Russia-China military ties will deepen

Significance This follows Chinese troops' participation in Moscow's May Victory Day event. With Russia's ties with the West currently at their lowest since the end of the Cold War as a result of the Ukraine crisis and cooperation with NATO having suffered, the Kremlin's military relationship with China is taking on new significance. This year has seen Moscow and Beijing conduct their first joint Mediterranean Sea drills and further drills are planned in August. Russia and China now engage in at least one major joint ground force and one major bilateral naval exercise annually. Impacts Putin will use Beijing's military parade as a public relations exercise to demonstrate again that he has powerful international allies. In the long term, despite warming ties, China's increasingly sophisticated defence industry may start to challenge Russian defence sales. The Mediterranean and Sea of Japan drills are strategically chosen to catch the eyes of NATO and Japan.

2019 ◽  
Vol 3 (2) ◽  
pp. 66-81 ◽  
Author(s):  
Quan Li ◽  
Min Ye

Purpose The purpose of this paper is to explore and test the motivation behind the evolution of China’s vast network of partnerships around the globe since the end of the Cold War. Design/methodology/approach After combing through 24 types of partnerships with 78 countries, the authors empirically tested four hypotheses using data from Correlates of War and World Bank. Findings The analysis indicates that China’s choice to build such an elaborate network is not random. On the contrary, it is largely determined by three factors: the need to counter the US pressure; the necessity of maintaining peace and stability along its borders and achieving the long-term goal of modernization. Originality/value The research is among the first attempts to comprehensively test the possible motivations behind China’s partnership building efforts and provides a stepping stone for analyzing this important aspect of China’s foreign policy.


2020 ◽  
Vol 41 (3) ◽  
pp. 306-327
Author(s):  
Christoph Bernhardt

The paper analyses the West-Berlin pathway to the “car-friendly city” in the context of the Cold War. It starts by retracing some long term continuities since the 1920s and gives special attention to the institutional settings and power struggles within the municipal authorities. The prospective character of the planning for the “Stadtautobahn” since 1945 which was far ahead of the real motorisation of the time is explained by the strong political and ideological intention to demonstrate the superiority of the Western life style. The Berlin case is reflected in the context of projects for ring-roads in other European cities.


Author(s):  
Yacov Livne

Abstract This article focuses on the strategies that Moscow chose during the first decade after World War II to overcome the obstacles created by the West to its entrance into the Middle East. The cases of Israel in 1948 and Egypt in 1955 show two different entry strategies used by Moscow and reflect significant changes in Soviet foreign policy that occurred between Stalin and Khrushchev toward developing countries. In 1948 Stalin chose an indirect and often tacit support of Israel, while in 1955 Khrushchev opted for a more direct approach with Egypt. Khrushchev’s confident tactics presented Moscow with new opportunities in the Middle East and the developing nations but also created long term challenges for the Soviet regime. At the same time, Israel and Egypt successfully maneuvered between Moscow and the West to gain maximum benefits for their national security needs by using both camps of the Cold War.


Author(s):  
Noor Mohammad Osmani ◽  
Tawfique Al-Mubarak

Samuel Huntington (1927-2008) claimed that there would be seven eight civilizations ruling over the world in the coming centuries, thus resulting a possible clash among them. The West faces the greatest challenge from the Islamic civilization, as he claimed. Beginning from the Cold-War, the Western civilization became dominant in reality over other cultures creating an invisible division between the West and the rest. The main purpose of this research is to examine the perceived clash between the Western and Islamic Civilization and the criteria that lead a civilization to precede others. The research would conduct a comprehensive review of available literatures from both Islamic and Western perspectives, analyze historical facts and data and provide a critical evaluation. This paper argues that there is no such a strong reason that should lead to any clash between the West and Islam; rather, there are many good reasons that may lead to a peaceful coexistence and cultural tolerance among civilizations


2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.


2016 ◽  
Vol 8 (1) ◽  
pp. 83-98 ◽  
Author(s):  
Margaret Peacock

Purpose – This paper aims to explore the relationship between childhood, consumption and the Cold War in 1950s America and the Soviet Union. The author argues that Soviet and American leaders, businessmen, and politicians worked hard to convince parents that buying things for their children offered the easiest way to raise good American and Soviet kids and to do their part in waging the economic battles of the Cold War. The author explores how consumption became a Cold War battleground in the late 1950s and suggests that the history of childhood and Cold War consumption alters the way we understand the conflict itself. Design/Methodology/Approach – Archival research in the USA and the Russian Federation along with close readings of Soviet and American advertisements offer sources for understanding the global discourse of consumption in the 1950s and 1960s. Findings – Leaders, advertisers, and propagandists in the Soviet Union and the USA used the same images in the same ways to sell the ethos of consumption to their populations. They did this to sell the Cold War, to bolster the status quo, and to make profits. Originality/Value – This paper offers a previously unexplored, transnational perspective on the role that consumption and the image of the child played in shaping the Cold War both domestically and abroad.


2013 ◽  
Vol 29 (3) ◽  
pp. 241-257 ◽  
Author(s):  
Tomasz Inglot

This paper examines international influences of the Western welfare state on social policy ideas, institutions and reforms in the Soviet bloc during the Cold War. It identifies three types of Eastern reactions to or interactions with the West: “condemnation” of various “bourgeois” conceptions of social welfare; “competition” or increased attention to redistribution and social needs of the population stemming from the demonstrable successes of Western welfare states; and “creative learning” or implicit acknowledgment that every industrial society, including the Soviet style centrally planned economies, had to adopt at least some elements of modernized social welfare models or policy originally developed in the West. Paradoxically, first the explicit and later more implicit rejection of the Western welfare state, including the social-democratic and various “third way” models, eventually led to the rise of neoliberal and anti-welfare attitudes among many Eastern social policy reformers during the last decade of communist rule and beyond, after 1989.


Images ◽  
2016 ◽  
Vol 9 (1) ◽  
pp. 122-139
Author(s):  
Kristine Nielsen

This essay argues that iconoclasm serves as the visual tool of choice for Jochen Gerz and Esther Shalev-Gerz in their Memorial Against Fascism (1986) and for Horst Hoheisel in his Negative Form (1987). The West German historians’ debate of the late 1980s established an image prohibition by framing the representation of the Holocaust as an unimaginable and sacred event. The Counter-Monuments rely on this ban on images. They attack monumentality and visibility as both fascist and capitalist characteristics, designated as such during the Cold War. The essay argues that the formal choices inherent in conceptualizing these two Counter-Monuments comprise familiar historical modes of iconoclasm. It ultimately questions the need to rely on iconoclasm in the Counter-Monuments and contemporary German memorialization of the Holocaust.


Muzikologija ◽  
2012 ◽  
pp. 53-77 ◽  
Author(s):  
Radina Vucetic

During the Cold War, jazz became a powerful propaganda weapon in the battle for ?hearts and minds?. As early as the 1950s, the American administration began its Cold War ?jazz campaign?, by broadcasting the popular jazz radio show Music USA over the Voice of America, and by sending its top jazz artists on world tours. In this specific cultural Cold War, Yugoslavia was, as in its overall politics, in a specific position between the East and the West. The postwar period in Yugoslavia, following the establishment of the new (socialist) government, was characterized by strong resistance towards jazz as ?decadent? music, until 1948 when ?no? to Stalin became ?yes? to jazz. From the 1950s, jazz entered Yugoslav institutions and media, and during the following two decades, completely conquered the radio, TV, and record industry, as well as the manifestations such as the Youth Day. On account of the openness of the regime during the 1950s and 1960s, Yugoslavia was frequently visited by the greatest jazz stars, such as Dizzy Gillespie, Louis Armstrong and Ella Fitzgerald. In the context of the Cold War, the promotion of jazz in Yugoslavia proved to be beneficial for both sides - by exporting jazz, America also exported its freedom, culture and system of values, while Yugoslavia showed the West to what extent its political system was open and liberal, at least concerning this type of music.


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