Hallyu tourism: The effects of broadcast and music

2021 ◽  
pp. 135481662110482
Author(s):  
Chew Ging Lee ◽  
Shi-Min How
Keyword(s):  
Popular Culture ◽  
South Korea ◽  
Popular Music ◽  
Positive Impact ◽  
Research Note ◽  
Destination Image ◽  
Inbound Tourism

Limited studies have empirically shown that the inbound tourism of South Korea (hereafter Korea) is positively influenced by Hallyu, a Korean popular culture. Conceptually, some studies have suggested that in recent years, the popularity of Korean popular music is greater than Korean dramas, which spread Hallyu beyond the boundary of Korea since the late 1990s. This research note is the first attempt to analyse the effects of the two main aspects of Hallyu: broadcast, inclusive of Korean dramas and variety shows, and Korean popular music, on Korea’s inbound tourism. The findings suggest that broadcast has a stronger positive impact than Korean popular music on Korea’s inbound tourism because broadcast improves the destination image by featuring locations.

Humanism and Music

2020 ◽  
Author(s):  
Christopher M. Driscoll
Keyword(s):  
Artificial Intelligence ◽  
Popular Culture ◽  
Popular Music ◽  
Case Studies ◽  
Contemporary Music ◽  
Theoretical Relationship ◽  
Rock Band ◽  
Historical Developments ◽  
The Relationship

This chapter explores the relationship between humanism and music, giving attention to important theoretical and historical developments, before focusing on four brief case studies rooted in popular culture. The first turns to rock band Modest Mouse as an example of music as a space of humanist expression. Next, the chapter explores Austin-based Rock band Quiet Company and Westcoast rapper Ras Kass and their use of music to critique religion. Last, the chapter discusses contemporary popular music created by artificial intelligence and considers what non-human production of music suggests about the category of the human and, resultantly, humanism. These case studies give attention to the historical and theoretical relationship between humanism and music, and they offer examples of that relationship as it plays out in contemporary music.

“Poor Butterfly”: F. Scott Fitzgerald and Popular Music

Prospects ◽  
1977 ◽  
Vol 2 ◽  
pp. 41-67 ◽  
Author(s):  
Ruth Prigozy
Keyword(s):  
Popular Culture ◽  
Popular Music ◽  
Great Influence ◽  
Jazz Age ◽  
42Nd Street

The seventy-one song titles (see chart below) and innumerable lyrics that sprinkle his works indicate the extent of F. Scott Fitzgerald's reliance upon popular music as a source of his art. Contemporaneous descriptions of him as “laureate of the Jazz Age” need not be considered derisive; Fitzgerald was thoroughly in touch with his culture, was aware of the meaning of his sources, and was a keen analyst of the effects of popular culture on American lives. Cecilia Brady, in The Last Tycoon, admits “some of my more romantic ideas actually stemmed from pictures—42nd Street, for example, had a great influence on me. It's more than possible that some of the pictures which Stahr himself conceived had shaped me into what I was.” Fitzgerald was shaped by movies, by musical comedies, and not least by popular music. Other writers of our century were influenced in the same way, but it was Fitzgerald who acknowledged his debt to popular culture, who used it with meticulous care, and who evaluated seriously its impact, for better or worse, on the American scene.

Invented Dances, Or, How Nigerian Musicians Sculpt the Body Politic

2021 ◽  
Vol 53 (1) ◽  
pp. 5-22
Author(s):  
Dotun Ayobade
Keyword(s):  
Popular Culture ◽  
Mass Media ◽  
Popular Music ◽  
Body Politic ◽  
The Body ◽  
African Music

AbstractPopular dances encapsulate the aliveness of Africa's young. Radiating an Africanist aesthetic of the cool, these moves enflesh popular music, saturating mass media platforms and everyday spaces with imageries of joyful transcendence. This essay understands scriptive dance fads as textual and choreographic calls for public embodiment. I explore how three Nigerian musicians, and their dances, have wielded scriptive prompts to elicit specific moved responses from dispersed, heterogenous, and transnational publics. Dance fads of this kind productively complicate musicological approaches that insist on divorcing contemporary African music cultures from the dancing bodies that they often conjure. Taken together, these movements enlist popular culture as a domain marked by telling contestations over musical ownership and embodied citizenship.

DETERMINANTS OF LOYALTY IN CULTURAL DESTINATIONS: EVIDENCE FROM PETRA, JORDAN

2021 ◽  
Keyword(s):  
Positive Impact ◽  
Tourism Industry ◽  
Destination Image ◽  
Future Research ◽  
Empirical Examination ◽  
Destination Loyalty ◽  
Perceived Risks ◽  
Future Research Agenda ◽  
Five Factors ◽  
New Evidence

It is commonly understood within the tourism industry that the longer term success of a destination depends on visitor loyalty. While there have been extensive scholarly investigations of destination loyalty, there has been minimal empirical examination of the most critical determinants of loyalty within a single integrated model, particularly in the context of cultural destinations. To bridge this gap, this study investigates the direct influence of five factors on destination loyalty; destination image, destination awareness, perceived risks, perceived quality, and perceived value. The authors also provide new evidence about these relationships, with a focus on Petra one of the world’s most popular cultural-oriented destinations. Using a purposive sampling method, a total of 708 surveys were collected from international tourists who visited Petra between April and June 2019. It was found that all antecedents apart from perceived risks, had a positive impact on destination loyalty. Apart from extending knowledge about destination loyalty, this study provides key implications for practitioners and proposes a future research agenda.

‘ROCK SPECTRALE’: THE CULTURAL IDENTITY OF THE ELECTRIC GUITAR IN TRISTAN MURAIL'S vampyr!

Tempo ◽  
2015 ◽  
Vol 69 (274) ◽  
pp. 22-32
Author(s):  
Ben Jameson
Keyword(s):  
Popular Culture ◽  
Cultural Studies ◽  
Cultural Identity ◽  
Popular Music ◽  
Musical Instruments ◽  
New Music ◽  
Electric Guitar ◽  
Concert Music ◽  
Analytical Approaches

AbstractThe electric guitar is one of the most iconic musical instruments of the twentieth and twenty-first centuries and, due to its ubiquitous use in much rock and popular music, it has developed a strong cultural identity. In recent years, as the electric guitar has become increasingly common in contemporary concert music, its cultural associations have inevitably shaped how composers, performers and listeners understand music performed on the instrument. This article investigates various issues relating to the electric guitar's cultural identity in the context of Tristan Murail's Vampyr! (1984), in the hope of demonstrating perspectives that will be useful in considering new music for the electric guitar more generally. The article draws both on established analytical approaches to Murail's spectral oeuvre and on concepts from popular music and cultural studies, in order to analyse the influence that the electric guitar's associations from popular culture have in new music.

South Korea's Destination Image: Comparing Perceptions of Film and Nonfilm Chinese Tourists

2015 ◽  
Vol 43 (9) ◽  
pp. 1453-1462 ◽  
Author(s):  
Shiheng Zeng ◽  
Weisheng Chiu ◽  
Chul Won Lee ◽  
Hyun-Wook Kang ◽  
Chanmin Park
Keyword(s):  
South Korea ◽  
Destination Image ◽  
Tourism Destination ◽  
Positive Image ◽  
Significant Difference ◽  
Chinese Tourists ◽  
Food Variety ◽  
And Behaviors

We examined South Korea's destination image for Chinese tourists and compared the differences between visitors who had come to that destination because of exposure to movies or television dramas filmed at their destination (film tourists) and those who were nonfilm tourists. A survey of 311 Chinese tourists, consisting of film tourists (n = 132) and nonfilm tourists (n = 179) revealed that South Korea is perceived as a safe, friendly, and clean tourism destination, and that Chinese tourists feel happy and relaxed during their trip. We also found that Chinese tourists believe that Korea lacks food variety and historical attractions, and is not easy to get around. Moreover, we also found that there was a difference between film and nonfilm tourists in regard to cognitive image of the destination, in that film tourists had a more positive image than did nonfilm tourists. However, there was no significant difference in affective destination image between film and nonfilm tourists. Our findings contribute to understanding of Chinese tourists' perceptions and behaviors in regard to South Korea as a tourism destination. In addition, the implications for film and tourism destination marketers are discussed.

Gendered and Censored Modernity

2017 ◽  
Author(s):  
Soojin Kim
Keyword(s):  
South Korea ◽  
Popular Music ◽  
Social Values ◽  
Development Project ◽  
Collective Memories ◽  
Korean Society ◽  
Colonial Experience ◽  
The Korean War ◽  
The 1960S ◽  
The U.S

This chapter examines the ways in which a juxtaposition of two definitions of modernity are reflected in the two female singers, Yi Mi-ja and Patti Kim, who actively performed in postwar South Korea, particularly between the 1960s and the 1970s. While different social values and cultural practices constituted the modernity of South Korea, most scholarship on Korean popular music gives particular attention to the cultural products of modernity that have been influenced by the West, mostly by the U.S. This chapter, however, suggest that the different cultures from Korea, Japan, and the U.S. together constitute the modernity of Korea. Also, different collective memories from the Japanese colonial experience, the Korean War, and the Korean government-led economic development project shape the ideal form of modernization. Modernity in South Korean popular music shows that the periods between the 1960s and the 1970s juxtapose what the Korean society was facing and seeking at the time. Focusing on the Yi and Kim’s music and their performance styles, this chapter explores how different musical cultures and social values are reflected in their music as a way to construct gendered and censored modernity.

Imagining the Next Day

2018 ◽  
Author(s):  
Roshi Naidoo
Keyword(s):  
Popular Culture ◽  
Popular Music ◽  
Meaning Making ◽  
National Narrative

If popular culture shapes subjectivity in an individualized and collective sense, popular music heritage must affect “meaning-making” in the present. In examining the battle for meaning within music heritage displays, the author considers two things. First, how and why subversion, resistance, creative dissent, and the imaginative possibilities of identity are reconfigured within a consensual national narrative. Second, how some heritage expressions resist such containment by signaling the power of identity to facilitate both present and future rebellion.

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