Cultivating Territorial Sovereignty in the Western Desert

2018 ◽  
Author(s):  
Matthew H. Ellis
Keyword(s):  
Nineteenth Century ◽  
Economic Development ◽  
Western Desert ◽  
Late Nineteenth Century ◽  
Territorial Sovereignty ◽  
French Colonial ◽  
Late Nineteenth ◽  
Egyptian Government ◽  
The Relationship ◽  
The Way

Chapter 4 explores the relationship between territoriality and economic development in late-nineteenth-century Egypt. It argues that this period witnessed a raft of projects aimed at what, in the French colonial context, was called mise en valeur—the reclamation of barren, unprofitable land. After surveying a number of such projects undertaken under the auspices of the Egyptian government, the chapter then turns its attention to the Khedive’s own grand development schemes in the Egyptian West. Foremost among these was the Maryut Railway, which he intended to run from the outskirts of Alexandria all the way to the Libyan border. The Maryut Railway functioned as one of several projects through which the Khedive sought to transform the Egyptian West into a more personalized realm of territorial sovereignty. In this regard, the Khedive strove to outdo the British Residency at its own logic of “economism” as a doctrine of ruling legitimacy.

Individual- and State-Centered Perspectives in Nineteenth-Century Europe

2018 ◽  
Author(s):  
Roxana Banu
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
International Law ◽  
State Sovereignty ◽  
Late Nineteenth Century ◽  
Private International Law ◽  
Late Nineteenth ◽  
The Relationship ◽  
The Way

This chapter discusses state-centered and individual-centered internationalist perspectives and traces the relational internationalist perspectives introduced in Chapter 2 throughout nineteenth-century European private international law scholarship. The chapter shows how Freidrich Karl von Savigny’s and Josephus Jitta’s individual-centered premises were misunderstood or ignored. It further outlines the emergence of a particularistic perspective toward the end of the nineteenth-century and the beginning of the twentieth-century. The scholarship of Albert Venn Dicey and John Westlake is introduced to highlight the way in which late nineteenth-century English private international law scholars were reasoning on the relationship between state sovereignty and private vested rights. The chapter finally considers how the rise of positivism impacted the internationalist school of thought in private international law in both its state-centered and individual-centered variations.

Pater's Parerga: Framing the Imaginary Portraits

2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley
Keyword(s):  
Nineteenth Century ◽  
Formal Structure ◽  
Literary Genre ◽  
Late Nineteenth Century ◽  
Liminal Space ◽  
Critical Attention ◽  
Similar Operation ◽  
Late Nineteenth ◽  
The Relationship

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.

The Southern Slope of Monsalvat: How Spanish Wagnerism Became Catalan

2017 ◽  
Vol 41 (1) ◽  
pp. 31-47
Author(s):  
Clinton D. Young
Keyword(s):  
Economic Development ◽  
Political Institutions ◽  
Late Nineteenth Century ◽  
Southern Slope ◽  
Modern Music ◽  
The Past ◽  
Late Nineteenth ◽  
Symphonic Culture ◽  
Similar Dynamic ◽  
The Way

This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness of its musical and political institutions—the same weaknesses that were responsible for the rise of Catalan nationalism. Lack of a symphonic culture in Spain meant that audiences were not prepared to comprehend Wagner's complexity, but that same complexity made Wagner's ideas acceptable to Spanish reformers who saw in the composer an exemplar of the European ideas needed to fix Spanish problems. Thus, when Wagner's operas were first staged in Spain, the Teatro Real de Madrid stressed Wagner's continuity with operas of the past; however, critics and audiences engaged with the works as difficult forms of modern music. The rejection of Wagner in the Spanish capital cleared the way for his ideas to be adopted in Catalonia. A similar dynamic occurred as Spanish composers tried to meld Wagner into their attempts to build a nationalist school of opera composition. The failure of Tomás Bréton's Los amantes de Teruel and Garín cleared the way for Felip Pedrell's more successful theoretical fusion of Wagnerism and nationalism. While Pedrell's opera Els Pirineus was a failure, his explanation of how Wagner's ideals and nationalism could be fused in the treatise Por nuestra música cemented the link between Catalan culture and Wagnerism.

Police Records

2019 ◽  
pp. 797-819
Author(s):  
Cristina Vatulescu
Keyword(s):  
Nineteenth Century ◽  
Detective Fiction ◽  
Media History ◽  
Late Nineteenth Century ◽  
The Novel ◽  
Police Records ◽  
History Of ◽  
Late Nineteenth ◽  
Relationship Of ◽  
The Relationship

This chapter approaches police records as a genre that gains from being considered in its relationships with other genres of writing. In particular, we will follow its long-standing relationship to detective fiction, the novel, and biography. Going further, the chapter emphasizes the intermedia character of police records not just in our time but also throughout their existence, indeed from their very origins. This approach opens to a more inclusive media history of police files. We will start with an analysis of the seminal late nineteenth-century French manuals prescribing the writing of a police file, the famous Bertillon-method manuals. We will then track their influence following their adoption nationally and internationally, with particular attention to the politics of their adoption in the colonies. We will also touch briefly on the relationship of early policing to other disciplines, such as anthropology and statistics, before moving to a closer look at its intersections with photography and literature.

scholarly journals Identity considerations for a psychology based on a complex epistemology

2009 ◽  
Vol 2 (2) ◽  
pp. 158-166 ◽  
Author(s):  
Juan Carlos Jaramillo Estrada
Keyword(s):  
Quality Of Life ◽  
Nineteenth Century ◽  
Active Part ◽  
Late Nineteenth Century ◽  
Human Beings ◽  
The Poor ◽  
The World ◽  
Late Nineteenth ◽  
The Way

Born in the late nineteenth century, within the positivist paradigm, psychology has made important developments that have allowed its recognition in academia and labor. However, contextual issues have transformed the way we conceptualize reality, the world and man, perhaps in response to the poor capacity of the inherited paradigm to ensure quality of life and welfare of human beings. This has led to the birth and recognition of new paradigms, including complex epistemology, in various fields of the sphere of knowledge, which include the subjectivity, uncertainty, relativity of knowledge, conflict, the inclusion of "the observed" as an active part of the interventions and the relativity of a single knowable reality to move to co-constructed realities. It is proposed an approach to the identity consequences for a psychology based on complex epistemology, and the possible differences and relations with psychology, traditionally considered.

“Horn of Plenty”: The Globalization of Mediterranean Horticulture and the Economic Development of Southern Europe, 1880–1930

1999 ◽  
Vol 59 (2) ◽  
pp. 316-352 ◽  
Author(s):  
José Morilla Critz ◽  
Alan L. Olmstead ◽  
Paul W. Rhode
Keyword(s):  
Nineteenth Century ◽  
Economic Development ◽  
Late Nineteenth Century ◽  
Southern Europe ◽  
Political Crises ◽  
Late Nineteenth ◽  
Agricultural Economies

During the late nineteenth century, competition from cheap American grains undermined agricultural economies across Europe. This article investigates how similar forces of globalization in the production of Mediterranean fruits and nuts dampened economic prospects across southern Europe and in some cases contributed to outright economic and political crises.

Scottish Gothic Drama

2017 ◽  
pp. 59-74
Author(s):  
Barbara A. E. Bell
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
Good Deal ◽  
Late Nineteenth Century ◽  
Visual Effects ◽  
Gothic Revival ◽  
Performance Culture ◽  
Late Nineteenth ◽  
Music Hall ◽  
The Way

Scottish theatre, from the mid-eighteenth century onwards, has been characterised by a distinctive performance culture that values anti-illusionist techniques, breaking the fourth wall, music and song, strongly physical acting styles and striking visual effects. These were accepted traits of the Georgian theatre as a whole; however, they endured in Scotland through the music hall and pantomime traditions, when late nineteenth-century Western theatre was focused on realism/naturalism. Their importance to the search for a distinctive Scottish Gothic Drama lies in the way that the conditions of the Scottish theatre during the Gothic Revival valued these skills and effects. That theatre was heavily constricted in what it could play by censorship from London and writers were cautious in their approach to ‘national’ topics. At the same time a good deal of work portraying Scotland as an inherently Gothic setting was imported onto Scottish stages.

La bohème’s Paris

2020 ◽  
pp. 35-56
Author(s):  
Alexandra Wilson
Keyword(s):  
Nineteenth Century ◽  
Late Nineteenth Century ◽  
French Culture ◽  
Late Nineteenth ◽  
La Boheme ◽  
The City ◽  
The Way

This chapter analyses the ways in which La bohème was influenced by popular romantic representations of Paris and the ways in which it, in turn, helped shape them. It discusses the late nineteenth-century Italian fascination with French culture and the way in which Puccini’s opera was nostalgically depicting an old Paris that had been swept away by Baron Haussmann’s regeneration of the city. The chapter considers Puccini’s conception of Bohemianism, demonstrating that it had Italian as well as French roots. It examines the composer and his librettists’ reading of certain archetypal Bohemian figures, such as the good-hearted demimondaine, and of symbolic Parisian locations, such as the pavement café. The chapter concludes with a consideration of Puccini’s representation of ‘picturesque poverty’ and discusses the ways in which directors have attempted to make the work more or less gritty through their stagings.

scholarly journals THE INTERACTION BETWEEN LANDSCAPE ARCHITECTURE AND URBAN DEVELOPMENT. DO WE HAVE A COMMON GOAL? / KRAŠTOVAIZDŽIO ARCHITEKTŪROS IR URBANISTIKOS SĄVEIKA – AR TURIME BENDRĄ TIKSLĄ

2015 ◽  
Vol 7 (1) ◽  
pp. 6-19 ◽  
Author(s):  
Vaiva Deveikienė
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Urban Development ◽  
Urban Design ◽  
Landscape Architecture ◽  
Urban Landscape ◽  
Late Nineteenth Century ◽  
Common Goal ◽  
Late Nineteenth ◽  
The Relationship

The article analyses the problem of the relationship and interaction between urban design and landscape architecture. This refers to the period of the modern city from the late nineteenth century to the present day. There are presented and discussed urbanization processes and examples of solutions with emphasis on problems arising from the relationship between a city and nature as well as those related to urban landscape and sustainability of urban landscaping in the twentieth century. Straipsnyje analizuojama urbanistikos ir kraštovaizdžio architektūros santykio ir sąveikos problema. Aprėpiamas moderniojo miesto laikotarpis – nuo XIX a. antrosios pusės iki nūdienos. Pateikiama XX a. urbanizacijos procesų ir sprendinių pavyzdžių, aptariama akcentuojant miesto santykio su gamta, želdynais, t. y. gyvo, tvaraus miesto kraštovaizdžio, formavimo problematiką.

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