From ‘commercial sell out’ to community-based event: The paradoxes of Polish punk rock music festivals

2021 ◽  
Vol 00 (00) ◽  
pp. 1-20
Author(s):  
Waldemar Kuligowski

This article is based on both ethnographic field research and the author’s many years of experience as a punk fan. The researcher-participant analyses the 40-year history of two Polish music festivals in order to trace the complex trajectory and changing meaning of the punk subculture in Poland. The analysis is centred on two significant events: the Jarocin Rock Festival and the Rock on the Swamp Festival. The author suggests that the countercultural past of punk, rooted in the 1980s, is now being sentimentalized and commercialized. It is treated by conservative local authorities as an insignificant monument of the past. On the other hand, punk has become an agent of important and surprising social changes. A small festival in a provincial town is inclusive for its inhabitants, integrating two very different communities. Thanks to this, the notion of ‘selling out’ is contrasted in the form of a punk-inspired, community-based event.

2021 ◽  
Author(s):  
◽  
Max Wiles

<p>The tendency to record only built memory and significant events in architectural practice means that less tangible cultural memory is prone to erasure. This is prevalent in the memories of the other which often diverge from the majority, and so are not considered for preservation. In this context, cultural memory refers to the intangible qualities and experiences which define place, associated with a particular group. While initiatives such as heritage listings can preserve the physical history of place, little is done to preserve intangible history which has been lost through development and gentrification.  To investigate strategies for reasserting cultural memory in urban space, Haining Street in Wellington is engaged as a site. From approximately 1890 to 1960, Haining Street was Wellington’s Chinatown and home to the largest Chinese population in New Zealand. Despite a long, and often controversial history, this legacy has virtually been erased from the contemporary streetscape, creating an area of note only for a vanished past. This thesis proposes that the memory of Haining Street’s Chinese past can be reasserted through an artist in residence scheme, consisting of a gallery, workshop and accommodation.  Architectural intervention within spaces where history has been erased can reassert memory of the other, creating an identifiable place by: memorialising the intangible qualities of place, engaging with the legacy of race in the built environment, and creating a sensual experience of place. This research suggests that architecture has the potential to reconcile conflicted recollections of the past through an active engagement with the memory of place.</p>


2021 ◽  
Author(s):  
◽  
Max Wiles

<p>The tendency to record only built memory and significant events in architectural practice means that less tangible cultural memory is prone to erasure. This is prevalent in the memories of the other which often diverge from the majority, and so are not considered for preservation. In this context, cultural memory refers to the intangible qualities and experiences which define place, associated with a particular group. While initiatives such as heritage listings can preserve the physical history of place, little is done to preserve intangible history which has been lost through development and gentrification.  To investigate strategies for reasserting cultural memory in urban space, Haining Street in Wellington is engaged as a site. From approximately 1890 to 1960, Haining Street was Wellington’s Chinatown and home to the largest Chinese population in New Zealand. Despite a long, and often controversial history, this legacy has virtually been erased from the contemporary streetscape, creating an area of note only for a vanished past. This thesis proposes that the memory of Haining Street’s Chinese past can be reasserted through an artist in residence scheme, consisting of a gallery, workshop and accommodation.  Architectural intervention within spaces where history has been erased can reassert memory of the other, creating an identifiable place by: memorialising the intangible qualities of place, engaging with the legacy of race in the built environment, and creating a sensual experience of place. This research suggests that architecture has the potential to reconcile conflicted recollections of the past through an active engagement with the memory of place.</p>


Author(s):  
Timothy S. Chase

The explosion in the number of Free-Nets and their organizing committees over the past two years attests to the popularity of community-based computing. But, the goal of these organizations is farther reaching than merely strength of numbers; they want to change their communities for the better. In order to assure an important and relevant place in the community, Free-Nets must face the history of the other community-based information service provider: the public library. Once this is done, Free-Nets must focus on achieving results, not merely on achieving continued existence.


Der Islam ◽  
2020 ◽  
Vol 97 (2) ◽  
pp. 500-532
Author(s):  
Gregor Schoeler

AbstractIt is well known that the pre-Islamic “national history” of Iran (i.&#x200A;e., the indigenous secular historical tradition, transmitted orally over many centuries) knows nothing at all, or as good as nothing, about the dynasties and empires of the Medes, Achaemenids, Seleucids, and Parthians (ca.&#x00A0;700 BCE–226 CE). It is first with the Sasanians (226‒651 CE) that Iran’s “national history” evinces more detailed knowledge. Instead of reports on the historical Medes and Achaemenid dynasties, accounts of mythical and legendary dynasties, the Pīšdādians and Kayānians, are found.In this essay, an attempt will be made to explain this “gap” in the pre-Islamic historical tradition, this “strange historical (or national) amnesiaˮ (Ehsan Yarshater) in the cultural memory of the Iranians, with the help of a theory on the structure and modality of oral tradition, based on field research, by the Belgian historian and anthropologist Jan Vansina. The structure in question concerns a tripartite perception of the past: a wealth of information about antiquity (traditions of origin or creation and reports on culture heroes)&#x00A0;– plenty of information, too, on the recent and most recent times&#x00A0;– and lying between them, a “gap” in the accounts. Vansina described this phenomenon as the “hourglass effect.” This is exactly the narrative structure of Iranian national history; it is evident that the Achaemenids and the other pre-Christian dynasties fall into the “gap” described by Vansina.The same phenomenon can also be detected on the level of Sasanian history. We find there a plethora of information on the founder of the dynasty, Ardašīr (reigned 226‒241 CE); meanwhile, very few details are known of the kings following Ardašīr, and it is only as of Kavād&#x00A0;I (reigned 488‒496 and 499‒531 CE) that we have outstanding historical information.


Metahumaniora ◽  
2019 ◽  
Vol 9 (1) ◽  
pp. 54
Author(s):  
Erlina Zulkifli Mahmud ◽  
Taufik Ampera ◽  
Yuyu Yohana Risagarniwa ◽  
Inu Isnaeni Sidiq

Kedudukan dan fungsi bahasa sebagai alat komunikasi manusia mencakup seluruh bidang kehidupan termasuk ilmu pengetahuan antara lain terkait sejarah peradaban manusia; bagaimana manusia mempertahankan hidupnya, bagaimana manusia memperlakukan alam, bagaimana alam menyediakan segala kebutuhan manusia. Apa yang dilakukan manusia saat ini, saat lampau, dan apa yang dilakukan manusia jauh di masa prasejarah, bagaimana kondisi alam di masa-masa tersebut, apa perubahan dan perkembangannya, dapat didokumentasikan melalui bahasa, divisualisasikan kembali, lalu dipajang sebagai salah satu upaya konversai dan preservasi dalam satu institusi yang disebut museum. Penelitian ini membahas kedudukan dan fungsi bahasa dalam permuseuman. Bagaimana kedudukan dan fungsi bahasa dalam permuseuman baik dalam informasi yang disampaikan oleh pemandu wisata museumnya maupun yang terpajang menyertai benda-benda dan gambar-gambar merupakan tujuan dari penelitian ini. Metode penelitian yang digunakan adalah gabungan antara metode lapangan dan metode literatur. Hasil penelitian menunjukkan bahwa secara umum kedudukan bahasa Indonesia berada pada urutan pertama setelah Bahasa Inggris dan keberadaan kedua bahasa dalam permuseuman ini melibatkan dua fungsi utama bahasa, yakni fungsi komunikatif dan fungsi informatif.The existence and function of language  as a medium of communication covers all fields of human life including knowledge, one of them is the history of human civilization; how humans survived, how human utilized nature for their lives, and how nature provides all the necessities for humans. What humans have been doing now, what they have done in the past and far before that in the pre-history time, how the conditions of the nature at those times were and what changes as well as progresses occurred are documented using language, then re-visualized,  displayed as one of conservation and preservation acts in an institution called museum. This research discusess the existence and function of language in museums. How important the existence of a language in museums and what language functions used in museums both in informations given by the museum guides and on the displays accompanying objects and pictures are the aims of this research. The methods used are the combination between field research and library research. The results show that generally the existence of Indonesian language plays more important role than English and both languages have two main functions; communicative function and informative function.     


PMLA ◽  
1967 ◽  
Vol 82 (1) ◽  
pp. 14-27
Author(s):  
Leon F. Seltzer

In recent years, The Confidence-Man: His Masquerade, a difficult work and for long an unjustly neglected one, has begun to command increasingly greater critical attention and esteem. As more than one contemporary writer has noted, the verdict of the late Richard Chase in 1949, that the novel represents Melville's “second best achievement,” has served to prompt many to undertake a second reading (or at least a first) of the book. Before this time, the novel had traditionally been the one Melville readers have shied away from—as overly discursive, too rambling altogether, on the one hand, or as an unfortunate outgrowth of the author's morbidity on the other. Elizabeth Foster, in the admirably comprehensive introduction to her valuable edition of The Confidence-Man (1954), systematically traces the history of the book's reputation and observes that even with the Melville renaissance of the twenties, the work stands as the last piece of the author's fiction to be redeemed. Only lately, she comments, has it ceased to be regarded as “the ugly duckling” of Melville's creations. But recognition does not imply agreement, and it should not be thought that in the past fifteen years critics have reached any sort of unanimity on the novel's content. Since Mr. Chase's study, which approached the puzzling work as a satire on the American spirit—or, more specifically, as an attack on the liberalism of the day—and which speculated upon the novel's controlling folk and mythic figures, other critics, by now ready to assume that the book repaid careful analysis, have read the work in a variety of ways. It has been treated, among other things, as a religious allegory, as a philosophic satire on optimism, and as a Shandian comedy. One critic has conveniently summarized the prevailing situation by remarking that “the literary, philosophical, and cultural materials in this book are fused in so enigmatic a fashion that its interpreters have differed as to what the book is really about.”


1875 ◽  
Vol 8 ◽  
pp. 31-31
Author(s):  
Blackie

The Author showed by a historical review of the fortunes of Greece, through the Middle Ages, and under the successive influences of Turkish conquest and Turkish oppression, how the Greek language had escaped corruption to the degree that would have caused the birth of a new language in the way that Italian and the other Roman languages grew out of Latin. He then analysed the modern language, as it existed in current popular literature before the time of Coraes, that is, from the time of Theodore Ptochoprodromus to nearly the end of the last century, and showed that the losses and curtailments which it had unquestionably suffered in the course of so many centuries, were not such as materially to impair the strength and beauty of the language, which in its present state was partly to be regarded as a living bridge betwixt the present and the past, and as an altogether unique phenomenon in the history of human speech.


2021 ◽  
Author(s):  
◽  
Dylan Taylor

<p>Surveys of the situation and prospects of the contemporary Left over the past three decades have frequently underscored themes of fragmentation, decline, even terminal demise. This thesis explores the question of the contemporary Left through interviews conducted with participants in New Zealand social movements. The general theoretical literature around the Left and social movements has consistently highlighted a number of social changes and challenges facing the Left today: the split between old and new Lefts following the rise of the new social movements; economic transformation (for instance, post-Fordism), and changes in class composition; the rise of neo-liberalism, and the dislocating effects of globalization; intellectual challenges, such as the demise of Marxism and the rise of post-modern philosophy; challenges to the state, and the arrival of a "post-political" condition. Analysis of the New Zealand literature around the Left and social movements shows congruent arguments and themes, as well as suggesting Antipodean specificities. To examine these contentions, a series of interviews were conducted with participants in "Left" social movements. These interviews suggest both congruence with some of the arguments in the literature and complexities that do not confirm these generalizations. In particular, the suggestion that a third phase of the Left is emerging, characterized by the joining of culturalist and materialist emphases, appears somewhat confirmed. In addition, a number of the challenges signalled in the literature were singled out by interviewees as pressing - for instance, neo-liberalism and the mediatisation of politics. With respect to the modes of action of social movements connected to the Left, there was here too some confirmation of themes from the literature - for instance, the importance of networking. On the other hand, the widespread theme of the wholesale decline of collective actions was put into question by those interviewed. While no definitive conclusions can be drawn from such a study, the interviews suggest the Left may be entering a period of renewal.</p>


1957 ◽  
Vol 15 (2) ◽  
pp. 151-162
Author(s):  
H. A. Hollond

These notes on thirty-six judges and chancellors, prompted by memory of my own requirements fifty years ago, were prepared for distribution on stencilled sheets to the students attending my lectures on legal history at the Inns of Court. My aim was to provide both indications of the principal achievements of each of the lawyers named, and also references to readily accessible sources of further knowledge.The editor of this journal has kindly suggested that it would be useful to its readers to have my notes available in print.It is not nearly as difficult as it used to be for beginners to find out about the great legal figures of the past. Sir William Holdsworth, Vinerian professor at Oxford from 1922 to 1944, placed all lawyers in his debt by his book, Some Makers of English Law, published in 1938. It was based on the Tagore lectures which he had given in Calcutta.Sir Percy Winfield, Rouse Ball professor at Cambridge from 1926 to 1943, gave detailed information as to the principal law books of the past and their editions in his manual The Chief Sources of English Legal History (1925) based on lectures given at the Harvard Law School. Twenty-four of my judges and chancellors have entries in his book as authors.By far the most numerous of my references are to Holdsworth's monumental History of English Law, in thirteen volumes, cited as H.E.L. The other works most referred to are The Dictionary of National Biography cited as D.N.B.; Fourteen English Judges (1926) by the first Earl of Birkenhead, L.C. 1919–1922; and The Victorian Chancellors (1908) by J. B. Atlay.


Author(s):  
Herman Mark Schwartz

Theories that the state and market are in a conflictual and binary relationship read the history of the past 30 years as a triumph of the market and a withering of the state. The underlying alleged conflict between state and market misrepresents history and reality. States and markets are commingled forms of power; each cannot exist without the other. States and markets operate on different logics and constantly mutate in response to changes in their environment. States constantly face competitive threats and need markets to generate revenue in efficient ways; market actors face competitive threats and need states to stabilize production and exchange relationships. States and market actors both need each other as a place to externalize threats to their legitimacy.


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