Drawing, Redrawing, and Undrawing

Author(s):  
Benoît Crucifix

Drawing comics holds an ambiguous status, between graphic trace and mechanical reproduction. This chapter examines practices of copying that play up this ambiguity, looking at comics, redrawn and undrawn, that foreground the questions: What does it mean to draw without drawing? What does it mean to copy and redraw or even to disengage from the very act of drawing? By reading through a selection of contemporary small-press comics from both Europe and North America that draw from archives, this chapter works toward elaborating a “graphic archiveology,” analyzing the way creators materially engage with the past, literally redrawing from loose, often self-curated archives of comics.

2016 ◽  
Vol 22 (2) ◽  
Author(s):  
Dennis Bruining

In this article, I aim to further thinking in the broadly ‘new materialist’ field by insisting it attends to some ubiquitous assumptions. More specifically, I critically interrogate what Sara Ahmed has termed ‘the founding gestures of the “new materialism”’. These founding rhetorical gestures revolve around a perceived neglect of the matter of materiality in ‘postmodernism’ and ‘poststructuralism’ and are meant to pave the way for new materialism’s own conception of matter-in/of-the-world. I argue in this article that an engagement with the postmodern critique of language as constitutive, as well as the poststructuralist critique of pure self-presence, does not warrant these founding gestures to be so uncritically rehearsed. Moreover, I demonstrate that texts which rely on these gestures, or at least the ones I discuss in this article, are not only founded on a misrepresentation of postmodern and poststructuralist thought, but are also guilty of repeating the perceived mistakes of which they are critical, such as upholding the language/matter dichotomy. I discuss a small selection of texts that make use of those popular rhetorical gestures to juxtapose the past that is invoked with a more nuanced reading of that past. My contention is that if ‘the founding gestures of the “new materialism”’ are not addressed, the complexity of the postmodern and poststructuralist positions continues to be obscured, with damaging consequences for the further development of the emerging field of new materialism, as well as our understanding of cultural theory’s past.


2005 ◽  
Vol 20 (2) ◽  
pp. 341 ◽  
Author(s):  
Albert Esteve Palós

A partir de los microdatos de los censos mexicanos de 1970, 1990 y 2000, en este artículo se examina la homogeneidad de los matrimonios y uniones atendiendo al nivel de instrucción de los cónyuges en las últimas tres décadas, caracterizadas por una fuerte expansión de la escolaridad, por el incremento de los rendimientos de la educación y por la reducción progresiva de las diferencias de género en materia educativa. Tres conclusiones brotan del examen de los datos: el aumento significativo de la homogamia entre los más escolarizados, la consolidación de dos zonas extendidas de homogamia, y la reducción de las diferencias en torno a la manera en que los hombres y las mujeres incorporan la educación en la selección conyugal. AbstractOn the basis of microdata from Mexican censuses taken in 1970, 1990 and 2000, this article examines the homogeny of marriages and consensual marriages by level of spousal educational attainment over the past three decades, characterized by the enormous expansion of schooling, the increase in educational performance and the progressive reduction in gender differences in educational matters. Three conclusions emerge from the examina­tion of the data: the significant increase in homogamy among those with the highest levels of educational attainment, the consolidation of two extended zones of homogamy and the reduction of differences between the way men and women incorporate education in the selection of marriage partners.


Author(s):  
Thomais Kordonouri

‘Archive’ is a totality of records, layers and memories that are collected. A city is the archive that consists of the conscious selection of these layers and traces of the past and the present, looking towards the future. Metaxourgio is an area in the wider historic urban area of Keramikos in Athens that includes traces of various eras, beginning in the Antiquity and continuing all the way into the 21st century. Its archaeological space ‘Demosion Sema’ is mostly concealed under the ground level, waiting to be revealed. In this proposal, Metaxourgio is redesigned in light of archiving. Significant traces of the Antiquity, other ruins and buildings are studied, selected and incorporated in the new interventions. The area becomes the ‘open archive’ that leads towards its lost identity. The proposal aims not only to intensify the relationship of architecture with archaeology, but also to imbue the area’s identity with meanings that refer to the past, present and future.


2021 ◽  
Vol 5 (S4) ◽  
Author(s):  
Femmy Lumempouw ◽  
Rosalina Rolany Rambing ◽  
Erenst Mantiri

The researcher discusses some of the forms of local wisdom in relation to the tradition of building houses. This study is entitled Analysis of the Symbolic Meaning of the Lexicon in the Tradition of Building a Residential House in Preparation for Selection of Building Materials as Local Wisdom in the Tombulu Minahasa area: Ethnosemantic Studies. Research related to local wisdom is important because now people in the Tombulu area when building houses no longer follow the traditional way like the way our ancestors did in the past. The researcher explores and reveals the symbolic meaning of the lexicon like what is used in building houses as local wisdom in the Tombulu Minahasa area. The objectives of this study are (1) to identify and classify the lexicon on the tradition of building houses on the selection of building materials as local wisdom in the Tombulu area; (2) Explaining the symbolic meaning of the lexicon in the tradition of building houses in the selection of building materials as local wisdom in the Tombulu area. The method used in this study is a qualitative descriptive method. Researchers describe and explain narratively.


2022 ◽  
Author(s):  
Roslyn M Frank

The talk examines the relational ontology of the Native American Lenape Delaware people who form part of the larger Algonquian-speaking group of North America. It is sometimes said that in the past as people contemplated the night sky, they ended up telling stories that were meant to explain what they saw in the sky above. Certainly, there is ample proof for the existence such astral tales when viewed cross-culturally. What I discuss, however, is the way in which what the Lenape people saw and experienced on earth was projected onto the stars above along with the associated cosmovision and belief system they embraced. Instead of passive sky-watching, they were fusing together landscape and skyscape. In the case of the Lenape cosmovision discussed here I will show that it is intimately linked to the tenets of bear ceremonialism. It was a remarkable belief system that managed to weave together landscape and skyscape: what was happening on earth and experienced on a daily basis was exteriorized, given expression and importance by projecting aspects of this rich earthly belief system onto the massive sky screen above.


Urban History ◽  
1977 ◽  
Vol 4 ◽  
pp. 6-29 ◽  
Author(s):  
Zane L. Miller ◽  
Clyde Griffen ◽  
Gilbert Stelter

History is a tricky business, if only because history, as a phenomenon of the present, subject to scrutiny and manipulation, does not exist: it is, in a very real sense, made up. The study of the history of historical writing is a doubly tricky business because it is not merely what really happened in the past which determined the way people acted and wrote history, but also the way in which people perceived what happened. These complications require that one not only take into account what historians have said but also their perceptions of reality in their own times and the way that perception defined their conception of what was real in the past. Definition becomes the crux of the matter, for the way our predecessors wrote urban history depended upon their definition of their subject matter.


Forum+ ◽  
2018 ◽  
Vol 25 (2) ◽  
pp. 25-35
Author(s):  
Elly Van Eeghem

Sinds 2012 richt kunstenaar Elly Van Eeghem haar blik en lens op hoe steden veranderen. In de voorbije zes jaar werkte ze in verschillende stadswijken in Parijs, Berlijn, Montreal en Gent. Ze gebruikte foto- en video-opnames, acties in de publieke ruimte en archiefbeelden om collectieve interventies met lokale buurtbewoners op gang te brengen. Momenteel werkt ze aan een boek en een documentaire podiumvoorstelling als slot van dit project. Voor de beeldkatern van FORUM+ maakte ze een selectie uit archiefbeelden, verzameld tijdens binnen- en buitenlandse residenties.Since 2012 the artist Elly Van Eeghem has directed her gaze and lens at the way towns change. During the past six years she has worked in various urban districts in Paris, Berlin, Montreal and Ghent. She uses photography and video, actions in the public space and archive images in order to kickstart collective interventions with local residents. At present she is working on a book and a documentary stage presentation as the crowning piece of this project. She has made a selection of archive images collected during her residences both in Belgium and abroad for the picture supplement of FORUM+.


2021 ◽  
Vol 76 (2) ◽  
pp. 103-113
Author(s):  
Julie Ren

Abstract. There has been a proliferation of contemporary art biennials in the past 20 years, especially in cities outside of North America and Europe. What biennials represent to their host cities and what is represented at these events reveal a great deal about the significance of this proliferation. The biennial platform entails formalistic notions of representation with regards to place branding or the selection of artists as emissaries of countries where they were been born, reside, or to which they have some kind of affinity. This notion of representation is obscured considering the instability of center and periphery, artists' biographies, practices, and references. In contradistinction to the colonial world fair, the biennial thwarts the notion or possibility of “authentic” representation. The analysis incorporates works shown at the 2018 biennials in Dakar and Taipei, interviews with artists, curators, and stakeholders, and materials collected during fieldwork in both cities.


2020 ◽  
pp. 133-139
Author(s):  
Sanatan Ratna ◽  
B Kumar

In the past few decades, there has been lot of focus on the issue of sustainability. This has occurred due to the growing concerns related to climate change and the growing awareness about environmental concerns. Also, the competition at global level has led to the search for the most sustainable route in the industries. The current research work deals with the selection of green supplier in a Nickle coating industry based on certain weighted green attributes. For this purpose, a hybrid tool comprising of Fuzzy AHP (Fuzzy Analytical Hierarchy) and VIKOR (VlseKriterijumska Optimizacija I Kompromisno Resenje) is used. The Fuzzy AHP is used for assigning proper weights to the selected criteria for supplier evaluation, while VIKOR is used for final supplier selection based on the weighted criteria. The three criterions for green supplier selection are, Ecological packaging, Corporate socio-environmental responsibility and Staff Training. The outcome of the integrated model may serve as a steppingstone to other SMEs in different sectors for selecting the most suitable supplier for addressing the sustainability issue.


Author(s):  
James J. Coleman

At a time when the Union between Scotland and England is once again under the spotlight, Remembering the Past in Nineteenth-Century Scotland examines the way in which Scotland’s national heroes were once remembered as champions of both Scottish and British patriotism. Whereas 19th-century Scotland is popularly depicted as a mire of sentimental Jacobitism and kow-towing unionism, this book shows how Scotland’s national heroes were once the embodiment of a consistent, expressive and robust view of Scottish nationality. Whether celebrating the legacy of William Wallace and Robert Bruce, the reformer John Knox, the Covenanters, 19th-century Scots rooted their national heroes in a Presbyterian and unionist view of Scotland’s past. Examined through the prism of commemoration, this book uncovers collective memories of Scotland’s past entirely opposed to 21st-century assumptions of medieval proto-nationalism and Calvinist misery. Detailed studies of 19th-century commemoration of Scotland’s national heroes Uncovers an all but forgotten interpretation of these ‘great Scots’ Shines a new light on the mindset of nineteenth-century Scottish national identity as being comfortably Scottish and British Overturns the prevailing view of Victorian Scottishness as parochial, sentimental tartanry


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