Listening to Topics in the Nineteenth Century

2014 ◽  
Author(s):  
Julian Horton
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Case Studies ◽  
Piano Concerto ◽  
Close Attention ◽  
Topical Analysis ◽  
And Function ◽  
Musical Listening

This chapter evaluates issues in the topical analysis of nineteenth-century music, paying close attention to the persistence of eighteenth-century topics in changed social and cultural-political contexts, the emergence and function of new topics after 1800, and attendant shifts in the values of pedagogy and musical listening. The article develops these issues in two analytical case studies: an investigation of the role topics play in Schumann’s reevaluation of the piano concerto, as embodied in the first movement of his Concerto Op. 54; and an analysis of the Finale of Bruckner’s Symphony No. 7 relating topical discourse to the work’s Viennese reception, as instantiated in the reviews of Eduard Hanslick, Gustav Dömpke, and Max Kalbeck.

Jews and the Criminalization of Madness

1999 ◽  
Author(s):  
Ann Goldberg
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Case Studies ◽  
The Political ◽  
Human Sciences ◽  
Grey Zone ◽  
Social Type ◽  
The Difference ◽  
Mental Pathology ◽  
Medical Process

Distinctions between delinquency and illness were ill-defined and problematic, as we have seen in the case of the masturbator Johann A. And it was precisely in this vague grey zone between the two that psychiatry was able to insert itself in defining a new mental pathology. The problem of deciphering the difference between delinquency/criminality and madness was further complicated and given a unique twist in the cases of Jewish patients, whose Jewishness (in the eyes of the asylum) was by definition a kind of criminality and immorality. Jewishness, in other words, represented a category of interpretation distinct from illness, one which, in turn, had become highly politicized in the debates about Jewish emancipation since the eighteenth century. Therefore, when race was used to interpret patient behavior, it constituted a form of thinking outside of the medical domain in the strictest sense. In this way, it was potentially at odds with the medical process, and could, as I will show in two case studies, function to prevent the asylum staff from seeing and treating patients as ill. This chapter thus examines the limits of the medicalization of deviancy— the points where, in contrast to the “illnesses” discussed heretofore (male masturbation, nymphomania, and religious madness), medicine pulled back, seeking explanations for the person in a framework outside of the terms of medicine. That extramedical framework drew from long-standing stereotypes of Jews as immoral and criminal; but it also had a more immediate source in a contemporary trope that united Jewishness and criminality in a social type: the jüdischer Gauner (Jewish crook). Such images of Jews had in turn become part of the political arsenal of those opposing Jewish emancipation on the grounds of an incorrigible Jewish “character.” My argument here runs counter to the few historical works on Jews and insanity, which, consistent with the medicalization thesis, have focused exclusively on the conflation of Jewishness and illness in medical theories. In part, this approach derives from their focus on the second half of the nineteenth century, where the conflation was indeed overwhelming, psychiatry and medicine (as well as other human sciences) having become saturated with racial and degeneration theories.

Locating Rods and Cones: Microscopic Investigations of the Retina in Mid-Nineteenth-Century Berlin and Würzburg

2000 ◽  
Vol 13 (1) ◽  
pp. 137-152 ◽  
Author(s):  
Jutta Schickore
Keyword(s):  
Nineteenth Century ◽  
Physiological Function ◽  
Life Sciences ◽  
Physical Sciences ◽  
Close Attention ◽  
Rods And Cones ◽  
Morphological Studies ◽  
The Common ◽  
And Function ◽  
Microscopic Investigations

The ArgumentThis paper is concerned with the diversity of microscopic research in nineteenth-century life sciences. It examines how two researchers, Ernst Wilhelm Brücke and Heinrich Müller, investigated the structure and function of the retina. They did so in significantly different ways, thereby developing quite different accounts of this organ and its role in the process of vision. Both investigators were carrying out microscopic investigations, both were particularly concerned with interpreting their findings in terms of physiological function, and both employed the physical sciences in their microscopic research. Their approaches differed, however, with respect to the manner of handling and preparing the tissues, as well as with respect to the conceptual tools they applied to their findings.The cases indicate that the common tendency to associate microscopic research mainly with morphological studies of organic material is not appropriate. To understand nineteenth-century microscopy and its place in the sciences of life, close attention should be paid to the manner in which microscopic investigations were performed. It is only then that the flexibility and versatility of microscopic research comes into view.

Eloquent Performance

2014 ◽  
Author(s):  
Sheila Guymer
Keyword(s):  
Decision Making ◽  
Eighteenth Century ◽  
Case Studies ◽  
Performance Practices ◽  
Communicative Performance ◽  
Historically Informed Performance ◽  
Topical Analysis ◽  
Musical Character

This chapter explores how skilled performers use topical analysis in their interpretative decision-making, presenting material from lesson-interviews conducted with fortepianists Robert Levin and Bart van Oort. Drawing on treatises by Türk, Quantz, Kirnberger, Koch, and Leopold Mozart, it examines some historical foundations of Leonard Ratner’s topics, their connections with eighteenth-century concepts of musical character and expression, and topics’ limitations as tools in the process of analysis and interpretation. The chapter takes the Allegro movements of Mozart’s Sonata K. 333 as two case studies. It concludes that awareness of topical references in this repertoire aids performers in systematically identifying and executing contrasts, enabling more expressive and communicative performance. It suggests that a sensitive understanding of historically informed performance practices benefits topic theorists, as analyses may be undermined by anachronistic assumptions about how the music sounds in performance.

Historical Fragments’ Mobile Echo

Transfers ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 115-119 ◽  
Author(s):  
Susan E. Bell ◽  
Kathy Davis
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Eighteenth Century ◽  
Cultural Revolution ◽  
Ming Dynasty ◽  
Third Century ◽  
Refugee Crisis ◽  
The Third ◽  
Opium War ◽  
The Subject

Translocation – Transformation is an ambitious contribution to the subject of mobility. Materially, it interlinks seemingly disparate objects into a surprisingly unified exhibition on mobile histories and heritages: twelve bronze zodiac heads, silk and bamboo creatures, worn life vests, pressed Pu-erh tea, thousands of broken antique teapot spouts, and an ancestral wooden temple from the Ming dynasty (1368–1644) used by a tea-trading family. Historically and politically, the exhibition engages Chinese stories from the third century BCE, empires in eighteenth-century Austria and China, the Second Opium War in the nineteenth century, the Chinese Cultural Revolution of the mid-twentieth century, and today’s global refugee crisis.

Living Same-Name Siblings and British Historical Demography

2011 ◽  
pp. 15-36 ◽  
Author(s):  
Chris Galley ◽  
Eilidh Garrett ◽  
Ros Davies ◽  
Alice Reid
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Historical Demography ◽  
Vital Registration ◽  
Regional Variations ◽  
Quantitative Evidence ◽  
Registration Data ◽  
Vital Registration Data ◽  
The Rich ◽  
Isle Of Skye

This article examines the extent to which living siblings were given identical first names. Whilst the practice of sibling name-sharing appeared to have died out in England during the eighteenth century, in northern Scotland it persisted at least until the end of the nineteenth century. Previously it has not been possible to provide quantitative evidence of this phenomenon, but an analysis of the rich census and vital registration data for the Isle of Skye reveals that this practice was widespread, with over a third of eligible families recording same-name siblings. Our results suggest that further research should focus on regional variations in sibling name-sharing and the extent to which this northern pattern occurred in other parts of Britain.

THE NATURE AND FUNCTION OF COST KEEPING IN A LATE NINETEENTH-CENTURY SMALL BUSINESS

1988 ◽  
Vol 15 (1) ◽  
pp. 29-40 ◽  
Author(s):  
Thomas Tyson
Keyword(s):  
Nineteenth Century ◽  
Small Business ◽  
Late Nineteenth Century ◽  
Boat Building ◽  
Late Nineteenth ◽  
Economic Depression ◽  
And Function

J. Henry Rushton was the preeminent American builder of canoes and small pleasure boats in the late nineteenth-century. Beginning in the mid 1890s, Rushton personally maintained books of cost records and cost finding rules for his boat-building operations. In conjunction with the company's product catalogs and Rushton's personal letters, these books reveal the nature and function of cost keeping for this enterprise. They also suggest that pressures from increased competition and an economic depression may have stimulated Rushton to undertake detailed costing procedures.

The Fascist Turn in the Dance of Serge Lifar

2020 ◽  
Author(s):  
Mark Franko
Keyword(s):  
Nineteenth Century ◽  
World War Ii ◽  
World War I ◽  
Critical Reception ◽  
World War ◽  
Close Attention ◽  
Before And After ◽  
Gradual Development ◽  
Critical Discourses

This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905–1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses analyzed indulged in flights of poetic fancy a distinction is made between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947–1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar’s collaborationism during the Occupation confirms this analysis. The discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; then track the baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s.

Veiling Esther, Unveiling Her Story

2018 ◽  
Author(s):  
Adam J. Silverstein
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Case Studies ◽  
Muslim World ◽  
Historical Narratives ◽  
Modern Times ◽  
Religious Background ◽  
Literary Context ◽  
Shed Light ◽  
Selection Of

This book examines the ways in which the biblical book of Esther was read, understood, and used in Muslim lands, from ancient to modern times. It zeroes-in on a selection of case studies, covering works from various periods and regions of the Muslim world, including the Qur’an, premodern historical chronicles and literary works, the writings of a nineteenth-century Shia feminist, a twentieth-century Iranian dictionary, and others. These case studies demonstrate that Muslim sources contain valuable materials on Esther, which shed light both on the Esther story itself and on the Muslim peoples and cultures that received it. The book argues that Muslim sources preserve important, pre-Islamic materials on Esther that have not survived elsewhere, some of which offer answers to ancient questions about Esther, such as the meaning of Haman’s epithet in the Greek versions of the story, the reason why Mordecai refused to prostrate himself before Haman, and the literary context of the “plot of the eunuchs” to kill the Persian king. Furthermore, throughout the book we will see how each author’s cultural and religious background influenced his or her understanding and retelling of the Esther story: In particular, it will be shown that Persian Muslims (and Jews) were often forced to reconcile or choose between the conflicting historical narratives provided by their religious and cultural heritages respectively.

Conclusion

2018 ◽  
Author(s):  
John West
Keyword(s):  
Eighteenth Century ◽  
Case Studies ◽  
Literary History ◽  
The Political ◽  
The Third ◽  
Religious Differences

Literary history often positions Dryden as the precursor to the great Tory satirists of the eighteenth century, like Pope and Swift. Yet a surprising number of Whig writers expressed deep admiration for Dryden, despite their political and religious differences. They were particularly drawn to the enthusiastic dimensions of his writing. After a short reading of Dryden’s poem to his younger Whig contemporary William Congreve, this concluding chapter presents three case studies of Whig writers who used Dryden to develop their own ideas of enthusiastic literature. These three writers are Elizabeth Singer Rowe, John Dennis, and the Third Earl of Shaftesbury. These case studies are used to critique the political polarizations of seventeenth- and eighteenth-century literary history and to stress instead how literary friendship crossed political allegiances, and how writers of differing ideological positions competed to control mutually appealing ideas and vocabularies.

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