn in the late seventeenth century focused increasing attention on the separation of soul and mind.

Nothing But the Truth? Hermeneutics and Morality in the Doctrines of Equivocation and Mental Reservation in Early Modern Europe

2011 ◽  
Vol 64 (1) ◽  
pp. 115-155 ◽  
Author(s):  
Stefania Tutino
Keyword(s):  
Early Modern ◽  
Human Language ◽  
Early Modern Europe ◽  
History Of ◽  
Moral Quality ◽  
Modern Europe

AbstractThis article examines certain aspects of the history of the doctrines of equivocation and mental reservation in early modern Catholic elaborations. It argues that the first Catholic theologians who engaged systematically with these doctrines, Domingo de Soto and Martin de Azpilcueta (Navarrus), used them as tools to investigate the potentialities and limitations of human language as a means to communicate meaning between a speaker and a listener. This article also shows that between the end of the sixteenth and the beginning of the seventeenth centuries Catholic theologians, both Jesuit and non-Jesuit, changed the debate over these doctrines into a debate over the moral quality of the speaker's intention. By analyzing the developments of the Catholic debate over equivocation and mental reservation, this article seeks to offer a fresh interpretation of the links between theology, morality, and hermeneutics.

scholarly journals “Removed from Nature”

2018 ◽  
Vol 10 (2) ◽  
pp. 447-472
Author(s):  
Kay Anderson ◽  
Colin Perrin
Keyword(s):  
Human Condition ◽  
The Body ◽  
Human Anatomy ◽  
Human Beings ◽  
Scientific Claim ◽  
History Of ◽  
Current Concerns ◽  
Different Order ◽  
Unique Status

Abstract In the context of current concerns within the environmental humanities to challenge the idea that humans are somehow irreducible to nature, this article takes up the much-neglected history of the idea of human exceptionality itself. According to now familiar accounts, metaphysical assumptions about the unique status of the human are considered to have persisted—including to the present day—despite evolutionary contentions that the human should be understood as a purely physical being. Such, largely Christian and Cartesian, metaphysical notions of a human soul or mind doubtlessly endure. But in this article we consider the—largely ignored, yet now arguably more prevalent—idea that humans are exceptional because of their physicality. Here, then, we outline the emergence of the scientific claim that a uniquely human condition of nature transcendence is owed not to some immaterial quality of mind or soul, but rather to the distinctiveness of human anatomy. It was, we will argue, the body—and, above all, the head—which provided the basis of a modern attempt to establish that humans were creatures of a categorically different order from all other animals. More precisely, it was as human cultural differences were correlated with variations in the size and shape of the head that the human body, in its upright stature, came to provide an explicitly materialist—and, as we shall see, potently ethnocentric—foundation for the claim that human beings are exceptional. The modern idea of human exceptionality is thus shown to be based in large part on a scientifically dubious, and culturally specific, argument about the nature-transcendent quality of beings that walk upright. This is a particular form of humanist discourse that often forgets its own contingencies and instabilities, as well as its comprehensively violent inheritances.

Women, Art and Observant Franciscan Piety

2018 ◽  
Author(s):  
Kathleen Giles Arthur
Keyword(s):  
Visual Culture ◽  
Early Modern ◽  
Social History ◽  
The Body ◽  
Body Of Christ ◽  
Archival Research ◽  
Religious Women ◽  
Art Objects ◽  
History Of ◽  
Women Patrons

Caterina Vigri (later Saint Catherine of Bologna) was a mystic, writer, teacher and nun-artist. Her first home, Corpus Domini, Ferrara, was a house of semi-religious women that became a Poor Clare convent and model of Franciscan Observant piety. Vigri's intensely spiritual decoration of her breviary, as well as convent altarpieces that formed a visual program of adoration for the Body of Christ, exemplify the Franciscan Observant visual culture. After Vigri's departure, it was transformed by d'Este women patrons, including Isabella da Aragona, Isabella d'Este and Lucrezia Borgia. While still preserving Observant ideals, it became a more elite noblewomen's retreat. Grounded in archival research and extant paintings, drawings, prints and art objects from Corpus Domini, this volume explores the art, visual culture, and social history of an early modern Franciscan women's community.

Albert L. Operti: chronicler of Arctic exploration

Polar Record ◽  
2015 ◽  
Vol 52 (3) ◽  
pp. 276-293
Author(s):  
Douglas W. Wamsley
Keyword(s):  
The United States ◽  
The Body ◽  
Polar Regions ◽  
Written Narratives ◽  
Professional Career ◽  
The Public ◽  
Metropolitan Opera ◽  
History Of ◽  
Arctic Exploration

ABSTRACTThe great wave of immigrants to the United States during the late 1800s brought many talented individuals who enriched American culture and society. Notable among them stands the Italian-born artist, Albert L. Operti (1852–1927), a versatile painter, illustrator and sculptor. For much of his professional career, Operti served as a scenic artist for the Metropolitan Opera House and later as an exhibit artist for the American Museum of Natural History. However, he maintained an avid personal interest in polar explorers and the history of polar exploration, ultimately turning his artistic skills to the subject. Operti served as official artist for Robert E. Peary during his Arctic expeditions of 1896 and 1897, producing paintings, drawings and even plaster casts of the Inuit from the expedition. Over the course of his lifetime he painted a number of ‘great’ pictures depicting, in a factually accurate manner, important incidents in Arctic history along with numerous smaller paintings, sketches, illustrations and studies. The quality of his work never rivaled his more talented contemporaries in the field of ‘great’ paintings, such as the prominent artists William Bradford and Frederic Church. Nonetheless, Operti achieved some recognition in his time as a painter of historical Arctic scenes, but the full extent of his contributions are little known and have been largely unexamined. Unlike the explorers themselves whose legacy rests upon geographic or scientific accomplishments and written narratives, Operti's legacy stands upon the body of distinctive artwork that served to convey, in realistic and graphic terms, the hardships and accomplishments of those explorers. This article recounts the life of Operti and his role as an historian in disseminating knowledge of the polar regions and its explorers to the public.

Bodies in Evidence: Perspectives on the History of the Body in Early Modern Europe.

1998 ◽  
Vol 29 (1) ◽  
pp. 304
Author(s):  
Michael T. Walton ◽  
Marjo Kaartinen ◽  
Anu Korhonen
Keyword(s):  
Early Modern ◽  
The Body ◽  
Early Modern Europe ◽  
History Of The Body ◽  
History Of ◽  
Modern Europe
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