“Deviant” Psychosis: An Exploration of the Production and Consumption of Queer and Transgender Women in the Films of Brian De Palma

Film Matters ◽  
2020 ◽  
Vol 11 (3) ◽  
pp. 21-31
Author(s):  
Sam Lawson

This article provides a critical analysis of three films by filmmaker Brian De Palma: Dressed to Kill (1980), The Black Dahlia (2006), and Passion (2012). De Palma uses both the thematic tropes of film noir (psychosis, sexual deviance, doubling, etc.) and its stylistic conventions (chiaroscuro lighting, urban environments, etc.) to capitalize on the LGBTQ+ community, using them to create a spectacle of difference for his viewing audience. De Palma panders primarily to heterosexual spectators by using LGBTQ+ women to entertain/titillate audiences via the conventions of noir, thereby suggesting that these women are intrinsically tied to mental illness as a result of their sexual deviance. The analysis of Dressed to Kill will focus on issues of transgender representation, whereas the analyses of The Black Dahlia and Passion will address the representation of lesbianism/bisexuality.

Author(s):  
Shaleph O’Neill

The Situationists defined the increasingly spectacularized society (The Society of the Spectacle ) as the alienation of the individual by an increasingly mediated and commoditised modern world that has spread across the globe, pacifying and alienating its audience with the manufacture of lack and the control of desire. Set dead against this spread of spectacular culture, the Situationists sought to free themselves from the commoditisation and mediation of everyday experience. By employing direct action and the creation of “situations,” they attempted to make clear the restrictive boundaries, both intellectual and environmental, that the habituated processes of modern capitalism (in the form of production and consumption, work and leisure) had placed upon society. In the era of the emerging digital or interactive Spectacle that now permeates every aspect of our culture, what has been added to the Spectacle is the illusion of agency administered through the new technological conduits. Virtual environments, for example, deliver visitation and visualization of places that, despite attempts at access by the viewer, remain remote. However, in our new digitally enhanced cultural spaces, despite restrictions, Situationist style interventions can still be made. Views can be expressed that had no outlet in previous media forms, allowing for the development of communities and exchange of ideas that require, at least in some part, the agency of the individuals taking part in them. Situationist theory takes its place in helping to describe such activities, even though, in some cases, the polemic is often watered down. Here we shall consider a number of examples of this kind of intervention, in relation to the Situationist practices of the dérive and détournement, to help give some structure to the critical analysis.


2014 ◽  
Vol 10 (3) ◽  
pp. 190-206
Author(s):  
Nathália de Fátima Joaquim ◽  
Ana Carolina Guerra ◽  
Alexandre de Pádua Carrieri

Purpose – The aim of this article is to carry out a critical analysis of the view that core countries’ knowledge holds sway over that of the periphery and to offer a reassessment of Lahiri’s Anglo-Eurocentric point of view and the implications this has for scientific discussion in the field of management. To do this the authors made use of both Lahiri’s (2011) comments as a representative of mainstream thought and the existing literature on this issue. Design/methodology/approach – In this research, the authors used the methodology proposed by Lahiri (2011), but with some adjustments that they thought were necessary. They also analysed scientific production on management in the most important Brazilian journals to put the field of organizational studies in Brazil in context and to situate the reader as regarding their criticism of the North-centric viewpoint. This is because the authors consider organizational studies as a synonym for management studies. Findings – The results presented in Lahiri’s (2011) article “Brazil-focused publications in leading business journals” are invalid because the sample on which the article is based is limited to 14 academic journals, of which 7 are American, 6 are British and 1 is German. It can be questioned whether this particular selection of journals accurately represents the corpus of publications that deal with Brazil, given that Lahiri does not include any articles published in Brazil and thus reinforces his North-centric standpoint. Moreover, the article emphasizes authors with ties to English institutions and concludes that the most relevant academic contributions on Brazil have been produced at non-Brazilian institutions. Moreover, the authors also discovered a contradiction in the sample that is important for the thesis presented in this article because, in fact, the scholars selected for the sample emphasized in that work have ties to both a foreign and a Brazilian institution. Originality/value – The originality of this article lies in the fact that it proposes to discuss the production and consumption of knowledge in the area of administration in such a way as to reassess North-centric hegemony in this field.


2017 ◽  
Vol 41 (1) ◽  
pp. 38 ◽  
Author(s):  
Ana Fernandez ◽  
James A. Gillespie ◽  
Jennifer Smith-Merry ◽  
Xiaoqi Feng ◽  
Thomas Astell-Burt ◽  
...  

Objective Australian mental health care remains hospital centric and fragmented; it is riddled with gaps and does little to promote recovery. Reform must be built on better knowledge of the shape of existing services. Mental health atlases are an essential part of this knowledge base, enabling comparison with other regions and jurisdictions, but must be based on a rigorous classification of services. The main aim of this study is to create an integrated mental health atlas of the Western Sydney LHD in order to help decision makers to better plan informed by local evidence. Methods The standard classification system, namely the Description and Evaluation of Services and Directories in Europe for Long-term Care model, was used to describe and classify adult mental health services in the Western Sydney Local Health District (LHD). This information provided the foundation for accessibility maps and the analysis of the provision of care for people with a lived experience of mental illness in Western Sydney LHD. All this data was used to create the Integrated Mental Health Atlas of Western Sydney LHD. Results The atlas identified four major gaps in mental health care in Western Sydney LHD: (1) a lack of acute and sub-acute community residential care; (2) an absence of services providing acute day care and non-acute day care; (3) low availability of specific employment services for people with a lived experience of mental ill-health; and (4) a lack of comprehensive data on the availability of supported housing. Conclusions The integrated mental health atlas of the Western Sydney LHD provides a tool for evidence-informed planning and critical analysis of the pattern of adult mental health care. What is known about the topic? Several reports have highlighted that the Australian mental health system is hospital based and fragmented. However, this knowledge has had little effect on actually changing the system. What does this paper add? This paper provides a critical analysis of the pattern of adult mental health care provided within the boundaries of the Western Sydney LHD using a standard, internationally validated tool to describe and classify the services. This provides a good picture of the availability of adult mental health care at the local level that was hitherto lacking. What are the implications for practitioners? The data presented herein provide a better understanding of the context in which mental health practitioners work. Managers and planners of services providing care for people with a lived experience of mental illness can use the information herein for better planning informed by local evidence.


2021 ◽  
Vol XII (3) ◽  
pp. 289-290
Author(s):  
B. Vorotynskiy

The author's dissertation, published by the Moscow Psychiatric Clinic, is devoted to the clinical development of the issue of the independence of acute paranoia as a separate form of mental illness. Dr. Gannushkin is trying to solve this question partly on the basis of his own observations, partly through a critical analysis of cases that were observed by other authors, both Russian and foreign.


2021 ◽  
Vol 19 (2) ◽  
pp. 92-106
Author(s):  
Vladimir Zakharov

Madness in life, philosophy, and art are different phenomena. In medicine, a madman is an insane person and a patient, in philosophy he is a sage, in literature — a poet. Doctors treat the patient, philosophers and poets admire the freedom of his thought and creativity. Problems arise when doctors turn into literary critics, and critics diagnose literary heroes. An absurd situation emerges when doctors diagnose those who are inherently unable to express a complaint, answer questions, undergo tests or pass a clinical examination. The article offers a critical analysis of the topic of insanity in the St. Petersburg-themed short novels by Pushkin, Gogol, and Dostoevsky, and offers a response to the question of which parts of their works belong to the poetic sphere, and which — to psychiatry. Pushkin and Gogol contributed to the poetic development of the theme of insanity, Dostoevsky revealed insanity as a mental illness where “higher meaning” manifests itself. All of these authors clearly defined the boundaries of troubled and healthy consciousness. Dostoevsky completed the transition from the poetic to the realistic interpretation of madness in Russian literature. A variety of concepts of insanity has been recognized in art, and there has been a creative competition between individual interpretations of this subject.


2021 ◽  
pp. 003335492098208
Author(s):  
Adrian Buttazzoni ◽  
Sean Doherty ◽  
Leia Minaker

Childhood and adolescence are crucial periods for mental and social development. Currently, mental illness among young people is a global epidemic, and rates of disorders such as depression and anxiety are rising. Urban living, compared with rural living, is linked with a higher risk of serious mental illness, which is important because the world is urbanizing faster than ever before. Urban environments and their landscapes, designs, and features influence mental health and well-being. However, no conceptual frameworks to date have detailed the effect of urban environments on young people’s mental health, and few studies have considered the growing role of digital and social media in this relationship, leading to calls for the development of holistic approaches to describe this relationship. This article synthesizes existing knowledge on urban places (both built and natural environments) and mental health in the public health and urban planning literature and examines the emerging field of neurourbanism (a multidisciplinary study of the effect of urban environments on mental health and brain activity) to enhance current practice and research. We developed 2 novel conceptual frameworks (1 research-oriented, 1 practice-oriented), adapted from Bronfenbrenner’s socioecological model, that focus on the relationship between urban environments and young people’s mental health. We added a digital and social media contextual level to the socioecological model, and we applied a multilayer concept to highlight potential cross-field interactions and collaborations. The proposed frameworks can help to guide future practice and research in this area.


BJPsych Open ◽  
2021 ◽  
Vol 7 (S1) ◽  
pp. S294-S294
Author(s):  
Anna Sutton ◽  
Ross Overshott

AimsThe aims of this project were to assess how well the Netflix drama 13 Reasons Why portrayed suicide, in terms of both accuracy and safety, and to discuss the potential effect this could have on viewers.BackgroundPsychiatric content within dramatic media can have measurable effects on the population, such as reinforcing stigma around mental illness. Given the show's focus on a character's suicide, the most serious effect here would be suicide contagion.Guidelines and regulations for the portrayal of suicide in media are in place to protect those who might be vulnerable to suicide contagion.MethodWe formed our own pro-forma of 42 criteria using existing guidelines written for both news and dramatic media. These criteria were formatted into positive and negative pairs; positive being instances of guidelines being followed, negative as guidelines being broken. These were further organised into 7 categories.Each episode of seasons 1-2 was then assessed against the criteria. Cumulative instances of guidelines being followed or broken were compared within and between seasons. Context of each instance was taken into account by the primary researcher, and we also highlighted instances of exceptional breach of these guidelines.ResultThe results showed an over-all breach of the guidelines, with no significant improvement between the seasons. Some categories of criteria, such as “asking for help” and “mental health”, were portrayed well overall. Other categories, such as “blame”, performed extremely badly.The most significant breach was the graphic suicide scene at the end of the first season, which completely disregarded Samaritans’ guidelines.ConclusionThe breaching of guidelines in this show was overwhelming. In terms of severity, although there were some positive themes running through the seasons, there were also worrying instances of guidelines being completely disregarded. This led to the conclusion that the producers of the show did not take their responsibility to young, vulnerable viewers seriously regarding the dangers around portraying suicide.Suggestions from this study are that more guidelines around suicide are needed specifically for dramatic media, and that existing guidelines should be conflated and have stronger implementation by regulators. This implementation should potentially include overseas providers such as Netflix. Ethically, a significant challenge here is maintaining balance between safety and allowing artistic licence.


Resources ◽  
2021 ◽  
Vol 10 (11) ◽  
pp. 111
Author(s):  
Francesc Fusté-Forné ◽  
Maria Fusté Forné

Most of the global population live in urban environments and the majority of tourist flows are concentrated in cities. Urban agriculture has recently emerged as an avenue for the protection of sustainable food production and the promotion of sustainable food consumption. Also, the relationships between horticulture and tourism are attracting growing interest in the context of urban studies. Drawing on a qualitative approach based on ten semi-structured interviews, this research analyzes the relationship between urban gardens and family tourism. The paper innovatively contributes to the understanding of gardens as an urban attraction that improves the sustainable production and consumption of food in the context of family tourism experiences. The results show the relevance of urban gardens for the creation of sustainable experiences that engage families with local food, enhance local supply chains, and inform the future of urban environments. Urban gardens are a visitor attraction that may lead to the development of sustainable people, places and products, and they represent the sustainable integration of horticulture in tourism based on participatory experiences, direct contact with the natural environment and the discovery of the origin of food.


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