The Inheritance of Melodrama

Author(s):  
Stephen Watt

Although many in the Irish national theatre movement rejected melodrama—‘we will show that Ireland is not the home of buffoonery and easy sentiment’, as Yeats put it—the form continued to be both popular and influential into the twentieth century. This chapter deals with the hugely successful genre of Irish plays associated with figures such as Dion Boucicault, Hubert O’Grady, and J. W. Whitbread, and the impact of the form on later playwrights including O’Casey. It will show that by staging what might be called ‘dramas of exteriority’, melodrama provided a form of theatre capable of social critique, and its persistence well into the twentieth century was something more than the survival of a residual theatrical form. Indeed, it could be argued that Irish melodrama as a theatrical form can be understood as a response to the shocks of modernity.

The familiar narrative in this field has focused on playwrights: from the foundational work of W. B. Yeats, Augusta Gregory, and J. M. Synge of the early twentieth-century national theatre movement to contemporary figures such as Martin McDonagh, Marina Carr, and Enda Walsh, sometimes including Oscar Wilde, Bernard Shaw, and Samuel Beckett. These playwrights are all given detailed analysis in this volume, while extending the conspectus to the full phenomenon of modern Irish theatre. Two sections of the book are devoted to performance, examining the neglected work of directors and designers, as well as exploring acting styles and playing spaces. While the Abbey, as Ireland’s national theatre, has been of central importance, individual chapters bring out the contesting voices of women in a male-dominated arena, the position of Irish-language theatre, and ‘little theatres’ that challenged the hegemony of the Abbey. The middle of the twentieth century saw what amounted to a new revival of Irish drama with the emergence of a generation of playwrights responding in innovative ways to a modernizing Ireland, again diversified by the establishment of regional companies and alternative dramaturgical directions from the 1970s. The contemporary period in Irish theatre has featured a movement beyond scripted plays to more experimental work. The impact and interactions of Irish theatre are finally placed within the wider world of the United Kingdom, Europe, and the United States. The forty-one chapters of the volume offer the most comprehensive analysis to date of modern Irish theatre.


2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.


Author(s):  
Adrian Daub

Arnold Schoenberg and Thomas Mann, two towering figures of twentieth-century music and literature, both found refuge in the German-exile community in Los Angeles during the Nazi era. This complete edition of their correspondence provides a glimpse inside their private and public lives and culminates in the famous dispute over Mann's novel Doctor Faustus. In the thick of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make him an enemy of both families. Gathered here for the first time in English, the letters are complemented by diary entries, related articles, and other primary source materials, as well as an introduction that contextualizes the impact that these two great artists had on twentieth-century thought and culture.


Author(s):  
Bernardo Bátiz-Lazo

Chapter 1 (‘A Window to Internal and External Change in Banking’) provides a wide-arch view of the themes in the book. It highlights how in spite of being deeply embedded in our culture as an object of everyday life, the interaction with ATMs is largely inconsequential for most people. This chapter also forwards a case to study the ATM to better understand the possibilities for technological change to bring about a cashless economy. Another argument put forward is that the ATM is essential to appreciate the technological and organizational challenges that gave rise to self-service banking. As a result, the case is made that business histories of the late twentieth century will be incomplete without proper consideration to the impact of computer technology on the different aspects of business organizations.


Author(s):  
Christel Lane

This chapter examines the impact of rapid urbanization and industrialization on food and eating out. It draws attention to the growing standardization of food and, with greater class differentiation, to the growing diversity in eating-out venues. Class, gender, and nation are again used as lenses to understand the different eating-out habits and their symbolic significance. Towards the end of the twentieth century, pubs moved more fully towards embracing dining. However, the quality of food, in general terms, began to improve significantly only towards the end of the century, and hospitality venues also moved towards selling food from diverse national origins.


Author(s):  
Samuel Llano

This chapter analyzes the impact on the population of the expansion of nightlife in Madrid from the 1880s on. More particularly, it studies public fears raised by alcoholism and flamenco that led to this music being identified with social disorder and immorality. The Fuencarral Street murder (1888), in which a flamenco aficionado was involved, shocked the public and triggered a campaign against flamenco and the culture associated with it, known as flamenquismo. Behind this campaign, however, was fear and hatred of rural immigrants from Andalusia, who transformed Madrid’s culture and elicited the opposition of the population most affected by the rise of hunger and deprivation in Madrid. At the turn of the twentieth century, this situation led to flamenquismo being used as a catchword to designate any social problems affecting Spain in the wake of the 1898 desastre.


2006 ◽  
Vol 19 (13) ◽  
pp. 3055-3069 ◽  
Author(s):  
Peter A. Stott ◽  
John F. B. Mitchell ◽  
Myles R. Allen ◽  
Thomas L. Delworth ◽  
Jonathan M. Gregory ◽  
...  

Abstract This paper investigates the impact of aerosol forcing uncertainty on the robustness of estimates of the twentieth-century warming attributable to anthropogenic greenhouse gas emissions. Attribution analyses on three coupled climate models with very different sensitivities and aerosol forcing are carried out. The Third Hadley Centre Coupled Ocean–Atmosphere GCM (HadCM3), Parallel Climate Model (PCM), and GFDL R30 models all provide good simulations of twentieth-century global mean temperature changes when they include both anthropogenic and natural forcings. Such good agreement could result from a fortuitous cancellation of errors, for example, by balancing too much (or too little) greenhouse warming by too much (or too little) aerosol cooling. Despite a very large uncertainty for estimates of the possible range of sulfate aerosol forcing obtained from measurement campaigns, results show that the spatial and temporal nature of observed twentieth-century temperature change constrains the component of past warming attributable to anthropogenic greenhouse gases to be significantly greater (at the 5% level) than the observed warming over the twentieth century. The cooling effects of aerosols are detected in all three models. Both spatial and temporal aspects of observed temperature change are responsible for constraining the relative roles of greenhouse warming and sulfate cooling over the twentieth century. This is because there are distinctive temporal structures in differential warming rates between the hemispheres, between land and ocean, and between mid- and low latitudes. As a result, consistent estimates of warming attributable to greenhouse gas emissions are obtained from all three models, and predictions are relatively robust to the use of more or less sensitive models. The transient climate response following a 1% yr−1 increase in CO2 is estimated to lie between 2.2 and 4 K century−1 (5–95 percentiles).


2005 ◽  
Vol 30 (3) ◽  
pp. 262-273 ◽  
Author(s):  
MATTHIAS WARSTAT

The concept of festival can help to understand the framework within which political community building took place in Germany in the late nineteenth and early twentieth century and the methods employed in doing so. Political communities were established within different kinds of cultural performances such as gatherings, demonstrations, party conventions, and – most frequently – political celebrations, which obtained a festival-like structure. Referring to examples from the labour movement, this article examines different techniques of creating communities and discusses the impact of theatrical strategies and certain types of theatre in this crucial field of modern politics.


2009 ◽  
Vol 42 (2) ◽  
pp. 279-300 ◽  
Author(s):  
Robert Gerwarth ◽  
Stephan Malinowski

Historians on both sides of the Atlantic are currently engaged in a controversy about the allegedly genocidal nature of western colonialism and its connections with the mass violence unleashed by Nazi Germany between 1939 and 1945. The debate touches upon some of the most “sensitive” issues of twentieth-century history: the violent “dark side” of modern western civilization, the impact of colonial massacres on the European societies that generated this violence and, perhaps most controversially, the origins and uniqueness of the Holocaust.


Sign in / Sign up

Export Citation Format

Share Document