scholarly journals The Role of the Karaites in the Transmission of the Hebrew Bible and Their Practice of Transcribing It into Arabic Script

2020 ◽  
Vol 8 (2-3) ◽  
pp. 233-264
Author(s):  
Geoffrey Khan

Abstract In the Middle Ages the Karaite Jews in the Islamic world used both Arabic and Hebrew script in their writings. They wrote not only Arabic texts in Arabic script but also many of their Hebrew Bibles in Arabic transcription. The Rabbanites, by contrast, used Hebrew script for writing both Arabic and Hebrew. This paper examines the association of the Karaites with the Masoretic transmission of the Hebrew Bible and the motivation for their transcribing the Bible into Arabic script. It is argued that the Arabic transcriptions reflect the polemical stance of the Karaites against the bases of scriptural authority of the Rabbinites and an advanced degree of rapprochement of the Karaites with the Muslim environment. They represent a convergence with the external form of the Muslim Arabic Qurʾān and also with the concepts of authority associated with the transmission of Muslim scripture.

PMLA ◽  
1941 ◽  
Vol 56 (3) ◽  
pp. 613-626 ◽  
Author(s):  
Anna Jean Mill

In her important study of the Wakefield Group in the Towneley cycle, Dr. Millicent Carey has much to say regarding the various English versions of the play of Noah and his wife. Here, says Dr. Carey, “Noah's wife appears as a speaking character for the first time ... Although she is mentioned in all the other versions from the Bible on, she is never known to utter a word until the dramatists of the Middle Ages make her an important member of their dramatis personae.” For the unbiblical Newcastle introduction of the devil and the temptation of Noah's wife—unique in the English miracle plays—Dr. Carey says that she has found no hint in Jewish legend. She considers the suggestion of Brotanek, who favors derivation by analogy with the Eve legend; of Brandl, who argues an approximation to Morality play construction; and of Cushman, who, rejecting the two former theories, remarks on the ubiquitous rôle of the devil as tempter in medieval legend generally. She points out an English dramatic parallel in the incident of the appearance of the devil to Pilate's wife in the York cycle, itself perhaps derived through analogy from the Eve story, and refers to certain other Continental parallels where the devil is a well-recognized device for registering “obstruction to the expressed wishes of God”—a device which may have originated in the Eve story or “may simply be a reflection of the mediaeval tendency to explain all evil as caused by the devil.”


2018 ◽  
Vol 23 (1) ◽  
pp. 48-66
Author(s):  
Marcel Bubert

AbstractAlthough the medieval period was not part of Michel Foucault’s seminal study on ‘The Order of Things’, there are good reasons to believe that the learned cultures of the Middle Ages were to a certain degree based on specific epistemic orders, general organizing principles which were unconsciously presupposed in concepts of reality. Nevertheless, the extent as to which these concepts are in fact committed to the assumption of a metaphysically determined measuring of reality, is not altogether clear. This article aims to discuss this question in general, based on recent views of the role of the ‘subject’ in epistemic orders.


2014 ◽  
Vol 11 (1) ◽  
pp. 152-157
Author(s):  
Dana Vasiliu

Abstract In “The Waning of the Middle Ages”, J. Huizinga has pointed out that “all things would be absurd if their meaning would be exhausted by their function and their place in the phenomenal world, if by their essence they did not reach into a world beyond this.” (1924:201) Starting from this assumption, I purport to analyze the role/roles played by everyday/ordinary objects in the miracle stories depicted in the Trinity Chapel glazing and argue that their individuation/haecceity is subject to practices of ritualistic and artistic encodings


2021 ◽  
Vol 5 (S2) ◽  
pp. 284-302
Author(s):  
Iryna Yu Konovalova

The article is devoted to comprehension of specifics and formation prerequisites of composer’s and musical authorship phenomena historical formation in European culture of the Middle Ages. Genesis of composer’s phenomenon and individual musical authorship model is considered on the basis of historical, socio-cultural and aesthetic-artistic transformations, on awareness about their dynamic’s tendencies and general cultural institutionalization of an authorship phenomenon, as well as on an increasing role of individual creativity in an artistic realm. It is stated that multi-ethnic and anonymous culture of oral tradition, folklore and Christian singing practices, as well as instrumental improvisation’s traditions, became spiritual sources of this phenomena and turn into a strong foundation of musical professionalism and creative impulse for European authorial music evolution. It is emphasized that process of composer’s formation as a creativity subject and musical professionalism carrier was stimulated by the necessity of everyday vocal-choral practice, conditioned by the spiritual context of time, by intention on theocentric world’s picture and religious – Christian outlook dominance. Significant role of secular direction development in the context of music-author’s discourse formation and composer’s figure assertion in the late Middle Ages is highlighted. 


1970 ◽  
Vol 42 (117) ◽  
pp. 159-174
Author(s):  
Michael Böss

WRITING NATIONAL HISTORY AFTER MODERNISM: THE HISTORY OF PEOPLEHOOD IN LIGHT OF EUROPEAN GRAND NARRATIVES | The purpose of the article is to refute the recent claim that Danish history cannot be written on the assumption of the existence of a Danish people prior to 19th-century nationalism. The article argues that, over the past twenty years, scholars in pre-modern European history have highlighted the limitations of the modernist paradigm in the study of nationalism and the history of nations. For example, modernists have difficulties explaining why a Medieval chronicle such as Saxo Grammaticus’s Gesta Danorum was translated in the mid-1600s, and why it could be used for new purposes in the 1800s, if there had not been a continuity in notions of peoplehood between the Middle Ages and the Modern Age. Of course, the claim of continuity should not be seen as an argument for an identity between the “Danes” of Saxo’s time and the Danes of the 19th-century Danish nation-state. Rather, the modern Danishness should be understood as the product of a historical process, in which a number of European cultural narratives and state building played a significant role. The four most important narratives of the Middle Ages were derived from the Bible, which was a rich treasure of images and stories of ‘people’, ‘tribe’, ‘God’, King, ‘justice’ and ‘kingdom’ (state). While keeping the basic structures, the meanings of these narratives were re-interpreted and placed in new hierarchical positions in the course of time under the impact of the Reformation, 16th-century English Puritanism, Enlightenment patriotism, the French Revolution and 19th-century romantic nationalism. The article concludes that it is still possible to write national histories featuring ‘the people’ as one of the actors. But the historian should keep in mind that ‘the people’ did not always play the main role, nor did they play the same role as in previous periods. And even though there is a need to form syntheses when writing national history, national identities have always developed within a context of competing and hierarchical narratives. In Denmark, the ‘patriotist narrative’ seems to be in ascendancy in the social and cultural elites, but has only partly replaced the ‘ethno-national’ narrative which is widespread in other parts of the population. The ‘compact narrative’ has so far survived due the continued love of the people for their monarch. It may even prove to provide social glue for a sense of peoplehood uniting ‘old’ and ‘new’ Danes.


2007 ◽  
Vol 38 (3) ◽  
pp. 792
Author(s):  
Daniel Timmerman ◽  
Thomas J. Heffernan ◽  
Thomas E. Burman

2021 ◽  
Vol 2021 (2) ◽  
pp. 72-87
Author(s):  
O.A. Oparin ◽  

The article shows and analyzed the development of hospitals in the Middle Ages. The main features of hospitals in its different periods are shown. The deterrent role of medieval religious beliefs and dogma in the development of hospitals is shown and revealed


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