The Question of the Legitimacy of the Hashemite Regime in Jordan: the Islamic Radical Organizations, the Western Territories and Israel

2020 ◽  
Vol 100 (1) ◽  
pp. 75-92
Author(s):  
Ronen Yitzhak
Keyword(s):  
Political Stability ◽  
The Other ◽  
Terrorist Attacks ◽  
Peace Treaty ◽  
The West ◽  
Terrorist Organizations ◽  
Islamic Movements ◽  
The Muslim Brotherhood ◽  
The One ◽  
Radical Organizations

Abstract This article explores the question of the legitimacy of the Hashemite regime in Jordan. Jordanian public opinion, on the one hand, recognizes the regime, in large part because of its genealogical descent from the Prophet Muhammad. Radical Islamic organizations, on the other hand, reject it for its ties to the West and Israel. The article examines how the views of Islamic movements towards the Hashemite regime have evolved. The Muslim Brotherhood originally recognized the legitimacy of the Hashemite regime, but changed that position in response to Jordan’s 1994 peace treaty with Israel. al-Qāʿidah and ISIS have never recognized Hashemite rule as legitimate. They have tried to undermine its political stability and, indeed, to overthrow it, rejecting its secularism and cooperation with Israel and the West. The terrorist organizations al-Qāʿidah and ISIS find support and sympathy among Jordanians, but as they committed more terrorist attacks, the Jordanian public has turned away from them and its support for the Hashemite regime has grown. The Hashemite regime thus remains stable and strong and enjoys legitimacy in the eyes of the majority of Jordanians.

THE CONCEPT OF MODERNIZATION

1997 ◽  
Vol 14 (1) ◽  
pp. 13-26
Author(s):  
Mohammad Mumtaz Ali
Keyword(s):  
Muslim Brotherhood ◽  
The Other ◽  
The West ◽  
Islamic Revival ◽  
Critical Attitude ◽  
Islamic Movement ◽  
Islamic Thought ◽  
Revival Movements ◽  
The Muslim Brotherhood ◽  
The One

One of the main characteristics of contemporary Islamic thought,especially within the traditions of Islamic revival movements and theIslamization of knowledge movement, is its critical attitude toward boththe Islamic heritage and western ideas, concepts, and theories. Thinkersand scholars of these movements have neither rejected entirely the westerncontributions toward knowledge, unlike the rejectionists, nor havethey accepted it blindly, like the adoptationists. Most thinkers in thesemovements do not accept western ideas and concepts without a criticalevaluation from an Islamic perspective. Khurshid Ahmad aptly remarks:The Islamic movement clearly differentiates between developmentand modernization on the one hand and westernization andsecularization on the other. It says “yes” to modernization but“no” to blind westernization.’Such a stance on modernization may not be attributed only to suchIslamic movements as the Muslim Brotherhood of Egypt,2 established byHasan a1 Banna,’ and the Jama‘at-e-Islami of the Indian s~bcontinent,~founded by Abul A‘la Mawdudi,’ but also to the Islamization of knowledgemovement.6 The type of modernization welcomed by scholars ofthese movements is not the same as that conceived by the West; rather,it is an Islamic modernization based on an Islamic epistemology ...

scholarly journals SHIP CLASSIFICATION FROM MULTISPECTRAL VIDEOS

2012 ◽  
Vol 31 (2) ◽  
pp. 121
Author(s):  
Frederique Robert-Inacio ◽  
Ghislain Oudinet ◽  
Francois-Marie Colonna
Keyword(s):  
Video Surveillance ◽  
The Other ◽  
Terrorist Attacks ◽  
Classification Result ◽  
Radio Communications ◽  
Similarity Degree ◽  
Sensitive Areas ◽  
Parameter Measuring ◽  
Ship Classification ◽  
The One

Surveillance of a seaport can be achieved by different means: radar, sonar, cameras, radio communications and so on. Such a surveillance aims, on the one hand, to manage cargo and tanker traffic, and, on the other hand, to prevent terrorist attacks in sensitive areas. In this paper an application to video-surveillance of a seaport entrance is presented, and more particularly, the different steps enabling to classify mobile shapes. This classification is based on a parameter measuring the similarity degree between the shape under study and a set of reference shapes. The classification result describes the considered mobile in terms of shape and speed.

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

Informed Consent: Ezenwa–Ohaeto between Past and Future Uses of Pidgin

Matatu ◽  
2006 ◽  
Vol 33 (1) ◽  
pp. 115-134 ◽  
Author(s):  
Chantal Zabus
Keyword(s):  
Informed Consent ◽  
First Language ◽  
West African ◽  
The Other ◽  
Wole Soyinka ◽  
The West ◽  
West African Coast ◽  
African Coast ◽  
The 1950S ◽  
The One

The essay shows how Ezenwa–Ohaeto's poetry in pidgin, particularly in his collection (1988), emblematizes a linguistic interface between, on the one hand, the pseudo-pidgin of Onitsha Market pamphleteers of the 1950s and 1960s (including in its gendered guise as in Cyprian Ekwensi) and, on the other, its quasicreolized form in contemporary news and television and radio dramas as well as a potential first language. While locating Nigerian Pidgin or EnPi in the wider context of the emergence of pidgins on the West African Coast, the essay also draws on examples from Joyce Cary, Frank Aig–Imoukhuede, Ogali A. Ogali, Ola Rotimi, Wole Soyinka, and Tunde Fatunde among others. It is not by default but out of choice and with their 'informed consent' that EnPi writers such as Ezenwa–Ohaeto contributed to the unfinished plot of the pidgin–creole continuum.

Managing to Avoid Innovation

1999 ◽  
Vol 13 (1) ◽  
pp. 25-32 ◽  
Author(s):  
J. H. Vaux ◽  
M. P. S. F. Gomes ◽  
R. J. Grieve ◽  
S. W. Woolgar
Keyword(s):  
The Other ◽  
Advanced Technology ◽  
Manufacturing Companies ◽  
Small Companies ◽  
Small Company ◽  
The West ◽  
Policy Makers ◽  
Technology And Innovation ◽  
Company Culture ◽  
The One

This paper addresses differences in the way that the problems of small UK firms are construed by policy makers on the one hand, and by the executives of small companies on the other. The authors employ a discursively-based analysis of interviews carried out with managers of small manufacturing companies in the West London area. They suggest that SME executives construe their attitudes to advanced technology and innovation within the terms of some clear, but implicit management values which tend to lead to the perception of innovation as a risk to be managed, rather than an opportunity to be exploited. It is suggested this has significant implications for attempts to change small company culture.

The foundations and prerequisites of imagology

2021 ◽  
pp. 65-74
Author(s):  
Valerii P. Trykov ◽  
Keyword(s):  
Social Engineering ◽  
Dominant Strategy ◽  
The Other ◽  
Special Role ◽  
The West ◽  
European Culture ◽  
Post War ◽  
The 1960S ◽  
The One ◽  
Eu Project

The article examines the conceptual foundations and scientific, sociocultural and philosophical prerequisites of imagology, the field of interdisciplinary research in humanitaristics, the subject of which is the image of the “Other” (foreign country, people, culture, etc.). It is shown that the imagology appeared as a response to the crisis of comparatives of the mid-20th century, with a special role in the formation of its methodology played by the German comparatist scientist H. Dyserinck and his Aachen School. The article analyzes the influence on the formation of the imagology of post-structuralist and constructivist ideological-thematic complex (auto-reference of language, discursive history, construction of social reality, etc.), linguistic and cultural turn in the West in the 1960s. Shown is that, extrapolated to national issues, this set of ideas and approaches has led to a transition from the essentialist concept of the nation to the concept of a nation as an “imaginary community” or an intellectual construct. A fundamental difference in approaches to the study of an image of the “Other” in traditional comparativism and imagology, which arises from a different understanding of the nation, has been distinguished. It is concluded that the imagology studies the image of the “Other” primarily in its manipulative, socio-ideological function, i.e., as an important tool for the formation and transformation of national and cultural identity. The article identifies ideological, socio-political factors that prepared the birth of the imagology and ensured its development in western Humanities (fear of possible recurrences of extreme nationalism and fascism in post-war Europe, the EU project, which set the task of forming a pan-European identity). It is concluded that the imagology, on the one hand, has actualized an important field of scientific research — the study of the image of the “Other”, but, on the other hand, in the broader cultural and historical perspective, marked a departure not only from the traditions of comparativism and historical poetics, but also from the humanist tradition of the European culture, becoming part of a manipulative dominant strategy in the West. To the culture of “incorporation” into a “foreign word” in order to understand it, preserve it and to ensure a genuine dialogue of cultures, the imagology has contrasted the social engineering and the technology of active “designing” a new identity.

scholarly journals PEMIKIRAN JAMALUDDIN AL-AFGHANI (JAMAL AD-DIN AL-AFGHANI) (1838 – 1897 M)

2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
The West ◽  
Unique Position ◽  
Islamic Reform ◽  
Other Hand ◽  
The People ◽  
The One ◽  
The 19Th Century

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 

scholarly journals The Geopolitical Identity of the Bulgarian Nation

2021 ◽  
Vol 37 ◽  
pp. 78-92
Author(s):  
A. A. Kovalevskiy ◽  
Keyword(s):  
Eastern Europe ◽  
Balkan Peninsula ◽  
Great Powers ◽  
The Other ◽  
Peace Treaty ◽  
Small State ◽  
South Eastern ◽  
Political Events ◽  
South Eastern Europe ◽  
The One

The article considers the issues of the nature and conditions of the formation of the geopolitical identity of the Bulgarian nation. The author analyzes the specifics of geopolitical thinking in Bulgaria as a small state in South-Eastern Europe associated, on the one hand, with the approval of the “central”, “core” position of Bulgaria on the Balkan Peninsula, and with belonging to “Intermediate Europe” (“Wide South-Eastern Europe”) along with all other Balkan countries on the other hand. It has been shown that the fundamental Bulgarian geopolitical notions are not part of any clearly articulated doctrine, as was the case in neighboring Greece or Serbia, but are the result of a number of political events, due to which the modern Bulgarian national identity begins to take shape. First of all, we are talking about the firman of the Ottoman Sultan, according to which the Bulgarian Autocephalous Church – Exarchate was founded on March 11, 1870, and after that the draft about autonomous Bulgaria worked out at the Istanbul Conference of Ambassadors of the Great Powers (December 1876), and finally – San - Stefan Peace Treaty of 1878, which completed the formation of the national geopolitical ideal of "Greater Bulgaria."

scholarly journals The Voice of the Ulema and Dilemma of the Indonesian Ulema Council’s Fatwa among Low Literate Society

2020 ◽  
Vol 10 (1) ◽  
pp. 29-51
Author(s):  
Fariz Alnizar ◽  
Achmad Munjid
Keyword(s):  
Qualitative Approach ◽  
The Other ◽  
Main Question ◽  
Islamic Movements ◽  
Other Hand ◽  
National Movement ◽  
The One ◽  
The Voice ◽  
Literate Society ◽  
Research Show

Some Islamic movements in Indonesia make the fatwas issued by the MUI as a reference for their actions. They recently found their momentum after the defence movements called 411 and 212. The proponents of the movements called themselves as Gerakan Nasional Pengawal Fatwa Majelis Ulama Indonesia (GNPF-MUI/The National Movement of Guardian of Fatwa of the Indonesian Ulema Council). Employing a qualitative approach coupled with historical-causal paradigm this article examines the main question: Do the proponents of these movements substantially understand the fatwas they defend? The results of the research show that the fatwas have a dilemmatic position. On the one hand, there have been movements which insist on making the fatwas as “sacred opinion” that must be protected and guarded. On the other hand, people do not substantially comprehend the fatwas they defend. This problem has been caused, among others, by the cultural basis of the Indonesian society which put more preference on orality than literality or, explicitly, written tradition.

scholarly journals ¿Es el cine japonés un cine nacional?

STUDIUM ◽  
2018 ◽  
pp. 245-272
Author(s):  
Marcos Centeno Martín
Keyword(s):  
Film Theory ◽  
Film History ◽  
The Other ◽  
Cultural Tradition ◽  
National Cinema ◽  
The West ◽  
Japanese Cinema ◽  
Palabras Clave ◽  
The One ◽  
Film Language

Resumen La construcción del cine japonés como cine nacional ha partido a menudo de una visión esencialista que ha ignorado la dimensión transnacional de esta filmografía. Por un lado, el descubrimiento occidental de ciertos autores japoneses en los años cincuenta condujo a la articulación del paradigma del cine nacional japonés a partir de películas dirigidas a asombrar al público europeo con imágenes exóticas de Japón. Los grandes maestros, Kurosawa, Mizoguchi y Ozu fueron escogidos como representantes de una supuesta japonesidad cinematográfica ignorando el peso de Occidente en sus obras. Por otro lado, el estudio de este corpus tradicionalmente ha evolucionado con herramientas teóricas desarrolladas en Occidente y necesita renovarse con conceptos de la tradición cultural, estética y filosófica propia. Pero además, es necesario evaluar cómo se implementaron los elementos del lenguaje fílmico en Japón para entender su relativismo respecto a la historia general del cine. Sus usos y formas no siempre han coincidido con los desarrollos occidentales, de forma que conceptos fílmicos occidentales no han tenido exactamente el mismo significado en el contexto japonés. Palabras clave: cine japonés, cine nacional, transnacionalidad teoría fílmica, cine de postguerra   Abstract The construction of Japanese cinema as a national cinema has often drawn on a essentialist vision neglecting the transnational nature of this filmography. On the one hand, the Western discovery of certain Japanese authors in the fifties triggered the articulation of the paradigm of the Japanese “national cinema” from films aiming to astonish European audiences with exotic images of Japan. The great masters, Kurosawa, Mizoguchi and Ozu, were chosen as main representatives of the apparent cinematographic japaneseness neglecting the weight of the West on their works. On the other hand, the study of this corpus has been traditionally evolved with theoretical tools developed in the West and need a renewal with concepts taken from Japanese philosophical, aesthetic and cultural tradition. Moreover, it is necessary to assess how the film language elements were implemented in Japan in order to understand its relativism regarding the general film history. Their usages and forms were not always equivalent to those in the West and as a consequence, Western concepts ended up having different meanings in the Japanese context. Key words: Japanese cinema, national cinema, transnationality, film theory, postwar cinema

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