scholarly journals Object composition identification via mediated-reality supplemented radiographs

2014 ◽  
Author(s):  
Edward S. Jimenez ◽  
Laurel J. Orr ◽  
Kyle R. Thompson
Keyword(s):  
Object Composition

Indirect object in Manchu-Tungus languages: structural and semantic aspect (in the Orok language)

2020 ◽  
pp. 243-260
Author(s):  
L. V. Ozolinya ◽  
Keyword(s):  
Direct Object ◽  
Accusative Case ◽  
Indirect Object ◽  
Functional Aspects ◽  
Transitive Verbs ◽  
Object Composition ◽  
The Subject ◽  
First Time ◽  
Semantic Aspect ◽  
Trivalent Verbs

For the first time, the paper provides the analysis of the Oroc language object as a syntactic unit combining the semantic and functional aspects of transitive or non-transitive verbs. In the Manchu-Tungus languages, the object is found to be expressed in the morphological forms of the case: direct – in the accusative case and the possessive forms of the designative case, indirect – in the forms of oblique cases. Constructions with indirect objects, the positions of which are filled with case forms of nouns, designate the objects on which the action is aimed, objects from which the action is sent or evaded, objects-addresses, objectsinstruments, etc. Both transitive or non-transitive verbs can take the position of the predicate. The necessary (direct object) and permissible (indirect object) composition of objects in the verb is determined by its valences: bivalent verbs open subjective (subject) and objective (direct object) valences; trivalent verbs reveal subjective, subjective-objective (part of the subject or indirect subject) and objective (indirect object) valences.

scholarly journals A Novel Real-Time Virtual 3D Object Composition Method for 360° Video

2020 ◽  
Vol 10 (23) ◽  
pp. 8679
Author(s):  
Jaehyun Lee ◽  
Sungjae Ha ◽  
Philippe Gentet ◽  
Leehwan Hwang ◽  
Soonchul Kwon ◽  
...  
Keyword(s):  
High Resolution ◽  
Real Time ◽  
Feature Tracking ◽  
Focal Length ◽  
Video Content ◽  
External Position ◽  
Object Composition ◽  
Time Position ◽  
Rotation Parameters ◽  
Stitching Errors

As highly immersive virtual reality (VR) content, 360° video allows users to observe all viewpoints within the desired direction from the position where the video is recorded. In 360° video content, virtual objects are inserted into recorded real scenes to provide a higher sense of immersion. These techniques are called 3D composition. For a realistic 3D composition in a 360° video, it is important to obtain the internal (focal length) and external (position and rotation) parameters from a 360° camera. Traditional methods estimate the trajectory of a camera by extracting the feature point from the recorded video. However, incorrect results may occur owing to stitching errors from a 360° camera attached to several high-resolution cameras for the stitching process, and a large amount of time is spent on feature tracking owing to the high-resolution of the video. We propose a new method for pre-visualization and 3D composition that overcomes the limitations of existing methods. This system achieves real-time position tracking of the attached camera using a ZED camera and a stereo-vision sensor, and real-time stabilization using a Kalman filter. The proposed system shows high time efficiency and accurate 3D composition.

scholarly journals NARASI VISUAL CERITA FABEL DALAM KARYA SENI LUKIS

2020 ◽  
Vol 3 (2) ◽  
pp. 135-142
Author(s):  
Ariesa Pandanwangi ◽  
Belinda Sukapura Dewi ◽  
Shopia Himatul Alya
Keyword(s):  
Research Method ◽  
Visual Narrative ◽  
West Java ◽  
The Public ◽  
Creative Cities ◽  
Works Of Art ◽  
Object Composition ◽  
The Media ◽  
The Aesthetic ◽  
Descriptive Qualitative

Bandung is one of the creative cities in Java, especially West Java. Proven Bandung has a lot of local wisdom dug up from legendary stories, animal fable stories, culinary riches, and many more which later became interesting ideas into the concept of creating art. This local wealth is an important claim by artists who actively work. This research will reveal the expression of artists in paintings. They express their expression by bringing up the fable story of the archipelago. Archipelago fable story is processed, dug up and used as a source of inspiration to create works of art. The problems in this study are (1) What is the concept of a painting that was conceived from the fable story of the archipelago. (2) What is the visualization of the archipelago fable painting created by female artists ?. This research method is descriptive qualitative by examining the aesthetic aspects which include elements of the object, composition, color, harmonization. The media used in this painting is fabric. Samples of paintings, taken from works created by women from an exhibition held in Bandung. The coloring process with the colet technique. The color used is the dye for the fabric. The findings in the research are the concept of the work carried by artists visualizing animal stories that can be used as good moral examples. This exhibition is important because in addition to visual narration there is also a message delivered to the public. Whereas visually, many female artists use realistic objects, center composition, contrasting and attractive colors. The results of this study the concept of fable stories are brought back into an attractive visual narrative with colors that are presented in contrast with many techniques in coloring.

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