Nineteenth-Century Racial Thought and Whitman's "Democratic Ethnology of the Future"

1994 ◽  
Vol 49 (3) ◽  
pp. 289-320
Author(s):  
Dana Phillips
Keyword(s):  
Nineteenth Century ◽  
The Future ◽  
Racial Thought

Nineteenth-Century Racial Thought and Whitman's "Democratic Ethnology of the Future"

1994 ◽  
Vol 49 (3) ◽  
pp. 289-320 ◽  
Author(s):  
Dana Phillips
Keyword(s):  
Nineteenth Century ◽  
Racial Identity ◽  
Cultural Diversity ◽  
Racial Difference ◽  
American Culture ◽  
Biological Indicators ◽  
American Identity ◽  
The Future ◽  
Racial Thought ◽  
Typical American

Whitman's apparently positive depictions of racial others are intepreted in the light of his assumptions about biological indicators of racial identity and the role literature plays in recording that identity. Part one demonstrates that in the context of nineteenth-century racial thought a poem like "Salut au Monde!" seems directed less toward celebrating cultural diversity and more toward indicating the less-evolved status of other races compared to Americans. Whitman cannot describe the typical American as fulsomely as he can others, however, who serve in his poems as models of racy individuality-however backward they may seem. Part two therefore looks at Whitman's examination of various "specimens" of American identity, such as Lincoln, and at the ironies and contradictions that frustrate this examination. The problem for Whitman was not racial difference (racial others being for him and his contemporaries known quantities) but racial sameness. What Whitman needs, then, is some symbolic means of bridging the gap between actual American diversity and the ideological imperative of American identity, and this he finds in the concept of similitude (adumbrated in "Song of Myself"). But Whitman's poetry offers resolutions unavailable (and undesirable) in American culture. Part three describes Whitman's cultural discontent, chiefly as expressed in Democratic Vistas, where he chastises Americans for their bodily grossness and bad manners and discusses what he calls "the democratic ethnology of the future," a racial solution to America's cultural problems.

Fin-de-Siècle Salonica

2018 ◽  
Author(s):  
M. Şükrü Hanioğlu
Keyword(s):  
Nineteenth Century ◽  
Elementary School ◽  
Primary Education ◽  
Lower Class ◽  
Fin De Siecle ◽  
Turkish Republic ◽  
The Future ◽  
Fin De Siècle ◽  
Circle Of Friends ◽  
New Institutions

This chapter discusses Mustafa Kemal Atatürk's childhood in the ancient Macedonian capital of Salonica. The future founder of the Turkish Republic was born one winter, either in 1880 or in 1881. His upbringing was more liberal than that of most lower-class Muslims. No one in his family's circle of friends and relatives, for instance, practiced polygamy. Likewise, his father reportedly drank alcohol, which was abhorred by conservatives. The confusing dualism produced in Ottoman society by the reforms of the nineteenth century had its first imprint on Mustafa when his parents entered into a heated argument about his education. There is little doubt that Mustafa Kemal's deep-seated predilection for new institutions and practices owed much to his years as one of a handful of students in the empire who had their primary education at a private elementary school devoid of a strong religious focus.

Prologue

2018 ◽  
Author(s):  
Jason Phillips
Keyword(s):  
Nineteenth Century ◽  
Civil War ◽  
Antebellum America ◽  
Women Slaves ◽  
Military Planning ◽  
The Future ◽  
Future War

This introduction explains that looming, a nineteenth-century term for a superior mirage, shows us how visions of the future war affected antebellum America. First, some spark, an event or object, captured people’s attention. Second, a unique atmosphere elevated and enlarged that spark, making it loom greater than reality. Before the Civil War was fought or remembered, it was imagined by thousands of Americans who peered at the horizon through an apocalyptic atmosphere. Third, observers focused on it and reported what appeared to be beyond the horizon. Popular forecasts rose from leaders but also women, slaves, immigrants, and common soldiers. These imaginings shaped politics, military planning, and the economy. The prologue identifies the two prevailing temporalities of antebellum America, anticipations and expectations, and calls for more historical attention to the diverse temporalities of past people.

The Wasteland of William Blake

1947 ◽  
Vol 9 (2) ◽  
pp. 183-204
Author(s):  
Frank O'Malley
Keyword(s):  
Nineteenth Century ◽  
Eighteenth Century ◽  
William Blake ◽  
The Political ◽  
Modern Mind ◽  
The World ◽  
The Future

The question is: how can you put a prophet in his place when, by the very character of prophecy, he is eternally slipping out of place? William Blake was not an eighteenth century or nineteenth century mind or a typically modern mind at all. What I mean to say, right at the start, is that, although well aware of his time and of time altogether, he was not in tune with the main tendencies of his or our own time. Indeed time was a barrier he was forever crashing against. Blake's talent raved through the world into the fastnesses of die past and dramatically confronted the abysses of the future. His age did not confine him. As a poet he does not seem finally to have had real spiritual or artistic rinship with any of the rationalist or romantic writers of England. As a thinker he came to despise the inadequacy of the limited revolutionary effort of the political rebels of the Romantic Revolution. Blake's name is not to be seen mounted first with that of Paine or Godwin, of Rousseau or Voltaire, of Wordsworth or Shelley or Byron or Keats. With these he has, ultimately, little or nothing in common. At any rate, his voice and mood and impact are thoroughly different from the more publicly successful voices of the period of his life, older and younger generations alike.

An Incomplete Journey Away from the Past: The Life and Ideas of Antonius Ameuney (1821–1881)

2021 ◽  
Vol 6 (3-4) ◽  
pp. 318-338
Author(s):  
Anthony Edwards
Keyword(s):  
Nineteenth Century ◽  
Civil Society ◽  
Religious Diversity ◽  
Personal Life ◽  
Linguistic Landscape ◽  
The Past ◽  
The Future ◽  
English Speaking

Abstract This article recovers a dissonant voice from the nineteenth-century nahḍa. Antonius Ameuney (1821–1881) was a fervent Protestant and staunch Anglophile. Unlike his Ottoman Syrian contemporaries, who argued for religious diversity and the formation of a civil society based on a shared Arab past, he believed that the only geopolitical Syria viable in the future was one grounded in Protestant virtues and English values. This article examines Ameuney’s complicated journey to become a Protestant Englishman and his inescapable characterization as a son of Syria. It charts his personal life and intellectual career and explores how he interpreted the religious, cultural, political, and linguistic landscape of his birthplace to British audiences. As an English-speaking Ottoman Syrian intellectual residing permanently in London, the case of Antonius Ameuney illustrates England to have been a constitutive site of the nahḍa and underscores the role played by the British public in shaping nahḍa discourses.

Chinese toms in the making of the drum kit: Localization and exoticism

2021 ◽  
Vol 5 (2) ◽  
pp. 227-242 ◽  
Author(s):  
Henry Johnson
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Music Education ◽  
Popular Music ◽  
Musical Instruments ◽  
New Music ◽  
Late Nineteenth Century ◽  
The Future ◽  
Late Nineteenth

The late nineteenth century and early decades of the twentieth century saw the drum kit emerge as an assemblage of musical instruments that was central to much new music of the time and especially to the rise of jazz. This article is a study of Chinese drums in the making of the drum kit. The notions of localization and exoticism are applied as conceptual tools for interpreting the place of Chinese drums in the early drum kit. Why were distinctly Chinese drums used in the early drum kit? How did the Chinese drums shape the future of the drum kit? The drum kit has been at the heart of most popular music throughout the twentieth century to the present day, and, as such, this article will be beneficial to educators, practitioners and scholars of popular music education.

The Historyless Heathen and the Stagnating Pagan: History as Non-Native Category?

2018 ◽  
Vol 28 (1) ◽  
pp. 52-91 ◽  
Author(s):  
Kathryn Gin Lum
Keyword(s):  
Nineteenth Century ◽  
Core Component ◽  
Change Over Time ◽  
The Past ◽  
The Future ◽  
Religious Perspectives ◽  
Over Time

AbstractThis article asks whether and how J. Z. Smith's contention that religion is a “non-native category” might be applied to the discipline of history. It looks at how nineteenth-century Americans constructed their own understandings of “proper history”—authenticatable, didactic, and progressive—against the supposed historylessness of “heathen” Hawaiians and stagnation of “pagan” Chinese. “True” history, for these nineteenth-century historians, changed in the past and pointed to change in the future. The article asks historians to think about how they might be replicating some of the same assumptions about forward-moving history by focusing on change over time as a core component of historical narration. It urges historians to instead also incorporate the native historical imaginations of our subjects into our own methods, paying attention to when those imaginations are cyclical and reiterative as well as directional, and letting our subjects' assumptions about time and history, often shaped by religious perspectives, orient our own decisions about how to structure the stories we tell.

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