Books for young scientists and engineers The Great Bear Rescue: Saving the Gobi Bears , Sandra Markle , Millbrook Press, 2020, 40 pp. The How and Wow of the Human Body , Mindy Thomas and Guy Raz, Illustrated by Jack Teagle , Clarion Books, 2021, 192 pp. There’s No Ham in Hamburgers: Facts and Folklore About Our Favorite Foods , Kim Zachman, Illustrated by Peter Donnelly , Running Press Kids, 2021, 144 pp. A Shot in the Arm! , Don Brown , Amulet Books, 2021, 144 pp. Mimic Makers: Biomimicry Inventors Inspired by Nature , Kristen Nordstrom, Illustrated by Paul Boston , Charlesbridge, 2021, 48 pp. Chickenology: The Ultimate Encyclopedia , Barbara Sandri and Francesco Giubbilini, Illustrated by Camilla Pintonato , Princeton Architectural Press, 2021, 80 pp. Abby Invents the Foldibot , Arlyne Simon, Illustrated by Diana Necşulescu , Abby Invents, 2021, 48 pp. Monarch Butterflies: Explore the Life Journey of One of the Winged Wonders of the World , Ann Hobbie, Illustrated by Olga Baumert , Storey Publishing, 2021, 48 pp. Biology for Kids: Science Experiments and Activities Inspired by Awesome Biologists, Past and Present , Liz Lee Heinecke, Illustrated by Kelly Anne Dalton , Quarry Books, 2021, 128 pp. The Science and Technology of Marie Curie , Julie Knutson, Illustrated by Michelle Simpson , Nomad Press, 2021, 128 pp. Cardboard Box Engineering: Cool, Inventive Projects for Tinkerers, Makers and Future Scientists , Jonathan Adolph , Storey Publishing, 2020, 176 pp. Sky Gazing: A Guide to the Moon, Sun, Planets, Stars, Eclipses, and Constellations , Meg Thacher , Storey Publishing, 2020, 132 pp. Chemistry for Breakfast: The Amazing Science of Everyday Life , Mai Thi Nguyen-Kim, Translated by Sarah Pybus, Illustrated by Claire Lenkova , Greystone Books, 2021, 240 pp. Ms. Adventure: My Wild Explorations in Science, Lava, and Life , Jess Phoenix , Timber Press, 2021, 272 pp. Great Adaptations: Star-Nosed Moles, Electric Eels, and Other Tales of Evolution’s Mysteries Solved , Kenneth Catania , Princeton University Press, 2020, 224 pp. The Loneliest Polar Bear: A True Story of Survival and Peril on the Edge of a Warming World , Kale Williams , Crown, 2021, 288 pp.

Science ◽  
2021 ◽  
Vol 374 (6572) ◽  
pp. 1190-1195
Author(s):  
Sacha Vignieri ◽  
Hilary Stewart ◽  
Trista Wagoner ◽  
Seth Thomas Scanlon ◽  
Kelly Servick ◽  
...  
2020 ◽  
Vol 10 (01) ◽  
pp. 1-17
Author(s):  
Nurul Ara'af Gunawan ◽  
Mahli Zainuddin

This study discusses Nadia's Asma da'wah messages in the Bidadari Untuk Dewa novel and how the delivery of da'wah messages in the story. This research is a study that uses a qualitative approach and discourse analysis of the Van Dijk model. The source of this research is in the form of library literature.  The results of this study state that the preaching message contained in this novel covers aspects of aqeedah, sharia, and morality. Aspects of aqeedah include tawakkal, piety and istiqomah values. Sharia aspects include sholat, mu'amalah, and prayer. Then the moral aspects include patience, sincerity, grateful gratitude, humility and honesty. From the thematic side, it was found that the title of Bidadari untuk Dewa was taken from a true story. This story illustrates the story of the journey of a young man who decides to do business and get married at a relatively young age and has to face various life problems ranging from financial, debt, business studies, female exams, friendship, and even almost losing his life at the age of 5 years. In the storyline, this novel is the longest novel Asma Nadia that she has written during her career in the world of writing. That is all due to the "complexity" of the life journey of a young businessman who is adopted. Keywords: da'wah messages; discourse analysis; novels


2019 ◽  
Vol 26 (2) ◽  
pp. 159-179
Author(s):  
Robert S. Miola

Throughout his career Ben Jonson drew variously upon Lucian, whom he encountered in the mythographies as well as in several Greek and Latin editions he owned. Jonson's receptions take the form of glancing reminiscence in the masques, as Lucian supplies mythological decoration and literary conceit. They appear as transformative allusion in Cynthia's Revels, which draws upon several satirical Dialogues of the Gods, and in The Staple of News, which re-appropriates a favorite satirical dialogue, Timon, the Misanthrope, to satirize the greed of the news industry. Jonson practices an extended and creative imitatio of Lucian's fantastic moon voyages (A True Story and Icaromenippus) in his much neglected News from the New World Discovered in the Moon. And, likewise, Jonson reworks Lucian extensively for the action of Poetaster: The Carousal supplies the lascivious banquet of 4.5, and Lexiphanes, the humiliating purge of Crispinus. Jonson's rich engagement with Lucian comes to a climax in Volpone, which borrows directly from The Dream, and several Dialogues of the Dead. Here whimsical ancient satire enables stern moral allegory. Responding to Poetaster in Satiro-mastix, Thomas Dekker has Captain Tucca rebuke Horace (i.e. Ben Jonson) by sarcastically calling him “Lucian.” Jonson, no doubt, took the proffered insult as the highest compliment.


Transfers ◽  
2011 ◽  
Vol 1 (1) ◽  
pp. 73-96 ◽  
Author(s):  
Charissa N. Terranova

This essay focuses on a body of photoconceptual works from the 1960s and 1970s in which the automobile functions as a prosthetic-like aperture through which to view the world in motion. I argue that the logic of the “automotive prosthetic“ in works by Paul McCarthy, Dennis Hopper, Ed Ruscha, Jeff Wall, John Baldessari, Richard Prince, Martha Rosler, Robert Smithson, Ed Kienholz, Julian Opie, and Cory Arcangel reveals a techno-genetic understanding of conceptual art, functioning in addition and alternatively to semiotics and various philosophies of language usually associated with conceptual art. These artworks show how the automobile, movement on roads and highways, and the automotive landscape of urban sprawl have transformed the human sensorium. I surmise that the car has become a prosthetic of the human body and is a technological force in the maieusis of the posthuman subject. I offer a reading of specific works of photoconceptual art based on experience, perception, and a posthumanist subjectivity in contrast to solely understanding them according to semiotics and linguistics.


1997 ◽  
Vol 3 (1) ◽  
pp. 233-239 ◽  
Author(s):  
Patrick Holmes

The international dimension of science and engineering education is of paramount importance and merits serious consideration of the coherent skill set that is required to allow scientists and engineers more readily to transport themselves and their work to other locations in the world. 


Designs ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 8
Author(s):  
Pyrrhon Amathes ◽  
Paul Christodoulides

Photography can be used for pleasure and art but can also be used in many disciplines of science, because it captures the details of the moment and can serve as a proving tool due to the information it preserves. During the period of the Apollo program (1969 to 1972), the National Aeronautics and Space Administration (NASA) successfully landed humans on the Moon and showed hundreds of photos to the world presenting the travel and landings. This paper uses computer simulations and geometry to examine the authenticity of one such photo, namely Apollo 17 photo GPN-2000-00113. In addition, a novel approach is employed by creating an experimental scene to illustrate details and provide measurements. The crucial factors on which the geometrical analysis relies are locked in the photograph and are: (a) the apparent position of the Earth relative to the illustrated flag and (b) the point to which the shadow of the astronaut taking the photo reaches, in relation to the flagpole. The analysis and experimental data show geometrical and time mismatches, proving that the photo is a composite.


2021 ◽  
Vol 56 (1) ◽  
pp. 112-130 ◽  
Author(s):  
Haifeng Huang

AbstractFor a long time, since China’s opening to the outside world in the late 1970s, admiration for foreign socioeconomic prosperity and quality of life characterized much of the Chinese society, which contributed to dissatisfaction with the country’s development and government and a large-scale exodus of students and emigrants to foreign countries. More recently, however, overestimating China’s standing and popularity in the world has become a more conspicuous feature of Chinese public opinion and the social backdrop of the country’s overreach in global affairs in the last few years. This essay discusses the effects of these misperceptions about the world, their potential sources, and the outcomes of correcting misperceptions. It concludes that while the world should get China right and not misinterpret China’s intentions and actions, China should also get the world right and have a more balanced understanding of its relationship with the world.


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