Introduction: Troubling Spaces

Author(s):  
Timo Müller

When Albery Allson Whitman, a minister and former slave, published his first collection of poetry in 1877, he inaugurated an unlikely genre: the African American sonnet.1 This was an altogether remarkable event. An ethnic group that had largely been excluded from intellectual life was beginning to appropriate one of the most venerable traditions in Western literature. A group whose capabilities had widely been disparaged was demonstrating its mastery of one of the most complex poetic forms in the language. A group whose cultural heritage had mainly relied on oral transmission was turning to one of the most durable genres in written literature. It was a development few were prepared to acknowledge or accept—as June Jordan, herself a writer of sonnets, would put it many years later, it was “not natural” (...

1995 ◽  
Vol 80 (2) ◽  
pp. 478-478 ◽  
Author(s):  
A. Lee Hoxter ◽  
David Lester

Among 241 college students, both white and African-American adults were less willing to be personal friends with people of the other ethnic group than with people of their own ethnic group. African-American students were also less willing to be friends with Asian Americans than were white students.


2018 ◽  
Vol 11 (21) ◽  
pp. 41-52
Author(s):  
Ery Soedewo

AbstractPakpak as one of the ethnic group in North Sumatera, showed that its cultural heritage had been influenced by Indian culture. Indian culture added into Pakpak culture then enriched it. This addition didn’t change Pakpak’s identity.


1970 ◽  
pp. 78
Author(s):  
Elin Rose Myrvoll

Archaeologists produce and communicate authorized stories concerning cultural heritage and the past. Their legitimacy is based on education, scientific methods and their connection with a research community. Their position as authorized producers of history is also emphasized by TV programmes presenting archaeologists as riddle-solving detectives. The main aim of this article is to focus on the dynamics between stories communicated by archaeologists and the stories pass- ed on and communicated by members of a local community, and to discuss these. What happens when stories based on tradition and lore meet authorized stories? The latter sometimes overwrite or erase local lore and knowledge connected to features in the landscape. Some archaeological projects have, however, involved local participants and locally based knowledge. In addition, one should be aware that local and traditional knowledge are sometimes kept and transmitted within a family, local community or ethnic group. Local knowledge is therefore not always a resource that is accessible for archaeologists.


2020 ◽  
Vol 34 (3) ◽  
pp. 614-619
Author(s):  
James Carpenter

The Paranormal Surrounds Us is a tied-together collection of essays by Richard Reichbart, a practicing psychoanalyst whose several strong interests and lifelong love for the mystery of psi, and sense of adventure and ethical sensibility, give the collection several points of focus. In addition to his current analytic practice of many decades, he has also been a student of literature, a playwright, a Yale-trained attorney, and an activist for Native American and African American rights. The book is as scattered as he has been, but it is so full of insights and pleasing prose, that it doesn’t lose much for that. In this time when we prefer our intellectual material in bite-sized chunks, like sparky TED Talks and internet articles, this may feel especially friendly to many. If there is an implicit, underlying focus to the work, it may be implicitly biographical: one curious man’s study of, to paraphrase Freud, the vicissitudes of psi – its expression in our finest literature, in our private and shared unconscious processes, in our different subcultures, in the deepest privacy of intensive psychotherapy, and in the legal and cultural presumptions that implicitly structure our thinking and behavior.  There are three main sections to the book: Psi Phenomena in Western Literature, Psi Phenomena and Psychoanalysis, and Psi Phenomena and Culture.


2008 ◽  
Vol 18 (2) ◽  
pp. 145-176 ◽  
Author(s):  
Paul W. Harris

AbstractThe Congress on Africa was held in Atlanta, Georgia, in December 1895 as part of a campaign to promote African American involvement in Methodist missions to Africa. Held in conjunction with the same exposition where Booker T. Washington delivered his famous Atlanta Compromise address, the Congress in some ways shared his accommodationist approach to racial advancement. Yet the diverse and distinguished array of African American speakers at the Congress also developed a complex rationale for connecting the peoples of the African diaspora through missions. At the same time that they affirmed the need for “civilizing” influences as an indispensable element for racial progress, they also envisioned a reinvigorated racial identity and a shared racial destiny emerging through the interactions of black missionaries and Africans. In particular, the most thoughtful participants in the Congress anticipated the forging of a black civilization that combined the unique gifts of their race with the progressive dynamics of Christian culture. These ideas parallel and likely influenced W. E. B. Du Bois's concept of double-consciousness. At a time when the missionary movement provided the most important source of awareness about Africa among African Americans, it is possible to discern in the proceedings of the Congress on Africa the glimmerings of a new pan-African consciousness that was destined to have a profound effect on African American intellectual life in the twentieth century.


2000 ◽  
Vol 48 (3) ◽  
pp. 249-261 ◽  
Author(s):  
Jan McCrary

This study is an examination of the effect of classroom ethnic majority/minority status on third-, fifth-, and seventh-grade children's ( N = 118) interactions and affective responses while these children listened to and discussed a Latin salsa artist, an African-American rhythm and blues artist, and a European-American folk artist. Classroom ethnic-group proportions determined African-American and European-American children's classroom status. The study also examined the children's preference ratings for each artist. The researcher recorded the children's interactions on a laptop computer while they listened to and discussed the performers. The findings suggested that classroom status affected girls' interactions more than boys'. The study reports statistically significant differences among the children's music preferences.


THE BULLETIN ◽  
2020 ◽  
Vol 5 (387) ◽  
pp. 288-293
Author(s):  
A. M. Adil ◽  
◽  
N. L. Seitakhmetova ◽  
◽  
◽  
...  

Design is the tool, understands the person’s image of the world, changed through real objects, space and language design. In this article it was established that the interior of the cultural objects of the capital of Kazakhstan is the basis not only in the real content of the decor, but also in the philosophical semantic environment and adaptation of an ethnic group, modern interior with the national component. The study of interior design as the semantic structure allows you to see the interior or other approaches to the design of the cultural objects of NurSultan, as well as many representations that are manifested in the representation of the modern person, who strives for an objective world, design and management of the designer. Modern man and his objective world, especially the culture and cultural forms of Kazakhstan, were formed on the basis of the material and environmental culture of the Kazakh society and this cultural heritage is formed over the centuries.


Author(s):  
Bazheneyeva S.

The article discusses the history of the performance of the Kazakh kuy throughout the history of the separation of Kazakhs into a separate ethnic group to the present. Examples are provided to familiarize readers with the general context. Especially we focus on the Kazakh traditional forms of music-making.Since in the 20th century kuy appeared on the stage and was placed within the framework of a European-style concert, this could not but leave an imprint on how kuy was perceived, influenced the situation in the life of the once nomadic society, in the system of its spiritual values and the viability of kuy, especially in an urban environment.Now that the “Kazakh traditional art of dombra kuy” has been included in UNESCO's representative list, stakeholders need to take measures to safeguard the element of intangible cultural heritage.


2006 ◽  
Vol 175 (4S) ◽  
pp. 80-81
Author(s):  
Hideki Enokida ◽  
Hiroaki Shiina ◽  
Shinji Urakami ◽  
Tatsuya Ogishima ◽  
Toshifumi Kawakami ◽  
...  

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