scholarly journals Samuel Beckett’s Trilogy and the Revolution of the Body in Vichy France

2020 ◽  
Vol 66 (1) ◽  
pp. 11-36
Author(s):  
William Davies

This essay explores the depiction of the degenerating male form in Samuel Beckett’s post-World War II trilogy of novels (Molloy, Malone Dies, and The Unnamable) in the context of Vichy France’s ideology of the body—specifically the male body—and the propaganda of the regime’s Révolution nationale, which Beckett would have encountered in wartime France. Read with this historical situation in mind, this essay argues that Beckett’s move from the limping Molloy to the bed-bound Malone and finally to the physically limbless figure of The Unnamable gives expression to a reality of physical deterioration that is unique to the degenerating body, a reality that also inverts the ideal of physical perfection that regimes such as Vichy produced. Analyzed in this way, Beckett’s work can be seen to aggravate and challenge both Vichy’s idolization of the strong, athletic male form and the ways in which Vichy and other midcentury ideologies produced narratives of the body steeped in a narrow and ultimately violent essentialism.

Author(s):  
Chiaki Ajioka

Hamada Shoji was a modern Japanese ceramic artist who adopted the medium consciously as artistic expression, taking inspiration from folk traditions, particularly Okinawan pottery and British slipware. His career began in 1920s Britain where he accompanied the British potter Bernard Leach (1885–1979) to help establish a pottery workshop at St Ives, Cornwall. After returning to Japan, Hamada settled in Mashiko, a small village north of Tokyo, with its own folk pottery tradition. Leach and Hamada became icons of early studio pottery in the post-World War II Western world and their work is known collectively as "Anglo-Japanese style" or the "Leach-Hamada tradition." In Japan, Hamada’s work is associated with the Mingei folk art movement. His stoneware depicts an earthy naturalness and dynamism underpinned by technical mastery and refined taste. Leach described Hamada as the ideal studio potter in whom the head, hand, and heart were perfectly balanced. This echoed Hamada’s own words: "With the risk of exaggeration, I occasionally hear this voice in my work: leave the shape to the wheel, leave the drawing to the brush, leave the firing to the kiln." His Zen-like attitude is reflected in his works, which appear to embody the Mingei ideal in the modern world.


2018 ◽  
Vol 11 (1) ◽  
pp. 47-62
Author(s):  
Lucy Andrew

This article examines the shifting representation of the ideal of masculinity and boys’ role in securing the future of the British Empire in Robert Baden-Powell’s Boy Scout movement from its inauguration in 1908 to the early years of World War I. In particular, it focuses on early Scout literature’s response to anxieties about physical deterioration, exacerbated by the 1904 Report of the Inter-Departmental Committee on Physical Deterioration. In Baden-Powell’s Scouting handbook, Scouting for Boys (1908), and in early editions of The Scout—the official magazine of the Scout movement—there was a strong emphasis on an idealized image of the male body, which implicitly prepared Boy Scouts for their future role as soldiers. The reality of war, however, forced Scouting literature to acknowledge the restrictions placed upon boys in wartime and to redefine the parameters of boys’ heroic role in defense of the empire accordingly.


Author(s):  
Vanessa L. Burrows

Stress has not always been accepted as a legitimate medical condition. The biomedical concept stress grew from tangled roots of varied psychosomatic theories of health that examined (a) the relationship between the mind and the body, (b) the relationship between an individual and his or her environment, (c) the capacity for human adaptation, and (d) biochemical mechanisms of self-preservation, and how these functions are altered during acute shock or chronic exposure to harmful agents. From disparate 19th-century origins in the fields of neurology, psychiatry, and evolutionary biology, a biological disease model of stress was originally conceived in the mid-1930s by Canadian endocrinologist Hans Selye, who correlated adrenocortical functions with the regulation of chronic disease. At the same time, the mid-20th-century epidemiological transition signaled the emergence of a pluricausal perspective of degenerative, chronic diseases such as cancer, heart disease, and arthritis that were not produced not by a specific etiological agent, but by a complex combination of multiple factors which contributed to a process of maladaptation that occurred over time due to the conditioning influence of multiple risk factors. The mass awareness of the therapeutic impact of adrenocortical hormones in the treatment of these prevalent diseases offered greater cultural currency to the biological disease model of stress. By the end of the Second World War, military neuropsychiatric research on combat fatigue promoted cultural acceptance of a dynamic and universal concept of mental illness that normalized the phenomenon of mental stress. This cultural shift encouraged the medicalization of anxiety which stimulated the emergence of a market for anxiolytic drugs in the 1950s and helped to link psychological and physiological health. By the 1960s, a growing psychosomatic paradigm of stress focused on behavioral interventions and encouraged the belief that individuals could control their own health through responsible decision-making. The implication that mental power can affect one’s physical health reinforced the psycho-socio-biological ambiguity that has been an enduring legacy of stress ever since. This article examines the medicalization of stress—that is, the historical process by which stress became medically defined. It spans from the mid-19th century to the mid-20th century, focusing on these nine distinct phases: 1. 19th-century psychosomatic antecedent disease concepts 2. The emergence of shell-shock as a medical diagnosis during World War I 3. Hans Selye’s theorization of the General Adapation Syndrome in the 1930s 4. neuropsychiatric research on combat stress during World War II 5. contemporaneous military research on stress hormones during World War II 6. the emergence of a risk factor model of disease in the post-World War II era 7. the development of a professional cadre of stress researchers in the 1940s and 50s 8. the medicalization of anxiety in the early post–World War II era 9. The popularization of stress in the 1950s and pharmaceutical treatments for stress, marked by the cultural assimilation of paradigmatic stress behaviors and deterrence strategies, as well pharmaceutical treatments for stress.


2019 ◽  
Vol 20 (2) ◽  
pp. 37-41
Author(s):  
Maftuna Sanoqulova ◽  

This article consists of the politics which connected with oil in Saudi Arabia after the World war II , the relations of economical cooperations on this matter and the place of oil in the history of world economics


Author(s):  
Reumah Suhail

The paper addresses the different aspects of the politics of immigration, the underlying factors that motivate, force or pressurize people to move from their country of origin to new abodes in foreign nations. In the introduction the paper discusses different theories playing their due role in the immigration process, namely Realism and Constructivism. The paper examines the history of immigration and post-World War II resettlement followed by an analysis of how immigration policies are now centered towards securitization as opposed to humanitarianism after 9/11, within the scenario of globalization. Muslim migrant issues and more stringent immigration policies are also weighed in on, followed by a look at immigration in regions which are not hotspot settlement destinations. Lastly an analysis is presented about the selection of a host country a person opts for when contemplating relocation; a new concept is also discussed and determined whereby an individual can opt for “citizenship by investment” and if such a plan is an accepted means of taking on a new nationality.


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