scholarly journals The Thin Red Line and the World War II Hollywood Tradition

Author(s):  
Eleftheria Thanouli

THE THIN RED LINE AND THE HOLLYWOOD WORLD WAR II TRADITION The Thin Red Line is a three-hour epic about the World War II, directed by Terrence Malick, who made his comeback to the film industry after 20 years with a subject that had been neglected for almost as long.(1) The film is based on James Jones' novel, published in 1962, which was first adapted for the big screen by Andrew Marton in 1964 rather unsuccessfully. For many years, the book seemed to defy cinematic adaptation due to its deliberately choppy, episodic storyline, its lack of a single heroic protagonist and the multiplicity of perspectives.(2) However, Malick tried to overcome these obstacles by creating a film which broke "most of the commercial rules about narrative and drama"(3), as a critic observes. My interest in The Thin Red Line is therefore twofold: firstly, I will try...

2020 ◽  
Vol 58 (2) ◽  
pp. 123-142
Author(s):  
Maja Szűcs

Abstract The name of Hungarian animation film maker George Pal (1908-1980) is almost unknown, both in his home country Hungary and in the Netherlands. His 110th birthday anniversary passed without any commemoration in spite of the fact that he was a key figure in the Dutch animation film history. In this article I would like to demonstrate why we should see Pal as the founder of the Dutch industrial animation production and which role he has in the research on the cultural relations between the Netherlands and Hungary in the period before the World War II. His influence on the Dutch animation film industry has been hardly analyzed until now. On the base of source research, which adds to the incomplete publications, I would like to prove why the invitation of Pal to the Netherlands in July 1934 had a fundamental influence on the Dutch animation production. Later on, this research will be the beginning of a thorough study of the importance and the network of George Pal in the Netherlands.


Author(s):  
J.P. Telotte

This chapter surveys the body of science fiction cartoons that appeared in approximate parallel to a burgeoning SF literature during the first years of film and continuing to World War II. It situates this material within the production and exhibition practices of the film industry and links it to modernist aesthetics, emphasizing modernism’s primary concerns with revisioning both the world and the self. It then describes the key memes typically found in these films—space vehicles and space travel, robots and mechanical figures, aliens and alien worlds, and inventions and inventors—while also suggesting the broader impact of the cartoons. Through the comic treatment of these memes, it argues, animation helped to make the SF genre both more familiar and less threatening to a wide audience.


1979 ◽  
Vol 25 ◽  
pp. 365-389

J. K. N. Jones was born in Birmingham, England, on 28 January 1912 and died in Kingston, Ontario, Canada on 13 April 1977. He was the eldest son of George Edward Netherton Jones and Florence Jones Goodchild). His family had long been established in the Midlands, his paternal grandfather James Jones, being a well known ironmaster in Walsall, a town which prospered during the Industrial Revolution. His maternal grandparents (the Goodchilds) lived in Swansea, Wales, and his mother was the eldest of their seven children. His father, who also was one of seven children, was for most of his career a shipping agent for the Elder Dempster line. Unhappily he was badly gassed in the World War I; this left him in poor health and he died in the early 1920s from tuberculosis. During the next few years Jones’s mother (who was well known as an athlete) was left to struggle on and she had to fight bitterly to secure a pension for herself and her seven children. Life was very hard for the family for the pension was not granted until 1926 and shortly afterwards his mother died from blood poisoning. The family was now separated, the six eldest children were made Wards of the Ministry of Pensions and were split up among five families. The youngest, who was born after the war ended in 1918, was not supported by the Ministry of Pensions and was sent to an orphanage. Jones had a particular affection for this brother, Geoffrey David, and suffered great grief when the boy who was a bomber pilot in World War II, was shot down with his crew in June 1944 and was killed. Jones lived with several aunts and uncles in Birmingham during his school days and was very well looked after. He recalled happy summer days when he was able to cycle out to the home of a paternal uncle, Jack Jones, who, with his wife Lucy, lived in the country near Ross-on-Wye, Herefordshire. He Spent his holidays with them and these visits sparked off his great love of plants and flowers and lifelong interest in gardening.


2019 ◽  
Vol 20 (2) ◽  
pp. 37-41
Author(s):  
Maftuna Sanoqulova ◽  

This article consists of the politics which connected with oil in Saudi Arabia after the World war II , the relations of economical cooperations on this matter and the place of oil in the history of world economics


Author(s):  
Pavel Gotovetsky

The article is devoted to the biography of General Pavlo Shandruk, an Ukrainian officer who served as a Polish contract officer in the interwar period and at the beginning of the World War II, and in 1945 became the organizer and commander of the Ukrainian National Army fighting alongside the Third Reich in the last months of the war. The author focuses on the symbolic event of 1961, which was the decoration of General Shandruk with the highest Polish (émigré) military decoration – the Virtuti Militari order, for his heroic military service in 1939. By describing the controversy and emotions among Poles and Ukrainians, which accompanied the award of the former Hitler's soldier, the author tries to answer the question of how the General Shandruk’s activities should be assessed in the perspective of the uneasy Twentieth-Century Polish-Ukrainian relations. Keywords: Pavlo Shandruk, Władysław Anders, Virtuti Militari, Ukrainian National Army, Ukrainian National Committee, contract officer.


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