scholarly journals Dawna rozkosz – o rozumieniu i wartościowaniu pojęcia na podstawie użyć leksemu rozkosz

2021 ◽  
Vol 56 ◽  
Author(s):  
Beata Raszewska-Żurek
Keyword(s):  
Twentieth Century ◽  
Negative Evaluation ◽  
The Enlightenment ◽  
Early Twentieth Century ◽  
Renaissance Period ◽  
The Social ◽  
Polish Language ◽  
Sensual Pleasure

The Historical rozkosz (pleasure, delight): On the Understanding and Evaluation of the Concept on the Basis of the Use of the Lexeme rozkosz SummaryThis article is devoted to the reconstruction of the manner of understand­ing and evaluation of the concept rozkosz (pleasure, delight) in the Old, Middle and subsequent periods of the development of the Polish language, until the early twentieth century, when the modern understanding of this concept was established. The analysis focuses on the contextual uses of the lexeme rozkosz and reveals the dichotomous nature of the early concept: from the Old Polish period until the breakthrough of the Enlightenment there was the rozkosz duchowa (spiritual delight), motivated in a religious way and evaluated positively, and the rozkosz cielesna (carnal, sensual pleasure), reduced to sin and burdened with a negative evaluation. From the Renaissance period the concept slowly expanded to cover various spheres of life, and after the break­through period of the Enlightenment it became more marked: rozkosz came to refer to the social, aesthetic and intellectual sphere and it began to lose its religious basis. This process was accompanied by the decline of the evaluation and the dichotomy of the concept. Dawna rozkosz – o rozumieniu i wartościowaniu pojęcia na podstawie użyć leksemu rozkosz StreszczenieArtykuł poświęcony jest rekonstrukcji sposobu pojmowania i wartościo­wania pojęcia rozkosz w dobie staro- i średniopolskiej i później, do początków XX w., kiedy ustaliło się jego współczesne rozumienie. Analiza skupia się na kontekstowych użyciach leksemu rozkosz. Ujawniła ona dychotomiczny charakter dawnego pojęcia – od staropolszczyzny aż do przełomu oświecenio­wego istniała rozkosz duchowa – motywowana religijnie i wartościowana pozytywnie oraz rozkosz cielesna, zmysłowa, sprowadzana do grzechu i obarczona negatywną oceną. Od renesansu pojęcie powoli rozszerzało się na różne sfery życia, co po przełomie oświeceniowym stało się wyraźniej­sze – rozkosz zaczęła dotyczyć sfery społecznej, estetycznej, intelektualnej i traciła umocowanie religijne – wraz z tym procesem zanika wartościowanie i dychotomia pojęcia.

Addressing the Social Determinants of Health

2019 ◽  
Vol 101 (4) ◽  
pp. 357-395 ◽  
Author(s):  
Saty Satya-Murti ◽  
Jennifer Gutierrez
Keyword(s):  
Twentieth Century ◽  
Los Angeles ◽  
Social Determinants Of Health ◽  
Social Determinants ◽  
Social Activism ◽  
Determinants Of Health ◽  
Medical Attention ◽  
Community Center ◽  
Early Twentieth Century ◽  
The Social

The Los Angeles Plaza Community Center (PCC), an early twentieth-century Los Angeles community center and clinic, published El Mexicano, a quarterly newsletter, from 1913 to 1925. The newsletter’s reports reveal how the PCC combined walk-in medical visits with broader efforts to address the overall wellness of its attendees. Available records, some with occasional clinical details, reveal the general spectrum of illnesses treated over a twelve-year span. Placed in today’s context, the medical care given at this center was simple and minimal. The social support it provided, however, was multifaceted. The center’s caring extended beyond providing medical attention to helping with education, nutrition, employment, transportation, and moral support. Thus, the social determinants of health (SDH), a prominent concern of present-day public health, was a concept already realized and practiced by these early twentieth-century Los Angeles Plaza community leaders. Such practices, although not yet nominally identified as SDH, had their beginnings in the late nineteenth- and early twentieth-century social activism movement aiming to mitigate the social ills and inequities of emerging industrial nations. The PCC was one of the pioneers in this effort. Its concerns and successes in this area were sophisticated enough to be comparable to our current intentions and aspirations.

Punarvivaham vs. Pativratyam: Pulugurta Lakshmi Narasamamba and the Widow Remarriage Question in Colonial Andhra

2021 ◽  
pp. 025764302110017
Author(s):  
Shaik Mahaboob Basha
Keyword(s):  
Twentieth Century ◽  
Social Reform ◽  
Reform Movement ◽  
Primary Sources ◽  
Child Marriage ◽  
Important Place ◽  
Early Twentieth Century ◽  
The Social ◽  
The Status ◽  
Women's Journals

The question of widow remarriage, which occupied an important place in the social reform movement, was hotly debated in colonial Andhra. Women joined the debate in the early twentieth century. There was a conservative section of women, which bitterly opposed the widow remarriage movement and attacked the social reformers, both women and men. Pulugruta Lakshmi Narasamamba led this group of women. Lakshmi Narasamamba treated widow remarriage (punarvivaham) with contempt and termed it as an affront to the fidelity (pativratyam) of Hindu women. According to her, widow remarriage was equal to ‘prostitution’, and the widows who married again could not be granted the status of kulanganas (respectable or chaste women). Lakshmi Narasamamba’s stand on the question of widow remarriage led to the emergence of a fiery and protracted controversy among women which eventually led to the division of the most famous women’s organization, the Shri Vidyarthini Samajamu. She opposed not only widow remarriage but also post-puberty marriage and campaigned in favour of child marriage. This article describes the whole debate on the widow remarriage question that took place among women. It is based on the primary sources, especially the woefully neglected women’s journals in the Telugu language.

Autofiction: Stained Radiance and The Thirteenth Disciple

2020 ◽  
pp. 39-48
Author(s):  
William K. Malcolm
Keyword(s):  
Twentieth Century ◽  
Early Adulthood ◽  
Social Realism ◽  
The Political ◽  
Chronological Order ◽  
Female Protagonists ◽  
Early Twentieth Century ◽  
The Social ◽  
Imaginative Literature ◽  
Political Responses

Mitchell’s first two novels are examined as works deploying the medium of imaginative literature for introspection and analysis of his own past. In reverse chronological order they recreate the narrative of his childhood and early adulthood, in the course of which they present a state of the nation critique of early twentieth century Britain. The forthright verisimilitude of the social realism is in keeping with the philosophical nihilism prevailing in the inter-war years, with the political responses of mainstream parties and of radical splinter groups such as the Anarchocommunist Party appearing unable to change society for the better. Mitchell’s technical experimentation with metafiction and intertextuality indicates the scale of his literary ambition, while his proto-feminist sympathies are marked by his reliance on female protagonists.

The Women Who Wrote

Sweet Mystery ◽  
2020 ◽  
pp. 1-14
Author(s):  
Ellen M. Peck
Keyword(s):  
Twentieth Century ◽  
Cultural Change ◽  
Physical Attractiveness ◽  
Musical Theater ◽  
Social Conditions ◽  
Victorian Era ◽  
Early Twentieth Century ◽  
The Social ◽  
The Press

This chapter introduces some of the female playwrights of the early twentieth century and examines some of the social conditions under which they worked. It argues that many of them represented a major cultural change for women of the period who were leaving the Victorian era behind and forging new paths in the young century. But the press frequently undermined their efforts by presenting them as wives instead of individuals, scrutinizing their physical attractiveness, and implying that playwriting was a hobby on the same level as gardening or homemaking. The chapter then shifts to the challenges of writing for the musical theater and collaborating with other writers. It concludes with examples of Young’s correspondence with the Shuberts and demonstrates her ability to navigate the business side of the theater.

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