Conclusion

2016 ◽  
Author(s):  
Carlos Rojas ◽  
Andrea Bachner
Keyword(s):  
Cultural Study ◽  
Chinese Literature ◽  
Vantage Point ◽  
The Other ◽  
Literary Studies ◽  
Test Case ◽  
Cultural Comparison ◽  
The Past ◽  
Literary Theories ◽  
New Methodologies

As conclusion to theHandbook, this chapter reflects on the ways in which Chinese literary studies can and does inform the broader fields of literary studies and the humanities as such. In the past decades, Chinese literary studies has been experiencing a double perspectival shift: on one hand it has extended and expanded the scope of the field with ever more complex definitions of “Chineseness,” on the other, it has striven to integrate itself into broader intercultural, global, and comparative frameworks. From this vantage point, the chapter critically probes the role Chinese literary studies plays within world literary, comparative, and area studies approaches. Instead of constituting merely another object of world-literary theories formulated elsewhere, or an exceptional test case for cultural comparison, Chinese literature—as the chapters in theHandbookpropose—can be read as a rich reservoir of models that formulate new methodologies and inspire new insights for literary and cultural study as such in dialogue and contestation with existing local, regional, national, intercultural concepts and frameworks.

Humanistic and Renaissance Studies in Review

Traditio ◽  
1966 ◽  
Vol 22 ◽  
pp. 451-462
Author(s):  
Sesto Prete
Keyword(s):  
The Other ◽  
Literary Studies ◽  
Precise Form ◽  
The Past ◽  
Renaissance Studies ◽  
Scientific Approach

In the past few years, literary studies on Humanism and the Renaissance have commanded ever-increasing attention. The research displays, broadly, two marked trends: one segment, which stations itself in the ranks of scholars such as Burckhardt, Voigt, De Sanctis, Gaspary, and others, interprets the intellectual and spiritual atmosphere of the era; the other uncovers new texts or, keeping step with the modern scientific approach to the study of manuscripts, reedits in more precise form already known texts — this group is dominated by the name of Sabbadini. In the following pages, several books which have appeared in the last few years will be assessed with a view toward their contributions in both areas.

scholarly journals V.S. Naipaul’s A way in the world: contesting liminality by translating the historical past

Literator ◽  
2006 ◽  
Vol 27 (1) ◽  
pp. 97-106
Author(s):  
ZHU Ying
Keyword(s):  
Vantage Point ◽  
Broad Sense ◽  
The Other ◽  
Documentary Evidence ◽  
Historical Representation ◽  
The Past ◽  
The World ◽  
Historical Past

In this article the concept of liminality is understood in a broad sense to mean the incompleteness of historical representation and the restrained view of reality. The ensuing discussion of the theme will be divided into three parts; each incorporating parts of Paul Ricoeur’s analyses in “The reality of the historical past” (1984). Ricoeur investigates the reality of the historical past under three categories – the Same, the Other, and the Analogue. Under the sign of “the Same”, contesting liminality is first discussed as the re-enactment of the historical past. This re-enactment of the past, however, has differences in the present on account of imaginative reinterpretations and repatternings of documentary evidence. Under the sign of ”the Other”, the second part or the article discusses Naipaul’s strategy of taking distance to counteract liminality in rewriting the historical past from the vantage point of a writer-traveller. Finally, the analysis under the sign of “the Analogue” points out that the commitment to combat liminality implies an unending attempt at rectifying and reconfiguring the historical past in order to accomplish continuity and renewal.

THE RELIC AND THE RUIN: EQUIVOCAL OBJECTS AND THE PRESENCE OF THE PAST INDANIEL DERONDA

2016 ◽  
Vol 44 (4) ◽  
pp. 855-874 ◽  
Author(s):  
Priyanka Anne Jacob
Keyword(s):  
Vantage Point ◽  
The Other ◽  
The Novel ◽  
Her Family ◽  
Daniel Deronda ◽  
The Past ◽  
Right Hand

Early in George Eliot'sDaniel Deronda, Daniel's life is set on a decisive new path by his fleeting attraction to an object in a shop window. He is turning into a side street off Holburn Road when:his attention was caught by some fine old clasps in chased silver displayed in the window at his right hand. His first thought was that [his aunt] Lady Mallinger, who had a strictly Protestant taste for such Catholic spoils, might like to have these missal-clasps turned into a bracelet; then his eyes travelled over the other contents of the window, and he saw that the shop was that kind of pawnbroker's where the lead is given to jewellery, lace, and all equivocal objects introduced asbric-a-brac. A placard in one corner announced –Watches and Jewellery exchanged and repaired. (344; bk. 4, ch. 6)Daniel then moves across the street to avoid the shopkeeper, and it is only from this new vantage point that he notices the name “Ezra Cohen” above the window – the name he's been seeking while wandering Jewish neighborhoods in London in the hopes of reuniting his protégée Mirah with her family. He will return to the pawnshop later and become acquainted with the Cohens, eventually finding through them his mentor and Mirah's actual brother, Mordecai. Although some discussion of the silver clasps ensues, they are neither purchased nor used in the space of the novel. Still, this seemingly inconsequential trinket proves to have a long history, one that raises questions about the lingering remains of the past, the equivocality of the object, and the dispossessions that hauntDaniel Deronda.

Pentecostal exorcism and Afro-Cuban endorcism: ‘Radical participation’ and the proliferation of symmetries

2021 ◽  
pp. 003776862110437
Author(s):  
Manuela CantÓn-Delgado ◽  
Anastasios Panagiotopoulos
Keyword(s):  
Vantage Point ◽  
The Other ◽  
Ethnographic Research ◽  
The Past ◽  
Other Hand

In this article, we discuss personal moments of our respective ethnographic research on Guatemalan Pentecostalism and Afro-Cuban religiosity. Through our own involvement, we expose the approaches of the two religious forms, the former working by way of exorcism and the latter by way of endorcism. Guatemalan Pentecostal exorcism works by a radical expulsion of the previous non-Pentecostal past to strictly convert the person. Afro-Cuban endorcism, on the other hand, endorses the past, present, and future, as it accepts a simultaneity and multiplicity of ‘influences’. No ‘demon’ is perceived, as in the case of Pentecostalism, no ‘idolatry’ is detected and, instead of conversion, what occurs is a cumulative incorporation of multiple initiations. Our approach, we argue, as also inspired by theories of ‘radical participation’ and ‘symmetrisation’, affords a useful vantage point to engage with fine ethnographic nuances of a proliferation of comparative symmetries in the study of religiosity.

scholarly journals Socio-rhetorical interpretation: Theoretical points of departure

2001 ◽  
Vol 57 (1/2) ◽  
Author(s):  
Ernest Van Eck
Keyword(s):  
Rhetorical Analysis ◽  
Narrative Criticism ◽  
The Other ◽  
The Past ◽  
Working Definition ◽  
New Methodologies ◽  
Biblical Texts ◽  
Social Scientific ◽  
The One ◽  
Definition Of

In the past two decades, narrative criticism (narratology) and social-scientific criticism have come to the fore as the two most prominent new methodologies to be associated with gospel research. When these two methodologies are integrated in the reading of biblical texts, this is now referred to as "socio-rhetorical interpretation". This article departs from a specific understanding of what is meant by a narratological reading of a text on the one hand and, on the other hand, by a social-scientific interpretation of biblical texts, in order to propose a working definition of a socio-rhetorical analysis of texts.

‘Travelling landscapes’ and the potential of Artscapes

2021 ◽  
pp. 175069802110455
Author(s):  
Noga Stiassny
Keyword(s):  
Time Travel ◽  
The Other ◽  
Test Case ◽  
Space Travel ◽  
Collective Memories ◽  
Artistic Creation ◽  
The Past ◽  
New Perspective

What does it mean to represent trauma, heritage and/or terror-related landscapes in the present day? This article aims to offer a new perspective on the ability of such representations to initiate a journey by means of artistic creation; the author refers to such artworks as ‘ Artscapes’, claiming that Artscapes make feasible a seemingly contradictory act: on one hand, ‘time travel’ that assists in commemorating the past(s), and on the other, ‘space travel’ that has the ability to challenge collective memories, narratives and even myths associated with that past(s). By focusing on a growing trend towards diasporic Artscapes within Israeli art as a test case of this genre, the article explores the potential possessed by such works to negotiate ‘diasporic memories’ within Zionism’s national ethos.

Immunoferritin localization of intracellular antigens in positively stained frozen sections

1978 ◽  
Vol 36 (2) ◽  
pp. 168-169
Author(s):  
K. T. Tokuyasu
Keyword(s):  
Surface Tension ◽  
Water Surface ◽  
Thin Layers ◽  
The Other ◽  
Positive Staining ◽  
Frozen Sections ◽  
The Past ◽  
Ultrathin Frozen Sections ◽  
Definition Of

During the past investigations of immunoferritin localization of intracellular antigens in ultrathin frozen sections, we found that the degree of negative staining required to delineate u1trastructural details was often too dense for the recognition of ferritin particles. The quality of positive staining of ultrathin frozen sections, on the other hand, has generally been far inferior to that attainable in conventional plastic embedded sections, particularly in the definition of membranes. As we discussed before, a main cause of this difficulty seemed to be the vulnerability of frozen sections to the damaging effects of air-water surface tension at the time of drying of the sections.Indeed, we found that the quality of positive staining is greatly improved when positively stained frozen sections are protected against the effects of surface tension by embedding them in thin layers of mechanically stable materials at the time of drying (unpublished).

Applications of Through-Focus Dark Field Image Shifts to Phase Identification

1975 ◽  
Vol 33 ◽  
pp. 178-179
Author(s):  
Prakash Rao
Keyword(s):  
Dark Field Image ◽  
Thin Foil ◽  
Dark Field ◽  
The Other ◽  
Stereo Image ◽  
Phase Identification ◽  
The Past ◽  
Field Electron Microscopy ◽  
Dark Field Electron ◽  
Recent Extension

Image shifts in out-of-focus dark field images have been used in the past to determine, for example, epitaxial relationships in thin films. A recent extension of the use of dark field image shifts has been to out-of-focus images in conjunction with stereoviewing to produce an artificial stereo image effect. The technique, called through-focus dark field electron microscopy or 2-1/2D microscopy, basically involves obtaining two beam-tilted dark field images such that one is slightly over-focus and the other slightly under-focus, followed by examination of the two images through a conventional stereoviewer. The elevation differences so produced are usually unrelated to object positions in the thin foil and no specimen tilting is required.In order to produce this artificial stereo effect for the purpose of phase separation and identification, it is first necessary to select a region of the diffraction pattern containing more than just one discrete spot, with the objective aperture.

‘Newness which never perishes’? Schoenberg’s ambivalent reception of Haydn

2010 ◽  
Vol 51 (1-2) ◽  
pp. 215-224
Author(s):  
Alexander Carpenter
Keyword(s):  
The Other ◽  
Major Influence ◽  
Musical Style ◽  
The Past ◽  
Other Hand ◽  
The Future ◽  
Music Tradition

This paper explores Arnold Schoenberg’s curious ambivalence towards Haydn. Schoenberg recognized Haydn as an important figure in the German serious music tradition, but never closely examined or clearly articulated Haydn’s influence and import on his own musical style and ethos, as he did with many other major composers. This paper argues that Schoenberg failed to explicitly recognize Haydn as a major influence because he saw Haydn as he saw himself, namely as a somewhat ungainly, paradoxical figure, with one foot in the past and one in the future. In his voluminous writings on music, Haydn is mentioned by Schoenberg far less frequently than Bach, Mozart, or Beethoven, and his music appears rarely as examples in Schoenberg’s theoretical texts. When Schoenberg does talk about Haydn’s music, he invokes — with tacit negativity — its accessibility, counterpoising it with more recondite music, such as Beethoven’s, or his own. On the other hand, Schoenberg also praises Haydn for his complex, irregular phrasing and harmonic exploration. Haydn thus appears in Schoenberg’s writings as a figure invested with ambivalence: a key member of the First Viennese triumvirate, but at the same time he is curiously phantasmal, and is accorded a peripheral place in Schoenberg’s version of the canon and his own musical genealogy.

Investigating Applicability of the Meshfree Method to the Structural Analysis of Tires

2012 ◽  
Vol 40 (2) ◽  
pp. 60-82
Author(s):  
Ken Ishihara ◽  
Takehiro Noda ◽  
Hiroyuki Sakurai
Keyword(s):  
Meshfree Method ◽  
Alternative Methods ◽  
The Finite Element Method ◽  
Tire Industry ◽  
Academic Communities ◽  
The Past ◽  
New Methodologies ◽  
Tire Modeling ◽  
Point Data ◽  
Conducting Research

ABSTRACT In contrast to the finite element method (FEM), which is widely used in the tire industry nowadays, some alternative methods have been proposed by academic communities over the past decade or so. The meshfree method is one of those new methodologies. Originally intended to remove the burden of creating the mesh that is inherent in FEM, the meshfree method relies on the point data rather than the mesh, which makes it much easier to discretize the geometry. In addition to those modeling issues, it has been found that the meshfree method has several advantages over FEM in handling geometrical nonlinearities, continuities, and so forth. In accordance with those emerging possibilities, the authors have been conducting research on the matter. This article describes the results of the authors' preliminary research on the applicability of the meshfree method to tire analyses, which include the theoretical outline, the strategy of tire modeling, numerical results, comparisons with results of FEM, and conclusions.

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