Spanish America in Eighteenth-Century European Travel Compilations: a New "Art of Reading" and the Transition To Modernity

1998 ◽  
Vol 2 (4) ◽  
pp. 329-349 ◽  
Author(s):  
Jorge Cañizares Esguerra

AbstractBy the mid-eighteenth century sixteenth-century Spanish American testimonies on the New World suddely lost credibility with European audiences. This study seeks to explain this curious episode and traces it to new developments in ways to create and validate knowledge in early modern Europe. The genre of travel accounts proved instrumental in undermining the authority of Spanish accounts. Editors of travel compilations developed a "new art of reading" that privileged "internal" over "external" criticism. If in the past editors apportioned credit according to the number, character, and social standing of witnesses and favored knowledge gathered personally through the senses, by the mid-eighteenth century editors read accounts in the light of contemporary social theories : those accounts that proved inconsistent with the theories of political economy were dismissed. The reliability of sixteenth century Spanish eyewitnesses on the grandeur of the Aztec and Inca civilizations was called into question because these witnesses were deemed incapable of regulating their perceptions through reason (good taste). Since the new art of reading deployed by editors of travel compilations emerged out of a close dialogue between Europe and its colonies, this study shows the deep colonial roots of European modernity.

2003 ◽  
Vol 7 (1) ◽  
pp. 89-119 ◽  
Author(s):  
Amanda Wunder

AbstractEducated elite Europeans who visited Constantinople on diplomatic, scholarly, and commercial enterprises in the sixteenth century shared a common culture of antiquarianism, and their passion for the antiquities of the East shaped their accounts of the Turk and Ottoman Constantinople. The traveling antiquarians Augier Ghislain de Busbecq, Pierre Gilles, Melchior Lorck, Pieter Coecke van Aelst, and Nicholas de Nicolay produced a diverse range of printed works based on their firsthand experiences in the Ottoman Empire, in which they used traditional Renaissance genres (such as the urban encomium, the city view, the historia painting, and the costume book) to depict the Turk either as the enemy of antiquities or, alternatively, as an eternal, exotic object like the relics of the past. While some antiquarian travelers, most notably Lorck, Coecke, and Nicolay, demonstrated the variety that existed amongst the Turks, the ultimate impact of sixteenth-century antiquarian accounts of the Ottoman Empire was to deepen the Western perception of Oriental difference.


2020 ◽  
Vol 30 ◽  
pp. 55-75
Author(s):  
Penny Roberts

AbstractThis paper seeks to provide some historical perspective on contemporary preoccupations with competing versions of the truth. Truth has always been contested and subject to scrutiny, particularly during troubled times. It can take many forms – judicial truth, religious truth, personal truth – and is bound up with the context of time and place. This paper sets out the multidisciplinary approaches to truth and examines its role in a specific context, that of early modern Europe and, in particular, the French religious wars of the sixteenth century. Truth was a subject of intense debate among both Renaissance and Reformation scholars, it was upheld as an absolute by judges, theologians and rulers. Yet, it also needed to be concealed by those who maintained a different truth to that of the authorities. In the case of France, in order to advance their cause, the Huguenots used subterfuge of various kinds, including the illicit carrying of messages. In this instance, truth was dependent on the integrity of its carrier, whether the messenger could be trusted and, therefore, their truth accepted. Both sides also sought to defend the truth by countering what they presented as the deceit of their opponents. Then, as now, acceptance of what is true depends on which side we are on and who we are prepared to believe.


2018 ◽  
Vol 28 (4) ◽  
pp. 613-628
Author(s):  
Vesa-Pekka Herva ◽  
Janne Ikäheimo ◽  
Matti Enbuske ◽  
Jari Okkonen

The unknown and exotic North fascinated European minds in the early modern period. A land of natural and supernatural wonders, and of the indigenous Sámi people, the northern margins of Europe stirred up imagination and a plethora of cultural fantasies, which also affected early antiquarian research and the period understanding of the past. This article employs an alleged runestone discovered in northernmost Sweden in the seventeenth century to explore how ancient times and northern margins of the continent were understood in early modern Europe. We examine how the peculiar monument of the Vinsavaara stone was perceived and signified in relation to its materiality, landscape setting, and the cultural-cosmological context of the Renaissance–Baroque world. On a more general level, we use the Vinsavaara stone to assess the nature and character of early modern antiquarianism in relation to the period's nationalism, colonialism and classicism.


AJS Review ◽  
1987 ◽  
Vol 12 (2) ◽  
pp. 223-250
Author(s):  
David Malkiel

Ghettoization stimulated sixteenth-century Italian Jewry to develop larger and more complex political structures, because the Jewish community now became responsible for municipal tasks. This development, however, raised theological objections in Catholic circles because Christian doctrine traditionally forbade the Jewish people dominion. It also aroused hostility among the increasingly centralized governments of early modern Europe, who viewed Jewish self-government as an infringement of the sovereignty of the state. The earliest appearance of the term “state within a state,” which has become a shorthand expression for the latter view, was recently located in Venice in 1631.


Author(s):  
Matthew Lockwood

The introduction outlines previous definitions of the modern state as well as historians’ current explanations of state formation in early modern Europe and England. It demonstrates that earlier scholars have focused almost entirely on the state’s ability to engage in active warfare and have thus neglected an important aspect of the monopoly of violence, the restriction of non-state or illegitimate violence. The introduction also explores the medieval background of the coroner system, the mechanism designed to regulate violence in England and explains why the system had failed to achieve its proposed ends prior to the sixteenth century.


Reviews: The Logic of History: Putting Postmodernism in Perspective, on the Future of History: The Postmodernist Challenge and its Aftermath, Modernism and the Ideology of History: Literature, Politics, and the Past, Postmodernism in History: Fear or Freedom?, Quoting Shakespeare: Form and Culture in Early Modern Drama, Early Modern Civil Discourses, ‘A moving Rhetoricke’: Gender and Silence in Early Modern England, Society and Culture in Early Modern England, the English Radical Imagination: Culture, Religion and Revolution, 1630–1660, An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727, Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain, the French Revolution and the London Stage, 1789–1805, Nationalism, Imperialism and Identity in Late Victorian Culture, Modernism, Male Friendship and the First World War, Bloody Good: Chivalry, Sacrifice, and the Great War, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940McCullaghC. Behan, The Logic of History: Putting Postmodernism in Perspective , Routledge, 2004, pp. viii + 212, £18.99 pbBreisachE., On the Future of History: The Postmodernist Challenge and its Aftermath , University of Chicago Press, 2003, pp. vii + 236, $16.00 pb.WilliamsL. Blakeney, Modernism and the Ideology of History: Literature, Politics, and the Past , Cambridge University Press, 2002, pp. 265, £40.SouthgateBeverley, Postmodernism in History: Fear or Freedom? Routledge, 2003, pp. xi + 211, £55, £16.99 pb.BrusterDouglas, Quoting Shakespeare: Form and Culture in Early Modern Drama , University of Nebraska Press, 2001, pp. 288, £35.50.RichardsJennifer (ed.), Early Modern Civil Discourses , Palgrave Macmillan, 2003, pp. 206, $65.00.LuckyjChristina, ‘A moving Rhetoricke‘: Gender and Silence in Early Modern England , Manchester University Press, 2002, pp. viii + 198, £40.CressyDavid, Society and Culture in Early Modern England , Variorum Collected Studies Series, Ashgate, 2003, pp. xii + 344, £57.50.McDowellNicholas, The English Radical Imagination: Culture, Religion and Revolution, 1630–1660 , Clarendon Press, 2003, pp. x + 219, £45.BurnsWilliam E., An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727 , Manchester University Press, 2002, pp. 218, £45.BergMaxine and EgerElizabeth (eds), Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods , Palgrave Macmillan, 2003, pp. xii + 259, 41 plates, £55.SweetRosemary, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain , Hambledon & London, 2004, pp. xxi + 473, £25.TaylorGeorge, The French Revolution and the London Stage, 1789–1805 , Cambridge University Press, 2002, pp. x + 263, £45.AttridgeSteve, Nationalism, Imperialism and Identity in Late Victorian Culture , Palgrave Macmillan, 2003, pp. 229, £45.ColeSarah, Modernism, Male Friendship and the First World War , Cambridge University Press, 2003, pp. 297, £40FrantzenAllen J., Bloody Good: Chivalry, Sacrifice, and the Great War , University of Chicago Press, 2004, pp. 335, £24.50.BoydKelly, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940 , Palgrave Macmillan, 2003, pp. x + 273, £60.

2005 ◽  
Vol 14 (1) ◽  
pp. 81-100
Author(s):  
Christopher Parker ◽  
David Watson ◽  
Alan Armstrong ◽  
Ben Lowe ◽  
Carrie Hintz ◽  
...  

Author(s):  
Floris Verhaart

This chapter looks at examples of scholars who, in the early eighteenth century, worked on texts that were highly controversial from a moral perspective. The focus is on Pieter Burman’s edition of Petronius (1709) and Bentley’s work on Horace. Looking at this material from a perspective of textual criticism allowed Burman and Bentley to avoid delving too deeply into passages of a sexually loaded nature. Nevertheless, political and scholarly opponents of both men tried to blacken their reputation by connecting their research interests with their private lives. It is demonstrated that the association of textual critics with immorality was a commonplace in early modern Europe and that the tensions between in particular Burman and his opponents reveals a struggle to make classical philology a more independent field of enquiry versus other disciplines, such as theology.


Caritas ◽  
2021 ◽  
pp. 31-59
Author(s):  
Katie Barclay

Caritas was an idea with resonance across early modern Europe, but given shape and form within particular national or religious contexts. This chapter introduces how the Scottish Kirk envisioned caritas as an embodied ethic—an experience of love that was manifested in deportment, thought, feeling, and behaviour—as well as its widespread take-up as a cultural norm. It particularly highlights that the family—the holy household—was imagined as the basis of a social order founded on caritas and introduces how the idea of caritas shaped the practice of the family-household relationships in eighteenth-century Scotland. It explores how the family was located not just as a site of patriarchal discipline, but also of peace and comfort, where fighting and quarrelling (excesses of passion) should be minimized. The family-household was not formed in private, however: its loving behaviours were interpreted and given meaning by a watching community.


2019 ◽  
Vol 72 (4) ◽  
pp. 1269-1325
Author(s):  
Ethan Matt Kavaler

Early modern ornament might profitably be considered as a set of systems, each with its own rules. It signaled wealth and status. It offered pleasure and prompted curiosity. It cut across the apparent divide between the vernacular and the classicizing. It was relational, understood in the context of a given subject but not necessarily subservient to it. The notion of ornament as essentially supplemental and the prejudice against ornamental excess are both children of the late eighteenth century. Both ideas depend on a post-Enlightenment conviction of the work of art as an autonomous, aesthetically self-sufficient object, an idea not fully formed in the early modern era.


2014 ◽  
Vol 59 (1) ◽  
pp. 44-62 ◽  
Author(s):  
Stefanie Gänger

AbstractThis article outlines the history of the commerce in medicinal plants and plant-based remedies from the Spanish American territories in the eighteenth century. It maps the routes used to transport the plants from Spanish America to Europe and, along the arteries of European commerce, colonialism and proselytism, into societies across the Americas, Asia and Africa. Inquiring into the causes of the global ‘spread’ of American remedies, it argues that medicinal plants like ipecacuanha, guaiacum, sarsaparilla, jalap root and cinchona moved with relative ease into Parisian medicine chests, Moroccan court pharmacies and Manila dispensaries alike, because of their ‘exotic’ charisma, the force of centuries-old medical habits, and the increasingly measurable effectiveness of many of these plants by the late eighteenth century. Ultimately and primarily, however, it was because the disease environments of these widely separated places, their medical systems and materia medica had long become entangled by the eighteenth century.


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