Apocalypses Real and Alleged in the Mani Codex

Numen ◽  
1997 ◽  
Vol 44 (1) ◽  
pp. 60-73 ◽  
Author(s):  
David Frankfurter

AbstractThe florilegium of revelations that Mani adduces as proof of his own authority in the Cologne Mani Codex has stimulated research into the circulation and influence of Jewish apocalypses among the various Jewish-Christian sects of late antiquity. But it has also proved frustrating, since not one of the apocalyptic “texts” that Mani quotes matches extant apocalypses in the name of Enoch, Adam, Seth, or Enosh. Considering the breadth of the Enoch literature now known from textual and patristic sources, including Manichaean literature, the absence of a parallel for Mani's Enoch-“quotation” may be reason to suspect that Mani invented this quotation as well as the others. This paper proposes an interpretation of Mani's apocalyptic florilegium that depends not on the historical existence of the putative texts but on Mani's own distinctive scheme of prophetic lineage and authority. It is argued that Mani's universalist view of mission and religion led him to revise existing schemes of Jewish revelatory heroes that were traditional to Jewish and Jewish-Christian sects and that invoked the patriarchs constitutive of Jewish identity, like Abraham, Moses, and Elijah. In contrast, Mani promotes his relevation's ecumenical appeal by casting himself in a line of biblical figures who in the late antique world had especially universalist significance: Adam, Seth, and Enoch (all antediluvian and therefore pre-covenantal) and Paul (Mani's model of an ecumenical missionary).

Author(s):  
Angelika Neuwirth

Locating the qur’anic event in Late Antiquity, understood not as a historical epoch but an epistemic space, the chapter focuses on textual strategies rather than on the transfer of semantic knowledge or extra-textual circumstances. Qurʾanic speech oscillates between literal and ‘allegorical’ expression. Among the last mentioned, typology, hitherto widely neglected—although perhaps the most representative textual practice in the late antique culture of debate—appears a useful key to the question of the qur’anic community’s rapid development of a theology of its own and its attainment of social coherence. Sifting the changing modes of qur’anic typology—from the ‘simple’ mode of restaging biblical events and the mimesis of biblical figures via the more demanding pattern of promise and fulfilment to the daringly innovative mode: mythopoiesis—allows us to trace the successive stages of the first listeners’ construction of a communal identity of their own.


This volume provides the first comprehensive overview of the extant Greek and Latin letter collections of late antiquity (ca. 300-600 C.E.). Bringing together an international team of historians, classicists, and scholars of religion, it illustrates how letter collections advertised an image of the letter writer and introduces the social and textual histories of each collection. Nearly every chapter focuses on the letter collection of a different late ancient author—from the famous (or even infamous) to the obscure—and investigates its particular issues of content, arrangement, and publication context. On the whole, the volume reveals how late antique letter collections operated as a discrete literary genre with its own conventions, transmission processes, and self-presentational agendas while offering new approaches to interpret both larger letter collections and the individual letters contained within them. Each chapter contributes to a broad argument that scholars should read letter collections as they do representatives of other late antique literary genres, as single texts made up of individual components, with larger thematic and literary characteristics that are as important as those of their component parts.


2010 ◽  
Vol 1 (3) ◽  
pp. 336-361 ◽  
Author(s):  
Ophir Münz-Manor

The article presents a contemporary view of the study of piyyut, demonstrating that Jewish poetry of late antiquity (in Hebrew and Aramaic) was closely related to Christian liturgical poetry (both Syriac and Greek) and Samaritan liturgy. These relations were expressed primarily by common poetic and prosodic characteristics, derived on the one hand from ancient Semitic poetry (mainly biblical poetry), and on the other from innovations of the period. The significant connections of content between the different genres of poetry reveal the importance of comparative study. Thus the poetry composed in late antiquity provides additional evidence for the lively cultural dialogue that took place at that time.


2020 ◽  
pp. 173-195
Author(s):  
Tomasz Waliszewski ◽  
Julia Burdajewicz

Porphyreon (Jiyeh/Nebi Younis) and Chhim were large rural settlements situated on the coast of modernday Lebanon, north of the Phoenician city of Sidon. As attested by the remains of residential architecture, they were thriving during the Roman Period and late Antiquity (1st–7th centuries AD). This article presents the preliminary observations on the domestic architecture uncovered at both sites, their spatial and social structure, as well as their furnishing and decoration, based on the fieldwork carried out in recent years by the joint PolishLebanese research team. The focus will be put on the wall painting fragments found in considerable numbers in Porphyreon. The iconographical and functional study of the paintings betrays to what extent the inhabitants of rural settlements in the coastal zone of the Levant were inclined to imitate the decoration of the urban houses known to them from the nearby towns, such as Berytus, but also from religious contexts represented by churches.


Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 377-379
Author(s):  
Kriszta Kotsis

Late antique and early medieval graphic signs have traditionally been studied by narrowly focused specialists leading to the fragmentation and decontextualization of this important body of material. Therefore, the volume aims “to deepen interdisciplinary research on graphic signs” (7) of the third through tenth centuries, with contributions from archaeologists, historians, art historians, a philologist, and a paleographer. Ildar Garipzanov’s introduction defines the central terms (sign, symbol, graphicacy), calls for supplanting the text-image binary with “the concept of the visual-written continuum” (15), and argues that graphicacy was central to visual communication in this period. He emphasizes the agency of graphic signs and notes that their study can amplify our understanding of the definition of personal and group identity, the articulation of power, authority, and religious affiliation, and communication with the supernatural sphere.


2020 ◽  

Civilizations of the Supernatural: Witchcraft, Ritual, and Religious Experience in Late Antique, Medieval, and Renaissance Traditions brings together thirteen scholars of late-antique, medieval, and renaissance traditions who discuss magic, religious experience, ritual, and witch-beliefs with the aim of reflecting on the relationship between man and the supernatural. The content of the volume is intriguingly diverse and includes late antique traditions covering erotic love magic, Hellenistic-Egyptian astrology, apotropaic rituals, early Christian amulets, and astrological amulets; medieval traditions focusing on the relationships between magic and disbelief, pagan magic and Christian culture, as well as witchcraft and magic in Britain, Scandinavian sympathetic graphophagy, superstition in sermon literature; and finally Renaissance traditions revolving around Agrippan magic, witchcraft in Shakespeare’s Macbeth, and a Biblical toponym related to the Friulan Benandanti’s visionary experiences. These varied topics reflect the multifaceted ways through which men aimed to establish relationships with the supernatural in diverse cultural traditions, and for different purposes, between Late Antiquity and the Renaissance. These ways eventually contributed to shaping the civilizations of the supernatural or those peculiar patterns which helped men look at themselves through the mirror of their own amazement of being in this world.


Author(s):  
Carlos Machado

This book analyses the physical, social, and cultural history of Rome in late antiquity. Between AD 270 and 535, the former capital of the Roman empire experienced a series of dramatic transformations in its size, appearance, political standing, and identity, as emperors moved to other cities and the Christian church slowly became its dominating institution. Urban Space and Aristocratic Power in Late Antique Rome provides a new picture of these developments, focusing on the extraordinary role played by members of the traditional elite, the senatorial aristocracy, in the redefinition of the city, its institutions, and spaces. During this period, Roman senators and their families became increasingly involved in the management of the city and its population, in building works, and in the performance of secular and religious ceremonies and rituals. As this study shows, for approximately three hundred years the houses of the Roman elite competed with imperial palaces and churches in shaping the political map and the social life of the city. Making use of modern theories of urban space, the book considers a vast array of archaeological, literary, and epigraphic documents to show how the former centre of the Mediterranean world was progressively redefined and controlled by its own elite.


2021 ◽  
Vol 5 (4) ◽  
pp. 580-617
Author(s):  
David J. DeVore

Eusebius’s Ecclesiastical History, a seminal late-antique historical narrative, features three periodizations of the church’s past. First, a soteriological periodization divides God’s relationship with humanity at Christ’s Incarnation, an event that Eusebius marks in Book 1 with detailed commentary on the gospels rather than narrative. Second, an ecclesiastical periodization divides pristine, heroic apostolic times from post-apostolic times. The divide between apostolic times and the post-apostolic periods is illustrated through a comparison of History 2.13–17, about Simon Magus, Peter, and Mark, and 6.12, on Serapion of Antioch. And third, an epistemological periodization distinguished earlier times from Eusebius’s lifetime, the latter marked by frequent references to “our time.” Eusebius changed numerous narrative features with his changes of period, including alternating between commentary, diachronic, and synchronic format for different time periods; changing protagonists’ fallibility, individuality, composition of texts, and citation of scripture; and providing notices of episcopal successions and quotation of sources. Moreover, Eusebius’s History changed periods not with the sharp breaks of many modern histories but with gradual transitions. He also underscored key continuities, including God’s intervention in human events and alternation between persecuting and protecting rulers—a continuity within which, contrary to scholarly assumptions, the History never inaugurates a new era with the emergence of Constantine. The case study of Eusebius’s periodization suggests an important limitation of the analytic usefulness of periodizations such as “Late Antiquity” for organizing intellectual history.


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