Between the inkwell and the scalpel: Italian literary transfigurations in medicine and anatomy from the 19th to the 21st century

2020 ◽  
Vol 54 (3) ◽  
pp. 707-720
Author(s):  
Alberto Carli

Arrigo Boito, author of Lezione di anatomia ( Anatomy Lesson), was able to sum up the deepest cultural theme of the 19th century in Italy using one single verse (‘Son luce e ombra’). Notably, the development of the dialogue between natural sciences, literature, anatomy and art illuminates the mixture of sincere admiration and fear felt by writers and poets like Igino Ugo Tarchetti, Emilio Praga and Carlo Dossi. The mood of Positivism, which could be found even in Fine Arts Academies, was the perfect backdrop and the very root of many ‘clinical details’ in the first examples of Italian mass literature. Dossi portrayed in Note azzurre his friend Paolo Gorini, a scientist and anatomical preparator. Thus, Gorini becomes a literary character, presumably being also the inspiration for the identification of peculiar death aesthetics and for other similar characters. Efisio Marini, another Italian scientist, almost coeval with Gorini, shared with him similar interests and practices. Marini, who died in Naples in 1900, used to petrify corpses for anatomical museums; he is the main character of a series of five historical and noir novels written through the first decade of the 21st century by the Sardinian author Giorgio Todde, establishing a link between the 19th and 21st centuries.

2020 ◽  
pp. 255-272
Author(s):  
Elżbieta Skorupska-Raczyńska ◽  

Michał Amszejewicz in Dykcjonarz, which was a record of vocabulary of foreign origin used in the Polish language in the middle of the 19th century, recorded more than eight hundred lexical units (838 in 633 entries, which comprise 511 monosemes and 122 polysemes with two or more meanings) present in the lexis as a result of interference between the Polish and the German languages. Their functional allocation is diversified, with specialist lexis being dominant. Analysed vocabulary in the middle of the 19th century was functionally allocated to various areas of activity, firstly to crafts – 155 lexical units (18.5%), next to military and its organisation – 93 lexical units (11.1%), merchant’s profession and its specifics, commercial and financial aspects – 72 lexical units (8.6%). The remaining 518 lexical units (61.8%) are scattered in the lexicon of another several dozens of specialties, such as rafting, mining, metallurgy, forestry, meteorology, gardening, fine arts and others. Until the beginning of the 21st century, out of 838 analysed lexical units a diversified life cycle was preserved by 321 (38.3%), and 517 (61.7%) were transferred to linguistic archives of the Polish Language. In analysed vocabulary of German origin, actively used in the most recent Polish Language, biased lexis is dominant – in terms of terminology and style; less frequently these are words with a neutral character, regarded as basic vocabulary. Analysed Germanisms have also undergone semantic changes, i.e. specialisation, generalisation, metaphorisation and partial transformations. Germanisms in the Polish Language of the 19th century are a cultural and linguistic fact, which is characterised by certain specific conditions, also in terms of the time of their use and functionality, which has been emphasised on numerous occasions by their researcher – Bogusław Nowowiejski.


Author(s):  
Halyna Bokshan

The study examines the features of the strategies of mythologization and mystification used by Yurii Vynnychuk in creating his literary version of Ivan Vahylevych’s biography in the novel “Liutetsiia”. First of all the paper emphasizes the writer’s inclination to play with historic material characteristic of postmodernism, manifesting itself in most of his works and in the novel under study, in particular. The research pays special attention to the original interaction of mythological and cultural-historical aspects in the fictionalized biography of the renowned public figure of the 19th century, famous for his activity in Ruska Triitsia. It considers the specific features of the literary visualization of Ivan Vahylevych character in the relation to Ivan Franko’s essay representing the epistolary of the figures of the historical epoch depicted in the novel. The study determines the correlation between the personages in “Liutetsiia” and the characters and motives of the Celtic mythology. It identifies the specificity of the reminiscent relations of the main character with the archetypal figure of Don Juan. The conclusions highlight the use of irony, grotesque and comic modus by Yurii Vynnychuk as the manifestation of the neo-mythological device of deheroization. It also accentuates that the strategies of mythologization and mystification in “Liutetsiia” reflect the manner of interpreting cultural-historical material characteristic of the author.


Author(s):  
Marharyta M. Karol

The article examines the stages of the formation of historiography devoted to the problems of confessional conversions in the second half of the 19th century on the territory of the Belarusian provinces. The historiographic trends that formed from the end of the 19th century to the beginning of the 21st century were identified and analysed. The authour studies the peculiarities of Belarusian and foreign historiography at the present stage, when a large number of works on religious issues has appeared, including confessional conversions. It is argued that in Soviet times, the issue of transitions from Catholicism to Orthodoxy was practically not touched upon. In their approaches and assessments, some researchers continue the traditions of pre-revolutionary historiography, but the majority of modern scientists strive to give an objective picture of religious processes on the Belarusian lands, to show them in the context of general state policy. The relevance of the article is due to the coverage of various points of view on the problem of confessional conversions. It is noted that pre-revolutionary researchers, first of all, sought to prove the voluntariness of conversions to Orthodoxy, but during this period, works were also created in which this thesis was questioned.


Author(s):  
Erica Sudário Bodevan

Bram Stocker’s Dracula (1897) is considered a cornerstone when the subject is vampires. Although there were important works written before Stocker’s, such as “The Vampyre” (1819) by John Polidori and Carmilla (1872) by Sheridan Le Fanu, it was Dracula that established a vampiric genre and influenced countless works that came afterwards. Vampires in the contemporary, however, present some primordial differences when compared to the 19th century Count. Their relation with humans, who once were seen just as prey, evolves in the 20th and 21st century. It can be argued that these differences are due to the age those blood sucking monsters were created and “live” among society.


Sociologija ◽  
2017 ◽  
Vol 59 (2) ◽  
pp. 189-205 ◽  
Author(s):  
Nena Vasojevic ◽  
Mirko Filipovic

In the 19th century, at the time when Serbia was being established, the education of students scholars abroad was viewed as one of the main tools for professional development and a strong society. Medical students were one of the first who were sent to study abroad. This practice was associated with increasing vertical social mobility of society. The results achieved in the 19th century encouraged us to focus on the study of temporary migrations of students scholars from Serbia in the 21st century. This article was created as a result of this study.4 Our goal was to define the profile of medical students scholars who studied abroad in the 21st century thanks to the state funds, to determine the reasons why they opted for education outside their country, and to determine the level of openness of the Serbian society towards them. However, the main objective was to contribute to the research of reverse migration.


2018 ◽  
Vol 29 ◽  
pp. 297
Author(s):  
Israel Campos Méndez

Resumen: El interés que ha suscitado la figura del dios Mitra ha dejado como reflejo estudios que se remontan al periodo romano. Sin embargo, a partir del Renaci­miento el descubrimiento casual de piezas escul­tóricas de asunto mitraico, atrajo el interés de in­vestigadores que indagaron en sus escritos sobre la identidad de la divinidad que aparecía matando un toro. Durante los siglos XVI al XVIII, la temática solar y la identificación del Mitraísmo se convirtió en el contenido de estos estudios. A partir del s. XIX, empieza a tomar forma una investigación de carácter más científico sobre la cuestión mitraica, que encontrará su nacimiento formal con los tra­bajos de F. Cumont a principios del s. XX. Este si­glo pasado ha sido el que ha visto florecer el mayor y más profundo volumen de estudios desentrañan­do los misterios vinculados al dios Mitra, tanto en su vertiente de divinidad de los panteones védicos y avésticos, como en el ámbito del culto mistérico desarrollado en el marco del Imperio Romano. En los comienzos del siglo XXI, todavía permanecen abiertas algunas hipótesis iniciales, pero sí se cons­tata una vitalidad en los estudios para la compren­sión global del Mitraísmo.Palabras clave: Mitra, Mitraísmo, Avesta, Veda, Cumont.Abstract: One mark of the interest attached to the god Mithra is the line of studies dating back to the Ro­man period. It was, however, during the Renais­sance that the accidental discovery of sculptural pieces of a Mithraic subject attracted the interest of researchers, who sought to identify the bull-ki­lling divinity. Between the 16th and 18th centuries, this field of research re-oriented itself to the solar theme and the identification of Mithraism. In the 19th century, it took on a scientific nature, and the landmark the studies of F. Cumont saw the light of day in early 20th century. As the century progres­sed ambitious in-depth studies flourished, unra­velling the mysteries linked to the cult of the god Mithra, both in terms of the divinity of the Vedic and Avestan pantheons and of the sphere of the mystery cult established in the context of the Ro­man Empire. At the beginning of the 21st century, some initial hypotheses remain open, but the vi­tality of studies pursuing a global understanding of Mithraism remains unchallenged.Key words: Mithra, Mithraism, Avesta, Veda, Cumont.


2021 ◽  
Vol 16 (5) ◽  
pp. 110-119
Author(s):  
E.V. SALNIKOV ◽  
◽  
I.N. SALNIKOVA ◽  

The main purpose of the article is to reconstruct the history of sports politicization, by which the authors, in accordance with the position of Norbert Elias and Pierre Bourdieu, understand the special practice of competitive games that arises in the states of the modern era. In this sense, the beginning of modern sports is the second half of the 19th century. The article demonstrates that throughout its development, sport goes through a complex evolution from the form of the embodiment of the power of the national state to the concept of sports outside politics, which is currently collapsing under the influence of explicit and hidden practices of the repoliticization of sports. Special attention is paid to the history of the fight against racism in sports, which in the 21st century is becoming a space for the realization of political interests, the hidden form of which is the practices of the Black Lives Matter (BLM) movement.


Author(s):  
Rafa Martínez ◽  
Fernando J. Padilla Angulo

During the transition from ancien régime to liberalism that took place in Spain during the first third of the 19th century, the military became a prominent political actor. Many soldiers were members of the country’s first liberal parliament, which in 1812 passed one of the world’s oldest liberal charters, the so-called Constitution of Cádiz. Furthermore, the armed forces fought against the Napoleonic Army’s occupation and, once the Bourbon monarchy was restored, often took arms against the established power. Nineteenth-century Spain was prey to instability due to the struggle between conservative, progressive, liberal, monarchical, and republican factions. It was also a century full of missed opportunities by governments, constitutions, and political regimes, in which the military always played an active role, often a paramount one. Army and navy officers became ministers and heads of government during the central decades of the 19th century, often after a coup. This changed with the establishment of a parliamentary monarchy based on a bipartisan system known as the Restoration (1874–1923). The armed forces were kept away from politics. They focused on their professional activities, thus developing a corporate attitude and an ideological cohesion around a predominantly conservative political stance. Ruling the empire gave the armed forces a huge sphere of influence. Only chief officers were appointed as governors of the Spanish territories in America, Africa, and Asia throughout the 19th and 20th centuries. This went unchanged until 1976, when Spain withdrew from Western Sahara, deemed the country’s last colony. The power accumulated in the overseas territories was often used by the governors to build a political career in metropolitan Spain. Following the end of the Restoration in 1923, the armed forces engaged with the political struggle in full again. After a military-led dictatorship, a frustrated republic, and a fratricidal civil war, a dictatorship was established in 1939 that lasted for almost 40 years: the Francoist regime. Francisco Franco leaned on the military as a repressive force and a legitimacy source for a regime established as a result of a war. After the dictator passed away in 1975, Spain underwent a transition to democracy which was accepted by the armed forces somehow reluctantly, as the coup attempt of 1981 made clear. At that time, the military was the institution that Spanish society trusted the least. It was considered a poorly trained and equipped force. Even its troops’ volume and budget were regarded as excessive. However, the armed forces have undergone an intense process of modernization since the end of 1980s. They have become fully professional, their budget and numbers have been reduced, and they have successfully taken part in European Union (EU), North Atlantic Treaty Organization (NATO), and United Nations (UN)-led international missions. In the early 21st century, the armed forces are Spain’s second-best valued institution. Far from its formerly interventionist role throughout the 19th century and a good deal of the 20th, Spain’s armed forces in the 21st century have become a state tool and a public administration controlled by democratically elected governments.


Author(s):  
David Monson Bunis

Judezmo, or Ladino or Judeo-Spanish, is the traditional language of the Sephardic or Iberian Jews who after 1492 resettled in the Ottoman Empire, many of them remaining in the region into the 21st century. Structurally, Modern Judezmo is composed mostly of elements of popular medieval Ibero-Romance, Ibero-Arabic, Hebrew and Aramaic, Turkish and Balkan languages, and Italian and French. Into the first half of the 20th century, the language was written primarily in the Hebrew alphabet; from the second half of the 19th century, Romanization was also used, leading to the unique Romanization which predominates today. The language was not taught formally in the speech community until the 19th century; instead language study focused on Hebrew. In the late 1970s, popular social pressure led the Israeli government to acknowledge the important role played by Judezmo in the Sephardic Diaspora by introducing Judezmo courses in Israeli universities. The chapter focuses on the challenges of teaching Judezmo at The Hebrew University of Jerusalem.


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