Gollum suluensis sp. nov. (Carcharhiniformes: Pseudotriakidae), a new gollum-shark from the southern Philippines

Zootaxa ◽  
2011 ◽  
Vol 3002 (1) ◽  
pp. 17 ◽  
Author(s):  
PETER R. LAST ◽  
JOE P. GAUDIANO

A second nominal species of the pseudotriakid genus Gollum, otherwise known as false catsharks or gollumsharks, is described on the basis of seven specimens collected from the Sulu Sea. Gollum suluensis sp. nov., was discovered at the Puerto Princesa fish market in Palawan during a project initiated by the World Wildlife Fund during the 1990s to investigate elasmobranch biodiversity in the Philippines. The genus Gollum is presently represented by a single nominal species G. attenuatus (Garrick), known from the outer continental shelf and upper slope adjacent New Zealand. Gollum suluensis differs from its congener in having a darker, plainer and less contrasted coloration, softer body, shorter and broader snout, smaller spiracle, larger pectoral fin, wider head, as well as larger proportions of the nostril, mouth and interorbital space. Based on their narrow and widely separated distributions, these sharks are probably relict species.

Zootaxa ◽  
2008 ◽  
Vol 1812 (1) ◽  
pp. 1 ◽  
Author(s):  
PETER R. LAST ◽  
STEPHEN MALLICK ◽  
GORDON K. YEARSLEY

The Australian endemic skate genus Pavoraja Whitley, which contains six species including two valid nominal species (P. alleni and P. nitida) and four new species (P. arenaria sp. nov., P. mosaica sp. nov., P. pseudonitida sp. nov. and P. umbrosa sp. nov.), is redefined based on additional material. Members of the group occur primarily on the outer continental shelf and upper slope in both temperate and tropical Australian seas. The species are strongly partitioned geographically with smallto medium-scale ranges. Pavoraja arenaria is known to have a broad southern distribution but none is widespread in the Australian region. Only two species pairs, P. nitida and P. arenaria (off southern Australia), and P. mosaica and P. pseudonitida (off northeastern Australia), are known to be sympatric. New information is provided for the two nominal taxa, and the four new species are formally described and figured. Skeletal characteristics are described and illustrated, and a key to species is provided. Members of the genus differ primarily in colour pattern, squamation, morphometrics, meristics, and anatomical structure. The relationships of the genus Pavoraja to other arhynchobatid skates are discussed briefly.


Author(s):  
Paul Allatson

Since the highly successful inauguration of PORTAL in January 2004, we have received many kind expressions of support from international studies practitioners in a range of fields, and from such places as Canada, Italy, Mexico, Nigeria, New Zealand, Spain, Trinidad, the U.K., and the U.S.A. Particularly gratifying have been the endorsements of the journal and its publishing aims by people involved in their own electronic publishing enterprises. For their generous responses to PORTAL, the Editorial Committee would like to express its collective appreciation to the following people: Professor Jean-Marie Volet, of the University of Western Australia, and the guiding editor of the ground-breaking e-journal Mots Pluriels (www.arts.uwa.edu.au/MotsPluriels); and Francis Leo Collins, member of the Editorial Committee for the Graduate Journal of Asia Pacific Studies (GJAPS), based in Auckland, New Zealand. PORTAL's readers may be interested in the current call for papers from GJAPS (www.arts.auckland.ac.nz/gjaps), for a special issue on "Imagining the Asia-Pacific" (deadline October 31, 2004). This issue of PORTAL contains essays that cover wide terrain: the Chilean diasporic community in Australia; the world of German intellectuals; contemporary Mexican socio-political movements; rural-urban migration in China; and transnational advocacy networks and election monitoring in the Philippines, Chile, Nicaragua and Mexico. In the cultural section of this issue, we are delighted to present a short story from the noted German Studies scholar Anthony Stephens, and the first half of a beautiful, deeply poetic and haunting novel entitled Son, from the London-based writer and art-critic Jennifer Higgie. The novel’s second and final part will appear in PORTAL vol. 2, no. 1, in January 2005. On a different note, we would like to express our support for the inaugural Ubud Writers and Readers Festival, to be held in Ubud, Bali, from October 11 to 17, 2004. The Festival, which is attracting interest from writers across the world, maintains a website at: http://www.ubudwritersfestival.com/ Finally, I would like to remind readers that the next issue of PORTAL (vol. 2, no. 1, January 2005) will be a special issue devoted to "Exile and Social Transformation." I would also like to encourage international studies practitioners and cultural producers working anywhere in the world to submit material for future issues. Paul Allatson, Chair, PORTAL Editorial Committee


Zootaxa ◽  
2017 ◽  
Vol 4286 (4) ◽  
pp. 597 ◽  
Author(s):  
ANTON A. NADOLNY ◽  
ALIREZA ZAMANI

With over 2400 species in 123 genera, Lycosidae is one of the largest spider families (WSC 2017). For over two hundred years, the type genus Lycosa Latreille, 1804 have accumulated large-sized wolf spiders from all over the world. Thus, with 218 nominal species, this genus is distributed in all zoogeographical regions (WSC 2017). Almost none of the species currently classified in Lycosa appear to be related to the type species—L. tarantula (Linnaeus, 1758); hence, the genus is polyphyletic and should be divided into several genera. This process has been already started; for example, in Australia and New Zealand where many of large wolf spiders have been removed from Lycosa (Roewer 1955, 1959, 1960; Vink 2002; Framenau & Baehr 2016). Also, some Holarctic, Neotropic and Afrotropic species were transferred from Lycosa to other genera (for a complete list of references see WSC 2017). In the Palaearctic, Lycosa is represented by 60 species (WSC 2017) and remains almost unrevised. From the southern Palaearctic, Saharo-Gobian desert region (Yemel’yanov 1974), 36 species of Lycosa have been recorded to date, 6 of which are poorly described (WSC 2017). 


Author(s):  
Gerald Pratley

PRODUCTION ACTIVITY It was not so many years ago it seems when speaking of motion pictures from Asia meant Japanese films as represented by Akira Kurosawa and films from India made by Satyajit Ray. But suddenly time passes and now we are impressed and immersed in the flow of films from Hong Kong, Taiwan, China, South Korea, the Philippines, with Japan a less significant player, and India and Pakistan more prolific than ever in making entertainment for the mass audience. No one has given it a name or described it as "New Wave," it is simply Asian Cinema -- the most exciting development in filmmaking taking place in the world today. In China everything is falling apart yet it manages to hold together, nothing works yet it keeps on going, nothing is ever finished or properly maintained, and yes, here time does wait for every man. But as far...


Author(s):  
Peter Hoar

Kia ora and welcome to the second issue of BackStory. The members of the Backstory Editorial Team were gratified by the encouraging response to the first issue of the journal. We hope that our currentreaders enjoy our new issue and that it will bring others to share our interest in and enjoyment of the surprisingly varied backstories of New Zealand’s art, media, and design history. This issue takes in a wide variety of topics. Imogen Van Pierce explores the controversy around the Hundertwasser Art Centre and Wairau Māori Art Gallery to be developed in Whangarei. This project has generated debate about the role of the arts and civic architecture at both the local and national levels. This is about how much New Zealanders are prepared to invest in the arts. The value of the artist in New Zealand is also examined by Mark Stocker in his article about the sculptor Margaret Butler and the local reception of her work during the late 1930s. The cultural cringe has a long genealogy. New Zealand has been photographed since the 1840s. Alan Cocker analyses the many roles that photography played in the development of local tourism during the nineteenth century. These images challenged notions of the ‘real’ and the ‘artificial’ and how new technologies mediated the world of lived experience. Recorded sound was another such technology that changed how humans experienced the world. The rise of recorded sound from the 1890s affected lives in many ways and Lewis Tennant’s contribution captures a significant tipping point in this medium’s history in New Zealand as the transition from analogue to digital sound transformed social, commercial and acoustic worlds. The New Zealand Woman’s Weekly celebrates its 85th anniversary this year but when it was launched in 1932 it seemed tohave very little chance of success. Its rival, the Mirror, had dominated the local market since its launch in 1922. Gavin Ellis investigates the Depression-era context of the Woman’s Weekly and how its founders identified a gap in the market that the Mirror was failing to fill. The work of the photographer Marti Friedlander (1908-2016) is familiar to most New Zealanders. Friedlander’s 50 year career and huge range of subjects defy easy summary. She captured New Zealanders, their lives, and their surroundings across all social and cultural borders. In the journal’s profile commentary Linda Yang celebrates Freidlander’s remarkable life and work. Linda also discusses some recent images by Friedlander and connects these with themes present in the photographer’s work from the 1960s and 1970s. The Backstory editors hope that our readers enjoy this stimulating and varied collection of work that illuminate some not so well known aspects of New Zealand’s art, media, and design history. There are many such stories yet to be told and we look forward to bringing them to you.


Author(s):  
Stefan Bittmann

Since the outbreak near a fish market in Wuhan, China, in December 2019, researchers have been searching for an effective therapy to control the spreading of the new coronavirus SARS-CoV-2 and inhibit COVID-19 infection. Many countries like Italy, Spain, and the USA were ambushed by this viral agent. To date, more than 2.5 million people were infected with SARS-CoV-2. There is no clear answer, why SARS-CoV-2 infects so many people so fast. To date of April 2020, no effective drug has been found to treat this new severe viral infection. There are many therapy options under review and clinical trials were initiated to get clearer information, what kind of drug can help in this devastating and serious situation. The world has no time.


Author(s):  
Patricia O'Brien

This is a biography of Ta’isi O. F. Nelson, the Sāmoan nationalist leader who fought New Zealand, the British Empire and the League of Nations between the world wars. It is a richly layered history that weaves a personal and Pacific history with one that illuminates the global crisis of empire after World War One. Ta’isi’s story weaves Sweden with deep histories of Sāmoa that in the late nineteenth century became deeply inflected with colonial machinations of Germany, Britain, New Zealand and the U. S.. After Sāmoa was made a mandate of the League of Nations in 1921, the workings and aspirations of that newly minted form of world government came to bear on the island nation and Ta’isi and his fellow Sāmoan tested the League’s powers through their relentless non-violent campaign for justice. Ta’isi was Sāmoa’s leading businessman who was blamed for the on-going agitation in Sāmoa; for his trouble he was subjected to two periods of exile, humiliation and a concerted campaign intent on his financial ruin. Using many new sources, this book tells Ta’isi’s untold story, providing fresh and intriguing new aspects to the global story of indigenous resistance in the twentieth century.


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