Aspects of voice in the use of positioning in polyphonic storytelling: Ventriloquial moves within a biographical interview
This article investigates the rhetorical use of voices and ventrilocution in occasioned storytelling. We explore the use of external voicing in the narration, arguing that to understand voice as an argumentative resource, it is important to include both material and metaphoric aspects of voice. Our article explicates the differences and relations between these two aspects in a polyphonic life story interview. The material voice involves the acoustic sphere of communication: prosody, intonation and tone, whereas the metaphoric voice is commonly understood as a marker of subjectivity or group interests. We juxtapose the latter ‘representative’ interpretation of voice by applying Richard Walsh’s recent theory of metaphorical levels of the voice. Our material consists of a biographical interview with a 92-year-old woman accompanied in the situation by her daughter. The daughter interferes in the interview by telling competing stories about the family past. To unravel the rhetorical moves in the interview, we apply the concept of ventriloquism and the theory of narrative positioning. Our analysis demonstrates how the purposeful use of the material voice transports and signifies metaphoric voices as characters, actors and identities are negotiated in turn-by-turn unfolding narration.