Narrative Incoherence in Schizophrenia: The Absent Agent-Protagonist and the Collapse of Internal Dialogue

2003 ◽  
Vol 57 (2) ◽  
pp. 153-166 ◽  
Author(s):  
Paul H Lysaker ◽  
Amanda M. Wickett ◽  
Neil Wilke ◽  
John Lysaker
Keyword(s):  
Author(s):  
I. A. Shapoval ◽  

The paper presents the interdisciplinary analysis of the determinants of the system of self-communication discourse and internal dialogue as the forms of objectivation of human mental content focused on some actions for meeting some objectives. The author describes discourse as integration of communication and language processes in self-understanding and personal identity. Contextually determined and dynamic self-communication discourse, as a way of acquirement of new senses and confirmation of old ones, verbalizes current personal values. The study results reveal the characteristics and relations of the internal dialogue discourse determinants within the human objectivity–subjectivity continuum. Discourse determinants prescribe its context and rules and include the prototype place and agents with their motives and objectives. Self-positions manifested in Self and Non-Self (Other Self) binary self-predications form the core pair of agents. The modality of a person’s attitude to own Self-positions makes their communications a dialogue or a monologue on the boundary of their sub-territories as a discourse prototype place. The degree of discourse agency, its closeness within the prototype place, or transgression openness depends on the complexity and differentiation of Self-concept and ego boundaries functionality. The frustration of meta-necessity to keep self-confidence and self-acceptance by reassessment and reformation of interrelations of Self-positions determines the motives and objectives of self-communication. The common goal of self-organization is implemented through the internal dialogue in the form of institutionalization, verification, and integration of their Self-predications. Status-role characteristics of agents and functionality of discourse prototype place determine the specificity of its motives and objectives according to the systemic effects of Self-organization.


2011 ◽  
Vol 1 (1) ◽  
Author(s):  
Sandy Campbell

Kaslik, Ibi. Tales from the Tundra: A Collection of Inuit Stories. Illus. Anthony Brennan. Iqaluit: Inhabit Media, 2010. Print. Inhabit Media is an Inuit-owned, independent publishing company that “aims to promote and preserve the stories, knowledge, and talent of northern Canada.”  This collection of five traditional Inuit stories from different regions in Nunavut is one of their most recent offerings.  Three of the stories tell of how specific animals came into being.  One tells how the raven and loon came to look the way they do and the fifth, The Owl and the Siksik, is a typical story of outwitting the enemy. Anthony Brennan’s illustrations have a two-dimensional fantasy quality to them that is more reminiscent of cartoons or Japanese anime than of traditional Inuit art.  Many of the creatures are outlined in black and then filled with solid colour.  While the backgrounds are usually ice-blue, and there are pastel colours in the images, many of the main parts of the drawings are black, giving the book an overall ominous look. While these stories are described in the forward as “contemporary retellings”, Kaslik’s voice is similar to that of an elder telling stories and her style is traditional.  The language is simple and direct, occasionally incorporating Inuit words.  Animals are anthropomorphized.  They do the same sorts of things that humans do and have human emotions and foibles.  For example, in “The Raven and The Loon”, the two birds sew clothes for each other.   When Raven thinks that Loon is sewing too slowly, she reacts impatiently: “Please, sew faster!” impatient Raven pleaded.” Kaslik also uses internal dialogue, another traditional technique, to allow the reader to listen to the characters reasoning out their actions. For example, “Siksiks often go in and out of their dens,” thought the owl, believing himself to be very clever.  “Today I will find a siksik den and wait there until I see one.” There are few children’s books of Inuit mythology available, and fewer that have the authenticity of being published by an Inuit publishing house.  Overall, this volume is a small, but welcome addition to the field, through which many children will be able to learn about the mythology of the Inuit.  For public and school libraries everywhere. Highly recommended:  4 out of 4 stars Reviewer: Sandy Campbell Sandy is a Health Sciences Librarian at the University of Alberta, who has written hundreds of book reviews across many disciplines.  Sandy thinks that sharing books with children is one of the greatest gifts anyone can give. 


2019 ◽  
pp. 102-116
Author(s):  
Ярема Кравець

Aim. The paper examines lexico-grammatical and syntactic specificity of the third novelistic collection by Albert Ayguesparse (1900–1996) – one of the more prominent Belgian Francophone writers of the 20th c. It aims at outlining the more important characteristics of individual novellas in the selection, where the reader comes to know the polyphony of the writer’s short prose, moving from Lyrical Realism through tragic episodes of life to the enigmatic and the fantastic. Research methodology. The article employs a systematic approach with the use of literary-historical and comparative methods. On the basis of these two methods, the specificity of the author’s writing, syntactic structure of the text, individualized language of the characters, places of the light-and-shadow, voice-and-silence, life-and-death playing have been determined. Results. The study provides a wider analysis of the selection’s first novella, viz. «Monica sans tête» [«Monica Without the Head»], as well as the novellas «Les Bottes» [«The High Boots»], full of horror stories; «Le Point rouge» [«The Red Spot»], presenting an interest by the functioning of the internal dialogue; the psychological triptych «Les chasses d’Eros» [«The Hunts of Eros»], «Je me nomme Jérôme» [«My Name Is Jérôme»], «Monsieur Oscar» [«Mr. Oscar»], the mystic in its conception novella «Les Survivants» [«Those Who Survived»]. Research novelty. The article is the first in Ukrainian Literary Studies research into the famous Belgian writer’s novellas, with whose novels the Ukrainian reader got acquainted owing to the translation of his work «Notre ombre nous précède» [«Our Shadow’s Ahead»], published in 1984/1985 on the pages of the «Vitchyzna» [«Motherland»] magazine. Practical value. The article may become the basis for a deeper reading of the work of one of the leading representatives of contemporary Belgian Francophone literature, lexical-stylistic features of the writer’s novellas.


Author(s):  
Robyn Creswell

This chapter attempts to re-create the “internal dialogue” about their pasts as militants that the Shi'r poets chose not to make public. This narrative is centered on the career of Yusuf al-Khal, who as editor in chief played a leading role in determining the principles of the Shi'r movement. But the real protagonists of the story are institutions: the political party, the university, the Cénacle, and the little magazine. These settings constitute the backstory to al-Khal's engagement with the institutions of late modernism itself—the global network of actors and discourses examined in Chapter 1. This focus on institutional history is intended, in part, as a corrective to the Shi'r poets' insistence that modernist literature is the work of heroic, deracinated individuals.


Author(s):  
Michael Heim

Something....-What? —A phenomenon. Something intrusive, something vague but insistent, pushing itself upon us. — Something outside? From afar? Something alien? — Something descending in the night, standing in the shadows at the foot of the bed. —An illusion? Hallucination maybe? A quirky twist of imagination? — No, definitely a presence, something that might be a someone, a someone with wires and electric sensors, probing, penetrating, exploring private parts. Something lifting us off the familiar face of the planet we thought we knew so well, beaming us outside the orbit of our comfortable homes. Definitely something indefinite . . . or someone. —We hear about them only from others who speak about sightings of unidentified objects in the sky, because we do not allow ourselves to be counted among the unstable few who acknowledge the possibility of something outside the circle of our sciences. Those unstable few accept belief in something standing in the shadows at the door. We listen closely to those speaking about incidents of the phenomenon. We do not look. — Something IS out there. We’ve seen and heard it in the night. It’s contacting us. The phenomenon certainly exists in late-night chat like the above. It exists as metaphysical hearsay, as an internal dialogue between what we believe and what we think we are willing to believe. Popular descriptions of “the incident” waver between child-like awe and tongue-in-cheek tabloid humor. Here is where our knowledge, as a culturally defined certainty, becomes most vulnerable. Here we discover the soft edges of knowledge as an established and culturally underwritten form of belief. What a thrill to feel the tug of war on the thin thread of shared belief! A blend of religious archetypes and science-fiction imagery supplies the words for those who tell about the incident. The stories often float up through hypnosis or “recovered memory” hypnotherapy, as in the famous case of Betty and Barney Hill who experienced abduction one September night in New Hampshire in 1961. Researchers have recently plotted consistently recurring patterns in thousands of stories, and the mythic dimension of the story line has not been lost on Hollywood.


2019 ◽  
Vol 59 (4) ◽  
pp. 2045-2063
Author(s):  
Małgorzata M. Puchalska-Wasyl ◽  
Beata Zarzycka

Abstract When people are praying, they are not only communicating with God (upward prayer), but also they are exploring their relationships with themselves (inward prayer) and with other people (outward prayer). Internal dialogical activity includes areas which correspond to upward, inward, and outward prayer. Therefore, the aim of this article is to examine whether and how internal dialogues can be mediators in the relationship between these three types of prayer and well-being. Data from 193 respondents (143 females) were analyzed in the study. We used: the Prayer Thoughts Scale, the Internal Dialogical Activity Scale, and the Psychological Well-Being Scale. The results showed that internal dialogue served as a mediator of the relationship between upward, inward, and outward prayer and well-being.


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