Negotiating spaces and voicing resistance: Nireeksha and women’s theatre in India

2018 ◽  
Vol 2 (1-2) ◽  
pp. 19-31 ◽  
Author(s):  
Swapna Gopinath
Keyword(s):  
Theory And Practice ◽  
Main Stream ◽  
Social Changes ◽  
Feminist Theatre ◽  
Close Analysis ◽  
History Of ◽  
Creative Space ◽  
Women And Children ◽  
Women's Theatre ◽  
Community Projects

Indian theatre has a long and rich tradition of adapting theory and practice from a variety of representational modes from western theatre that subsequently played key roles in major political and cultural upheavals and provided fodder for social changes and progress in Indian social and cultural life. Feminist theatre practice in India clearly demonstrates this cross-cultural interaction, and Nireeksha from the southern state of Kerala is one among them. As a women’s theatre, Nireeksha has a unique history of survival not only through its theatre productions but also through its committed social work in bringing women and children together as part of its community projects. This article focuses on Nireeksha’s incessant struggle to build resistance and find a creative space within the main stream theatre and patriarchal society of Kerala. I do a close analysis of Nireeksha’s performances and its methodology of practice to understand and explain how aesthetics and ideology inform the practice and processes of the leading women’s theatre groups in Kerala.

Tanaka Kinuyo

2018 ◽  
Keyword(s):  
Industrial Development ◽  
Japanese Woman ◽  
Cultural Construction ◽  
Public Image ◽  
Special Focus ◽  
Japanese History ◽  
Female Subjectivity ◽  
Japanese Cinema ◽  
Close Analysis ◽  
History Of

This is the first book in English dedicated to the actress and director Tanaka Kinuyo. Praised as amongst the greatest actors in the history of Japanese cinema, Tanaka’s career spanned the industrial development of cinema - from silent to sound, monochrome to colour. Alongside featuring in films by Ozu, Mizoguchi, Naruse and Kurosawa, Tanaka was also the only Japanese woman filmmaker between 1953 and 1962, and her films tackled distinctly feminine topics such as prostitution and breast cancer. Because her career overlaps with a transformative period in Japan, especially for women, this close analysis of her fascinating life and work offers new perspectives into the Japanese history of women and classical era of national cinema. The first half of the book focuses on Tanaka as actress and analyses the elements and meanings associated with her star image, and her powerful embodiment of diverse, at times contradictory, ideological discourses. The second half is dedicated to Tanaka as director and explores her public image as filmmaker and her depiction of gender and sexuality against the national history in order to reflect on her role and style as author. With a special focus on the melodrama genre and on the sociopolitical and economic contexts of film production, the book offers a revision of theories of stardom, authorship, and women’s cinema. In examining Tanaka’s iconic reification of femininities in relation to politics, national identity, and memory, the chapters shed light on the cultural construction of female subjectivity and sexuality in Japanese popular culture.

СОЦИАЛЬНАЯ КОНФЛИКТОЛОГИЯ: ТЕОРЕТИКО-ИСТОРИЧЕСКИЙ АСПЕКТ

2020 ◽  
Vol 15 (2) ◽  
pp. 68
Author(s):  
А. Н. Сухов
Keyword(s):  
Theory And Practice ◽  
Important Task ◽  
Social Conflicts ◽  
Psychological Approach ◽  
Structure Dynamics ◽  
History Of ◽  
The Subject ◽  
First Time

This given article reveals the topicality not only of destructive, but also of constructive, as well as hybrid conflicts. Practically it has been done for the first time. It also describes the history of the formation of both foreign and domestic social conflictology. At the same time, the chronology of the development of the latter is restored and presented objectively, in full, taking into account the contribution of those researchers who actually stood at its origins. The article deals with the essence of the socio-psychological approach to understanding conflicts. The subject of social conflictology includes the regularities of their occurrence and manifestation at various levels, spheres and conditions, including normal, complicated and extreme ones. Social conflictology includes the theory and practice of diagnosing, resolving, and resolving social conflicts. It analyzes the difficulties that occur in defining the concept, structure, dynamics, and classification of social conflicts. Therefore, it is no accident that the most important task is to create a full-fledged theory of social conflicts. Without this, it is impossible to talk about effective settlement and resolution of social conflicts. Social conflictology is an integral part of conflictology. There is still a lot of work to be done, both in theory and in application, for its complete design. At present, there is an urgent need to develop conflict-related competence not only of professionals, but also for various groups of the population.

Sobre Educação, Arte e Vídeoarte: rupturas, resiliência e práticas de ensino/aprendizagem na sala de aula

2020 ◽  
Author(s):  
Nélia Lúcia Fonseca
Keyword(s):  
High School ◽  
High School Students ◽  
Video Art ◽  
Theory And Practice ◽  
First Year ◽  
School Students ◽  
Forest School ◽  
Moving Images ◽  
History Of ◽  
Teaching Learning

This study first approaches the history of the observer’s gaze, that is, as observers, we are forming or constructing our way of visualizing moving images. Secondly, it reaffirms the importance and need of resistance of the teaching / learning of Art as a compulsory curricular component for high school. Finally, the third part reports an experience with video art production in a class of first year high school students, establishing an interrelationship between theory and practice, that is, we study video art content to reach the production of videos, aiming as a final result, the art videos created by the students of the Reference Center in Environmental Education Forest School Prof. Eidorfe Moreira High School. The first and second stages of this research share a theoretical part of the Master ‘s thesis, Making films on the Island: audiovisual production as an escape line in Cotijuba, periphery of Belem, completed in 2013.

Foucault, Lenin, and Western Marxism

2019 ◽  
Vol 29 (2) ◽  
pp. 251-267
Keyword(s):  
Public Intellectual ◽  
Philosophical Tradition ◽  
Real Problem ◽  
Social Changes ◽  
Revolutionary Movement ◽  
History Of ◽  
The 1960S ◽  
Significant Figures ◽  
Marxist Tradition ◽  
Western Marxism

This article others a brief historical account of the complex relationship between Michel Foucault and certain theorists in the Western Marxist philosophical tradition. In the context of the history of the “short twentieth century,” Western Marxism is an intellectual trend based on an interpretation of non-Western revolutionary praxis (by Bolsheviks, Maoists, Guevaristas, etc.). Comparative analysis of several schematic portraits - of Lenin’s revolutionary intellectual, of traditional as opposed to organic intellectuals in Gramsci, and of Foucault’s public intellectual - shows that Foucault in a certain instances was not an external enemy of the Western Marxist tradition, but rather its internal critic. Foucault comes across as a revisionist who engaged in a debate with Lenin about the strategy of the revolutionary movement in France of the 1960s and the 70s. Foucault’s criticism of Leninism unexpectedly turns out to be consistent with the basic struggle of post-WWII Western Marxism to find an alternative to the Bolshevik experience of revolution. This deliberate concurrence makes Foucault one of the significant figures in the history of late Western Marxism, but this becomes a real problem for current historians of neo-Marxist thought when coupled with his generally anti-Marxist views. The article discusses two possible solutions to this problem devised by Perry Anderson and Daniel Bensaid. Anderson’s description of the role of Foucault in the fate of Western Marxism is limited to conceptual questions about the relationship between Marxism and (post) structuralism. Bensaid tries to explain how Foucault fits into the Marxist tradition by appealing to social changes, specifically the changing ideology of capitalist society (in the spirit of The New Spirit of Capitalism by Luc Boltanski and Ève Chiapello). Building on Bensaid’s work, the article shows the link between Foucault’s position on public intellectuals and the crisis of the revolutionary movement of the last half-century, in particular by reference to the famous “Iranian episode” in Foucault’s biography.

The Classical Tradition in University Theatre

2018 ◽  
Author(s):  
Nurit Yaari
Keyword(s):  
Art Education ◽  
Classical Tradition ◽  
Theory And Practice ◽  
Theatre Arts ◽  
Tel Aviv ◽  
Greek Drama ◽  
Mise En Scene ◽  
History Of ◽  
Stage Performance ◽  
And Performance

This chapter surveys the history of classical Greek drama productions at the Department of Theatre Arts of Tel Aviv University as the basis for an exploration of the issue of theatre and art education. By analysing the students’ approach to classical Greek drama, we can see how they deal with the interpretative reading, translation, and performance of such texts on stage. We also see how the ancient works invite the students to delve more deeply into their distinctive content and forms; to draw links between theory and practice, and between text and context; to gain a deeper understanding of the issues of style and styling; and to engage in a richer experimentation with various aspects of stage performance—such as pronunciation, diction, voice, movement, music, and mise-en-scène.

Australia

2018 ◽  
Author(s):  
Katherine Bode
Keyword(s):  
Multinational Corporations ◽  
Publishing Industry ◽  
Book Publishing ◽  
Social Changes ◽  
History Of ◽  
The 1950S ◽  
Australian Literature

This chapter on the history of book publishing in Australia divides Australian novel publishing since 1950 into three periods: the 1950s and 1960s, the 1970s and 1980s, and the 1990s to the present. During the 1950s and 1960s, British companies dominated the publication of Australian novels and publishing decisions were predominantly made overseas, but the period also witnessed a ‘local publishing boom’, driven by the belief in the importance of Australian literature and publishing. The 1970s and 1980s saw the growth of a vibrant local publishing industry, supported by cultural nationalist policies and broad social changes. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and — along with the increasing globalization of publishing — enabled the entry of large, multinational corporations into the market. This latter trend, and the processes of globalization and deregulation, continued in the 1990s and beyond.

scholarly journals Just Mothering: Amy Coney Barrett and the Racial Politics of American Motherhood

Laws ◽  
2021 ◽  
Vol 10 (2) ◽  
pp. 36
Author(s):  
H. Howell Williams
Keyword(s):  
Middle Class ◽  
Political Development ◽  
American Political Development ◽  
White Family ◽  
Public And Private ◽  
Close Analysis ◽  
History Of ◽  
Republican Motherhood ◽  
A Site ◽  
Confirmation Hearings

Justice Amy Coney Barrett’s nomination and confirmation featured frequent references to her role as a mother. This article situates these references within the trajectory of American political development to demonstrate how motherhood operates as a mechanism for enforcing a white-centered racial order. Through a close analysis of both the history of politicized motherhood as well as Barrett’s nomination and confirmation hearings, I make a series of claims about motherhood and contemporary conservatism. First, conservatives stress the virtuousness of motherhood through a division between public and private spheres that valorizes the middle-class white mother. Second, conservatives emphasize certain mothering practices associated with the middle-class white family. Third, conservatives leverage an epistemological claim about the universality of mothering experiences to universalize white motherhood. Finally, this universalism obscures how motherhood operates as a site in which power distinguishes between good and bad mothers and allocates resources accordingly. By attending to what I call the “republican motherhood script” operating in contemporary conservatism, I argue that motherhood is an ideological apparatus for enforcing a racial order premised on white protectionism.

scholarly journals ERASMUS AND JUAN LUIS VIVES ON RHETORICAL DECORUM AND POLITICS

2021 ◽  
pp. 1-22
Author(s):  
KAARLO HAVU
Keyword(s):  
Sixteenth Century ◽  
Political Rhetoric ◽  
Rhetorical Theory ◽  
History Of Rhetoric ◽  
Rhetorical Situation ◽  
Internal Development ◽  
Close Analysis ◽  
The Reformation ◽  
History Of

Abstract The article analyses the emergence of decorum (appropriateness) as a central concept of rhetorical theory in the early sixteenth-century writings of Erasmus and Juan Luis Vives. In rhetorical theory, decorum shifted the emphasis from formulaic rules to their creative application in concrete cases. In doing so, it emphasized a close analysis of the rhetorical situation (above all the preferences of the audience) and underscored the persuasive possibilities of civil conversation as opposed to passionate, adversarial rhetoric. The article argues that the stress put on decorum in early sixteenth-century theory is not just an internal development in the history of rhetoric but linked to far wider questions concerning the role of rhetoric in religious and secular lives. Decorum appears as a solution both to the divisiveness of language in the context of the Reformation and dynastic warfare of the early sixteenth century and as an adaptation of the republican tradition of political rhetoric to a changed, monarchical context. Erasmus and Vives maintained that decorum not only suppressed destructive passions and discord, but that it was only through polite and civil rhetoric (or conversation) that a truly effective persuasion was possible in a vast array of contexts.

EPISTEMOLOGY OF TONE: AN OBITUARY FOR JULIEN JALÂL ED-DINE WEISS

Tempo ◽  
2017 ◽  
Vol 71 (281) ◽  
pp. 71-79
Author(s):  
Stefan Pohlit
Keyword(s):  
Twentieth Century ◽  
Cross Cultural ◽  
Theory And Practice ◽  
Just Intonation ◽  
Modal System ◽  
Helpful Tool ◽  
Near Eastern ◽  
Avant Garde ◽  
History Of ◽  
Major Discrepancy

AbstractDuring the 1980s, Julien Jalâl Ed-Dine Weiss, founder of the Al-Kindi ensemble of Aleppo, invented a qānūn in just intonation with which he attempted to solve a major discrepancy between the theory and practice of maqām-scales. Weiss objected to the introduction of Western standards, observing that they distort the significance of interval ratios and prevent a comparative understanding of the modal system as a transnational phenomenon. In the twentieth century, the implementation of equal-semitone temperament emerged simultaneously with a notable invasion of sociological criteria into musical inquiry. The polarity observed between westernisation and tradition can be seen most visibly in the present search for identity amongst Middle- and Near-Eastern musicians, but this schismogenic process can also be observed in the history of the Western avant-garde, where microtonal explorations have been halted in favour of extra-musical conceptuality. While cross-cultural musicians are faced with a new climate of distrust, it seems most likely that the principles that draw us apart may originate in the very patterns of thought in which our notion of culture operates. Weiss's tuning system may serve as a helpful tool to foster a new and universal epistemology of tone, bridging and transcending the apparent contradictions between the two spheres.

New Zealand translocations: theory and practice

1995 ◽  
Vol 2 (1) ◽  
pp. 39 ◽  
Author(s):  
Doug P. Armstong ◽  
Ian G. McLean
Keyword(s):  
Population Dynamics ◽  
New Zealand ◽  
Experimental Tests ◽  
Theory And Practice ◽  
Habitat Requirements ◽  
Metapopulation Dynamics ◽  
Behavioural Adaptation ◽  
New Locations ◽  
History Of ◽  
Tests Of Hypotheses

One of the most common tools in New Zealand conservation is to translocate species to new locations. There have now been over 400 translocations done for conservation reasons, mainly involving terrestrial birds. Most translocations have been done strictly as management exercises, with little or no reference to theory. Nevertheless, translocations always involve some underlying theory, given that people must inevitably choose among a range of potential translocation strategies. We review theory relevant to translocations in the following areas: habitat requirements, susceptibility to predation, behavioural adaptation, population dynamics, genetics, metapopulation dynamics, and community ecology. For each area we review and evaluate the models that seem to underpin translocation strategies used in New Zealand. We report experiments testing some of these models, but note that theory underlying translocation strategies is largely untested despite a long history of translocations. We conclude by suggesting key areas for research, both theoretical and empirical. We particularly recommend that translocations be designed as experimental tests of hypotheses whenever possible.

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