scholarly journals Johann Georg Zimmermann’s Therapeutics of Solitude in the German Enlightenment

2021 ◽  
Vol 5 (2) ◽  
pp. 259-278
Author(s):  
Andreas Rydberg

Abstract This essay charts the German eighteenth-century physician and writer Johann Georg Zimmermann’s monumental work on solitude. The essay draws on but also challenges recent historiography on two counts. First, it situates Zimmermann’s discourse on solitude in the context of the early modern cultura animi tradition, in which philosophy provided a cure for a soul perceived as diseased and perturbed by passion and desire. Placed in this context, solitude comes into view not primarily as a passive state of rest and tranquillity connected to the rural life, but as active, therapeutic and exercise-oriented work on the self. Second, it argues that Zimmermann also shaped his discourse in relation to the increasingly radical late eighteenth-century exploration of subjectivity and selfhood, an exploration that reflects the emergence of the modern conception of the unique individual and autonomous self.

AJS Review ◽  
2005 ◽  
Vol 29 (2) ◽  
pp. 388-389
Author(s):  
R. Po-chia Hsia

Unlike the Sephardim, who accepted the concept of taqiyya and the practice of marranism to cope with forced conversions under Islam, the Ashkenazim, especially the Jewish communities of Germanophone Central Europe, developed an uncompromising rejection of Christian baptism. Instead of marranism and deception under Islam, the Ashkenazim, in the persecutions of the Crusades and after, developed a strong sense of martyrdom and detested baptism, whether forced or voluntary, as ritual and spiritual defilement and pollution. The small number of Jewish converts to Christianity were not so much sinners but apostates (meshummadim or the vertilgten). Given this Ashkenazi tradition, it is not surprising that converts were marginalized in Jewish historiography and scholarship. Nevertheless, as Carlebach argues persuasively in this book, they played a significant role in Jewish–Christian relations in early modern Germany; and given the fact that conversions rose rapidly in the late eighteenth century, it is all the more important to understand the prehistory of Jewish conversion and integration in Germany after Emancipation.


2019 ◽  
Vol 72 (4) ◽  
pp. 1269-1325
Author(s):  
Ethan Matt Kavaler

Early modern ornament might profitably be considered as a set of systems, each with its own rules. It signaled wealth and status. It offered pleasure and prompted curiosity. It cut across the apparent divide between the vernacular and the classicizing. It was relational, understood in the context of a given subject but not necessarily subservient to it. The notion of ornament as essentially supplemental and the prejudice against ornamental excess are both children of the late eighteenth century. Both ideas depend on a post-Enlightenment conviction of the work of art as an autonomous, aesthetically self-sufficient object, an idea not fully formed in the early modern era.


2016 ◽  
Vol 33 (2) ◽  
pp. 164-199
Author(s):  
Anthony R. Deldonna

No saint in the Catholic hagiographic tradition has served as a more vivid symbol of martyrdom, veneration, or of God’s profound grace toward a community than San Gennaro (Saint Januarius), the patron saint of the Kingdom of Naples. This essay studies the history and culture surrounding the veneration of San Gennaro. I focus on the longstanding cultivation of cantatas as a vehicle for veneration and for the promotion of catechism and post-Tridentine ideology. The first part of the essay traces political, social, and religious currents that contributed to the growth of the cult. The second part considers late eighteenth-century cantatas by Giovanni Paisiello and Domenico Cimarosa that were created for the Feast of the Traslazione. These works adopt strategies of poetic narrative and musical expression that reflect thematic elements associated with the annual feast. They also represent a musical turning point, incorporating innovative aria types, a widespread use of accompanied recitative and large choral ensembles, and distinctive instrumental sonorities. The Traslazione cantatas thus offer an opportunity not only to examine contemporary cultural currents in early modern Naples, but also to broaden our understanding of the cantata genre and of two leading operatic innovators of the late eighteenth century.


2009 ◽  
Vol 24 (2) ◽  
pp. 275-305 ◽  
Author(s):  
ILJA VAN DAMME ◽  
REINOUD VERMOESEN

AbstractThis article seeks to place second-hand consumption, or the reuse of older objects, into the expanding historical literature on early modern consumer practices. It claims that the study of second-hand consumption remains a much neglected topic of historical interest. Further empirical research of pre-industrial reuse habits is needed to examine essential problems and inconsistencies concerning consumers and their handling of older goods. On the basis of rarely used sources relating to public auctions in the countryside of the southern Netherlands, key questions regarding the current debate will be addressed. These questions concern the products that were handled, the actors involved, and how reuse was (or was not) affected by broader changes in society.


Author(s):  
Frederick Beiser

Hamann was one of the most important critics of the German Enlightenment or Aufklärung. He attacked the Aufklärung chiefly because it gave reason undue authority over faith. It misunderstood faith, which consists in an immediate personal experience, inaccessible to reason. The main fallacy of the Aufklärung was hypostasis, the reification of ideas, the artificial abstraction of reason from its social and historical context. Hamann stressed the social and historical dimension of reason, that it must be embodied in society, history and language. He also emphasized the pivotal role of language in the development of reason. The instrument and criterion of reason was language, whose only sanction was tradition and use. Hamann was a sharp critic of Kant, whose philosophy exemplified all the sins of the Aufklärung. Hamann attacked the critical philosophy for its purification of reason from experience, language and tradition. He also strongly objected to all its dualisms, which seemed arbitrary and artificial. The task of philosophy was to unify all the various functions of the mind, seeing reason, will and feeling as an indivisible whole. Although he was original and unorthodox, Hamann’s critique of reason should be placed within the tradition of Protestant nominalism. Hamann saw himself as a defender of Luther, whose reputation was on the wane in late eighteenth-century Germany. Hamann was also a founder of the Sturm und Drang, the late eighteenth-century literary movement which celebrated personal freedom and revolt. His aesthetics defended creative genius and the metaphysical powers of art. It marked a sharp break with the rationalism of the classical tradition and the empiricism of late eighteenth-century aesthetics. Hamann was a seminal influence upon Herder, Goethe, Jacobi, Friedrich Schlegel and Kierkegaard.


2017 ◽  
Vol 33 (1) ◽  
pp. 98-116
Author(s):  
Priyanka Khanna

This article maps the journey of the intimate companionship between a concubine and a Rajput ruler—Gulabrai and Vijay Singh, respectively—in the late eighteenth-century kingdom of Marwar in western Rajasthan. Based on hitherto unexamined local evidence, the article explores the ways in which a bond of friendship was constituted and unfolded in the everyday spheres of interaction between the concubine and the ruler. By turning attention to their evident emotions, such as of grief, trust, loyalty and love for each other, and shared partnership in spheres of religion and administration, this article suggests that friendship co-existed and overlapped with other forms of attachments in the overtly hierarchical relationship between the concubinage partners in focus. To emphasize the distinct form of this intimate companionship, the article also takes note of other forms of friendships that were centred on the agency of the concubine in the Rajput polity, and, in this way this article advances on the limited historical knowledge on concubinage in Rajput households and opens the possibility of including cross-sex associations in the discourse on friendship in early modern South Asia.


2014 ◽  
Vol 46 (1) ◽  
pp. 1-28 ◽  
Author(s):  
FRANK ‘TREY’ PROCTOR

AbstractIn late eighteenth-century Mexico City, Spanish colonials, particularly members of the urban middle and popular classes, performed a number of weddings and baptisms on puppies (which were wearing clothes or bejewelled collars) in the context of fandangos or dance parties. These ceremonies were not radical challenges to orthodoxy or conservative reactions in the face of significant economic, political, religious and cultural Bourbon reforms emanating from Spain. Employing Inquisitorial investigations of these ceremonies, this article explores the rise of pet keeping, the meanings of early modern laughter and the implications of the cultural and religious components of the Enlightenment-inspired Bourbon reforms in late colonial Mexico.


2020 ◽  
Vol 31 (4) ◽  
pp. 421-439 ◽  
Author(s):  
Diederik F Janssen

A conceptual evolution is traceable from early modern classifications of libido nefanda (execrable lust) to early nineteenth-century allusions to ‘perversion of the sexual instinct’, via pluralizing notions of coitus nefandus/sodomiticus in Martin Schurig’s work, and of sodomia impropria in seventeenth- through late eighteenth-century legal medicine. Johann Valentin Müller’s early breakdown of various unnatural penchants seemingly inspired similar lists in works by Johann Christoph Fahner and Johann Josef Bernt, and ultimately Heinrich Kaan. This allows an ante-dating of the ‘specification of the perverted’ (Foucault) often located in the late nineteenth century, and appreciation of pygmalionism and necrophilia as instances of ‘perverted sexual instinct’. In this light, Kaan’s early psychopathia sexualis was less innovative and more ambivalent than previously thought.


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