Lev Zander and Problems of Ecumenism

Istoriya ◽  
2021 ◽  
Vol 12 (8 (106)) ◽  
pp. 0
Author(s):  
Dorota Jewdokimow

Lev Alexandrovich Zander was a continuer of the Russian religious and philosophical renaissance thought of the beginning of the 20th century. The main part of his intellectual activity was performed in the extraordinary conditions of emigration. He was one of the creators of the Russian diaspora in Paris, at the same time holding crucial functions in the St Sergius Orthodox Theology Institute in Paris. However, over the years he became less and less recognisable. His ecumenical, practical, and theoretical activities are also worth analysing. He co-created the Ecumenical Movement in the first years of its existence. His interpretation of ecumenism, highly controversial for his immediate environment, outpaced his times and still remains up-to-date. In his theoretical texts, Zander formulated the fundamental conditions for interfaith collaboration and the postulates of ecumenism: the principle of confessionalism and the need of restraining from proselytism. The principle of confessionalism consists in unconditional and uncompromising affirmation of the beliefs held by each particular church.  Lev Zander describer the ideal of ecumenism as “unity in love”, which surpasses its historic standards; the notion of “ecumenism” was more mystical and eschatological than historical. “Unity without union” which is the formula of ecumenical paradox, the expression of the contradictory nature of ecumenism, is placed in the centre of his ecumenical reflection. The publication of Zander’s most important work Vision and action in 1952 sparked a heated discussion in the Paris orthodox community, contributing to the development of the orthodox ecumenical theology.

2009 ◽  
pp. 19-31
Author(s):  
Indrek Reiland

Minu eesmärgiks antud artiklis on pakkuda üht vaadet filosoofia olemuse, eesmärgi ja rolli kohta kaasaja maailmas. Artikli esimeses osas kirjeldan lühidalt nelja tänapäeva filosoofiat oluliselt mõjutanud filosoofiakontseptsiooni: ideaalkeele traditsiooni filosoofiamõistmist, tavakeele filosoofia arusaamu, Wittgensteini terapeutilis-deflatsionalistlikku kontseptsiooni ning kaasaegse filosoofilise naturalismi metafilosoofiat. Teises osas visandan Wilfrid Sellarsist inspireerituna filosoofiamõistmise, mis võimaldab meil näha kõiki eelnevalt käsitletud filosoofiakontseptsioone täitmas ühe ja sama projekti erinevaid osi ning mõista keskset osa kaasaja filosoofiast.My main aim in this paper is to provide a certain sort of answer to the question 'What is philosophy?'. In the first part I will give a short overview of the central ideas of the four most dominant conceptions of philosophy of the 20th century: the ones supported by philosophers belonging to the ideal and the ordinary language traditions, the one suggested by later Wittgenstein, and the one championed by modern-day methodological naturalists. In the second part I will build on Wilfrid Sellars's ideas and sketch a conception of philosophy which amalgamates the four conceptions into one and sees philosophy as an intellectual activity that aims at constructing a comprehensive, true and practical worldview by, first, constructing both the manifest and the scientific images of man and world and, second, fitting them together.


Author(s):  
István-Attila Tárkányi

"The Contemporary Reception of Lajos Csiky’s Voluminous Works. Lajos Csiky (1852–1925) was a late 19th and early 20th-century professor of practical theology at the Theological Academy of Debrecen. His works have not yet been researched accordingly. In the first part of this short paper, we would like to present the socio-theological context in which the renowned theologian spent his creative years, focusing especially on the debate of the day between liberal and orthodox theology. In the second part, we would like to reflect on the way his major theological works were received by his contemporaries during a span of more than four decades of academic activity. Keywords: Lajos Csiky, 19th-century theological debates in Hungary, practical theology, Ferenc Balogh, Imre Révész, Mór Ballagi "


2021 ◽  
Author(s):  
Rannu Sanderan

All the differences among the church, the religious differences and those that were largely cultural or political, came together to cause the schism. It evoke when people or things are separate or become separate from other people or other thing. Opinions concerning the nature and consequences of schism vary with the different conceptions of the nature of the church. In the 20th century the ecumenical movement tried to worked for reunion among churches. The big result of the cooperation between Roman Catholics and Protestants after the second Vatican Council (1962–1965) has resulted in more flexible attitudes within the churches concerning the problems of schism. Then, in the Protestant church, schism is a rejectable legacy.


REPERTÓRIO ◽  
2010 ◽  
pp. 17
Author(s):  
Teatro & Dança Repertório

<div>O desejo por uma arte nova e engajada na Revolução Socialista conduz a importantes reformas artísticas na Rússia no início do século XX. As idéias revolucionárias estimularam as transformações do espetáculo e das práticas artísticas não somente através de sua politização, como também pela busca de uma poética inovadora em conformidade com as aspirações da época. Desta maneira, as atividades circenses e teatrais participavam ativamente desta busca desenfreada, porém numa relação de confl uência e hibridismo. O almejar de uma teatralização do teatro e o ideal de “homem novo” difundido pela vanguarda estão em consonância com as mudanças relativas ao picadeiro. É neste contexto que diversos artistas vão se apropriar das atividades do circo, numa relação de simbiose entre o palco e a pista. A este respeito, Vladimir Maiakóvski e Vsévolod Meyerhold são fi guras significativas.</div><div><br /></div><div><div>The desire for a new art engaged to The Socialist Revolution leads to important artistic reforms in Russia at the beginning of the 20th century. The revolutionary ideas had stimulated transformation in spectacles and artistic practices not only through politicization, but also through the pursuit of innovative poetics, in compliance with the aspirations of the time period. As a result, circus and theatrical activities had actively taken part in this unstoppable pursuit, on a hybrid and confluent relation. The seeking fortheatricalizing theater itself and the ideal "new man", spread by Russian Avantgarde, are balanced with ring related changes. Nevertheless, performers approach circus activities, in a symbiotic relation among stage and arena. Referring to this, Vladimir Maiakóvski and Vsévolod Meyerhold are significant characters.</div></div>


2019 ◽  
Vol 62 (5) ◽  
pp. 7-26
Author(s):  
Rimma I. Sokolova

The article discusses such a new phenomenon of modernity as the rehabilitation of utopia, which has not yet become widespread, but it is a serious symptom of the crisis of civilization in Russia and in the West. It is shown that attempts to rehabilitate utopia are associated with the situation of crisis, uncertainty, unpredictability caused by the ongoing transformations of the modern epoch. Under these conditions, the utopia is not only a reflection of the existing situation but also an opportunity for the formation of new ideas and the reduction of uncertainty. Many astute researchers in both the West and Russia demonstrate a positive attitude towards utopia, as they see the opportunities offered by utopia, especially in times of crisis. It is noted that in Russia there is a gradual overcoming of the negative attitude to utopia, which was associated with the collapsed socialist system. A summary history of utopia shows that utopia is a significant factor in history that accompanies the development of mankind throughout history. Despite this, in the earlier decades of the 20th century and the beginning of 21st century the “death of utopia” was declared, it was driven by ideological and political reasons and by globalization in general. Meanwhile, at present its importance is again actualized in relation to the complex international situation. Therefore, both in the West and in Russia there is a growing demand for the ideal concepts of the future of human existence in the form of utopia.


2020 ◽  
Vol 60 (2) ◽  
pp. 126-135
Author(s):  
Natalia Kućma

This article analyzes shōjo culture and shōjo girls as a participants and creators of this culture. The first part of the article presents the history of girls&#39; schools from the beginning of the 20th century and the ideal of a good wife and wise mother (ryōsai kenbo). The second part focuses on the issue of the &quot;privileged body&quot; of shōjo (girl), which is on the edge between the body of a child and a woman, a boy and a girl. Shōjo manga, as comics addressed to girls, have evolved since the 70s, when women began to create them. At the end I examine aesthetic traits and „the aesthetics of sameness” as tools to create emotional involvement of readers. Shōjo culture is the Japanese version of girl power.


2004 ◽  
Vol 57 (4) ◽  
pp. 434-450 ◽  
Author(s):  
Michael Welker

Karl Barth saw himself as a ‘Randfigur’, a boundary figure, in ecumenical theology, while important members of the ecumenical movement regarded him as a ‘Wegbereiter de Okumene des 20. Jahrhunderts’, a pioneer of the ecumene in the twentieth century. Which characterisation is correct?The article sheds light on Karl Barth as an ‘ecumenical theologian’ in eight different phases of his life: his wrestling with Roman Catholicism in Göttingen and Munster, particularly with the help of the Munich Jesuit Erich Przywara; his encounter and interaction with ecumenical leaders such as Visser't Hooft and Pierre Maury at the beginning of the Nazi dictatorship and his disappointment about the failing resistance of the ecumenical institutions against Hitler; his search for a clear ecumenical course during the Second World War and the Cold War thereafter; his contribution to the meeting of the World Council of Churches in Amsterdam in 1948 and in the preparation of this meeting; his complex and complicated dealing with the ‘fundamental ecumenical question’ of church and Israel; the reception of his theology in Roman Catholicism in the 1950s and 1960s through von Balthasar, Kung and other young theologians and Barth's interaction with them; Barth's engagement with Vatican II and his trip to Rome; finally, his personal ‘ecumenical existence’ in the last years of his life.The contribution explores continuities and discontinuities in his stance towards ‘ecumenical theology’ – ecumenical theology in its various meanings. It depicts Barth in his journey from a fighter against the ‘Roman heresy’ to a critical pioneer of ecumenical theology in general and the institutionalised ecumene in particular.


Author(s):  
Ivana Hadjievska

This paper is about national reproduction relations and the ways they affected women’s bodies in context of women’s accessibility to public and political space in the late 19th century Serbia, Bosnia and Croatia. The end of the 19th and the beginning of the 20th century embark events and processes of national emancipation for the Balkan peoples. The examples taken here are set in the different states of ‘nationalizing’ and ‘nation-building,’ as well as in different iterations of modernity, with the intention to trace possible patterns and typologies in the relation of national reproduction, in its ethno-cultural dimension, and the opening of new political spaces for women from these different national entities and territories through education, autonomous organizing, charity and anonymous domestic labor. I find the interest and vindication of my intention in the historical events after 1918, when the mentioned territories and nationalities became part of new state – the Kingdom of Serbs, Croats and Slovenes/Kingdom of Yugoslavia. With that, the state strategies of national reproduction towards women gained new qualities with centralization and ideological unification of the ideal ‘Yugoslav’ woman as its final edifice. Article received: December 15, 2018; Article accepted: January 23, 2019; Published online: April 15, 2019; Original scholarly paperHow to cite this article: Hadjievska, Ivana: "National Reproduction with (Un)Disciplined Bodies: Women Moving to the Politically Possible in pre-Yugoslavian Societies (Examples from Serbia, Bosnia and Croatia)." AM Journal of Art and Media Studies 18 (2019): 17–31. doi: 10.25038/am.v0i18.298


2020 ◽  
pp. 47-60
Author(s):  
Илья Письменюк

Статья преподавателя кафедры церковной истории священника Ильи Николаевича Письменюка посвящена начальному этапу развития современного экуменического движения после окончания Международной миссионерской конференции в Эдинбурге в 1910 г. На этом этапе экуменизм разделился на три основных направления: богословское, социально-практическое и миссионерское. Все они постепенно нашли институциональное воплощение в первых экуменических организациях, среди которых наиболее заметными стали конференции «Вера и церковное устройство» и «Жизнь и деятельность», а также Международный миссионерский совет и Всемирный альянс для содействия международной дружбе через церкви. Развитие перечисленных организаций положило основу для будущего создания крупнейшего в истории межхристианского института - Всемирного совета церквей. An article by Priest Ilya Nikolayevich Pismenyuk, Professor at the Department of Church History, dwells on the initial stage of development of the modern ecumenical movement after the end of the International Missionary Conference in Edinburgh in 1910. At this stage, ecumenism was divided into three main directions: theological, socio-practical and missionary ones. All of them gradually found institutionalization in the first ecumenical organizations, among which the most notable were the conferences «Faith and Church Order» and «Life and Work», along with the International Missionary Council and World Alliance for the Promotion of International Friendship through the Churches. The development of these organizations made the basis of the future creation of the largest inter-Christian institution in history - the World Council of Churches.


2019 ◽  
Vol 13 (1) ◽  
pp. 248-263
Author(s):  
Neža Čebron Lipovec

The concept of collective memory raises fundamental questions regarding the assessment of heritage, especially of built heritage in contested spaces. The simultaneous presence of different groups in conflict introduces into the space parallel memory discourses that can be recognised both in the built environment as well as in public sculpture, and both can be read as a symbolic marking of space (Veschambre, 2008). The urban space of northern Istria, where the Italian and Slovene communities have become intertwined throughout history, were drastically marked by the political and historic events of the mid-20th century. Post-war conflict-solving processes lead and an ongoing process of “ethnic metamorphosis” (Purini, 2010) in the region came to a peak when the majoritarian Italian-speaking population of the urban area emigrated, while the space was settled by newcomers from inner Slovenian regions and other Yugoslav republics. Tensions between Slovenes and Italians arose in the early 20th century, especially from the period of Fascist oppression and violence against the Slovene population. Nevertheless, the antifascist struggle united the two ethnic groups, specifically within the Communist ideology, so after WWII the area of the so-called Zona B of the Free Territory of Trieste was marked by the ideal of fratellanza, the brotherhood between Italians and Slovenes in Istria. A monument to this ideal was created by a sculptor from Capodistria, Oreste Dequel, who is unknown in the Slovene context. The sculpture represented the Protestant Bishop of Capodistria, Pier Paolo Vergerio il Giovane, a friend of the key Slovene Protestant Primož Trubar. Despite the then leading Socialist Realist aesthetics, the artist managed to intertwine in the artwork, using a subversive approach, several collective memories.


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