scholarly journals YESTERDAY AND TODAY OF KAZAKH KUY

Author(s):  
Bazheneyeva S.

The article discusses the history of the performance of the Kazakh kuy throughout the history of the separation of Kazakhs into a separate ethnic group to the present. Examples are provided to familiarize readers with the general context. Especially we focus on the Kazakh traditional forms of music-making.Since in the 20th century kuy appeared on the stage and was placed within the framework of a European-style concert, this could not but leave an imprint on how kuy was perceived, influenced the situation in the life of the once nomadic society, in the system of its spiritual values and the viability of kuy, especially in an urban environment.Now that the “Kazakh traditional art of dombra kuy” has been included in UNESCO's representative list, stakeholders need to take measures to safeguard the element of intangible cultural heritage.

2020 ◽  
Vol 86 ◽  
pp. 01031
Author(s):  
Kong Xuhong ◽  
Hong Jingjing

The productive protection of intangible cultural heritages, always in the form of tourism development under the present context, is put forward by Chinese scholars, which are beneficial to both the protection of the heritage and the economy development of the locals. While not all intangible cultural heritages can be understood and accepted by tourists due to the reasons that the living circumstances and contexts of these heritages are changing and disappearing that it’s hard for tourists to understand, neither do they desire to pay for it. Therefore, how to make tourists even including some craftsmen understand and accept the heritage means a lot to the protection and inheritance of these heritages. The paper argues that the Involvement Theory can be referred to analyze settle the problems. A case study of the farmers’ painting in Xinji County, Hebei Province was carried out as the example, which is one of the most representative intangible cultural heritage of folk art in Hebei Province, China, with a long history of development, rich cultural connotation and high artistic value. A field investigation and deep-interview was carried out to gather the information of its status quo, problems of its inheriting and developing were analyzed, the paper found that with the development of the times and society, farmers’ painting is losing its survival environment, the income of farmers’ painting is not proportional to their putting-in and cost, the value of farmers painting can not be reflected, and the productive protection is seriously hindered. Therefore, based on the perspective of involvement theory, this study analyzed the bottleneck of productive protection of Xinji Farmers’ Painting, suggested how to stimulate the involvement of tourists into the understanding and producing and creation of the paintings in order to promote the inheritance of the heritage.


2014 ◽  
Vol 15 (1) ◽  
pp. 40-55
Author(s):  
E. Haven Hawley

Curators are partners with printing historians, collectors, and conservators, as well as with communities, in selecting, preserving, and interpreting cultural heritage. Uncovering the role of a technology such as mimeography reveals more than a history of a specific machine or technical process. It secures a better understanding about social experience by authenticating accounts about how diverse groups communicated with their own communities and to others. Special collections professionals need to be archaeologists to recover evidence from and to best preserve 20th-century publications. Current tools for studying recent print artifacts are insufficient. Thus, collaborating to generate methods for analysis is an . . .


2011 ◽  
Vol 18 (2) ◽  
pp. 179-200 ◽  
Author(s):  
Emma Lees

AbstractThis article considers the measures being taken in Bhutan to support the cultural practices and traditions of weaving as Bhutan rapidly moves to modernize. Woven cloth is one of a number of artisan practices in Bhutan that contribute to a unique body of intangible cultural heritage, and a distinctive and instantly recognizable Bhutanese identity. Cloth and cloth production have come to have significant influence on the cultural, socioeconomic and political, as well as the ceremonial and religious life of the people of Bhutan. However with modernization and an increasingly global outlook, many socioeconomic transformations are taking place, challenging traditional cultural practices to remain relevant and viable to younger generations. Bhutan offers a unique case study as a country engaging only relatively recently with globalization after a long history of cultural isolation. Bhutan also offers up a unique policy response to modernization, its Gross National Happiness (GNH) measure, which attempts to embody a strong social, cultural, and environmental imperative within the development process. This article will analyze the various measures taking place to maintain cultural identity and cultural practices within the context of development policy and practice, and will link this discussion to measures and approaches taking place at an international level by agencies such as UNESCO.


Author(s):  
Antra Medne

Evaluating and grouping the literature historical relics, including the correspondences by letters between famous people, for a ground (base) we could take categories which demonstrate the qualities which have elements from the material world in an anent with a human. The cultural historian Fridrich Waidacher by researching the interconnection and selective values between material and spiritual world classified the evidences of material world in several chapters which are not strictly caged in permanent schemes (patterns). The division was made by taking F. Waidacher conception as a base and researching the correspondence by letters of Latvian poets and cultural workers: The potential value of the memory, the meaning which we ascribe to a concrete object (epistle). The historical value (a reference to a concrete period of time). The value of variability (a reference to the changes in the world). Rarity (singularity). The valueofarts. The correspondence in the Latvian literature – history is not a rarity. There are published several letters, for an example, between Mirdza Kempe and Eric Adamson; collected and are waiting for publishing – Raina and Aspazijas letters in the time from 1894 to 1929. This correspondence is made from 2499 letters in Latvian, Russian and German: 1154 letters are from Aspazija to Rainis and 1345 – from Rainis to Aspazija. The correspondence by letters for Alexandrs Chaks is more modest. There are just some letters, which were written by the poet. In collections in the Museum of Alexandr Chak and in the Museum of Literature and Music are approximately 40 letters written by other persons, which written to Alexandr Chak. For reasons of clearliness, they can be devided in: Letters of friends and greeting cards, which were sent to the poet in annual increment and also on birthdays. The letters from colleagues in which are analyzed the creative literature works. Official letters and reports which were sent from the State authorities and public organizations. Invitations and encouragements to start a literary work. This part refers to the period of time after the war when poets were „propelled“ to write more and appropriate to the leading instructions. Requests of help and money loans were always an issue, because A. Chak was not closefisted and gave the money to many suppliants. Letters from admirers. The most pleasant part of the correspondence. The correspondence by letters in nowadays is a rarity. It is a unique evidence of the beginning of 20th century which supplemented and enriched the history of Latvian literature and culture, by marking a very personal lines in lives of writers and poets. In this research are included just the main thoughts and waypoints in the diversity in A. Chak’s correspondence. The left written message by the poet – correspondence is deliberate and easy to access for researcher. The aim of the research: the evaluating the cultural heritage of the correspondence of Alexander Chak. The method of the research: the used method includes life stories, historical content and researching of the letters and personal documents from people who are involved in this research. In the history of literature are used not only such nomenclatures like biographical method, but also the method of oral history. The exploratory material – correspondence – is acquired during the biographical research and interviews. The biographical access, in general, is typical accent on a life of a person and also on the most significant stages and expression of it. Also, if the goal of a research is to analyze various life aspects or life stages of a person, these are looked up in a biographical context. The main question in those biographical researches is about interrelations between individual and the World. Material: the exploratory material is the correspondence of Alexander Chak which is collected and summed up from various museum holdings of Latvia, publications in books and private collections. Outcome: Are collected all written letters by Alexander Chak which are extant. Are collected and grouped all letters which Alexander Chak has received from other addressees. These letters are grouped and analyzed, by considering the topical principle. Conclusions: The culture of letter writing disappears. In the 20th century people wrote letters to each other which are extant and usable for the basis of source information in the exploratory work. Nowadays it is an exclusive thing, letters to be written in paper form, which helps to form and strengthen people relationship. The lifespan of an electronically letters are just so long, till they are moved to the recycle bin and completely deleted from the computer. The researchers of the next century will face the lack of documental material. The researchers of literature history in next hundred years will face the lack of documental material which will partly disturb to trace the development of a poets or a story writers character.


Author(s):  
Yaryna Zakalska ◽  
Volodymyr Shchybria ◽  
Iryna Baramba ◽  
Oksana Overchuk

The article is devoted to the activity of the Center of Folklore and Ethnography of the Institute of Philology of Taras Shevchenko National University of Kyiv on the revival, preservation and popularization of the intangible cultural heritage of Ukrainians at the present stage. The history of development, the basic directions and results of work are characterized.


2016 ◽  
Vol 9 (1) ◽  
pp. 195 ◽  
Author(s):  
Željko Bjeljac ◽  
Aleksandra Terzić ◽  
Nevena Ćurčić

The folk artistry of Serbia is rich in spiritual values tied to customs, celebrations, music, song, dance, games, stories and legends, and this kind of cultural heritage is presented through numerous festivals, events and tourist manifestations. In 2012, the network for the safeguarding of intangible cultural heritage was formed, comprised of the National committee for intangible cultural heritage, the Commission for admission into the registry of intangible cultural heritage, a network of coordinators and the Center for intangible cultural heritage of Serbia. These institutions have chosen 6 elements of intangible cultural heritage, out of 27 suggestions: the slava, the Đurđevdan ritual, the kolo dance, singing accompanied by gusle, Slovakian naive painting, the custom of making and lighting farmers’ candles, Pirot carpet weaving, and Zlakusa pottery as elements of cultural heritage which reflect the national and cultural identity of the Serbian people, and Slavic minorities. These elements of intangible cultural heritage have a certain tourism potential and can represent an important factor in the forming of the tourist brand of Serbia. In order to determine the importance of the 27 suggestions of intangible cultural elements of Serbia, an analysis was conducted, using an adapted form of the Hilary du Cros method of tourist valorization.


2015 ◽  
Vol 1 (1) ◽  
pp. 100
Author(s):  
Bekim Avdiaj ◽  
Lumnije Avdiaj

Albanian society inherits an ethno-genesis since ancient ages. Part of this, is also the Gjakovar society with surrounding. Through development phases, as many other societies, this one faced with challenges from the most different. Among the main ones was the war for surviving from numerous invaders, and that until the last decade of the 20th century. Of course that all of them who had claims toward these lands, they tried through different ways, to make the history of this society as their own, alluding that this population wasn't existent in this land. However, the Albanian society managed to survive all historical periods and that by keeping its genesis clear. It had been achieved through 'inherits' guides of traditions and culture over generations, and that, leaving deep footprints not only for itself, but even for the stories of neighbor societies. So, through this study, we will try to tell how the society of Gjakova region has kept its ethno-genesis, proving that it was a unique part of Albanian society and that was one of the very first in Europe. We will prove it through showing historical-anthropological fact since the antiquity to the newest artifacts. To clarify that this population is really autochthonous in this land, it is told also by saving and taking-after the cultural heritage. As an argument it is also the keeping of surnames based on cultivated artisans through ages, which are still being held by a part of this population.


2016 ◽  
Vol 1 (14) ◽  
Author(s):  
Siniša Cvijić ◽  
Jasna Guzijan

Established in the first half of the 18th century, the district of Krš in Trebinje was the first settlement to grow upoutside the town walls. It grew up spontaneously in response to the local natural environment and under amixture of Mediterranean and Oriental influences. Since the second half of the 20th century, the district has faceddilapidation, a process that has not been countered yet, despite its recognised value as a cultural asset and thequality of its ambience.In this paper the present state of the district of Krš is analysed, along with the possibility of its adequateprotection relative to the applicable spatial and town plans, town planning ordinance and international charterson the protection of cultural and natural heritage sites. Also considered is the formulation of a special strategythat would help regenerating the area under consideration as well as safeguard its intangible cultural heritage andgenius loci.


The study of the specifics of the manifestation of cultural codes in Tatar poetry and prose of the second half of the 20th century is of great scientific and practical interest. The timeliness of the chosen topic is conditioned by the need to identify the uniqueness, originality of Tatar national poetry and prose of the given period. At the same time, it should be noted that Tatar poetry and prose of the period of returning to national origins has not undergone comprehensive, holistic, detailed, structural study in terms of reflecting national identity. The goal of research: systematic and comprehensive study of the creative work of Tatar writers of the second half of the 20th century in respect of the aspect of the specifics of the manifestation of the national cultural code in them, identifying the nature of literary interactions and interrelations with Russian literature. The article deals with the specifics of the implementation of the Tatar national cultural code in the works of Amirkhan Eniki, Mirgaziyan Yunys, Ravil Bukharaev, Zulfat, Robert Minnullin, Renat Haris, Hassan Tufan and Ildar Yuzeev. The works under study reflect the Tatar national worldview and contain its main components: the image of homeland and native land, national holidays, moral and spiritual values and the history of the Tatar people. They also reflect the organic connection of the creative work of these writers and poets with the Tatar national culture and literature.


Author(s):  
Sebastian M. Spitra

Abstract This article provides a new narrative for the history of cultural heritage law and seeks to contribute to current legal debates about the restitution of cultural objects. The modern protection laws for cultural objects in domestic and international law evolved in the 19th and 20th century. The article makes three new arguments regarding the emergence of this legal regime. First, ‘civilisation’ was a main concept and colonialism an integral part of the international legal system during the evolution of the regime. The Eurocentric concept of civilisation has so far been an ignored catalyst for the international development of cultural heritage norms. Second, different states and actors used cultural heritage laws and their inherent connection to the concept of civilisation for different purposes. Third, the international legal system of cultural heritage partly still reflects its colonial roots. The current restitution discussions are an outcome of this ongoing problematic legal constellation.


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