MARCO BERETTA, The Enlightenment of Matter: The Definition of Chemistry from Agricola to Lavoisier, Canton, Mass., Science History Pubblications, 1993, XVI-396 pp., ill. («Uppsala Studies in the History of Science», 15).

Nuncius ◽  
1994 ◽  
Vol 9 (1) ◽  
pp. 371-377
Author(s):  
MARCO CIARDI
Keyword(s):  
History Of Science ◽  
Science History ◽  
The Enlightenment ◽  
History Of ◽  
Definition Of

Vyshnivetsky Castle Library of Prince Mychailo Servaty Vyshnivetsky – Historical Book Heritage and Object of Bibliological and Historical Reconstruction

2014 ◽  
Vol 3 ◽  
pp. 166-182
Author(s):  
Iryna Tsiborovska-Rymarovych
Keyword(s):  
18Th Century ◽  
Historical Analysis ◽  
Cultural Significance ◽  
Historical Sources ◽  
Cultural Images ◽  
The Enlightenment ◽  
Printed Books ◽  
History Of ◽  
Grand Duchy Of Lithuania ◽  
Definition Of

The article has as its object the elucidation of the history of the Vyshnivetsky Castle Library, definition of the content of its fund, its historical and cultural significance, correlation of the founder of the Library Mychailo Servaty Vyshnivetsky with the Book.The Vyshnivetsky Castle Library was formed in the Ukrainian historical region of Volyn’, in the Vyshnivets town – “family nest” of the old Ukrainian noble family of the Vyshnivetskies under the “Korybut” coat of arm. The founder of the Library was Prince Mychailo Servaty Vyshnivetsky (1680–1744) – Grand Hetman and Grand Chancellor of the Grand Duchy of Lithuania, Vilno Voievoda. He was a politician, an erudite and great bibliophile. In the 30th–40th of the 18th century the main Prince’s residence Vyshnivets became an important centre of magnate’s culture in Rich Pospolyta. M. S. Vyshnivetsky’s contemporaries from the noble class and clergy knew quite well about his library and really appreciated it. According to historical documents 5 periods are defined in the Library’s history. In the historical sources the first place is occupied by old-printed books of Library collection and 7 Library manuscript catalogues dating from 1745 up to the 1835 which give information about quantity and topical structures of Library collection.The Library is a historical and cultural symbol of the Enlightenment epoch. The Enlightenment and those particular concepts and cultural images pertaining to that epoch had their effect on the formation of Library’s fund. Its main features are as follow: comprehensive nature of the stock, predominance of French eighteenth century editions, presence of academic books and editions on orientalistics as well as works of the ideologues of the Enlightenment and new kinds of literature, which generated as a result of this movement – encyclopaedias, encyclopaedian dictionaries, almanacs, etc. Besides the universal nature of its stock books on history, social and political thought, fiction were dominating.The reconstruction of the history of Vyshnivetsky’s Library, the historical analysis of the provenances in its editions give us better understanding of the personality of its owners and in some cases their philanthropic activities, and a better ability to identify the role of this Library in the culture life of society in a certain epoch.

‹ Rococo › : du jargon à la catégorie de style

2017 ◽  
Vol 80 (4) ◽  
pp. 474-487
Author(s):  
Marie-Pauline Martin
Keyword(s):  
Eighteenth Century ◽  
The Enlightenment ◽  
History Of ◽  
Louis Xvi ◽  
Definition Of ◽  
Louis Xv ◽  
Objective Existence

Abstract Today there is a consensus on the definition of the term ‘rococo’: it designates a style both particular and homogeneous, artistically related to the reigns of Louis XV and Louis XVI. But we must not forget that in its primitive formulations, the rococo has no objective existence. As a witty, sneering, and impertinent word, it can adapt itself to the most varied discourses and needs, far beyond references to the eighteenth century. Its malleability guarantees its sparkling success in different languages, but also its highly contradictory uses. By tracing the genealogy of the word ‘rococo’, this article will show that the association of the term with the century of Louis XV is a form of historical discrimination that still prevails widely in the history of the art of the Enlightenment.

scholarly journals Membangun Peradaban Sufistik melalui Hermeneutika Schleiermacher pada Ekspresi-Ekspresi Sejarah Perjuangan Imam Husain

ESOTERIK ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 90
Author(s):  
Fadhlu Rahman ◽  
Dicky Darmawan
Keyword(s):  
Social Order ◽  
Descriptive Analysis ◽  
The Enlightenment ◽  
Spiritual Civilization ◽  
Analysis Methods ◽  
History Of ◽  
New Space ◽  
New Perspective ◽  
Definition Of ◽  
Western Perspective

<p class="06IsiAbstrak">The modern western perspective initiated by the renaissance and the enlightenment century successfully couped the reality of God. This was carried out by some western intellectuals and thinkers, which ultimately gave obscurity to the human concept. The obscurity of this concept then has implications for the meaning of the progress of human civilization. This further gives serious problems to almost the entire social order.   Husain's struggle as the eternal history of humanity interpreted through Hermeneutics Scheleiermacher provides another perspective on human concepts and the progress of civilization. The monotheistic values they contain glance at the sides of spirituality as a measure of the progress of civilization. From it the definition of civilization gained new space and paved the way for human potentials that were inherently the cornerstone of the progress of civilization. This paper tries to uncover the values of Imam Husain's struggle in Karbala which is interpreted through Schleiermacher's psychological and grammatical interpretation and contextualizes it with the concept of Coomaraswamy spiritual civilization, as a foundation for the meaning of civilization using historical and descriptive analysis methods. So that the paradigm of the progress of civilization gets an alternative new perspective, and spirituality can be used as a measure of the progress of civilization.</p>

scholarly journals The Body of Sound: Sounding out the History of Science

2012 ◽  
Vol 2 (1) ◽  
pp. 197-209 ◽  
Author(s):  
Holger Schulze
Keyword(s):  
History Of Science ◽  
The Body ◽  
Western History ◽  
Science History ◽  
Hermann Von Helmholtz ◽  
Material Appearance ◽  
Long Time ◽  
History Of ◽  
Anthropology Of The Senses ◽  
Lower Material

Sound affects and pervades our body in a physical as well as a phenomenological sense: a notion that may sound fairly trivial today. But for a long time in Western history ‘sound’ was no scientific entity. It was looked upon merely as the lower, material appearance of truly higher forces: of more ephemeral, angel-, spirit- or godlike structures – and later of compositional knowledge. To be interested in sound was to be defamed as being unscientific, noncompositional, unmanly. Which steps were taken historically that gradually gave sound the character of a scientific entity? This article moves along recent science history: since the nineteenth century when the physicality of sound and later the corporeality of sonic experiences were first discovered and tentatively described. Exemplary studies from the science history of acoustics, musicology and anthropology of the senses are analysed and restudied – from Hermann von Helmholtz to Michel Serres. Even today, we may ask ourselves: What would an auditorily-founded research be like? Could there be a field of sensory research – via sensing sound?

The History of Science as European Self-Portraiture

2006 ◽  
Vol 14 (4) ◽  
pp. 523-536 ◽  
Author(s):  
LORRAINE DASTON
Keyword(s):  
History Of Science ◽  
Scientific Revolution ◽  
18Th Century ◽  
World History ◽  
The Self ◽  
Self Image ◽  
The Enlightenment ◽  
History Of

Since the Enlightenment, the history of science has been enlisted to show the unity and distinctiveness of Europe. This paper, written on the occasion of the award of the 2005 Erasmus Prize to historians of science Simon Schaffer and Steven Shapin, traces the intertwined narratives of the history of science and European modernity from the 18th century to the present. Whether understood as triumph or tragedy (and there have been eloquent proponents of both views), the Scientific Revolution has been portrayed as Europe's decisive break with tradition – the first such break in world history and the model for all subsequent epics of modernization in other cultures. The paper concludes with reflections on how a new history of science, exemplified in the work of Shapin and Schaffer, may transform the self-image of Europe and conceptions of truth itself.

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