New formations of power, the oligarchic-corporate state, and anthropological ideological discourse

2005 ◽  
Vol 5 (3) ◽  
pp. 285-299 ◽  
Author(s):  
Bruce Kapferer
Keyword(s):  
Ideological Discourse ◽  
Corporate State

Corporate-State Interlocks in the Netherlands: 1969-2006

2008 ◽  
Author(s):  
Eelke M. Heemskerk ◽  
Meindert Fennema ◽  
Robert J. Mokken
Keyword(s):  
The Netherlands ◽  
Corporate State

The Chilean Presidency in a Developmental Perspective

1977 ◽  
Vol 19 (4) ◽  
pp. 451-481 ◽  
Author(s):  
Jorge Tapia-Videla
Keyword(s):  
Latin America ◽  
National Development ◽  
Political Conflict ◽  
The State ◽  
Central Focus ◽  
Strong State ◽  
State Apparatus ◽  
Institutional Structures ◽  
Corporate State ◽  
By Products

In contrast to other countries in Latin America, Chile emerged from the chaotic postindependence period with a strong state apparatus. Fashioned by the leadership of Diego Portales and institutionalized in the Constitution of 1833, the Chilean state became (and remains) the central focus for national development. Portales was able to marry the existing social and economic order, which was sharply hierarchical, to the institutional structures of a corporate state. In doing so, he shaped political conflict throughout Chilean history into a series of struggles for inclusion in the coalition in control of the state apparatus at any given time. Problems of violence and instability can be seen as the the natural by-products of these multiple attempts to define and redefine both the legitimate scope and orientation of the state and the composition of the dominant groups exercising power.

scholarly journals (Re)visions télévisuelles de la colonisation du Nord – série médiatique d’Un homme et son péché de Claude-Henri Grignon

2020 ◽  
Vol 18 (2) ◽  
pp. 86-97
Author(s):  
Katarzyna Wójcik
Keyword(s):  
The Novel ◽  
French Canadian ◽  
Television Series ◽  
Ideological Discourse ◽  
Xixth Century ◽  
Representation Of Space ◽  
Realistic Image ◽  
Quebec History ◽  
Different Levels ◽  
Pays D'en Haut

Claude-Henri Grignon’s novel Un homme et son péché presents the life of French Canadian colonial settlers of the Laurentides region at the end of XIXth century. It depicts a realistic image of the colonisation period of Quebec history. The novel is at the origin of a media series that englobes a radio adaptation, three filmic adaptations, theater adaptations, a comic, and two television series. The aim of this article is to discuss the vision of colonisation by analysing two television series based on Un homme et son péché: Les Belles Histoires des pays d’en haut broadcast from 1956 to 1970 and Les Pays d’en haut broadcast from 2016 to 2019 on ICI Radio-Canada Télé 1. The analysis will try to trace modifications inherent to the process of adaptation on different levels (protagonists, representation of space, ideological discourse) and their influence on the vision of the colonisation period.

scholarly journals Austrian-Italian Encounters: Notes on Some Films Produced Between Rome and Vienna in the 1930s

2019 ◽  
Vol 5 (1) ◽  
pp. 55
Author(s):  
Francesco Bono
Keyword(s):  
19Th Century ◽  
The Political ◽  
Late 19Th Century ◽  
Cultural Traditions ◽  
European Cinema ◽  
History Of ◽  
Italian Film ◽  
Stylistic Influences ◽  
Corporate State ◽  
Shed Light

This essay deals with a number of Italian and Austrian films produced around the mid-1930s as a result of the cinematic cooperation that developed between Rome and Vienna at the time. The essay’s goal is to investigate a complex chapter in the history of Italian and Austrian film which has yet received little attention. The Austro-Italian cooperation in the field of film, which developed against the backdrop of the political alliance between Fascist Italy and Austria’s so-called Corporate State, involved some of the biggest names in Italian and Austrian cinema of the time, including Italian directors Carmine Gallone, Augusto Genina and Goffredo Alessandrini, Viennese screenwriter Walter Reisch, and Italian novelist Corrado Alvaro. In particular, the essay will consider the Italian film Casta Diva (1935) and its debt to one of the most famous Austrian productions of the 1930s, Willi Forst’s film Leise flehen meine Lieder (1933). Further films to be discussed include Tagebuch der Geliebten (1935), Una donna tra due mondi (1936), Opernring (1936), and Blumen aus Nizza (1936). Tagebuch der Geliebten was based on the diary of Russian painter Marie Bashkirtseff, who lived in Paris in the late 19th century. Una donna tra due mondi starred Italian diva Isa Miranda, Opernring Polish tenor Jan Kiepura, Blumen aus Nizza German singer Erna Sack.These films should be truly regarded as transnational productions, in which various cultural traditions and stylistic influences coalesced. By investigating them, this essay aims to shed light on a crucial period in the history of European cinema.

scholarly journals The Language of Romanian Politics: Reifying the Other

2016 ◽  
Vol 3 (2) ◽  
pp. 64-69
Author(s):  
Petru Ioan Marian
Keyword(s):  
The Other ◽  
Dominant Ideology ◽  
Relative Ease ◽  
Ideological Discourse

Abstract The dominant ideology of a society seems to possess the means to infiltrate an individual’s conscience with relative ease. From the perspective of the functions of language, we intend to investigate those fundamental characteristics of the ideological discourse that reify the left-right dichotomy in Romanian politics.

scholarly journals THE ANALYSIS OF IDEOLOGIES IN DONALD TRUMP’S POLITICAL SPEECHES ON NATIONAL SECURITY : A CRITICAL DISCOURSE ANALYSIS

2019 ◽  
Vol 8 (1) ◽  
Author(s):  
Rize Rahmi Rahmi
Keyword(s):  
Discourse Analysis ◽  
National Security ◽  
Critical Discourse Analysis ◽  
Cultural Practice ◽  
Critical Discourse ◽  
Discursive Practice ◽  
Donald Trump ◽  
Ideological Discourse ◽  
Political Speeches ◽  
Ideological Structure

Although there were many studies of Political Discourse had been done in CDA approach, but still few studies concern withrelation of ideology and language in the discourse. This study aims to, 1) find the ideological discourse structureswhich are used to enhance ideology in political speeches delivered by Donald Trump and 2) reveal the ideologies found in the speeches of Donald Trump about National Security. The analysis in this study is based on Fairclough’s(1992 )framework of Critical Discourse Analysis which consists of three levels of analysis; textual, discursive practice and socio-cultural practice. Then, for textual analysis, the writer used one analytical tool that is the theory of Ideological Discourse Structure of the discourse by Van Dijk (2000). The results showed that Donald Trump used language tactfully to achieve his goal on politics. The conclusion obtained is that Donald Trump enhances fascist ideology in his speeches which can be seen through the ideological structure of discourse which is found in his political speech on National Security.

scholarly journals The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality

Text Matters ◽  
2018 ◽  
pp. 386-410
Author(s):  
Abdolali Yazdizadeh
Keyword(s):  
Twentieth Century ◽  
Cultural Theory ◽  
Critical Assessment ◽  
Vantage Point ◽  
The Novel ◽  
Fictional World ◽  
American Life ◽  
Ideological Discourse ◽  
Catch 22

Hyperreality is a key term in Jean Baudrillard’s cultural theory, designating a phase in the development of image where it “masks the absence of a profound reality.” The ambiance of Joseph Heller’s Catch-22 (1961) closely corresponds to Baudrillard’s notion of the hyperreal as images persist to precede reality in the fictional world of the novel. Since for Baudrillard each order of simulacra produces a certain mode of ideological discourse that impacts the perception of reality, it is plausible that the characters of this fictional context should be ideologically impacted by the hyperreal discourse. From this vantage point it is possible to have a new critical assessment of Yossarian’s (protagonist) antiheroic stance and study the role of the “business of illusion,” whose ideological edifice is based on the discourse of the hyperreal, on his antiheroic stance and actions. By drawing on Baudrillard’s cultural theory this paper aims to read Heller’s novel as a postmodern allegory of rebellion against the hyperreality of the twentieth-century American life and trace its relevance to modern-day U.S.

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