scholarly journals Transmitting and Decoding Facial Expressions

2005 ◽  
Vol 16 (3) ◽  
pp. 184-189 ◽  
Author(s):  
Marie L. Smith ◽  
Garrison W. Cottrell ◽  
FrédéAric Gosselin ◽  
Philippe G. Schyns

This article examines the human face as a transmitter of expression signals and the brain as a decoder of these expression signals. If the face has evolved to optimize transmission of such signals, the basic facial expressions should have minimal overlap in their information. If the brain has evolved to optimize categorization of expressions, it should be efficient with the information available from the transmitter for the task. In this article, we characterize the information underlying the recognition of the six basic facial expression signals and evaluate how efficiently each expression is decoded by the underlying brain structures.

Author(s):  
Maja Pantic

The human face is involved in an impressive variety of different activities. It houses the majority of our sensory apparatus: eyes, ears, mouth, and nose, allowing the bearer to see, hear, taste, and smell. Apart from these biological functions, the human face provides a number of signals essential for interpersonal communication in our social life. The face houses the speech production apparatus and is used to identify other members of the species, to regulate the conversation by gazing or nodding, and to interpret what has been said by lip reading. It is our direct and naturally preeminent means of communicating and understanding somebody’s affective state and intentions on the basis of the shown facial expression (Lewis & Haviland-Jones, 2000). Personality, attractiveness, age, and gender can also be seen from someone’s face. Thus the face is a multisignal sender/receiver capable of tremendous flexibility and specificity. In general, the face conveys information via four kinds of signals listed in Table 1. Automating the analysis of facial signals, especially rapid facial signals, would be highly beneficial for fields as diverse as security, behavioral science, medicine, communication, and education. In security contexts, facial expressions play a crucial role in establishing or detracting from credibility. In medicine, facial expressions are the direct means to identify when specific mental processes are occurring. In education, pupils’ facial expressions inform the teacher of the need to adjust the instructional message. As far as natural user interfaces between humans and computers (PCs/robots/machines) are concerned, facial expressions provide a way to communicate basic information about needs and demands to the machine. In fact, automatic analysis of rapid facial signals seem to have a natural place in various vision subsystems and vision-based interfaces (face-for-interface tools), including automated tools for gaze and focus of attention tracking, lip reading, bimodal speech processing, face/visual speech synthesis, face-based command issuing, and facial affect processing. Where the user is looking (i.e., gaze tracking) can be effectively used to free computer users from the classic keyboard and mouse. Also, certain facial signals (e.g., a wink) can be associated with certain commands (e.g., a mouse click) offering an alternative to traditional keyboard and mouse commands. The human capability to “hear” in noisy environments by means of lip reading is the basis for bimodal (audiovisual) speech processing that can lead to the realization of robust speech-driven interfaces. To make a believable “talking head” (avatar) representing a real person, tracking the person’s facial signals and making the avatar mimic those using synthesized speech and facial expressions is compulsory. The human ability to read emotions from someone’s facial expressions is the basis of facial affect processing that can lead to expanding user interfaces with emotional communication and, in turn, to obtaining a more flexible, adaptable, and natural affective interfaces between humans and machines. More specifically, the information about when the existing interaction/processing should be adapted, the importance of such an adaptation, and how the interaction/ reasoning should be adapted, involves information about how the user feels (e.g., confused, irritated, tired, interested). Examples of affect-sensitive user interfaces are still rare, unfortunately, and include the systems of Lisetti and Nasoz (2002), Maat and Pantic (2006), and Kapoor, Burleson, and Picard (2007). It is this wide range of principle driving applications that has lent a special impetus to the research problem of automatic facial expression analysis and produced a surge of interest in this research topic.


2021 ◽  
pp. 174702182199299
Author(s):  
Mohamad El Haj ◽  
Emin Altintas ◽  
Ahmed A Moustafa ◽  
Abdel Halim Boudoukha

Future thinking, which is the ability to project oneself forward in time to pre-experience an event, is intimately associated with emotions. We investigated whether emotional future thinking can activate emotional facial expressions. We invited 43 participants to imagine future scenarios, cued by the words “happy,” “sad,” and “city.” Future thinking was video recorded and analysed with a facial analysis software to classify whether facial expressions (i.e., happy, sad, angry, surprised, scared, disgusted, and neutral facial expression) of participants were neutral or emotional. Analysis demonstrated higher levels of happy facial expressions during future thinking cued by the word “happy” than “sad” or “city.” In contrast, higher levels of sad facial expressions were observed during future thinking cued by the word “sad” than “happy” or “city.” Higher levels of neutral facial expressions were observed during future thinking cued by the word “city” than “happy” or “sad.” In the three conditions, the neutral facial expressions were high compared with happy and sad facial expressions. Together, emotional future thinking, at least for future scenarios cued by “happy” and “sad,” seems to trigger the corresponding facial expression. Our study provides an original physiological window into the subjective emotional experience during future thinking.


2021 ◽  
Vol 11 (4) ◽  
pp. 1428
Author(s):  
Haopeng Wu ◽  
Zhiying Lu ◽  
Jianfeng Zhang ◽  
Xin Li ◽  
Mingyue Zhao ◽  
...  

This paper addresses the problem of Facial Expression Recognition (FER), focusing on unobvious facial movements. Traditional methods often cause overfitting problems or incomplete information due to insufficient data and manual selection of features. Instead, our proposed network, which is called the Multi-features Cooperative Deep Convolutional Network (MC-DCN), maintains focus on the overall feature of the face and the trend of key parts. The processing of video data is the first stage. The method of ensemble of regression trees (ERT) is used to obtain the overall contour of the face. Then, the attention model is used to pick up the parts of face that are more susceptible to expressions. Under the combined effect of these two methods, the image which can be called a local feature map is obtained. After that, the video data are sent to MC-DCN, containing parallel sub-networks. While the overall spatiotemporal characteristics of facial expressions are obtained through the sequence of images, the selection of keys parts can better learn the changes in facial expressions brought about by subtle facial movements. By combining local features and global features, the proposed method can acquire more information, leading to better performance. The experimental results show that MC-DCN can achieve recognition rates of 95%, 78.6% and 78.3% on the three datasets SAVEE, MMI, and edited GEMEP, respectively.


Sensors ◽  
2021 ◽  
Vol 21 (6) ◽  
pp. 2003 ◽  
Author(s):  
Xiaoliang Zhu ◽  
Shihao Ye ◽  
Liang Zhao ◽  
Zhicheng Dai

As a sub-challenge of EmotiW (the Emotion Recognition in the Wild challenge), how to improve performance on the AFEW (Acted Facial Expressions in the wild) dataset is a popular benchmark for emotion recognition tasks with various constraints, including uneven illumination, head deflection, and facial posture. In this paper, we propose a convenient facial expression recognition cascade network comprising spatial feature extraction, hybrid attention, and temporal feature extraction. First, in a video sequence, faces in each frame are detected, and the corresponding face ROI (range of interest) is extracted to obtain the face images. Then, the face images in each frame are aligned based on the position information of the facial feature points in the images. Second, the aligned face images are input to the residual neural network to extract the spatial features of facial expressions corresponding to the face images. The spatial features are input to the hybrid attention module to obtain the fusion features of facial expressions. Finally, the fusion features are input in the gate control loop unit to extract the temporal features of facial expressions. The temporal features are input to the fully connected layer to classify and recognize facial expressions. Experiments using the CK+ (the extended Cohn Kanade), Oulu-CASIA (Institute of Automation, Chinese Academy of Sciences) and AFEW datasets obtained recognition accuracy rates of 98.46%, 87.31%, and 53.44%, respectively. This demonstrated that the proposed method achieves not only competitive performance comparable to state-of-the-art methods but also greater than 2% performance improvement on the AFEW dataset, proving the significant outperformance of facial expression recognition in the natural environment.


Author(s):  
Sanjay Kumar Singh ◽  
V. Rastogi ◽  
S. K. Singh

Pain, assumed to be the fifth vital sign, is an important symptom that needs to be adequately assessed in heath care. The visual changes reflected on the face of a person in pain may be apparent for only a few seconds and occur instinctively. Tracking these changes is a difficult and time-consuming process in a clinical setting. This is why it is motivating researchers and experts from medical, psychology and computer fields to conduct inter-disciplinary research in capturing facial expressions. This chapter contains a comprehensive review of technologies in the study of facial expression along with its application in pain assessment. The facial expressions of pain in children's (0-2 years) and in non-communicative patients need to be recognized as they are of utmost importance for proper diagnosis. Well designed computerized methodologies would streamline the process of patient assessment, increasing its accessibility to physicians and improving quality of care.


Traditio ◽  
2014 ◽  
Vol 69 ◽  
pp. 125-145
Author(s):  
Kirsten Wolf

The human face has the capacity to generate expressions associated with a wide range of affective states. Despite the fact that there are few words to describe human facial behaviors, the facial muscles allow for more than a thousand different facial appearances. Some examples of feelings that can be expressed are anger, concentration, contempt, excitement, nervousness, and surprise. Regardless of culture or language, the same expressions are associated with the same emotions and vary only in intensity. Using modern psychological analyses as a point of departure, this essay examines descriptions of human facial expressions as well as such bodily “symptoms” as flushing, turning pale, and weeping in Old Norse-Icelandic literature. The aim is to analyze the manner in which facial signs are used as a means of non-verbal communication to convey the impression of an individual's internal state to observers. More specifically, this essay seeks to determine when and why characters in these works are described as expressing particular facial emotions and, especially, the range of emotions expressed. The Sagas andþættirof Icelanders are in the forefront of the analysis and yield well over one hundred references to human facial expression and color. The examples show that through gaze, smiling, weeping, brows that are raised or knitted, and coloration, the Sagas andþættirof Icelanders tell of happiness or amusement, pleasant and unpleasant surprise, fear, anger, rage, sadness, interest, concern, and even mixed emotions for which language has no words. The Sagas andþættirof Icelanders may be reticent in talking about emotions and poor in emotional vocabulary, but this poverty is compensated for by making facial expressions signifiers of emotion. This essay makes clear that the works are less emotionally barren than often supposed. It also shows that our understanding of Old Norse-Icelandic “somatic semiotics” may well depend on the universality of facial expressions and that culture-specific “display rules” or “elicitors” are virtually nonexistent.


Perception ◽  
2016 ◽  
Vol 46 (5) ◽  
pp. 624-631 ◽  
Author(s):  
Andreas M. Baranowski ◽  
H. Hecht

Almost a hundred years ago, the Russian filmmaker Lev Kuleshov conducted his now famous editing experiment in which different objects were added to a given film scene featuring a neutral face. It is said that the audience interpreted the unchanged facial expression as a function of the added object (e.g., an added soup made the face express hunger). This interaction effect has been dubbed “Kuleshov effect.” In the current study, we explored the role of sound in the evaluation of facial expressions in films. Thirty participants watched different clips of faces that were intercut with neutral scenes, featuring either happy music, sad music, or no music at all. This was crossed with the facial expressions of happy, sad, or neutral. We found that the music significantly influenced participants’ emotional judgments of facial expression. Thus, the intersensory effects of music are more specific than previously thought. They alter the evaluation of film scenes and can give meaning to ambiguous situations.


2012 ◽  
Vol 25 (0) ◽  
pp. 46-47
Author(s):  
Kazumichi Matsumiya

Adaptation to a face belonging to a facial category, such as expression, causes a subsequently neutral face to be perceived as belonging to an opposite facial category. This is referred to as the face aftereffect (FAE) (Leopold et al., 2001; Rhodes et al., 2004; Webster et al., 2004). The FAE is generally thought of as being a visual phenomenon. However, recent studies have shown that humans can haptically recognize a face (Kilgour and Lederman, 2002; Lederman et al., 2007). Here, I investigated whether FAEs could occur in haptic perception of faces. Three types of facial expressions (happy, sad and neutral) were generated using a computer-graphics software, and three-dimensional masks of these faces were made from epoxy-cured resin for use in the experiments. An adaptation facemask was positioned on the left side of a table in front of the participant, and a test facemask was placed on the right. During adaptation, participants haptically explored the adaptation facemask with their eyes closed for 20 s, after which they haptically explored the test facemask for 5 s. Participants were then requested to classify the test facemask as either happy or sad. The experiment was performed under two adaptation conditions: (1) with adaptation to a happy facemask and (2) with adaptation to a sad facemask. In both cases, the expression of the test facemask was neutral. The results indicate that adaptation to a haptic face that belongs to a specific facial expression causes a subsequently touched neutral face to be perceived as having the opposite facial expression, suggesting that FAEs can be observed in haptic perception of faces.


Behaviour ◽  
1964 ◽  
Vol 22 (3-4) ◽  
pp. 167-192 ◽  
Author(s):  
Niels Bolwig

AbstractIn this report of an unfinished study of the evolution of facial expressions the author draws a brief comparison between the most important facial muscles of various primates and of two carnivores, the suricate and the dog. Before discussing the expressions, definitions of the various elementary emotions are given and the criteria from which the author judges the emotional condition of the animals. The main conclusions reached from the observations are:- 1. Certain basic rules govern the facial expressions of the animals studied. 2. Joy and happiness are expressed by a general lifting of the face and a tightening of the upper lip. The expression originates from preparation for a play-bite. The posture has become completely ritualised in man. 3. Unhappiness expresses itself by a lowering of the face. In horror there is a general tension of the facial muscles and the mouth tends to open while the animal screams. In sadness the animal tends to become less active. 4. Anger is recognisable from a tightening of the facial muscles, particularly those around the mouth in preparation for a hard bite. 5. Threat varies in expression but it contains components of anger and fear. 6. Love and affection find expression through such actions as lipsmacking, love-biting, sucking and kissing. The oral caressing has its origin in the juvenile sucking for comfort. 7. Concentration is not an emotion but it usually shows itself by a tension of the facial muscles. 8. There is a similarity between the two carnivores under discussion and some of the primates. A common pattern of the facial muscles of the suricate and the lemur indicate a common ancestry and brings the two animals to the same level in their ability to express their emotions. The dog, although very different from the monkey in its facial musculature nevertheless resembles it in its mode of expression. This feature seems related to similarities in their biology which have been facilitated by the development of a bifocal vision.


Facial expressions convey verbal indications that play an important role in interpersonal relationships. Despite the fact that people immediately perceive facial expressions for all intents and purposes, solid expression recognition by machine is still a challenge. From the point of view of automatic recognition, The facial expression may included the figurations of the facial parts and their spatial relationships or changes in the pigmentation of the face. The study of automatic facial recognition addresses issues relating to the static or dynamic qualities of such distortion or facial pigmentation. Use The Camera to capture the live images of autism people


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