Autofiction: Stained Radiance and The Thirteenth Disciple

2020 ◽  
pp. 39-48
Author(s):  
William K. Malcolm
Keyword(s):  
Twentieth Century ◽  
Early Adulthood ◽  
Social Realism ◽  
The Political ◽  
Chronological Order ◽  
Female Protagonists ◽  
Early Twentieth Century ◽  
The Social ◽  
Imaginative Literature ◽  
Political Responses

Mitchell’s first two novels are examined as works deploying the medium of imaginative literature for introspection and analysis of his own past. In reverse chronological order they recreate the narrative of his childhood and early adulthood, in the course of which they present a state of the nation critique of early twentieth century Britain. The forthright verisimilitude of the social realism is in keeping with the philosophical nihilism prevailing in the inter-war years, with the political responses of mainstream parties and of radical splinter groups such as the Anarchocommunist Party appearing unable to change society for the better. Mitchell’s technical experimentation with metafiction and intertextuality indicates the scale of his literary ambition, while his proto-feminist sympathies are marked by his reliance on female protagonists.

Music in Early Twentieth-Century Istanbul

2021 ◽  
Vol 89 (1) ◽  
pp. 63-84
Author(s):  
Onur Öner
Keyword(s):  
Twentieth Century ◽  
Social History ◽  
Urban Life ◽  
Limited Attention ◽  
The Political ◽  
Music Schools ◽  
Political Crises ◽  
Early Twentieth Century ◽  
The Social ◽  
The Status

This study addresses the social history of music in early twentieth-century Ottoman Istanbul. The paper argues that private music schools were at the center of transformations in music and that their history is profoundly related to the political crises the Ottoman state experienced after the turn of the twentieth century. More precisely, by approaching the Ottoman bureaucracy from a musical perspective, the paper tries to link the reorganization of the Ottoman bureaucracy in 1909 with the emergence of private music schools in Istanbul. To explore the process, the paper follows some official functionaries’ career paths to explain their concentration in these schools. In contrast to conventional historiography, the aim is to emphasise that out of the political crises, private music schools emerged as a new ground in music. By paying limited attention to musical aspects, the study will mainly address the social roles these schools occupied in Ottoman urban life. They were practically social organizations, whose members pursued common goals. Collective action, such a fundamental shift of mindset on the part of the musicians, facilitated the advancement of the status of musicians in Ottoman urban society and decreased uncertainty about the future of the profession. Moreover, the institutional identity provided by the schools changed the place of women in music by increasing their visibility as music teachers and performers.

Addressing the Social Determinants of Health

2019 ◽  
Vol 101 (4) ◽  
pp. 357-395 ◽  
Author(s):  
Saty Satya-Murti ◽  
Jennifer Gutierrez
Keyword(s):  
Twentieth Century ◽  
Los Angeles ◽  
Social Determinants Of Health ◽  
Social Determinants ◽  
Social Activism ◽  
Determinants Of Health ◽  
Medical Attention ◽  
Community Center ◽  
Early Twentieth Century ◽  
The Social

The Los Angeles Plaza Community Center (PCC), an early twentieth-century Los Angeles community center and clinic, published El Mexicano, a quarterly newsletter, from 1913 to 1925. The newsletter’s reports reveal how the PCC combined walk-in medical visits with broader efforts to address the overall wellness of its attendees. Available records, some with occasional clinical details, reveal the general spectrum of illnesses treated over a twelve-year span. Placed in today’s context, the medical care given at this center was simple and minimal. The social support it provided, however, was multifaceted. The center’s caring extended beyond providing medical attention to helping with education, nutrition, employment, transportation, and moral support. Thus, the social determinants of health (SDH), a prominent concern of present-day public health, was a concept already realized and practiced by these early twentieth-century Los Angeles Plaza community leaders. Such practices, although not yet nominally identified as SDH, had their beginnings in the late nineteenth- and early twentieth-century social activism movement aiming to mitigate the social ills and inequities of emerging industrial nations. The PCC was one of the pioneers in this effort. Its concerns and successes in this area were sophisticated enough to be comparable to our current intentions and aspirations.

Punarvivaham vs. Pativratyam: Pulugurta Lakshmi Narasamamba and the Widow Remarriage Question in Colonial Andhra

2021 ◽  
pp. 025764302110017
Author(s):  
Shaik Mahaboob Basha
Keyword(s):  
Twentieth Century ◽  
Social Reform ◽  
Reform Movement ◽  
Primary Sources ◽  
Child Marriage ◽  
Important Place ◽  
Early Twentieth Century ◽  
The Social ◽  
The Status ◽  
Women's Journals

The question of widow remarriage, which occupied an important place in the social reform movement, was hotly debated in colonial Andhra. Women joined the debate in the early twentieth century. There was a conservative section of women, which bitterly opposed the widow remarriage movement and attacked the social reformers, both women and men. Pulugruta Lakshmi Narasamamba led this group of women. Lakshmi Narasamamba treated widow remarriage (punarvivaham) with contempt and termed it as an affront to the fidelity (pativratyam) of Hindu women. According to her, widow remarriage was equal to ‘prostitution’, and the widows who married again could not be granted the status of kulanganas (respectable or chaste women). Lakshmi Narasamamba’s stand on the question of widow remarriage led to the emergence of a fiery and protracted controversy among women which eventually led to the division of the most famous women’s organization, the Shri Vidyarthini Samajamu. She opposed not only widow remarriage but also post-puberty marriage and campaigned in favour of child marriage. This article describes the whole debate on the widow remarriage question that took place among women. It is based on the primary sources, especially the woefully neglected women’s journals in the Telugu language.

scholarly journals Perpetuation of Taras Shevchenko's memory in the Ukrainian national movement of the Dnieper region at the beginning of the XX century

2021 ◽  
Vol 24 (3) ◽  
pp. 71-79
Author(s):  
Serhii Svitlenko
Keyword(s):  
Twentieth Century ◽  
Historical Memory ◽  
The Political ◽  
National Consciousness ◽  
40Th Anniversary ◽  
Illegal Activity ◽  
Historical Material ◽  
National Movement ◽  
Early Twentieth Century ◽  
The Press

The relevance of this topic is seen in the fact that its study provides an opportunity to deepen the understanding of the underdeveloped problem of perpetuating the historical memory of Taras Shevchenko – a symbol of the Ukrainian nation's struggle for social and national freedom as an important factor in opposing the imperial regime. Tsarism by methods of ideological, gendarmerie-police, censorship pressure in every way prevented the activation of conscious Ukrainians in the early twentieth century. The aim of the study is to study the perpetuation of the memory of Taras Shevchenko in the Ukrainian national movement of the Dnieper region in the early twentieth century. The results of the article are that based on the study of archival and published documents, journalistic materials of the press and memoirs, various methods of legal and illegal activity of the Ukrainian national movement in preserving the historical memory of Taras Shevchenko were reconstructed. It is emphasized that the progressive public widely celebrated the 40th anniversary of Kobzar's death in the press. In the early twentieth century Ukrainian activists raised the issue of erecting a monument to Shevchenko, continued the tradition of visiting the tomb of the Ukrainian poet, tried to perpetuate his memory in toponymy, participated in Shevchenko's memorial services, resorted to illegal gatherings in honor of Kobzar, mentioned him during meetings and communication in among the intelligentsia. The originality and scientific novelty of the article in the production and development of insufficiently researched plot on historical Shevchenko studies, actualization and conceptualization of various concrete-historical material. Conclusions were made on various forms and methods of struggle to preserve the memory of Taras Shevchenko, which contributed to the establishment of national consciousness among Ukrainians, strengthened the political tendency in the Ukrainian national movement.

The Sounds of Indigenismo

Cinesonidos ◽  
2019 ◽  
pp. 111-149
Author(s):  
Jacqueline Avila
Keyword(s):  
Twentieth Century ◽  
Economic Integration ◽  
Political Ideology ◽  
Visual Representations ◽  
Modern Society ◽  
Indigenous Populations ◽  
The Political ◽  
Film Genre ◽  
Indigenous Cultures ◽  
The Social

Chapter 3 discusses the problematic fictional indigenista film genre. Falling under the political ideology of indigenismo—discourses advocating for the social and economic integration of indigenous populations at the beginning of the twentieth century—the intended goal of the film genre was to introduce the “indigenous experience” to urban, mestizo audiences. Cinema held a unique position in this construction, but presented contradictory messages: it neither fully promoted nor totally negated integrationist procedures through the cinematic constructions of indigenous cultures. Within these representations, music played a crucial role in not just providing adequate changes in atmosphere but also in sonically depicting the indigenous experience. The chapter focuses on two films, Janitzio (1935) and María Candelaria (1944). These films both enforce exoticist representations that moved against integrationist discourses. While the cinematic interpretations indicate that modern society attempted to integrate these communities, the exoticist aural and visual representations of these communities amplified their Otherness.

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