Suspending Narrative Engagements

2012 ◽  
Vol 642 (1) ◽  
pp. 96-108 ◽  
Author(s):  
Michael F. DeLand
Keyword(s):  
Real Time ◽  
Social Life ◽  
Social Contexts ◽  
Social Actors ◽  
Good Setting ◽  
Narrative Engagement ◽  
The Way ◽  
Three Phases

This article explores the way social actors organize their engagements in real time. The term “narrative” points to the subjectively understood practical projects that people structure with beginnings, middles, and ends. All projects may be interrupted, and if social actors are to continue the narrative engagement they must treat the stoppage as a mere suspension. The work of suspending a game of informal pick-up basketball is examined in three phases: interrupting the game, treating the game as suspended, and resuming play. In each phase, players collectively resist the possibility of abandonment as an alternative to game resumption. While narrative structuring is a powerful locus of meaning across diverse social contexts, informal basketball games offer a particularly good setting for the study of narrative organization in social life.

When Journalists See Themselves as Villains: The Power of Negative Discourse

2021 ◽  
pp. 107769902098546
Author(s):  
Ruth Moon
Keyword(s):  
Social Roles ◽  
Social Contexts ◽  
Media Policy ◽  
Social Actors ◽  
Authoritarian State ◽  
The Way

This article examines the way journalists talk about themselves and negotiate authority with sources, audiences, and media policy in a postconflict, developmental authoritarian state. Grounded in concepts of metajournalistic discourse and authority, the study shows how members of the journalism field in some contexts embrace a narrative that limits autonomy and situates them as untrustworthy social actors. Interviews collected over a 7-month period in Rwanda show that a shared sense of untrustworthiness defines the contemporary boundaries of the Rwandan journalism field. The findings also suggest that consensus-oriented or postconflict social contexts might encourage journalists to adopt less autonomous social roles.

Fast Foes: The affective consequences of interacting in a negative self-disclosure situation.

2020 ◽  
Author(s):  
Jonathan Gordils ◽  
Jeremy Jamieson
Keyword(s):  
Social Interactions ◽  
Social Life ◽  
Large Body ◽  
Cardiovascular Responses ◽  
Social Contexts ◽  
Subjective Experiences ◽  
Self Disclosure ◽  
Negative Behaviors ◽  
Nuanced Understanding ◽  
Affective Consequences

Background and Objectives: Social interactions involving personal disclosures are ubiquitous in social life and have important relational implications. A large body of research has documented positive outcomes from fruitful social interactions with amicable individuals, but less is known about how self-disclosing interactions with inimical interaction partners impacts individuals. Design and Methods: Participants engaged in an immersive social interaction task with a confederate (thought to be another participant) trained to behave amicably (Fast Friends) or inimically (Fast Foes). Cardiovascular responses were measured during the interaction and behavioral displays coded. Participants also reported on their subjective experiences of the interaction. Results: Participants assigned to interact in the Fast Foes condition reported more negative affect and threat appraisals, displayed more negative behaviors (i.e., agitation and anxiety), and exhibited physiological threat responses (and lower cardiac output in particular) compared to participants assigned to the Fast Friends condition. Conclusions: The novel paradigm demonstrates differential stress and affective outcomes between positive and negative self-disclosure situations across multiple channels, providing a more nuanced understanding of the processes associated with disclosing information about the self in social contexts.

Drezno w relacjach polskich osiemnastowiecznych peregrynantów. Rekonesans .

2020 ◽  
Vol 36 ◽  
pp. 26-43
Author(s):  
Marcin Pliszka
Keyword(s):  
Eighteenth Century ◽  
Social Life ◽  
The City ◽  
The Way

The article analyses descriptions, memories, and notes on Dresden found in eighteenth-century accounts of Polish travellers. The overarching research objective is to capture the specificity of the way of presenting the city. The ways that Dresden is described are determined by genological diversity of texts, different ways of narration, the use of rhetorical repertoire, and the time of their creation. There are two dominant ways of presenting the city: the first one foregrounds the architectural and historical values, the second one revolves around social life and various kinds of games (redoubts, performances).

Entanglements between Agency and Vulnerability in the Phenomenon of Birth. Reflections on Children’s Expressions about ‘Being Born’

2020 ◽  
Vol 15 (2-2020) ◽  
pp. 135-146
Author(s):  
Catrin Heite ◽  
Veronika Magyar-Haas
Keyword(s):  
Social Studies ◽  
Social Construction ◽  
Well Being ◽  
Social Contexts ◽  
Living Environment ◽  
Social Actors ◽  
The Social ◽  
The Family ◽  
Cultural Embeddedness

Analogously to the works in the field of new social studies of childhood, this contribution deals with the concept of childhood as a social construction, in which children are considered as social actors in their own living environment, engaged in interpretive reproduction of the social. In this perspective the concept of agency is strongly stressed, and the vulnerability of children is not sufficiently taken into account. But in combining vulnerability and agency lies the possibility to consider the perspective of the subjects in the context of their social, political and cultural embeddedness. In this paper we show that what children say, what is important to them in general and for their well-being, is shaped by the care experiences within the family and by their social contexts. The argumentation for the intertwining of vulnerability and agency is exemplified by the expressions of an interviewed girl about her birth and by reference to philosophical concepts about birth and natality.

Cranford

2011 ◽  
Author(s):  
Elizabeth Gaskell ◽  
Dinah Birch
Keyword(s):  
Social Contexts ◽  
Social Worlds ◽  
Victorian England ◽  
The Past ◽  
The Future ◽  
Personal Tragedy ◽  
The Way

A man … is so in the way in the house!’ A vivid and affectionate portrait of a provincial town in early Victorian England, Elizabeth Gaskell’s Cranford describes a community dominated by its independent and refined women. Undaunted by poverty, but dismayed by changes brought by the railway and by new commercial practices, the ladies of Cranford respond to disruption with both suspicion and courage. Miss Matty and her sister Deborah uphold standards and survive personal tragedy and everyday dramas; innovation may bring loss, but it also brings growth, and welcome freedoms. Cranford suggests that representatives of different and apparently hostile social worlds, their minds opened by sympathy and suffering, can learn from each other. Its social comedy develops into a study of generous reconciliation, of a kind that will value the past as it actively shapes the future. This edition includes two related short pieces by Gaskell, ‘The Last Generation in England’ and ‘The Cage at Cranford’, as well as a selection from the diverse literary and social contexts in which the Cranford tales take their place.

Echo, Desire, and the Grounds of Knowledge: A Mytho-Poetic Assessment of Buttimer's Geography and the Human Spirit

1994 ◽  
Vol 12 (4) ◽  
pp. 495-507 ◽  
Author(s):  
Steve Pile
Keyword(s):  
The Other ◽  
Human Spirit ◽  
Cyclical Time ◽  
History Of ◽  
The Way ◽  
Three Phases

In Geography and the Human Spirit, Buttimer argues that the history of geographical concern is marked by cyclical time, which is distinguished by three phases: Phoenix, Faust, and Narcissus, By taking a longer look at one of these myths, Narcissus, it is possible to suggest that Buttimer bases her account on some problematic assumptions. Thus, the figure of Echo, absent from Buttimer's telling of the myth, can return to disrupt her story. This mytho-poetic assessment reveals something of the way in which ‘others’ are constituted in her story: I take this erasure to be symptomatic of an ‘othering’ humanism, which is predicated on the other, but considers itself self-grounded and thereby distances itself from others. The conclusion questions Buttimer's universalism, her concept of cyclical time, and her sense of a liberation cry of humanism, I suggest that an emancipatory geography cannot rely on undisclosed and marginalized ‘others’, in this case represented by the figure of Echo.

Generics in society

2021 ◽  
Vol 50 (4) ◽  
pp. 517-532
Author(s):  
Susan A. Gelman
Keyword(s):  
Academic Writing ◽  
Social Life ◽  
Meaning Making ◽  
Social Contexts ◽  
Anthropological Research ◽  
Generic Language ◽  
Contemporary Work ◽  
Positive Functions ◽  
Context Free

ABSTRACTThis article examines two interrelated issues: (i) how considering generics within their social contexts of use contributes to theories of generics, and (ii) how contemporary work on generics provides promising directions for the study of language as an aspect of social life. Examining the function of generics in meaningful interactions stands in contrast to standard treatments, which consider generics as isolated, context-free propositions. Additionally, recent psychological approaches suggest new questions that can enrich sociolinguistic and linguistic anthropological research. These include, for example, when and why generics serve not just negative functions (such as stereotyping) but also positive functions (such as meaning-making), how generics gain their power from what is unstated as opposed to stated, and how generic language distorts academic writing. Ultimately, the study of language in society has the potential to enrich the study of generics beyond what has been learned from their study in linguistics, philosophy, and psychology. (Generics, concepts, categories, stereotyping, induction)*

Interest Group Litigation and the Embedded State: Canada's Court Challenges Program

2001 ◽  
Vol 34 (2) ◽  
pp. 357-376 ◽  
Author(s):  
Ian Brodie
Keyword(s):  
Interest Group ◽  
Judicial Review ◽  
The State ◽  
Social Actors ◽  
Social Interests ◽  
History Of ◽  
The Way

Interest group litigation is often seen as pitting social interests against the state. This view matches a wider perspective that judicial review is a battle between state and social actors. Recently, neo-institutionalist and postpluralists have led political scientists to question the assumptions that underlie these traditional views of judicial review and interest group litigation. If the state is an active patron of interest group litigation then the way we see interest group litigation and judicial review must change. This article traces the history of the Court Challenges Program of Canada and concludes that the Program's evolution challenges the traditional views of judicial review and interest group litigation. It shows an embedded state at war with itself in court.

Soldier photography: visualising the war in Iraq

2009 ◽  
Vol 35 (4) ◽  
pp. 817-833 ◽  
Author(s):  
LIAM KENNEDY
Keyword(s):  
Real Time ◽  
Visual Communication ◽  
The Internet ◽  
Photographic Images ◽  
Historical Significance ◽  
The Everyday ◽  
War In Iraq ◽  
Digital Generation ◽  
Everyday Experiences ◽  
The Way

AbstractThis article focuses on the production and dissemination of photographic images by serving US soldiers in Iraq who are photographing their experiences and posting them on the Internet. This form of visual communication – in real time and communal – is new in the representation of warfare; in earlier wars soldiers took photographs, but these were not immediately shared in the way websites can disseminate images globally. This digital generation of soldiers exist in a new relationship to their experience of war; they are now potential witnesses and sources within the documentation of events, not just the imaged actors – a blurring of roles that reflects the correlations of revolutions in military and media affairs. This photography documents the everyday experiences of the soldiers and its historical significance may reside less in the controversial or revelatory images but in more mundane documentation of the environments, activities and feelings of American soldiery at war.

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