The Accent of Truth: The Hollywood Research Bible and the Republic of Images

2019 ◽  
Vol 145 (1) ◽  
pp. 152-173
Author(s):  
Aaron Rich
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Visual Research ◽  
Hollywood Cinema ◽  
Illustrated Books ◽  
The Past ◽  
Modern Media ◽  
The World ◽  
The Republic ◽  
The 1960S

Hollywood studio film production through the 1960s involved visual research into depictions of the past in order to help show the audience representations they could recognize and believe. This was part of a much larger and more complex republic of images through which pictures of the world, its people, and its material culture circulated within a system of modern media, including illustrated books, the pictorial press, and other image-based materials of which movies were a part. Hollywood cinema should be reconsidered an essential part of how twentieth-century audiences have perceived history, regardless of the accuracy of these depictions.

scholarly journals Stratigraphic Lexicon: The Onshore Cenozoic Sedimentary Formations of The Republic of Panama

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Jacques LeBlanc
Keyword(s):  
Twentieth Century ◽  
Historical Background ◽  
Panama Canal ◽  
Bocas Del Toro ◽  
The Past ◽  
The World ◽  
Petroleum Companies ◽  
Cenozoic Era ◽  
The Republic ◽  
Geological Units

The stratigraphic knowledge of Panama was, until now, spread over hundreds of scientific/geologic publications written during the past 120 years. The construction of the Panama Canal during the early twentieth century helped galvanizing the engineering and geological disciplines to understand the tectonic, sedimentation and biodiversity of the Cenozoic Era in this part of the world. Later, few petroleum companies arrived on the scene and contributed to our knowledge of the sub-surface. The past thirty years saw a surge of studies by many institutions in areas away from the Canal, such as in Darien, Azuero Peninsula, Bocas del Toro, and the Burica Peninsula near the Costa Rica Border. Our most recent knowledge came from the widening of the Panama Canal between 2007 and 2016. It is from all these older and recent studies that the present Lexicon draws its content. It provides the historical background of all described geological units in Panama and summarizes the lithological and paleontological knowledge of each units in an easy-to-search format.

Aftershocks

2017 ◽  
Author(s):  
Seva Gunitsky
Keyword(s):  
Twentieth Century ◽  
Regime Change ◽  
International System ◽  
Political Legitimacy ◽  
Great Powers ◽  
Past Century ◽  
The Past ◽  
Sudden Rise ◽  
The World ◽  
National Borders

Over the past century, democracy spread around the world in turbulent bursts of change, sweeping across national borders in dramatic cascades of revolution and reform. This book offers a new global-oriented explanation for this wavelike spread and retreat—not only of democracy but also of its twentieth-century rivals, fascism, and communism. The book argues that waves of regime change are driven by the aftermath of cataclysmic disruptions to the international system. These hegemonic shocks, marked by the sudden rise and fall of great powers, have been essential and often-neglected drivers of domestic transformations. Though rare and fleeting, they not only repeatedly alter the global hierarchy of powerful states but also create unique and powerful opportunities for sweeping national reforms—by triggering military impositions, swiftly changing the incentives of domestic actors, or transforming the basis of political legitimacy itself. As a result, the evolution of modern regimes cannot be fully understood without examining the consequences of clashes between great powers, which repeatedly—and often unsuccessfully—sought to cajole, inspire, and intimidate other states into joining their camps.

Battlefields from Event to Heritage

2020 ◽  
Author(s):  
John Carman ◽  
Patricia Carman
Keyword(s):  
Twentieth Century ◽  
Security Studies ◽  
New Developments ◽  
Critical Security Studies ◽  
The Past ◽  
New Approaches ◽  
Large Numbers ◽  
The World ◽  
War And Conflict ◽  
Modern War

What is—or makes a place—a ‘historic battlefield’? From one perspective the answer is a simple one—it is a place where large numbers of people came together in an organized manner to fight one another at some point in the past. But from another perspective it is far more difficult to identify. Quite why any such location is a place of battle—rather than any other kind of event—and why it is especially historic is more difficult to identify. This book sets out an answer to the question of what a historic battlefield is in the modern imagination, drawing upon examples from prehistory to the twentieth century. Considering battlefields through a series of different lenses, treating battles as events in the past and battlefields as places in the present, the book exposes the complexity of the concept of historic battlefield and how it forms part of a Western understanding of the world. Taking its lead from new developments in battlefield study—especially archaeological approaches—the book establishes a link to and a means by which these new approaches can contribute to more radical thinking about war and conflict, especially to Critical Military and Critical Security Studies. The book goes beyond the study of battles as separate and unique events to consider what they mean to us and why we need them to have particular characteristics. It will be of interest to archaeologists, historians, and students of modern war in all its forms.

Integration of the Tatar communityto Azerbaijani society

2021 ◽  
Vol 69 (08) ◽  
pp. 20-26
Author(s):  
Эллада Амирага гызы Аббасова ◽  
Keyword(s):  
Twentieth Century ◽  
Key Words ◽  
International Cooperation ◽  
Ethnic Minorities ◽  
Cultural Exchange ◽  
Common Origin ◽  
The World ◽  
Future Events ◽  
The Republic ◽  
The Relationship

The development of international cooperation in the field of culture is extremely important, since it ensures wide and in-depth interaction between states and peoples, makes a real opportunity for dialogue, unites the cultures of the peoples of the world. Two fraternal countries have actively taken root in international cultural exchange; Azerbaijan and Tatarstan. Azerbaijan is a multicultural country that is home to many peoples and ethnic minorities. Representatives of the peoples inhabiting this region are full citizens of the Republic of Azerbaijan, including the Tatars. The radical transformations that befell these countries at the end of the twentieth century influenced future events and their development. The Azerbaijani and Tatar peoples, whose relations have a long history, are linked by a common origin, similarity of language, culture and traditions. The relationship between the two peoples has strengthened even more during the years of independence. Key words: Tatars in Azerbaijan, activities of the Tatar community, cultural exchange, Tugan-Tel, Yashlek, Ak-Kalfak

CHARACTERISTIC OF THE CONSTITUTION OF THE REPUBLIC OF UZBEKISTAN, COMPARATIVE ANALYSIS

2021 ◽  
Vol 6 (10) ◽  
pp. 5-11
Author(s):  
Muzaffar Nurbaev ◽  
Keyword(s):  
Best Practices ◽  
International System ◽  
Individual State ◽  
Universal System ◽  
Common Features ◽  
World Community ◽  
The Past ◽  
The World ◽  
The Republic ◽  
System States

The world community will turn into a common international system. States, which are a separate independent part of this universal system, develop in all spheres in interaction, interdependence and interdependence. Each individual state can benefit from the best practices of another state in the field of political, legal, legislative and state building.Naturally, the study of the experience of foreign parliamentarism is of great importance for Uzbekistan, which democratically restructures its political and legal system and moves towards the formation of a bicameral legislature through parliamentary reforms. Over the past two hundred years of the historical development of parliamentarism, an incredibly rich and meaningful experience has been accumulated. No matter how diverse the diversity in this regard, comparing the activities of existing parliaments on the planet, it will be possible to identify all important aspects, common features and features of this state-legal phenomenon. The essence, traditions and general laws of parliamentarism can be understood by comparing the legislative practice that has developed in advanced countries with the procedures formed in them. At the same time, it should be noted that a number of rare works have been published based on a comparison of the experience of different parliaments

scholarly journals EXPECTATION AND FEAR: PHILOSOPHICAL AND ANTHROPOLOGICAL PRESAGES OF RUSSIAN TRANSFORMATIONS OF THE TWENTIETH CENTURY

2020 ◽  
Vol 22 (3) ◽  
Author(s):  
Tanjana S. Zlotnikova ◽  
Keyword(s):  
Twentieth Century ◽  
Artistic Creativity ◽  
Revolutionary Era ◽  
The Past ◽  
The World ◽  
The Future ◽  
The Face ◽  
Coming Crisis ◽  
Existential Issues

The article raises the question of foreseeing moral and intellectual, aesthetic and political collisions that could occur after the expected changes at the turn of the XIX–XX centuries. The philosophical and anthropological paradigm of the pre-revolutionary era is defined through metaphors and concepts that attracted the attention of Russian philosophers, representatives of the sphere of artistic creativity: «expectation» (of changes, new people and phenomena) and «fear» (of changes, the unknown). For the analysis, we selected the judgments of prominent philosophers who discovered existential issues and related existential problems of the transition era for their contemporaries: V. Solovyov, V. Rozanov and N. Berdyaev. In V. Solovyov, the problem of waiting is related to the loneliness of a person in the face of global discord. Attention is drawn to the concept of «symptom of the end», to the concepts of crisis and disaster. Loneliness is experienced by the intellectual in anticipation of changes, possibly destructive, so the expectation as a context of loneliness turns into horror. V. Rozanov emphasized the tendency to distance himself from the world, Europe, contemporaries and classics in Russia. In Rozanov's philosophical and journalistic works, the future is not discussed at all because it is impossible to construct it; the past, which might have been the refuge of ideas about the harmony and dignity of life, causes the philosopher's attitude is sometimes even more negative than the present. On the example of the great creators – A. Chekhov, V. Meyerhold, V. Komissarzhevskaya and other contemporaries of N. Berdyaev, the psychoemotional tension from the coming crisis, the horror in anticipation of the coming future is shown. Berdyaev organically raises the question of the border between longing and other conditions (boredom, horror, a sense of emptiness), and the border is existential.

scholarly journals The features of content and playwriting art in Ho Chi Minh City’s contemporary play

2016 ◽  
Vol 19 (1) ◽  
pp. 96-109
Author(s):  
Thuy Trung Luu
Keyword(s):  
Twentieth Century ◽  
Ho Chi Minh City ◽  
Dramatic Literature ◽  
The Past ◽  
The World ◽  
Content Feature ◽  
Art Techniques

Since the last decade of the twentieth century, Ho Chi Minh City has become one of the Vietnamese lively dramatic literature and theater centers. During the past twenty years, together with dramatic theater, Ho Chi Minh City’s dramatic literature has built up a professional playwriter force, providing audiences plays which reflect the conflicts between human’s life in the time of Vietnam’s reformation and integration. Besides, these plays have contributed experiences in acquiring and applying the world modern playwriting techniques to suit Vietnamese’s drama reception habits. This paper generally provides content feature (focus on conflicts) and playwriting art feature (focus on plots, characteristics, dialogue language construction and the acquirement of new art techniques in Ho Chi Minh City’s contemporary literary scripts), contributing to the evaluation and summary of Ho Chi Minh City’s dramatic literature during the past.

Background and Foreground: Getting Things in Context

1987 ◽  
Vol 20 (1) ◽  
pp. 3-12 ◽  
Author(s):  
David Knight
Keyword(s):  
Nineteenth Century ◽  
Information Retrieval ◽  
New Technology ◽  
Historical Documents ◽  
The Past ◽  
Modern Reader ◽  
The World ◽  
Exact Reproduction ◽  
The 1960S

Historians generally grumble at the liberties taken with letters and papers by editors and biographers in the past, while reviewers may complain at the professorial pomposities which interfere with the reader's interaction with the text. Certainly, reading is not a mere matter of information retrieval or of source-mining, but a meeting of minds, and any over-zealous editing which makes this more difficult will have failed. Editors, whether of journals or of documents, are midwives of ideas—self-effacingly bringing an author's meaning and style into the world. What reviewers praise is the unobtrusive, and what they damn is ‘a manner at once slapdash and intrusive’, making allowances perhaps for an ‘introduction which is as admirable as his footnotes are useless’. When in the 1960s new technology brought us a flood of facsimile reprints of scientific works, some avoided these problems by appearing naked and unashamed: but for a text on phrenology, or for Goethe's Theory of Colours, a fig leaf or two of commentary is really necessary to help the innocent reader to interact with the book. Facsimiles of nineteenth-century editions of Wilkins' papers, of some Newton correspondence, or of Henry More's poetry are even more problematic; the reader should know that these editors' assumptions cannot be taken for granted, and that their introductions are themselves historical documents. The exact reproduction of misprints and misbindings (giving pages out of order and misnumbered) is of dubious assistance to the modern reader.

Balanchine, George (1904–1983)

2018 ◽  
Author(s):  
Nancy Reynolds
Keyword(s):  
New York ◽  
Twentieth Century ◽  
York City ◽  
Violin Concerto ◽  
Classical Dance ◽  
George Balanchine ◽  
The Past ◽  
The World ◽  
Classical Ballet

George Balanchine (Georgii Melitonovich Balanchivadze), arguably the greatest ballet choreographer of the twentieth century, was at once both modernist and traditionalist. Unlike many radical innovators, in charting new ground he did not reject the past. Virtually all of his major works make reference, even if obliquely, to the classical ballet technique in which he was trained. Although born in Russia and active in Europe in the early part of his career, it was in America that he made his greatest impact, directing the New York City Ballet, which he co-founded with Lincoln Kirstein, from its inception in 1948 until his death in 1983. During this time, the company grew from modest beginnings to become one of the most important ballet troupes in the world. Balanchine is credited with creating a particularly American style of classical dance, one that is characterized by speed, precision, energy, daring, and a rough grace more associated with athletes than with sylphs. His more than 400 dance works include Apollo (1928), Serenade (1934), Concerto Barocco (1941), Le Palais de cristal (later renamed Symphony in C) (1948), Orpheus (1948), The Nutcracker (1954), Agon (1957), Symphony in Three Movements (1972), Stravinsky Violin Concerto (1972), Vienna Waltzes (1977), Ballo della Regina (1978), and Mozartiana (1981).

Living with Disasters: Perspectives on the (Re-)Production of Knowledge

2017 ◽  
Vol 12 (1) ◽  
pp. 1-7 ◽  
Author(s):  
Hannah Swee ◽  
Zuzana Hrdličková
Keyword(s):  
Twentieth Century ◽  
General Public ◽  
Loss Of Life ◽  
Production Of Knowledge ◽  
Cultural Aspects ◽  
The Past ◽  
The Social ◽  
The World ◽  
Local Agencies ◽  
Consequent Increase

Although communities around the world have been experiencing destructive events leading to loss of life and material destruction for centuries, the past hundred years have been marked by an especially heightened global interest in disasters. This development can be attributed to the rising impact of disasters on communities throughout the twentieth century and the consequent increase in awareness among the general public. Today, international and local agencies, scientists, politicians, and other actors including nongovernmental organizations across the world are working toward untangling and tackling the various chains of causality surrounding disasters. Numerous research and practitioners’ initiatives are taking place to inform and improve preparedness and response mechanisms. Recently, it has been acknowledged that more needs to be learned about the social and cultural aspects of disasters in order for these efforts to be successful (IFRC 2014).

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