scholarly journals Mis on filosoofia?

2009 ◽  
pp. 19-31
Author(s):  
Indrek Reiland
Keyword(s):  
20Th Century ◽  
Ordinary Language ◽  
Intellectual Activity ◽  
Scientific Images ◽  
Short Overview ◽  
The One ◽  
The Ideal

Minu eesmärgiks antud artiklis on pakkuda üht vaadet filosoofia olemuse, eesmärgi ja rolli kohta kaasaja maailmas. Artikli esimeses osas kirjeldan lühidalt nelja tänapäeva filosoofiat oluliselt mõjutanud filosoofiakontseptsiooni: ideaalkeele traditsiooni filosoofiamõistmist, tavakeele filosoofia arusaamu, Wittgensteini terapeutilis-deflatsionalistlikku kontseptsiooni ning kaasaegse filosoofilise naturalismi metafilosoofiat. Teises osas visandan Wilfrid Sellarsist inspireerituna filosoofiamõistmise, mis võimaldab meil näha kõiki eelnevalt käsitletud filosoofiakontseptsioone täitmas ühe ja sama projekti erinevaid osi ning mõista keskset osa kaasaja filosoofiast.My main aim in this paper is to provide a certain sort of answer to the question 'What is philosophy?'. In the first part I will give a short overview of the central ideas of the four most dominant conceptions of philosophy of the 20th century: the ones supported by philosophers belonging to the ideal and the ordinary language traditions, the one suggested by later Wittgenstein, and the one championed by modern-day methodological naturalists. In the second part I will build on Wilfrid Sellars's ideas and sketch a conception of philosophy which amalgamates the four conceptions into one and sees philosophy as an intellectual activity that aims at constructing a comprehensive, true and practical worldview by, first, constructing both the manifest and the scientific images of man and world and, second, fitting them together.

scholarly journals Reconstructive Hermeneutics in African Christology

2015 ◽  
Vol 71 (3) ◽  
Author(s):  
Julius Gathogo
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Theoretical Framework ◽  
Primary Task ◽  
Relevant Model ◽  
African Theology ◽  
African Christianity ◽  
Cultural Codes ◽  
The One ◽  
The Ideal

The article sets out to demonstrate African reconstructive Christology as the seventhChristological trend in African Christianity. Considering that African theology is kerygmatically universal, but theologically provincial, the study shows that Christology in our contemporary Africa can be best understood by retracing it from the early Christologicalcontroversies through to the present times. Certainly, African Christology in the 21st century is dominated by calls for contextualisation, indigenisation, rebirth, inculturation,renewal, rejuvenation, renaissance and reconstruction. To this end, the article endeavours todemonstrate that Christ, the ideal reconstructionist, the one who broke the cultural codes of his time in order to reconstruct the society, is the relevant model to our contemporary world.The article draws its theoretical framework from the works of Jesse Mugambi, Kä Mana,and Wachege, amongst other proponents of reconstructive motif in African theology. In its methodology, the article first attempts to identify some early Christological developments through to the contemporary trends. It subsequently attempts a survey of the six Christologicaltrends of the 20th century; that is a Christological trend that commits itself to interpreting and adapting Christology to modern mentality and situation; Christologies geared exclusively to thehistorical Jesus; Christology that tends to uphold the Trinitarian theology; Christologies based on the proclaimed Christ and the historical Jesus; Asian Christologies of inculturation and liberation;and African Christologies of inculturation and liberation. Afterwards, it analyses Christological trends of the 21st century where a seventh dimension, African reconstructive Christology, has become the norm. In so doing, the article builds on the premise that the primary task of African Christology today is restoration.

Lev Zander and Problems of Ecumenism

Istoriya ◽  
2021 ◽  
Vol 12 (8 (106)) ◽  
pp. 0
Author(s):  
Dorota Jewdokimow
Keyword(s):  
20Th Century ◽  
Main Part ◽  
Important Work ◽  
Intellectual Activity ◽  
Ecumenical Movement ◽  
Orthodox Theology ◽  
The Ideal ◽  
Ecumenical Theology

Lev Alexandrovich Zander was a continuer of the Russian religious and philosophical renaissance thought of the beginning of the 20th century. The main part of his intellectual activity was performed in the extraordinary conditions of emigration. He was one of the creators of the Russian diaspora in Paris, at the same time holding crucial functions in the St Sergius Orthodox Theology Institute in Paris. However, over the years he became less and less recognisable. His ecumenical, practical, and theoretical activities are also worth analysing. He co-created the Ecumenical Movement in the first years of its existence. His interpretation of ecumenism, highly controversial for his immediate environment, outpaced his times and still remains up-to-date. In his theoretical texts, Zander formulated the fundamental conditions for interfaith collaboration and the postulates of ecumenism: the principle of confessionalism and the need of restraining from proselytism. The principle of confessionalism consists in unconditional and uncompromising affirmation of the beliefs held by each particular church.  Lev Zander describer the ideal of ecumenism as “unity in love”, which surpasses its historic standards; the notion of “ecumenism” was more mystical and eschatological than historical. “Unity without union” which is the formula of ecumenical paradox, the expression of the contradictory nature of ecumenism, is placed in the centre of his ecumenical reflection. The publication of Zander’s most important work Vision and action in 1952 sparked a heated discussion in the Paris orthodox community, contributing to the development of the orthodox ecumenical theology.

ALTRUISTIC AND EGOISTIC AGON IN THE EMOTIONAL CRISIS OF SUŠIĆ'S DRAMATIC PERSONS

2018 ◽  
Vol 28 (7) ◽  
pp. 2361-2365
Author(s):  
Almedina Čengić
Keyword(s):  
20Th Century ◽  
Oral Tradition ◽  
Historical Background ◽  
Historical Records ◽  
Artistic Creation ◽  
Avant Garde ◽  
Modern Process ◽  
Artistic Vision ◽  
Dramatic Characters ◽  
The One

The second half of the 20th century in Bosnian literature is marked by the new tendencies of avant-garde writers, who will create their work through a different form of artistic creation, compared to the one that was presented at the beginning of this period. It is important to clarify the specificity of the various procedures that have positively directed dramatic creativity towards the modern lines of European literary circles. Derviš Sušić (1925-1990.), the Bosnian-Herzegovinian tradition and the reality of images, presented in a completely new artistic vision, make oscillation, in the writer's creation, between the determinants of historical facts and the legacy of oral tradition. Derviš Sušić Within the avant-garde tendencies of contemporary writers of the regional region, which appear in the mid-20th century, Sušić dominates in his virtuous creations of dramatic situations and dilemmas, in which his protagonists act. In a specific presentation of crucial culmination points, within the framework of the process of "drama of the flow of consciousness," a modern process in the conduct of drama, this writer analytically approaches the individual's dialectical duplication. Through artistically shaped fragments taken from historical records, this literary virtuoso presents in his texts a culmination point of Bosnian survival, very picturesque dramatic shaped historical characters and crucial events. It is symptomatic that Susić's characters become prototypes of stage characters, without temporal or location restrictions, transmitting a universal message of a unique attitude about the value of human activity and existence, outperform stereotypical models recognizable in the additional drama literature. Through the colorful of seeing and a range of specific dramatic characters, without the diversity of their differentiation in national status or sociopolitical affiliation, this writer creates a special ambient effect in the construction of his poetic fabrics based on historical background. The task of this paper is to prove the causality and conditionality of altruistic (social) and egoistic (individual) agonies in the actions and actions of Sušić's characters, in the examples of dramatic texts "Veliki vezir" (1969) and "Posljednja ljubav Hasana Kaimija "(1973), as well as the influence of emotional indicators on the concrete initiation of the dramatic conflict. It is therefore very interesting to explore and verify the models that will dominantly dominate the regional scene for almost half a century and be accepted as models in the way of writing its contemporaries, among the readers' population, but also at the same time with very successful placement in the theater audience.

Academic Freedom and the Politics of Truth

2018 ◽  
Author(s):  
Michael P. Lynch
Keyword(s):  
Academic Freedom ◽  
Democratic Deliberation ◽  
Public Mind ◽  
Epistemic Practice ◽  
The Public ◽  
The One ◽  
Rational Inquiry ◽  
The Ideal

This chapter argues that academic freedom is justified because it is an inherently epistemic practice that serves the ideals of democracy. With Dewey, it is argued that “The one thing that is inherent and essential [to the idea of a university] is the ideal of truth.” But far from being apolitical, the value of pursuing truth and knowledge—the value that justifies academic freedom, both within and without the public mind—is a fundamental democratic value, and for three reasons: the practices of academic inquiry exemplify rational inquiry of the kind needed for democratic deliberation; those practices serve to train students to pursue that kind of inquiry; and those practices are important engines of democratic dissent.

Indications for Preservation Rhinoplasty: Avoiding Complications

2021 ◽  
Vol 37 (01) ◽  
pp. 045-052
Author(s):  
Mario Bazanelli Junqueira Ferraz ◽  
Guilherme Constante Preis Sella
Keyword(s):  
Nasal Bone ◽  
Nasal Dorsum ◽  
Ideal Candidate ◽  
Deviated Nose ◽  
Lateral Osteotomy ◽  
Upper Lateral Cartilage ◽  
High Radix ◽  
The One ◽  
Different Levels ◽  
The Ideal

AbstractNasal dorsal preservation surgery was described more than 100 years ago, but recently has gained prominence. Our objective is to show the surgical technique, the main indications and counterindications, and the complications. It is a technique that does not cause the detachment of the upper lateral cartilage (ULC) from the nasal septum, and has the main following sequence: preparation of the septum and its resection can be at different levels (high or low, i.e., SPAR [septum pyramidal adjustment and repositioning] A or B); preparation of the pyramid; transversal osteotomy; lateral osteotomy(s); and septopyramidal adjustment. The result is a nose with a lower radix than the original, a deprojection of the nasal dorsum tending to maintain its original shape; an increase in the interalar distance (IAD) and enlargement of the nasal middle ⅓; and loss of projection of the nasal tip and roundness of the nostrils. Thus, the ideal candidate is the one who benefits from such side effects, that is: tension nose, that is, high radix with projected dorsum, projected anterior nasal septal angle (ANSA), narrow middle ⅓, narrow IAD, thin nostrils and straight perpendicular plate of the ethmoid (PPE), and, depending on the characteristics, the deviated nose. The counterindications are low radix, irregularities in the nasal dorsum, ANSA lower than rhinion, and a wide middle ⅓. And the main stigmas are: a nose with a very low radix, middle ⅓ enlarged, residual hump, and saddling of the supratip area. Other issues of this technique are: the shape of the radix; the need or not to remove PPE; wide dorsum; irregular dorsum; ANSA lower than rhinion; weak cartilages; long nasal bone; deviated PPE; and obsessive patient. We conclude that this is a great technique for noses with characteristics suitable to it; care must be taken with the stigmas it can cause.

scholarly journals The Orderliness of Music from the Perspective of Complex Information Systems

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang
Keyword(s):  
Information Systems ◽  
20Th Century ◽  
Natural Science ◽  
The Other ◽  
Western Music ◽  
Classical Period ◽  
20Th Century Music ◽  
Complex Information ◽  
History Of ◽  
The One

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.

Trapezountian Pontic Greek in Etoloakarnania

2020 ◽  
pp. 1-13
Author(s):  
Spyros Armostis ◽  
Louiza Voniati ◽  
Konstantinos Drosos ◽  
Dionysios Tafiadis
Keyword(s):  
20Th Century ◽  
Black Sea ◽  
Second Generation ◽  
Native Speakers ◽  
Asia Minor ◽  
The Black Sea ◽  
Historical Reconstruction ◽  
Standard Term ◽  
The One

The variety described here is Pontic Greek (ISO 639 name: pnt), and specifically the variety that originates from Trapezounta in Asia Minor (present-day Trabzon in Turkey) as spoken today in Etoloakarnania, Greece by second-generation refugees. The term ‘Pontic Greek’ (in Greek: ) was originally an etic term, while Pontians called their language by other names, mainly [ɾoˈmeika] ‘Romeika’ (Sitaridou 2016) but also [laziˈka] ‘Laz language’ (Drettas 1997: 19, 620), even though Pontians and Laz people do not share the same language, the latter being Caucasian. Nowadays, is the standard term used not only by researchers, but also by native speakers of Pontic Greek born in Greece to refer to their variety (but see Sitaridou 2013 for Romeyka in the Black Sea). Pontic Greek belongs to the Asia Minor Greek group along with other varieties, such as Cappadocian Greek (e.g. Horrocks 2010: 398–404; Sitaridou 2014: 31). According to Sitaridou (2014, 2016), on the basis of historical reconstruction, the Pontic branch of Asia Minor Greek is claimed to have been divided into two major dialectal groups: Pontic Greek as spoken by Christians until the 20th century in Turkey and Romeyka as spoken by Muslims to date in Turkey. Triantafyllidis (1938/1981: 288) divides Pontic varieties, as were spoken in Asia Minor, into three dialectal groups, namely Oinountian, Chaldiot, and Trapezountian, the latter consisting of the varieties that were spoken at Trapezounta, Kerasounta, Rizounta, Sourmena, Ofis, Livera, Tripolis, and Matsouka in Asia Minor (Trabzon, Giresun, Sürmene, Of, Yazlık, Tirebolu, and Maçka respectively in present-day Turkey). However, Triantafyllidis does not explain his criteria for this classification (Chatzissavidis 2012). According to one other classification (Papadopoulos 1955: 17–18; Papadopoulos 1958: $\upzeta$ ), the variety that was used in Trapezounta belongs to the dialectal group in which post-stressed /i/ and /u/ delete along other varieties, such as e.g. the ones that were spoken in Chaldia (present-day Gümüşhane), Sourmena, and Ofis (as opposed to the rest of Pontic varieties, such as the one of Kerasounta, in which those vowels are retained). Trapezountian Pontic Greek can also be classified with the group of varieties that retain word-final /n/, such as the varieties of Kerasounta and Chaldia, as opposed to the varieties that do not retain it, such as the ones of Oinoe (present-day Ünye) and (partially) Ofis (Papadopoulos 1958: θ).

scholarly journals Two-phase CFD simulation of the monodyspersed suspension hydraulic behaviour in the tank apparatus from a circulatory pipe

2008 ◽  
Vol 10 (1) ◽  
pp. 22-27 ◽  
Author(s):  
Roch Plewik ◽  
Piotr Synowiec ◽  
Janusz Wójcik
Keyword(s):  
Cfd Simulation ◽  
Fluidised Bed ◽  
Cfd Simulations ◽  
Two Phase ◽  
Hydraulic Behaviour ◽  
Hydraulic Conditions ◽  
The One ◽  
Cfd Method ◽  
Multi Phase ◽  
The Ideal

Two-phase CFD simulation of the monodyspersed suspension hydraulic behaviour in the tank apparatus from a circulatory pipe The hydrodynamics in fluidized-bed crystallizers is studied by CFD method. The simulations were performed by a commercial packet of computational fluid dynamics Fluent 6.x. For the one-phase modelling (15), a standard k-ε model was applied. In the case of the two-phase flows the Eulerian multi-phase model with a standard k-ε method, aided by the k-ε dispersed model for viscosity, has been used respectively. The collected data put a new light on the suspension flow behaviour in the annular zone of the fluidised bed crystallizer. From the presented here CFD simulations, it clearly issues that the real hydraulic conditions in the fluidised bed crystallizers are far from the ideal ones.

In search of the perfect orthography

2005 ◽  
Vol 7 (2) ◽  
pp. 139-163 ◽  
Author(s):  
Richard L. Venezky
Keyword(s):  
Writing System ◽  
Writing Systems ◽  
International Phonetic Alphabet ◽  
Experienced Reader ◽  
Cultural Considerations ◽  
Advanced Stages ◽  
One To One ◽  
The One ◽  
Psychological Processing ◽  
The Ideal

Philologists, linguists, and educators have insisted for several centuries that the ideal orthography has a one-to-one correspondence between grapheme and phoneme. Others, however, have suggested deviations for such functions as distinguishing homophones, displaying popular alternative spellings, and retaining morpheme identity. If, indeed, the one-to-one ideal were accepted, the International Phonetic Alphabet should become the orthographic standard for all enlightened nations, yet the failure of even a single country to adopt it for practical writing suggests that other factors besides phonology are considered important for a writing system. Whatever the ideal orthography might be, the practical writing systems adopted upon this earth reflect linguistic, psychological, and cultural considerations. Knowingly or unknowingly, countries have adopted orthographies that favour either the early stages of learning to read or the advanced stages, that is, the experienced reader. The more a system tends towards a one-to-one relationship between graphemes and phonemes, the more it assists the new reader and the non-speaker of the language while the more it marks etymology and morphology, the more it favours the experienced reader. The study of psychological processing in reading demonstrates that human capacities for processing print are so powerful that complex patterns and irregularities pose only a small challenge. Orthographic regularity is extracted from lexical input and used to recognise words during reading. To understand how such a system develops, researchers should draw on the general mechanisms of perceptual learning.

The Body in Theory

1998 ◽  
Vol 16 (4) ◽  
pp. 387-400 ◽  
Author(s):  
Felicity J Callard
Keyword(s):  
Queer Theory ◽  
20Th Century ◽  
The Body ◽  
The Other ◽  
Industrial Capitalism ◽  
Late 20Th Century ◽  
The Social ◽  
Theoretical Investigations ◽  
The One ◽  
Do So

Geographers are now taking the problematic of corporeality seriously. ‘The body’ is becoming a preoccupation in the geographical literature, and is a central figure around which to base political demands, social analyses, and theoretical investigations. In this paper I describe some of the trajectories through which the body has been installed in academia and claim that this installation has necessitated the uptake of certain theoretical legacies and the disavowal or forgetting of others. In particular, I trace two related developments. First, I point to the sometimes haphazard agglomeration of disparate theoretical interventions that lie under the name of postmodernism and observe how this has led to the foregrounding of bodily tropes of fragmentation, fluidity, and ‘the cyborg‘. Second, I examine the treatment of the body as a conduit which enables political agency to be thought of in terms of transgression and resistance. I stage my argument by looking at how on the one hand Marxist and on the other queer theory have commonly conceived of the body, and propose that the legacies of materialist modes of analysis have much to offer current work focusing on how bodies are shaped by their encapsulation within the sphere of the social. I conclude by examining the presentation of corporeality that appears in the first volume of Marx's Capital. I do so to suggest that geographers working on questions of subjectivity could profit from thinking further about the relation between so-called ‘new’ and ‘fluid’ configurations of bodies, technologies, and subjectivities in the late 20th-century world, and the corporeal configurations of industrial capitalism lying behind and before them.

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