scholarly journals II. The meteorology of the Bombay Presidency

1877 ◽  
Vol 25 (171-178) ◽  
pp. 539-540
Keyword(s):  
Dynamical Theory ◽  
Physical Geography ◽  
General Distribution ◽  
Kinetic Theory Of Gases ◽  
Physical Conditions ◽  
The Third ◽  
Large Numbers ◽  
History Of ◽  
Meteorological Elements ◽  
Western Half

This work consists of four parts—the first dealing with registrations of meteorological phenomena at the Colába Observatory during a period of twenty-seven years; the second with moderately full observations at five military stations in the Bombay Presidency during a period of nineteen years; and the third with large numbers of observations from civil hospitals and revenue stations, being those of selected registers extending over various periods from not less than a fortnight up to a number of years: in this part the phenomena treated are temperature of the ah, winds, and rainfall only; and the extent of territory to which the observations refer includes the whole of the Presidency, bind, and the western half of Rajputána. In the fourth part are discussed the general distribution (as regards both space and season) of temperature and rainfall, and the variations of the wind; first with respect simply to the physical geography of the country, and then in combination with certain theoretical views, the elucidation of which, by means of the dynamical theory of heat and the kinetic theory of gases, occupies much space. Nearly half the memoir is devoted to the work of the Colába Observatory, of the history of which a short sketch is given. The design of this part is to give a compendious account of the results of a long and continuous maintenance of the Observatory, both in the shape of numerical determinations of meteorological elements and of their periodical and other variations, and in throwing light by means of these upon the physical conditions and actions which give rise to the observed relations between different phenomena, and to the variation of these relations with time.

scholarly journals O “QUADRO GEOGNÓSTICO DO BRASIL” DE WILHELM LUDWIG VON ESCHWEGE: BREVES COMENTÁRIOS À SUA VISÃO DA GEOLOGIA NO BRASIL

2013 ◽  
Author(s):  
Friedrich E. Renger
Keyword(s):  
Physical Geography ◽  
Iron Formation ◽  
Mica Schist ◽  
The Third ◽  
Rock Types ◽  
History Of Geology ◽  
Quadrilátero Ferrífero ◽  
History Of ◽  
First Time ◽  
East West

O trabalho apresenta uma resenha da obra “Geognostisches Gemälde von Brasilien und wahrscheinlichesMuttergestein der Diamanten “ de Wilhelm Ludwig von Eschwege por ocasião do sesquicentenário da suamorte em 1o de fevereiro de 2005. A obra foi publicada, em pequena tiragem, em 1822. Trata inicialmentedos grandes divisores de água: um de direção aproximada leste – oeste, separando a bacia do rio Amazonasdas dos rios Paraná e Paraguai, que Eschwege batiza de “Serra das Vertentes”, o outro divisor separa a baciado Rio São Francisco dos rios que correm diretamente ao Oceano Atlântico o qual chama de “Serra doEspinhaço”, incluindo nela a Serra da Mantiqueira. Em segundo lugar apresenta um esquema estratigráficobaseado nos modelos usados na Europa, como, por exemplo, aquele proposto em 1787 por AbrahamGottlieb Werner, professor da Academia de Minas de Freiberg na Alemanha. A Primeira FormaçãoPrimitiva é formada pelo embasamento cristalino, a Segunda Formação Primitiva corresponde às seqüênciassupracrustais dobradas (representadas pelos Supergrupos Rio das Velhas, Minas e Espinhaço), a Terceira oude Transição abrange essencialmente o atual Grupo Bambui e uma quarta subdivisão reúne depósitossuperficiais como aluviões e coberturas terciárias e quarternárias. Percebe-se que suas idéias a respeito dageologia do Brasil são fortemente influenciadas pela escola netunista de Werner. Descreve aindamacroscopicamente os principais tipos de rocha encontrados no Brasil, define os novos termos “itacolumito”e “itabirito” e introduz o termo “tapanhoacanga” na nomenclatura geológica, todos com suas localidadestipo.Tapanhoacanga, hoje reduzida para canga, é de origem indígena de tapanhu = escravo negro e acanga= cabeça (ou a = cabeça e canga = osso). A última parte do “Quadro geognóstico... “ trata da ocorrência dosdiamantes no Brasil e de sua possível rocha matriz, na sua opinião formados em concreções limoníticasoriginadas das rochas ferruginosas da Segunda Formação Primitiva.Palavras-chave: História da Geologia, Quadrilátero Ferrífero, Serra do Espinhaço, estratigrafia precambriana,itabirito, itacolumito, canga, diamantes ABSTRACT: ESCHWEGE’S “GEOGNOSTICAL SKETCH OF BRAZIL AND THE PROBABLE SOURCE ROCK OFDIAMONDS”: BRIEF COMMENTS ON HIS VISION OF BRAZILIAN GEOLOGY. This small brochure waspublished in 1822 by the German geologist Wilhem Ludwig von Eschwege (1777 – 1855) and is nowtranslated to Portuguese for the first time completely as a memorial of his passing away 150 years ago.Initially, Eschwege reports on the physical geography of Brazil and suggests the names “Serra das Vertentes”(Watershed Mountains) and “Serra do Espinhaço” (Backbone Ridge), running East – West the first and North– South the second, separating the great hydrographic basins in Brazil. A main chapter is dedicated to a veryfirst proposal of a stratigraphic scheme based on European models of the time and heavily influenced by A.G. Werner, the principal protagonist of the neptunism, which interpreted all rocks as being precipitated fromaqueous solutions. He distinguishes four stratigraphic divisions: the First Primitive Formation containinggranite, gneiss, and mica schist, corresponding in more modern terms to the crystalline basement; the SecondPrimitive Formation is formed by itacolumite (quartzite), itabirite (iron formation) and schist, representedby the Rio das Velhas, Minas, and Espinhaço supergroups. The third or Transitional Formation composed byslates, quartz schist, greywacke, and massive limestone corresponds to the Macaúbas and Bambui groups. Thefourth and uppermost formation encloses all superficial deposits, such as alluvial, river gravels and a peculiarferruginous conglomerate called by the native tapanhoacanga, which means Negro head. His argumentationis heavily influenced by neptunistic thinking. Eschwege still describes in great detail the principal rock types,as known at this time in Brazil and introduces the terms itacolumite, itabirite and (tapanhoa)canga into thegeological nomenclature. The second part is dedicated to the occurrence, distribution and origin of Braziliandiamonds. He considers that they are formed within any rock of his Second Primitive Formation, due to theoccasional founding of limonitic concretions with inclusions of diamonds.Keywords: History of geology, Quadril

Cattle Production in East Anglia— Past, Present and Future

1949 ◽  
Vol 1950 ◽  
pp. 40-53
Author(s):  
Frank H. Garner
Keyword(s):  
Sixteenth Century ◽  
Crop Production ◽  
Short Paper ◽  
Cattle Production ◽  
East Anglia ◽  
The Third ◽  
Large Numbers ◽  
History Of ◽  
Second Year ◽  
Stock Feed

In this short paper it is proposed in the first instance to give a brief outline of the history of crop production, since it is closely related to stock production. This will be followed by an outline of the cattle in East Anglia, and finally with the possible developments in the future. If one looks back into the cropping of the arable areas of this country, and in this case, East Anglia, one finds that in the earliest farming the rotations consisted of really a three course rotation—wheat or rye, followed in the second year, with barley, oats, peas or beans and in the third year, fallow. There was little provision for winter feed for livestock when such rotations were followed, and consequently large numbers of animals were killed annually in the autumn. About the middle of the sixteenth century, one finds the first mention of turnips for feeding to cattle in the winter, and this suggestion was quickly followed by the announcement that cabbages, carrots and parsnips were also grown for stock feed.

A Universe of Societies

2018 ◽  
Author(s):  
Didier Debaise
Keyword(s):  
Spatial Relations ◽  
The Third ◽  
The Status ◽  
History Of ◽  
Temporal And Spatial

Which kind of relation exists between a stone, a cloud, a dog, and a human? Is nature made of distinct domains and layers or does it form a vast unity from which all beings emerge? Refusing at once a reductionist, physicalist approach as well as a vitalistic one, Whitehead affirms that « everything is a society » This chapter consequently questions the status of different domains which together compose nature by employing the concept of society. The first part traces the history of this notion notably with reference to the two thinkers fundamental to Whitehead: Leibniz and Locke; the second part defines the temporal and spatial relations of societies; and the third explores the differences between physical, biological, and psychical forms of existence as well as their respective ways of relating to environments. The chapter thus tackles the status of nature and its domains.

The Origins of Gritty Realism on British Television: Euston Films and Special Branch

2014 ◽  
Vol 11 (1) ◽  
pp. 23-40 ◽  
Author(s):  
Max Sexton
Keyword(s):  
Cultural Discourse ◽  
Technological Changes ◽  
Television Drama ◽  
The Third ◽  
Fourth Series ◽  
History Of

Euston Films was the first film subsidiary of a British television company that sought to film entirely on location. To understand how the ‘televisual imagination’ changed and developed in relationship to the parent institution's (Thames Television) economic and strategic needs after the transatlantic success of its predecessor, ABC Television, it is necessary to consider how the use of film in television drama was regarded by those working at Euston Films. The sources of realism and development of generic verisimilitude found in the British adventure series of the early 1970s were not confined to television, and these very diverse sources both outside and inside television are well worth exploring. Thames Television, which was formed in 1968, did not adopt the slickly produced adventure series style of ABC's The Avengers, for example. Instead, Thames emphasised its other ABC inheritance – naturalistic drama in the form of the studio-based Armchair Theatre – and was to give the adventure series a strong London lowlife flavour. Its film subsidiary, Euston Films, would produce ‘gritty’ programmes such as the third and fourth series of Special Branch. Amid the continuities and tensions between ABC and Thames, it is possible to discern how economic and technological changes were used as a cultural discourse of value that marks the production of Special Branch as a key transformative moment in the history of British television.

Displace of Documentary Heritage from the Soviet Union to Poland during the Third Decade of the XXth Century

2014 ◽  
Vol 3 ◽  
pp. 127-137
Author(s):  
Tatsiana Hiarnovich
Keyword(s):  
Soviet Union ◽  
International Agreements ◽  
Peace Treaty ◽  
Actual Process ◽  
Xxth Century ◽  
The Third ◽  
The Soviet Union ◽  
History Of ◽  
Selection Of

The paper explores the displace of Polish archives from the Soviet Union that was performed in 1920s according to the Riga Peace Treaty of 1921 and other international agreements. The aim of the research is to reconstruct the process of displace, based on the archival sources and literature. The object of the research is those documents that were preserved in the archives of Belarus and together with archives from other republics were displaced to Poland. The exploration leads to clarification of the selection of document fonds to be displaced, the actual process of movement and the explanation of the role that the archivists of Belarus performed in the history of cultural relationships between Poland and the Soviet Union. The articles of the Treaty of Riga had been formulated without taking into account the indivisibility of archive fonds that is one of the most important principles of restitution, which caused the failure of the treaty by the Soviet part.

The Question of Authority: Deracinating Race, Repositioning Religion, and Regenerating Gender in the History of African American Islam

2010 ◽  
Vol 4 (1-2) ◽  
pp. 213-227
Author(s):  
Rosemary Hicks
Keyword(s):  
African American ◽  
Review Essay ◽  
Oxford University ◽  
The Third ◽  
History Of ◽  
American Islam ◽  
African American Islam ◽  
Oxford University Press

A review essay devoted to Islam and the Blackamerican: Looking Toward the Third Resurrection by Sherman A. Jackson. Oxford University Press, 2005. 256 pages. Hb. $29.95/£22.50, ISBN-13: 9780195180817.

A Short Modern History of Studying Sacrobosco’s De sphaera

2020 ◽  
Vol 65 (Special Issue) ◽  
pp. 23-33
Author(s):  
Alin Constantin Corfu
Keyword(s):  
20Th Century ◽  
Modern History ◽  
13Th Century ◽  
The Third ◽  
History Of ◽  
University Of Paris ◽  
The University

"A Short Modern History of Studying Sacrobosco’s De sphaera. The treatise generally known as De sphaera offered at the beginning of the 13th century a general image of the structure of the cosmos. In this paper I’m first trying to present a triple stake with which this treaty of Johannes de Sacrobosco (c. 1195 - c. 1256). This effort is intended to draw a context upon the treaty on which I will present in the second part of this paper namely, a short modern history of studying this treaty starting from the beginning of the 20th century up to this day. The first stake consists in the well-known episode of translation of the XI-XII centuries in the Latin milieu of the Greek and Arabic treaties. The treatise De sphaera taking over, assimilating and comparing some of the new translations of the texts dedicated to astronomy. The second Consists in the fact that Sacrobosco`s work can be considered a response to a need of renewal of the curriculum dedicated to astronomy at the University of Paris. And the third consists in the novelty and the need to use the De sphaera treatise in the Parisian University’s curriculum of the 13th century. Keywords: astronomy, translation, university, 13th Century, Sacrobosco, Paris, curriculum"

Users behaviors: The Heritage of Digital World

2014 ◽  
Vol 13 (7) ◽  
pp. 4675-4682
Author(s):  
Atefeh Danesh Moghadam ◽  
Alireza Alagha
Keyword(s):  
Technology Development ◽  
Second Step ◽  
Information Communication ◽  
The Third ◽  
Digital World ◽  
New Concepts ◽  
Emerging Patterns ◽  
History Of ◽  
Fourth Step ◽  
Communication And Technology

In the advent of information era, not only digital world is going to expand its territories, it is going to penetrate into the traditional notions about the meaning of the words and also valorize new concepts. According to Oxford Dictionary, the word heritage is defined: The history, tradition and qualities that a country or society has had for many years and that are considered an important part of its character. In order to present how emerging patterns, as the consequences of technology development, are going to be considered as the new concept of heritage, we follow four steps. In the first step, we present the convergence of Information, Communication and Technology (ICT) and a concise history of its convergence. In the second step, we argue how convergence has culminated in emerging patterns and also has made changes in digital world. In the third step, the importance of users behaviors and its mining is surveyed. Finally, in the fourth step; we illustrate User Generated Contents (UGC) as the most prominent users behaviors in digital world.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

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