scholarly journals Sobre la existencia de una novela policíaca española : un breve repaso a sus principales títulos, autores e hitos

2015 ◽  
Vol 20 ◽  
pp. 51-62
Author(s):  
Diego Ernesto Parra Sánchez
Keyword(s):  
Crime Fiction ◽  
The Political ◽  
Detective Novel ◽  
Crime Novel ◽  
The One

This article intends to reflect on the convenience or inconvenience of talking about Spanish detective novel as a solid and influential crime novel trend as the British, the French or the U. S. crime fiction trends. With this aim, apart from having a look to the main arguments either in favor or against this consideration, this work delves into the most important titles and the most representative authors, on the one hand, and into the political, social and economical events which have surrounded the Spanish crime fiction from its origin.

scholarly journals Literatura policial y policía: reflexiones a partir de dos intervenciones críticas (José Pablo Feinmann y Carlos Gamerro)

2022 ◽  
Vol 9 (17) ◽  
pp. 197-225
Author(s):  
Hernán Maltz
Keyword(s):  
Detective Fiction ◽  
Social Order ◽  
Crime Fiction ◽  
The Political ◽  
Specific Interest ◽  
Four Dimensions ◽  
The Social ◽  
Novela Negra ◽  
The One ◽  
The Relationship

I propose a close reading on two critical interventions about crime fiction in Argentina: “Estado policial y novela negra argentina” (1991) by José Pablo Feinmann and “Para una reformulación del género policial argentino” (2006) by Carlos Gamerro. Beyond the time difference between the two, I observe aspects in common. Both texts elaborate a corpus of writers and fictions; propose an interpretative guide between the literary and the political-social series; maintain a specific interest in the relationship between crime fiction and police; and elaborate figures of enunciators who serve both as theorists of the genre and as writers of fiction. Among these four dimensions, the one that particularly interests me here is the third, since it allows me to investigate the link that is assumed between “detective fiction” and “police institution”. My conclusion is twofold: on the one hand, in both essays predominates a reductionist vision of the genre, since a kind of necessity is emphasized in the representation of the social order; on the other, its main objective seems to lie in intervening directly on the definitions of the detective fiction in Argentina (and, on this point, both texts acquire an undoubtedly prescriptive nuance).

Per una metodologia del protogiallo italiano: Problemi e proposte

2019 ◽  
Vol 53 (2) ◽  
pp. 511-531
Author(s):  
Francesca Facchi
Keyword(s):  
Short Stories ◽  
Systematic Study ◽  
Methodological Approach ◽  
Classification Problem ◽  
Crime Fiction ◽  
Detective Novel ◽  
Crime Novel ◽  
Critical Issues ◽  
Famous Trials ◽  
Methodological Difficulties

In the first systematic study about the Italian detective novel (1979), Loris Rambelli dates the beginnings of the genre to 1929, the publication year of the first of publisher Mondadori's ‘Yellow Books’ (Libri Gialli), the series of yellow-covered books which made the ‘giallo’ synonymous with a crime novel. Nonetheless, texts dealing with mysteries, criminals, police, trials and detection enthralled Italian readers from the 1850s on, complying with the modern dynamics of mass phenomena, contributing to the modern conception of the genre, and playing a crucial role in the culture and society of a recently unified Italy. Not conforming to a recognizable genre-structure, the pre-1929 period has been defined the “prehistory of Italian crime fiction” or protogiallo and has become a topic of academic interest only in recent years. The newness of the scholarship explains the methodological difficulties researchers have to face, such as the classification problem – it is very complex to establish common critical criteria for analyzing diverse materials such as feuilletons, novels, short stories and famous trials journals – and the objective delay in the development of the genre in Italy, especially compared to the British, American and French cases. Building on the recent line of investigation, this paper examines such critical issues in order to identify a methodological approach and a theoretical framework useful to study the prehistory of Italian crime fiction.

Turkish Delights with an Aftertaste

2020 ◽  
Vol 16 (3) ◽  
pp. 245-263
Author(s):  
Olivia Landry
Keyword(s):  
Crime Fiction ◽  
The Other ◽  
Bare Life ◽  
Present Essay ◽  
Other Hand ◽  
Justice And Development Party ◽  
Crime Novel ◽  
Trans Studies ◽  
The One ◽  
Sex Positive

Abstract Hop-Çiki-Yaya Polisiyesi is a Turkish crime novel series by Mehmet Murat Somer that appeared between 2003 and 2004. The series is set in the trans world of Istanbul, and the hero/heroine is a gender-nonbinary sleuth. The present essay explores the paradox at the heart of this series, which on the one hand offers an affirmative portrait of a sex-positive and sociopolitically mobile trans world, and on the other hand exposes the reality of trans murders and the necropolitics as well as bare life politics in practice against the trans community in Turkey. The publication of these novels coincided with the emergence of an LGBTQ+ politics in Turkey but also with the rise to power of the Islamist Adalet ve Kalkınma Partisi (Justice and Development Party). Drawing on crime fiction theories, trans studies, and recent Turkish history, this essay draws out the significance of this series and its place in the trajectory of LGBTQ+ life in Turkey.

How much Artistic Freedom is permitted when it comes to Language? - Analysis of a Crime Novel

2018 ◽  
Vol 5 (2) ◽  
pp. 50-60
Author(s):  
Manuela Svoboda ◽  
Petra Zagar-Sostaric
Keyword(s):  
Foreign Language ◽  
German Language ◽  
Direct Speech ◽  
Small Talk ◽  
Language Analysis ◽  
Crime Novel ◽  
Blood Relative ◽  
German Origin ◽  
Artistic Freedom ◽  
The One

Abstract In this article a closer look will be taken at the issue of inaccurately using a foreign language, i.e. German in this particular case, in a crime novel or thriller. Of course, in fiction the author has complete artistic freedom to invent and present things as he/she intends and it doesn`t necessarily have to be realistic or legitimate. But what happens when it comes to an existing language being quoted in fiction? For this purpose David Thomas’ thriller “Blood Relative - How well do you know the one you love?” is analysed regarding parts in which German quotes are used. As the plot is located partly in England and partly in former East Germany (GDR) and the protagonist’s wife is of German origin, direct speech, titles and names are used in German. Subsequently, they are translated into English by the author in order to be understood by the English reader. However, there are many grammar, spelling and semantic mistakes in these German expressions and common small talk quotes. This begs the question, is it justified to disregard linguistic correctness with regards to artistic freedom given the fact that we are dealing with a fictional thriller, or is it nevertheless necessary to be precise concerning foreign language usage? How far may one “test” their artistic freedom in this particular case? In order to answer these questions a detailed analysis of the thriller is performed, concerning artistic freedom and modern literature/light fiction as well as the German language used in quotes and direct speech.

Getting Over Athens

2018 ◽  
Author(s):  
Nicolas Wiater
Keyword(s):  
Roman Empire ◽  
The Other ◽  
The Political ◽  
New Model ◽  
Dionysius Of Halicarnassus ◽  
The One

This chapter examines the ambivalent image of Classical Athens in Dionysius of Halicarnassus’ Roman Antiquities. This image reflects a deep-seated ambiguity of Dionysius’ Classicist ideology: on the one hand, there is no question for Dionysius that Athenocentric Hellenicity failed, and that the Roman empire has superseded Athens’ role once and for all as the political and cultural centre of the oikoumene. On the other, Dionysius accepted Rome’s supremacy as legitimate partly because he believed (and wanted his readers to believe) her to be the legitimate heir of Classical Athens and Classical Athenian civic ideology. As a result, Dionysius develops a new model of Hellenicity for Roman Greeks loyal to the new political and cultural centre of Rome. This new model of Greek identity incorporates and builds on Classical Athenian ideals, institutions, and culture, but also supersedes them.

Democracy and Political Culture

2019 ◽  
Author(s):  
Ross McKibbin
Keyword(s):  
Political Culture ◽  
Case Studies ◽  
Social System ◽  
Political System ◽  
Democratic Politics ◽  
Social Structures ◽  
The Political ◽  
The Subject ◽  
The One ◽  
Definition Of

This book is an examination of Britain as a democratic society; what it means to describe it as such; and how we can attempt such an examination. The book does this via a number of ‘case-studies’ which approach the subject in different ways: J.M. Keynes and his analysis of British social structures; the political career of Harold Nicolson and his understanding of democratic politics; the novels of A.J. Cronin, especially The Citadel, and what they tell us about the definition of democracy in the interwar years. The book also investigates the evolution of the British party political system until the present day and attempts to suggest why it has become so apparently unstable. There are also two chapters on sport as representative of the British social system as a whole as well as the ways in which the British influenced the sporting systems of other countries. The book has a marked comparative theme, including one chapter which compares British and Australian political cultures and which shows British democracy in a somewhat different light from the one usually shone on it. The concluding chapter brings together the overall argument.

‘There shall be no musical servitude’: Towards a Multitudinous Shostakovich in the West

2020 ◽  
Vol 145 (2) ◽  
pp. 495-505
Author(s):  
EIRINI DIAMANTOULI
Keyword(s):  
Cold War ◽  
Communist Party ◽  
The Other ◽  
The Political ◽  
Musical Style ◽  
The West ◽  
Political Views ◽  
Political Interests ◽  
The One ◽  
The Cold War

Ideologically motivated attempts to elucidate Shostakovich’s political views and to determine whether and how they may be coded into his compositions have come to characterize the Western reception of the composer’s works since his death in 1975. Fuelled by the political oppositions of the cold war, Shostakovich’s posthumous reputation in the West has been largely shaped by two conflicting perspectives. These have positioned him on the one hand as a secret dissident, bent and broken under the unbearable strain of totalitarianism, made heroic through his veiled musical resistance to Communism; and on the other hand as a composer compromised by his capitulation to the regime – represented in an anachronistic musical style. Both perspectives surrender Shostakovich and his music to a crude oversimplification driven by vested political interests. Western listeners thus conditioned are primed to hear either the coded dissidence of a tragic victim of Communist brutality or the sinister submission of a ‘loyal son of the Communist Party’.1 For those prepared to accept Shostakovich as a ‘tragic victim’, the publication of his purported memoirs in 1979, ‘as related to and edited by’ the author Solomon Volkov, presents a tantalizing conclusion: bitterly yet discreetly scornful of the Stalinist regime, Shostakovich was indeed a secret dissident and this dissidence was made tangible in his music.

Models of Effective Teaching

1983 ◽  
Vol 37 ◽  
pp. 16-19
Author(s):  
Jack O'Neill
Keyword(s):  
Leadership Style ◽  
Political Socialization ◽  
Classroom Interaction ◽  
The Political ◽  
Socialization Process ◽  
Authoritarian Leadership ◽  
Democratic Leadership ◽  
Role Behavior ◽  
The One ◽  
Conventional Classroom

Probably the fundamental criticism within the discipline concerning conventional classroom interaction dynamics comes from our sister subsidiary, political socialization. This criticism takes two forms. One version focuses on the teacher's classroom role behavior. Dawson and Prewitt, for example argue that the democratic or authoritarian leadership style of an instructor is the one aspect of the teacher's role considered most important to the political socialization process. The instructor may or may not stress “disciplined learning of the material presented, rigid adherence to rules, and a deferential attitude toward himself as the authority figure.” The authors continue: The crucial notion for political socialization is that these conditions affect the political outlook of the students. Democratic leadership by the teacher fosters attitudes and skills consonant with democratic values. The authoritarian teacher induces his charges to think according to hierarchy and deference to power.

ESMA as a Residual Lawmaker: The Political Economy and Constitutionality of ESMA’s Product Intervention Measures on Complex Financial Products

2021 ◽  
Author(s):  
Pablo Iglesias-Rodríguez
Keyword(s):  
Political Economy ◽  
Investor Protection ◽  
The Political ◽  
Regulatory Arbitrage ◽  
Financial Products ◽  
Intervention Measures ◽  
Binary Options ◽  
The One ◽  
National Competent Authorities ◽  
The Eu

AbstractThis article proposes that product intervention constitutes a form of residual lawmaking by ESMA that allows it to tackle aspects of investor protection not addressed by EU incomplete financial laws. Whilst product intervention may bring about certain advantages and may contribute to mitigating regulatory arbitrage problems, it constitutes a highly intrusive regulatory mechanism that raises important questions concerning: (a) ESMA’s rationale and motivations for its use; (b) its compliance with the EU constitutional framework; and (c) its adequacy for the regulation of complex financial products. This article addresses these questions through an analysis of the rationale and consequences of ESMA’s product intervention measures on binary options and contracts for differences of May 2018–July 2019, and of recent reforms of ESMA’s powers. It offers three main contributions to the existing literature. First, it contributes to the literature on administrative discretion and agencies’ rulemaking through an analysis of the political economy of ESMA’s deployment of product intervention powers and, also, of what this reveals about the relationships between ESMA and the EU Institutions, on the one side, and ESMA and National Competent Authorities, on the other. Second, it contributes to the literature on the constitutionality of EU agencies through an examination of the compliance of ESMA’s product intervention measures with EU constitutional law and requirements. Third, it examines whether product intervention constitutes an adequate mechanism to address problems pertaining to investor protection in complex financial products markets and, in doing so, it contributes to the scholarly discussion on complex financial products’ regulation.

scholarly journals Anti-populism during the Yellow Vest protests: From combatting the Rassemblement National to dealing with street populists

2021 ◽  
pp. 136914812097401
Author(s):  
Soraya Hamdaoui
Keyword(s):  
Social Movement ◽  
Direct Democracy ◽  
Radical Right ◽  
The Political ◽  
Political Elites ◽  
Protest Movement ◽  
The One ◽  
Ordinary Citizens ◽  
Populist Party

This article analyses the anti-populist strategy of La République en marche! (LREM) during the Yellow Vest protests by comparing it with the one used against the Rassemblement National (RN), France’s main populist party. It argues that while the political elites of LREM have ostracised and strongly demonised the RN to contain its progression, their reaction to the populist protest movement was more balanced and cautious. As they were facing ordinary citizens asking for more fiscal justice and direct democracy rather than radical right politicians of the RN, LREM behaved in a more conciliatory way and softened their rhetoric of demonisation. Overall, the article distinguishes two types of anti-populism: an adversarial one to face a populist party and an accommodative one to deal with a populist social movement.

Sign in / Sign up

Export Citation Format

Share Document