scholarly journals The notion of language deviations in St. Augustine’s Ars pro fratrum mediocritate breuiata

2019 ◽  
pp. e02710
Author(s):  
Fábio Fortes ◽  
Fernando Adão de Sá Freitas
Keyword(s):  
The Other ◽  
Philosophical Work ◽  
Augustine Of Hippo ◽  
De Doctrina Christiana ◽  
The Subject ◽  
The One ◽  
The Way

The notion of linguistic correction (Latinitas) with which Augustine of Hippo introduced his Ars pro fratrum mediocritate breuiata seems central to the philosopher's grammatical discussion, not only because of the various examples that Augustine offers about the definitions of barbarism and soloecism at the end of this treatise, but also because the subject of correction (Latinitas) and, consequently, of the deviations of language (barbarismus and soloecismus), are also presented in other non-grammatical works: The confessions, De ordine and De doctrina Christiana. In this article, we propose to evaluate the conceptual outlines of the notions of barbarism and solecism in the work of Augustine, considering, on the one hand, the definitions present in the Ars breuiata, and, on the other, the way in which Augustine also presents them in his philosophical work. We propose that the normative orientation contained in the text of ars must be relativised by ethical questions that arise from the comments present in the Confessions, the De ordine and the De doctrina Christiana.

Ibn al-‘Arabi, Muhyi al-Din (1164–1240)

2018 ◽  
Author(s):  
Neal Robinson
Keyword(s):  
The Other ◽  
Inner Experience ◽  
Divine Essence ◽  
The World ◽  
The Subject ◽  
The Creation ◽  
One And Many ◽  
The One ◽  
Southeast Spain ◽  
The Way

Ibn al-‘Arabi was a mystic who drew on the writings of Sufis, Islamic theologians and philosophers in order to elaborate a complex theosophical system akin to that of Plotinus. He was born in Murcia (in southeast Spain) in AH 560/ad 1164, and died in Damascus in AH 638/ad 1240. Of several hundred works attributed to him the most famous are al-Futuhat al-makkiyya (The Meccan Illuminations) and Fusus al-hikam (The Bezels of Wisdom). The Futuhat is an encyclopedic discussion of Islamic lore viewed from the perspective of the stages of the mystic path. It exists in two editions, both completed in Damascus – one in AH 629/ad 1231 and the other in AH 636/ad 1238 – but the work was conceived in Mecca many years earlier, in the course of a vision which Ibn al-‘Arabi experienced near the Kaaba, the cube-shaped House of God which Muslims visit on pilgrimage. Because of its length, this work has been relatively neglected. The Fusus, which is much shorter, comprises twenty-seven chapters named after prophets who epitomize different spiritual types. Ibn al-‘Arabi claimed that he received it directly from Muhammad, who appeared to him in Damascus in AH 627/ad 1229. It has been the subject of over forty commentaries. Although Ibn al-‘Arabi was primarily a mystic who believed that he possessed superior divinely-bestowed knowledge, his work is of interest to the philosopher because of the way in which he used philosophical terminology in an attempt to explain his inner experience. He held that whereas the divine Essence is absolutely unknowable, the cosmos as a whole is the locus of manifestation of all God’s attributes. Moreover, since these attributes require the creation for their expression, the One is continually driven to transform itself into Many. The goal of spiritual realization is therefore to penetrate beyond the exterior multiplicity of phenomena to a consciousness of what subsequent writers have termed the ‘unity of existence’. This entails the abolition of the ego or ‘passing away from self’ (fana’) in which one becomes aware of absolute unity, followed by ‘perpetuation’ (baqa’) in which one sees the world as at once One and Many, and one is able to see God in the creature and the creature in God.

Vasily Polenov: Conversation with the Soul

2021 ◽  
pp. 75-83
Author(s):  
Natalya N. Rostova
Keyword(s):  
Point Of View ◽  
The Other ◽  
Philosophical Analysis ◽  
Landscape Painting ◽  
Human Being ◽  
Other Hand ◽  
The Subject ◽  
The One ◽  
The Way

The article examines the work of Vasily Polenov. The author presents Polenov’s artistic path as the dramatic choice between what is commonly called genre and landscape painting. From the philosophical point of view, the problem consists in concept of understanding art. On the one hand, the essence of art can be reduced to «what», to writing a story, a big sense. On the other hand, art can be understood as «painting for painting’s sake». In this sense, the tension in Polenov’s work arises between the paintings «Moscow Courtyard» and «Christ and the Sinner». The author notes that the way out of this dilemma is to understand art as the subject that reflects the non-objectifiable and devoid of anything essence. The article analyzes the philosophical meaning of Polenov’s paintings of the gospel cycle and provides a philosophical analysis of the artist’s nostalgic paintings. The author comes to the conclusion that Polenov’s paintings are the form that establishes an emotionally experiencing human being

Transitivity alternation and neutral-verbs in Korean

2001 ◽  
Vol 64 (3) ◽  
pp. 381-391
Author(s):  
JAEHOON YEON
Keyword(s):  
The Other ◽  
Transitive Verb ◽  
Other Hand ◽  
Verb Constructions ◽  
The Subject ◽  
The One ◽  
Agglutinative Language ◽  
The Way

Although the way in which the transitivity alternation is realized differs from language to language, it is common cross-linguistically that a pair of morphologically related verbs participate in the alternation. Korean, an agglutinative language, employs derivational suffixes to indicate alternations in transitivity. On the other hand, there are some verbs used either transitively or intransitively with no addition of suffixes or any alternation of the root verbs, but with the object of the transitive verb the same as the subject of the intransitive. We have named this kind of verb the ‘neutral-verb’ and established some morphosyntactic and semantic criteria for neutral-verbs to distinguish the various pseudo-neutral-verb constructions from true neutral-verb constructions. We have observed the semantic differences between the analytic passives and the intransitive form of neutral-verbs on the one hand, and between the analytic causatives and the transitive form of neutral-verbs on the other.

Metaphor as argument: A stylistic genre-based approach

2012 ◽  
Vol 21 (2) ◽  
pp. 119-135 ◽  
Author(s):  
Dany Badran
Keyword(s):  
Rhetorical Analysis ◽  
The Other ◽  
One Dimension ◽  
Situational Context ◽  
Other Hand ◽  
The Subject ◽  
The One ◽  
Reader Reaction ◽  
The Way

One of the most intriguing questions in both stylistic and rhetorical analyses relates to determining textual effect on readers, aesthetic or otherwise. Whether the power of the text is directly associated with the role of the text producer and his or her intentions, the linguistic, paralinguistic, extralinguistic and situational context of the text, the background and socio-cognitive expectations of the reader, or a combination of some or all of these factors (or other factors) is a question that is still the subject of stylistic and rhetorical analysis today. This article is a further step in this direction. It attempts to investigate one dimension of textual effect, namely uniformity in reader reaction to an argumentative poem entitled Dinner with the Cannibal, by focusing on the roles that genre and metaphor play in ideologically positioning readers. It argues, on the one hand, that literature is the dominant genre in this hybrid literary-argumentative poem, channelling the readers’ initial interpretations almost exclusively in the interest of more traditional literary interpretative approaches. On the other hand, and more importantly, it focuses on the role that metaphor, as a cognitive link between text producer and reader, plays in the construction of an extremely controlled, uniform interpretation of the argumentative dimension to the poem. The overall effect of the way genre and metaphor function in this argumentative poem, it is concluded, is highly ideological.

scholarly journals Dziecięce zabawki świąteczne w świetle wybranych źródeł ikonograficznych 2. połowy XIX i początku XX wieku

2020 ◽  
pp. 89-112
Author(s):  
Katarzyna Kabacińska-Łuczak ◽  
Monika Nawrot-Borowska
Keyword(s):  
20Th Century ◽  
Subject Matter ◽  
The Other ◽  
Other Hand ◽  
The Subject ◽  
The One ◽  
The Way

The aim of this study is the reconstruction of children’s toys received by them during the Christmas period in the second half of the 19th and at the beginning of the 20th century. In its subject matter, the article refers, on the one hand, to the deliberations about Christmas toys and, on the other hand, it is part of the ever-growing trend of research on children’s toys from the historical and pedagogical perspective. The text is part of the triptych prepared by the authors on the subject of children’s Christmas toys during the period of Partitions of Poland. Selected iconographic sources – press graphics, Christmas postcards and photographs on which children’s toys can be found, comprise the source basis of this part. They are sources important for cognitive reasons, because they show the image of toys of the time, their appearance, shape, size, the way they were made, decorated, etc. They also indicate which toys were particularly popular (fashionable) and liked by children in the analysed period, and show the ways they were used.

scholarly journals Beuys� Chair and the Violence of the Other: Toward a Theory of Aesth-ethics

2017 ◽  
Vol 3 (1) ◽  
pp. 146
Author(s):  
Dror Pimentel
Keyword(s):  
The Other ◽  
Social Sphere ◽  
Works Of Art ◽  
Joseph Beuys ◽  
The Social ◽  
Phenomenological Perspective ◽  
The Subject ◽  
The One ◽  
Good And Evil ◽  
The Way

Most rare are those works of art that, in a simple visual gesture, succeed in formulating a dilemma that occupies culture as a whole. Such is the artwork of Joseph Beuys entitled Fat Chair. The work�viewed mainly from a phenomenological perspective�is comprised of two elements holding a tension: a chair on the one hand, and a lump of fat placed on top of it on the other. The tension between these elements, so the article argues, manifests the tension between two types of violence: following Benjamin, these are termed �the violence of the Father� and �the violence of the Other� (or in Hebrew, �the Violence of ha-Rav�). The violence of the Father refers mainly to the violence of culture: the violence of the concept and the category from the side of the object, and the violence of the law/name of the Father from the side of the subject. The violence of the Other, transgressing distinctions between good and evil and subject and object, is the violence of the pre-cultural and the primordial, before law and language. This primal violence cannot appear in its full presence, either in culture in general or in art in particular; it can only appear as a leftover and a spectre. Beuys' artwork manifests this aporetic appearance in a paradigmatic manner, and in this sense, it could serve as a paradigm for the possibility of hospitality in art. In fact, the article opens the way for an argument of a larger scale, according to which art, and not the social sphere�as Levinas maintains�should be viewed as the sphere of the� hospitality of the entirely Other. The study of such hospitality in art should therefore be termed �Aesth-ethics.�

scholarly journals Medellín, à luz do Vaticano II: Qual é a missão da Igreja dentro do continente Latino-americano?

2016 ◽  
Vol 31 (3) ◽  
Author(s):  
Thiago Faccini Paro ◽  
André Luiz Massaro
Keyword(s):  
Vatican Ii ◽  
The Other ◽  
Disciples Of Christ ◽  
Economic Dependence ◽  
The Poor ◽  
The Subject ◽  
The One ◽  
The Church ◽  
People Today ◽  
The Way

Resumo: Essa pesquisa tem como objetivo, apresentar a resposta que Medellín deu aocontinente americano sob a luz do Vaticano II, em relação aos graves problemas que caracterizama vida de seu povo. Por um lado, a miséria, opressão, dependência econômica,política e cultural, e, de outro, um desejo e clamor de misericórdia e libertação, de umpovo impaciente por mudanças e transformações. O homem e a mulher são sujeitos datransformação do continente, como a Igreja pode ajudá-los; qual é a sua missão ? A metodologiadessa pesquisa faz referência bibliográfica aos principais títulos sobre o assunto.O caminho a ser percorrido será: análise da história e da realidade, reflexão de conceitose desdobramentos práticos e pastorais. A Igreja não poderá nunca se esquecer que: “Asalegrias e as esperanças, as tristezas e as angústias dos homens de hoje, sobretudodos pobres e dos que sofrem, são também as alegrias e as esperanças, as tristezas e asangústias dos discípulos de Cristo; e não há realidade alguma verdadeiramente humanaque não encontre eco no seu coração.”(GS 01)Palavras-chave: Medellín. Igreja. Vaticano II. Pobre. Missão.Abstract: This research aims to present the answer Medellin gave the American continentin the light of Vatican II, in relation to the serious problems that characterize the lives ofhis people. On the one hand, misery, oppression, economic dependence, political andcultural, and the other, a desire and cry for mercy and release of an impatient peoplefor change and transformation. The man and woman are subjects of the transformationof the continent, as the Church can help them; what is your mission? The methodologyof this research is bibliographical reference to the main titles on the subject. The way togo is: analysis of the history and reality, reflection concepts and practical and pastoraldevelopments. The Church can never forget that: “The joys and the hopes, the griefs andthe anxieties of people today, especially the poor and those who suffer, are also the joysand hopes, the griefs and the anxieties of disciples of Christ; and there is no reality trulyhuman fails to raise an echo in their hearts.” (GS 01)Keywords: Medellin. Church. Vatican II. Poor. Mission.

scholarly journals The vector subject in the factual ontology of Q. Meillassoux

2021 ◽  
Vol 21 (3) ◽  
pp. 247-251
Author(s):  
Igor A. Devaykin ◽  
Keyword(s):  
Virtual World ◽  
The Other ◽  
Spiritual Exercises ◽  
Ontological Status ◽  
Status Characteristics ◽  
The Subject ◽  
The One ◽  
The Given ◽  
Kantian Philosophy ◽  
The Way

The concepts of contingency, factuality, and correlationism introduced by Meillassoux are clarified in the article. The question of the contingency of the forms of correlation is revealed in the context of the functioning of post-Kantian philosophy. The contingency of the correlationist theories of a subject is established. The article substantiates the thesis about the dual position of the subject in the factual ontology: Meillassoux reaches the antisubjectivist contingency through a radical overcoming of the various paradigms of the subject, then, the philosopher recovers the position of a strong subject from the non-human contingency. Basically, the article deals with the ontological status, characteristics and factual ethics of the vector subject. It reveals the way in which Meillassoux thinks of the subject in the context of the radical unreasonableness: this is the simultaneous holding, on the one hand, the order of the actual given and, on the other, the contingency of the given and the subject. The factual character of the subject-object dichotomy restored by Meillassoux is clarified. It’s established that non-Hegelian dialectics is the main manner of navigating the subject in the contingent universe. The key property of the subject, its “vectorness”, is determined. The main characteristics of the actual and virtual World are highlighted. Furthermore, it’s investigated how the subject is activated in the direction of the virtual World. It’s noted that the thinking of the vector subject is more focused on temporality than on space. The ontological foundations of the “spiritual exercises” prescribed to the vector subject are analyzed.

“Channeling” the powers of God’s Word

2010 ◽  
Vol 4 (2) ◽  
pp. 135-156 ◽  
Author(s):  
Dorothea E. Schulz
Keyword(s):  
The Other ◽  
Border Zone ◽  
Focus Attention ◽  
Spiritual Power ◽  
New Materials ◽  
God's Word ◽  
Audio Recordings ◽  
Heated Debate ◽  
The Subject ◽  
The One

Starting with the controversial esoteric employment of audio recordings by followers of the charismatic Muslim preacher Sharif Haidara in Mali, the article explores the dynamics emerging at the interface of different technologies and techniques employed by those engaging the realm of the Divine. I focus attention on the “border zone” between, on the one hand, techniques for appropriating scriptures based on long-standing religious conventions, and, on the other, audio recording technologies, whose adoption not yet established authoritative and standardized forms of practice, thereby generating insecurities and becoming the subject of heated debate. I argue that “recyclage” aptly describes the dynamics of this “border zone” because it captures the ways conventional techniques of accessing the Divine are reassessed and reemployed, by integrating new materials and rituals. Historically, appropriations of the Qur’an for esoteric purposes have been widespread in Muslim West Africa. These esoteric appropriations are at the basis of the considerable continuities, overlaps and crossovers, between scripture-related esoteric practices on one side, and the treatment by Sharif Haidara’s followers of audio taped sermons as vessels of his spiritual power, on the other.

Ibn-Ul-Arabi's Cultural Environment that Influenced Him

2017 ◽  
Vol 5 (1) ◽  
pp. 165
Author(s):  
Assist. Prof. Dr. Kazım Yıldırım
Keyword(s):  
The Other ◽  
Cultural Environment ◽  
Ibn Rushd ◽  
Other Hand ◽  
The One ◽  
The Way

The cultural environment of Ibn al-Arabi is in Andalusia, Spain today. There, on the one hand, Sufism, on the other hand, thinks like Ibn Bacce (Death.1138), Ibn Tufeyl (Death186), Ibn Rushd (Death.1198) and the knowledge and philosophy inherited by scholars, . Ibn al-Arabi (1165-1240), that was the effect of all this; But more mystic (mystic) circles came out of the way. This work, written by Ibn al-Arabi's works (especially Futuhati Mekkiye), also contains a very small number of other relevant sources.

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