Reviews: An Introduction to Political Sociology, The British Academics, Public Opinion Polls & British Politics, Propaganda, Polls and Public Opinion: Are the People Manipulated?, Government in Action, The Dilemma of Accountability in Modern Government: Independence versus Control, Party Leaders in the House of Representatives, The Senate Institution, The Rumble of California Politics 1848–1970, Political Change in California: Critical Elections and Social Movements, 1890–1966, Old-Age Politics in California: From Richardson to Reagan, Labour and the Left: A Study of Socialist And Radical Influences in the American Labor Movement, 1881–1924, Politics And the Community of Science, The Social Responsibility of the Scientist, Science, Scientists, and Public Policy, The Limited Elite, Interest Groups in Soviet Politics, Political Leadership in Eastern Europe and the Soviet Union, Revolution: The Theory And Practice of A European Idea, Towards Revolution. Volume I: China, India, Asia, the Middle East, Africa. Volume Ii: The Americas, A Study of Revolution, The Natural History of Revolution, The Politics of the Coup D'etat: Five Case Studies, The Fourth Dimension of Warfare. Volume I: Intelligence/Subversion/Resistance, Church and State in Modern Ireland, 1923–1970, The Rift in Israel: Religious Authority and Secular Democracy, The School Prayer Decisions: From Court Policy to Local Practice, The Scientific Origins of National Socialism: Social Darwinism in Ernst Haeckel and the German Monist League, The Ideology of Fascism. The Rationale of Totalitarianism, The Appeal of Fascism. A Study of Intellectuals and Fascism, 1919–1945, Plekhanov: The Father of Russian Marxism, The Collected Works of Jeremy Bentham. Principles of Legislation. An Introduction to the Principles of Morals and Legislation, Modern Political Theory, Social Philosophy, Roles and Values, An Introduction to Social Ethics, Political and Legal Obligation, Developing Nations: Quest for a Model, The Scientific Study of Foreign Policy, Truth and Power: Essays of a Decade 1960–70, Social Science and the Idea of Process. The Ambiguous Legacy of Arthur F. Bentley, Heinrich Bruening, Memoiren

1971 ◽  
Vol 19 (4) ◽  
pp. 465-509
Author(s):  
K. Newton ◽  
Graeme C. Moodie ◽  
Colin Seymour-Ure ◽  
M. J. McDougall ◽  
M. G. Clarke ◽  
...  
1998 ◽  
Vol 2 (1) ◽  
pp. 118-142 ◽  
Author(s):  
Paul Burkett

AbstractRecent decades have seen a rethinking and renewal of Marxism on various levels, beginning in the 1950s and 1960s when New-Left movements in the developed capitalist countries combined with Maoist, Guevarist, and other Third-World liberation struggles to challenge the ossified theory and practice of Soviet-style communism and traditional social democracy. More recently, the rethinking of Marxism has been driven largely by the collapse of the Soviet Union and its official Marxist ideology, and by the movement toward neoliberal ‘free market’ policies on a global scale, which together have brought forth a tidal wave of frankly pro-capitalist as well as ‘postmodern’ left varieties of ‘end of history'-type thinking. The contemporary challenge to Marxism, however, also has a positive side in the form of popular revolts against the neoliberalisation of the global economy – the Chiapas rebellion in Mexico, the December 1995 public sector upheavals in France, and many others, not to mention the heroic struggle of the Cuban people against the threat of recolonisation by US and global capital. Here the challenge is to incorporate the changing forms of working-class movement, and their new prefigurations of post-capitalist society, into the theory and practice of Marxian communism.


1993 ◽  
Vol 26 (3) ◽  
pp. 286-329 ◽  
Author(s):  
JAMES L. GIBSON ◽  
RAYMOND M. DUCH

Political tolerance is a democratic value that has often been studied by those interested in the relationship between mass public opinion and democracy. Yet most research efforts have been mounted in relatively democratic regimes. Little is known about political tolerance in relatively totalitarian regimes. The authors' purpose in this article is to explore intolerance within the mass public of the Soviet Union. Focusing on two surveys of public opinion conducted in the USSR in 1990, the authors demonstrate that political intolerance is fairly widespread in the Soviet Union. Moreover, the objects of intolerance are focused, not dispersed pluralistically. Many of the predictors of intolerance found useful in the West (e.g., perceptions of threat, closed-mindedness) are also good predictors in the Soviet Union. Level of education plays an especially interesting role, contributing to support for more general democratic values, but not directly to political tolerance. The authors conclude this article by speculating about the future of the democratization process in the USSR in light of regnant intolerance in that country.


1987 ◽  
Vol 15 (2) ◽  
pp. 194-214
Author(s):  
Michael Bruchis

Soviet scholars basing themselves on the assertion in the Program of the CPSU that “peaceful coexistence of states with different social regimes does not means a diminution of the ideological struggle,” severely criticize those Western authors who in their works throw light upon the shadowy aspects of theory and practice of the ruling party in the USSR. Utterances of Western scholars which express doubt about the veracity of data contained in documents of the CPSU and the accuracy of theses and positions based on these data are rejected as totally unfounded inventions. Scholars of countries with the same social regime as in the Soviet Union are subject to no less severe attacks if they contest in their works, directly or indirectly, the theses and positions worked out by Soviet authors. While the Western scholars concerned are termed bourgeois falsifiers, the unfavored scholars (and political leaders of the socialist countries) are categorised as revisionists, a no less pejorative term in Soviet parlance: thus, for example, “the powers of international imperialism,… leaning on services of revisionists of various strains”; or “to expose contemporary bourgeois and other falsifiers of history.”


1960 ◽  
Vol 22 (2) ◽  
pp. 245-254 ◽  
Author(s):  
Frederick C. Barghoorn

InSpite of a continued gradual increase of American-Soviet contacts, the official Soviet image of the United States in 1959 was shaped, as before, largely by a combination of preconcert tion and contrivance. The massive Soviet machinery of communication continued to present to the peoples of the Soviet Union a picture of America based less on empirical judgment than on the application to changing circumstances of unchanging attitudes. As in the past, the Kremlin's image of America and of the West in general appeared to be as much an instrument for the manipulation of foreign and Soviet public opinion as it was a reflection of Moscow's appraisal of international political forces. The official doctrine of irreconcilable struggle between Soviet “socialism” and Western “capitalism” held undiminished significance for the rationalization and legitimization of Kremlin power and policy.


1963 ◽  
Vol 11 (3) ◽  
pp. 345-364
Author(s):  
John Day ◽  
Frank Bealey ◽  
Justin Grossman ◽  
Allen Potter ◽  
Edgar Thomas ◽  
...  

2010 ◽  
Vol 69 (1) ◽  
pp. 33-50
Author(s):  
Frank Seberechts

De graficus Frans Van Immerseel is reeds voor de Tweede Wereldoorlog actief in het Vlaams-nationalisme. Hij sluit zich in het begin van de bezetting aan bij de Algemeene SS-Vlaanderen. Wanneer in de zomer van 1941 de Duitse troepen aan de veldtocht in de Sovjetunie beginnen, meldt hij zich als vrijwilliger voor het Vlaamsch Legioen.Van Immerseel wordt aangesteld tot oorlogsverslaggever aan het oostfront. Hij levert illustraties bij de artikels die over de veldtocht verschijnen in de collaboratiepers, zoals Volk en Staat, De SS Man en De Arbeidskameraad. Zijn tekeningen betreffen verschillende onderwerpen: het leven van de Duitse en de Vlaamse soldaten achter het front, soldaten in actie tijdens de gevechten, portretten van Vlaamse oostfrontvrijwilligers, portretten van Sovjetrussische krijgsgevangenen en schetsen van al dan niet door de oorlog getroffen gebouwen en landschappen. Zijn werk sluit nauw aan bij de visie van het nationaal-socialisme op de kunst, terwijl het voorts een belangrijke propagandistische boodschap draagt. De soldaten stralen heldhaftigheid en kracht uit, terwijl de geportretteerde Sovjetburgers uitdrukking moeten geven aan hun veronderstelde culturele en raciale inferioriteit. Meestal ondersteunen de tekeningen de bijdragen waarbij ze verschijnen, maar vele worden verschillende malen gebruikt bij telkens andere artikels.Van Immerseels werk verschijnt tot begin 1943 in de pers. Daarna valt hij in ongenade door de problemen die hij in het Vlaamsch Legioen kent en worden zijn tekeningen niet meer gepubliceerd.________The East Front drawings by Frans Van ImmerseelThe graphic artist Frans Van Immerseel was already active in Flemish Nationalism before the Second World War. At the beginning of the occupation he joined the General SS-Flanders. When the German troops started the campaign in the Soviet Union in the summer of 1941 he signed up as a volunteer for the Flemish Legion.Van Immerseel was appointed war reporter at the East Front. He produced illustrations for articles appearing about the campaign in the collaboration press, such as Volk en Staat (‘People and State’), De SS Man (‘The SS Man’) and De Arbeidskameraad (‘The Labour Comrade’). His drawings concerned various subjects: the life of the German and Flemish soldiers behind the front line, soldiers in action during battles, portraits of Flemish East Front volunteers, portraits of Soviet Russian prisoners of war and drawings of buildings and landscapes both unscathed and damaged by the war. His work followed the vision of National Socialism on art very closely and it also carried an important message of propaganda. The soldiers portrayed heroism and strength, whilst the depicted Soviet citizens were to express their supposed cultural and racial inferiority. Usually his drawings illustrated the contributions along side which they were published, but many of them were used a number of times for several different articles.The work of Van Immerseel was published until the beginning of 1943. Afterwards he fell into disfavour because of the problems he encountered in the Flemish Legion and his drawings were no longer published.


Sign in / Sign up

Export Citation Format

Share Document