The Muscovite Revival, 1881–1917

2015 ◽  
Author(s):  
Richard S. Wortman
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
Political Participation ◽  
National Culture ◽  
Nation State ◽  
Catastrophic Events ◽  
The West ◽  
Authoritarian Rule ◽  
Early Twentieth Century ◽  
United Nation

The assassination of Alexander II on 1 March 1881 ended the European myth of Russian monarchy—the narratives and imagery that had elevated Russian rulers since the reign of Peter I as exemplars of Western absolutism—and was followed by the introduction of a new governing myth idealizing seventeenth-century Muscovy. This chapter demonstrates that, by entertaining the illusion of a monarchical early Rus’, Alexander III and Nicholas II not only undermined the supra-national culture of their multi-national empire, but isolated themselves from educated society, both liberal and conservative, that looked towards political participation and the formation of a united nation-state on the model of the West. The catastrophic events of early twentieth-century Russia resulted not from a decrepit monarchy collapsing before insurgent oppositional movements, but from the clash of a monarch seeking to restore divinely inspired authoritarian rule with a Russia awakening politically and demanding to be heard.

The Old Rhetoric

2019 ◽  
pp. 27-68
Author(s):  
Anthony Ossa-Richardson
Keyword(s):  
Twentieth Century ◽  
Philosophical Analysis ◽  
Persuasive Communication ◽  
Western Thought ◽  
The West ◽  
The Third ◽  
Early Twentieth Century ◽  
The World ◽  
Persuasive Speech

This chapter discusses the Old Rhetoric, sketching the long persistence in the West—from Aristotle to the early twentieth century—of a ‘single meaning model’ of language, one that takes ambiguity for granted as an obstacle to persuasive speech and clear philosophical analysis. In Aristotle's works are the seeds of three closely related traditions of Western thought on ambiguity: the logicosemantic, the rhetorical, and the hermeneutic. The first seeks to eliminate ambiguity from philosophy because it hinders a clear analysis of the world. The second seeks to eliminate ambiguity from speech because it hinders the clear and persuasive communication of argument. The third, an extension of the second, seeks to resolve textual ambiguity because it hinders the reader's ability to grasp the writer's intention. The chapter then considers Aristotle's two types of verbal ambiguity: homonym and amphiboly. The solution to both—whether their presence in a discussion is accidental or deliberate—is what Aristotle calls diairesis or distinction, that is, the explicit clarification of the different meanings involved.

In International Pursuit of a Caliphate

2017 ◽  
Author(s):  
Mona Hassan
Keyword(s):  
Twentieth Century ◽  
New Age ◽  
League Of Nations ◽  
Religious Community ◽  
Nation State ◽  
Muslim Community ◽  
Early Twentieth Century ◽  
New Models ◽  
Muslim Intellectuals ◽  
Post War

This chapter analyzes the vibrant discussions of the early twentieth century over how to revive a caliphate best suited to the post-war era. While some advocated preservation of a traditional caliphal figurehead, many Muslim intellectuals were greatly persuaded by new models of internationalism embracing the nation-state and proposed international caliphal councils and organizations, similar to the League of Nations, or other purportedly spiritual institutions, similar to the refashioned papacy, to preserve the bonds of a transregional religious community. To varying degrees, all the participants in the debate over reviving a twentieth-century caliphate were influenced by an intriguing confluence of both the historic transregionalism of the Muslim community as well as the modern thrust of the new age of global internationalism.

Province and Nation: The Chekiang Provincial Autonomy Movement, 1917–1927

1977 ◽  
Vol 36 (4) ◽  
pp. 661-674 ◽  
Author(s):  
R. Keith Schoppa
Keyword(s):  
Twentieth Century ◽  
Political Power ◽  
Nation State ◽  
National Integration ◽  
Life And Death ◽  
Administrative Efficiency ◽  
Early Twentieth Century ◽  
Distribution Of Power ◽  
Provincial Autonomy

Humiliated and shaken by the depredations of the imperialist nations, early twentieth-century Chinese leaders sought the establishment of a strong nation-state. Bitter struggles over the means to reach that goal—primarily over the distribution of political power—ended in the demise of the Ch'ing, the defeat of Yuan Shih-k'ai, and the turmoil of the “warlord” period. After Yuan's death in 1916, the dispute over distribution of power thrust into serious consideration the model of a federation for building a nation out of China's disparate regions and interests. Some felt that a federation was perhaps a more effective integrating form than the centralized bureaucratic model the late Ch'ing and Yuan Shih-k'ai had supported. The debate was not new in China. However, during the empire, proponents of centralization (chün-hsien) and decentralization (feng-chien) had been concerned with finding the form that would produce the greatest stability and administrative efficiency; now the Chinese were obsessed with the issue for life-and-death reasons. 2 Rapid national integration seemed imperative for China's survival. In 1901, Liang Ch'i-ch'ao had discussed the possibilities of a Chinese federation; 3 but, until 1916, federalism was effectively submerged by the centralizers. Amid increasing turmoil after Yuan's death, federalism seemed to provide an answer to chaotic instability.

scholarly journals “Citizens of this Great Republic”: Politics and the West Virginia Miners, 1900–1922

1995 ◽  
Vol 40 (1) ◽  
pp. 31-50
Author(s):  
Roger Fagge
Keyword(s):  
Twentieth Century ◽  
West Virginia ◽  
Ethnic Differences ◽  
Political Identity ◽  
Political Involvement ◽  
The West ◽  
Early Twentieth Century

SummaryThe West Virginia Miners engaged in remarkable inter-ethnic rebellions in the early twentieth century, against the “feudal” conditions in the Mountain State's coalfields. This paper challenges the view that these actions were backed by an equally radical and class-conscious language based on Americanism. It shows how due to various barriers, ranging from ethnic differences to electoral interference, political involvement on the part of the miners was sporadic and unsuccessful, and they were unable to form a common, coherent political identity. Instead they articulated a broad and ultimately ambiguous appeal to “American” rights and values, which focused on the exceptionalism of West Virginia, and took the interpretation of Americanism to be self-evident.

Stealing Words, Transplanting Images

2018 ◽  
Vol 68 (2) ◽  
pp. 191-214
Author(s):  
Yu-jen Liu
Keyword(s):  
Twentieth Century ◽  
National Culture ◽  
Visual Representations ◽  
Institutional Setting ◽  
Chinese Art ◽  
Cultural Significance ◽  
Authoritative Knowledge ◽  
Early Twentieth Century ◽  
Art Objects ◽  
Victoria And Albert Museum

Abstract This article explores how the category “Chinese art” was articulated and consolidated in the early twentieth century by focusing on Stephen Bushell's Chinese Art, the first book in English defined in terms of this category. Bushell's monograph highlights the intercultural character of the category, which was transformed in its content and cultural significance, when ostensibly the same authentic knowledge, articulated in verbal and visual representations, was moved from China to Europe and back again. The article starts by examining how Bushell's insider knowledge of Chinese art was transformed to fit the institutional setting of the Victoria and Albert Museum. It then explores how the authoritative knowledge of Chinese art communicated in Bushell's book was appropriated in China by the journal Guocui xuebao 國粹學報 (Journal of National Essence) in the context of attempts to revive national culture. Both cases involved hitherto unnoticed repetitions of text and images. By analyzing the mechanism informing these repetitions, this article reveals the entangled history behind the distinctive articulations of “Chinese art” in Britain and in China. Moreover, the analysis shows how the same elements, whether words or pictures, acquired a substantially different significance as they moved between cultures. This is exemplified by the formulation of the newly emergent classifying category Zhongguo meishupin 中國美術品 (“Chinese art objects”) in Guocui xuebao.

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