scholarly journals Secondary school music education: A case study in adapting to ICT resource limitations

Author(s):  
Renée Crawford

<span>This article explores the current availability and use of information communication and technology (ICT) for music education purposes, and music technology resources and facilities, in Victorian government secondary schools. Survey data is presented providing a snapshot of the status of computer and technology resources in government secondary schools in several Metropolitan Regions. Discussion is focused on a case study into one particular secondary school and the perceptions of one music teacher and her students regarding class music and ICT. While preferential treatment for resources, particularly access to ICT, was accorded to some disciplines, arts subjects such as music were frequently excluded. Results indicated that reforming music education to reflect contemporary music practice will not only engage student interest, but also assist in raising the status of music in the school curriculum by demonstrating its relevancy. An effective use of ICT and music technology can assist in emulating real life or authentic learning contexts to achieve this pedagogical change. However, a major challenge illustrated in this case study was the paucity of resources, a concern shared by many music educators. Nevertheless, the music teacher in this case study used the minimal resources at her disposal effectively, providing an exemplar of adapting to ICT resource limitations.</span>

Author(s):  
Chris Philpott ◽  
Jason Kubilius

Taking as its context the development of music education within English secondary schools (students aged 11–18) over the last 50 years, and supported by “vignettes” from a practicing music teacher in a secondary school on the outskirts of London, this chapter seeks to address some key questions around social justice and music education, including: What is meant by social justice in the music classroom? What are the indicators for a socially just classroom? The chapter goes on to explore significant moments in the history of classroom music in England and how, in spite of best efforts, the promotion of social justice has been “confounded” by subtle cultural forces. The chapter concludes by speculating on the implications of this analysis for the music classroom in the twenty-first century and by reflecting on whether the classroom can ever provide the appropriate “space” for a socially just approach to music education.


2020 ◽  
Vol 15 (5) ◽  
pp. 1117-1127
Author(s):  
Hakki Cengiz Eren ◽  
Emine Kıvanç Öztuğ

This study investigates the implementation of virtual choir recordings in a choir class during distance learning. In this particular study, a virtual choir is defined to be a computer-generated sound recording that emulates a realistic choir sound. Students practiced their parts using virtual choir recordings for a period of eight weeks; each student received a recording that excluded his/her own part but included the rest of the parts. After eight weeks of progressive study, students recorded their own voices on top of the virtual choir recordings and submitted them as final projects. Student opinions regarding the virtual choir recordings were obtained through a 12-question survey. In addition, two experts evaluated the final submissions turned in by the students. The data suggests that virtual choir recordings can be helpful to students with efficiency of practice and can provide a suitable audio environment to foster conscious-listening, accurate intonation and perception of pacing. Improvements are suggested to make the virtual choir recordings also more encouraging of musicality, highlighting its future potential not only as a reliable distance education tool, but also as a supplementary device for real-life choir classes, when in-person learning resumes.   Keywords: music education, distance learning, choir, virtual choir, music technology


2021 ◽  
Author(s):  
◽  
Laurence Fay

<p>Increasing rates of young people’s anxiety and depression is a concern for New Zealand secondary schools and this results in issues for students such as decreased wellbeing and school attendance, health difficulties and social isolation. In 2013 the Ministry of Education introduced a pilot of the MY FRIENDS Youth Resilience programme into secondary schools for students in Year 9. This thesis reports on the experiences of teachers and students of the MY FRIENDS Youth programme in one secondary school context. This programme is based on cognitive behavioural therapy principles and has been developed to support young people build their understanding and skills in resilience to enhance their wellbeing. The programme has been implemented and evaluated with young people in a number of countries. Research has shown it to have beneficial effects in promoting emotional resilience and in reducing anxiety and depression in students. The findings of this school case study are explored, and the impact of the programme for the students and their school community is presented. A case study methodological approach was used that enabled the collection of rich data to explore the deep meaning from teachers and students. This involved an in-depth instrumental case study within one secondary school involving teachers, students, the counsellor, the principal and students’ parents. Observations, document analysis and interviews took place to build a comprehensive understanding of how teachers and students learned through the programme. Findings suggest the students see the MY FRIENDS Youth Resilience programme as a positive, useful programme that has enabled them to learn various strategies to deal with challenging scenarios in their life. The findings also address barriers to implementation and possible implications for the future. Several suggestions for the programme are discussed along with certain adaptations of the programme to make it more relevant to the New Zealand context.</p>


2021 ◽  
Author(s):  
◽  
Richard Francis Manning

<p>This research examines the status of Te Atiawa historical knowledge in Port Nicholson Block secondary schools.(1) It uses the metaphor of tuna (eels) inhabiting the Waitangi Stream in Central Wellington (now pumped underground) to argue that Te Atiawa histories of place need to be resurfaced in local schools, much as the Waitangi Stream has been resurfaced at Waitangi Park. A pre-interview questionnaire enables nine Te Atiawa experts and nine senior history teachers to reflect upon the cultural continuities and discontinuities they experienced when learning about history in familial and secondary school settings. A series of elite interviews also encourages the participants to discuss the dominance of Pakeha grand narrative accounts of New Zealand, local and Maori history. A survey of unit topics taught in 24 Port Nicholson Block secondary school history and social studies classes, meanwhile, provides a snap-shot of topics taught in local history and social studies classes in 2005. These survey results are compared with those of a nationwide survey conducted by the New Zealand History Teachers' Association (2005). Te Atiawa interviewees experienced higher levels of cultural discontinuity than their teacher counterparts. Though the Te Atiawa interviewees' relatives employed a holistic view of history and frequently used landscapes, flora and fauna to serve as historical texts, their teachers (like the teacher participants' relatives and teachers) were less inclined to do so. The Te Atiawa interviewees, moreover, believed their teachers held stereotypical views of Maori historical figures and events. Only one teacher shared similar concerns about the stereotyping of Maori. Some teachers, however, did value familial narratives and particularistic (e.g. local) knowledge. Consequently, these teachers, like their Te Atiawa counterparts, experienced some degree of cultural discontinuity when Eurocentric forms of universalistic knowledge were accorded greater status than the particularistic knowledge of their families and/or local communities. This research, moreover, indicates that Te Atiawa histories of place are still rendered largely invisible in Port Nicholson Block secondary schools' history and social studies classes. Skills associated with GIS mapping and visual, ecological and optimal functional literacy, also appear to be undervalued. Additionally, most of the teacher participants know little about the tribes inhabiting the area they work in and their topic preferences reflect their feelings of disconnectedness. However, the teacher participants are generally supportive of the potential development of a place-based education partnership between the participating schools and local Te Atiawa people. While the Te Atiawa interviewees want meaningful input into the design and delivery of a partnership model, the teachers feel unable to fulfil these wishes. Insufficient professional development opportunities, resource constraints, professional rivalries, student/parental prejudices and timetable constraints are all cited by the teachers as hurdles to be overcome. Consequently, the Te Atiawa interviewees remain alienated from local secondary schools, while the teacher participants feel trapped in an institutional secondary school culture that I liken, metaphorically, to a hinaki (eel trap). Given the barriers that separate the two groups of participants, this research concludes with recommendations for the consideration of all interested parties.  (1) There are variations in the naming of this tribal grouping. In addition to Te Atiawa, the names Te Ati Awa and Ngati Awa have also been used to describe the same tribal grouping. I have followed the advice of the principal historian of the Wellington Tenths Trust and used the name Te Atiawa throughout this research.</p>


Author(s):  
William I. Bauer

The purpose of this chapter is to describe and discuss ways in which technology may be used to assess student learning outcomes focused on knowledge, skills, processes, and products related to creating, performing, and responding to music. Topics include (1) assessment principles essential to high-quality technology-assisted musical assessment, (2) the design of assessment tasks and procedures facilitated by technology, (3) applications of technology to assessment instruments and assessment management, and (4) technology for assessing learning outcomes related to creating, performing, and responding to music. Technology has the potential to transform assessment in music education, and through that to make a major impact on student learning. Up-to-date links to various technology resources related to this chapter can be accessed at http://www.oup-assessment.billbauer.me.


Author(s):  
Lauri Väkevä

This chapter discusses music education technology from the standpoint of Finnish music teacher education. After briefly narrating the author’s history as a digital immigrant, the chapter describes the Finnish music education system and the varied functions technology has had in it. While music technology has been studied for decades in Finland, there has been a lack of pedagogical concentration on communication technology and the social aspects of music technology. It seems that, at least in Finland, we need a rethinking of how music education technology courses can widen music teachers’ visions. Music teacher training programs would seem to be natural habitats for experimenting with different expressive and creative aspects of digital technology. In conclusion, the chapter presents three suggestions on how to organize music education technology studies in Finnish music teacher education.


2020 ◽  
pp. 001789692096112
Author(s):  
Sarah Meiklejohn ◽  
Anna Peeters ◽  
Claire Palermo

Objective: School-based prevention interventions informed by the World Health Organization Health Promoting School (HPS) framework aim to improve the health and wellbeing of school-aged children, yet few studies describe factors influencing the successful implementation of this framework in secondary schools. This study sought to explore why and how secondary schools might implement the HPS framework and factors contributing to success. Design: Qualitative case study. Setting: A single secondary school in Victoria, Australia, purposefully selected due to local recognition of an HPS policy. Method: Data collection included semi-structured interviews, document retrieval, drawings and ethnographic observation. Data were analysed using framework analysis. Results: The school had elected to implement the policy as it aligned with its existing health and wellbeing policy framework and provided a flexible yet evidence-based framework to guide a whole-of-school approach to promoting health and wellbeing. Success was perceived to be dependent on selecting easier health priority areas to address initially, the allocation of a designated team to guide policy implementation and access to a skilled health promotion worker to assist implementation. Conclusion: Study findings highlight potential reasons why and how secondary schools might implement the HPS framework and factors contributing to success. Further research is warranted to enhance the transferability of these findings and explore the impact of the HPS framework in secondary schools.


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