scholarly journals George Pal, de grondlegger van de Nederlandse industriële animatiefilmproductie

2020 ◽  
Vol 58 (2) ◽  
pp. 123-142
Author(s):  
Maja Szűcs

Abstract The name of Hungarian animation film maker George Pal (1908-1980) is almost unknown, both in his home country Hungary and in the Netherlands. His 110th birthday anniversary passed without any commemoration in spite of the fact that he was a key figure in the Dutch animation film history. In this article I would like to demonstrate why we should see Pal as the founder of the Dutch industrial animation production and which role he has in the research on the cultural relations between the Netherlands and Hungary in the period before the World War II. His influence on the Dutch animation film industry has been hardly analyzed until now. On the base of source research, which adds to the incomplete publications, I would like to prove why the invitation of Pal to the Netherlands in July 1934 had a fundamental influence on the Dutch animation production. Later on, this research will be the beginning of a thorough study of the importance and the network of George Pal in the Netherlands.

Author(s):  
J.P. Telotte

This chapter surveys the body of science fiction cartoons that appeared in approximate parallel to a burgeoning SF literature during the first years of film and continuing to World War II. It situates this material within the production and exhibition practices of the film industry and links it to modernist aesthetics, emphasizing modernism’s primary concerns with revisioning both the world and the self. It then describes the key memes typically found in these films—space vehicles and space travel, robots and mechanical figures, aliens and alien worlds, and inventions and inventors—while also suggesting the broader impact of the cartoons. Through the comic treatment of these memes, it argues, animation helped to make the SF genre both more familiar and less threatening to a wide audience.


2018 ◽  
Vol 4 (4) ◽  
pp. 33-56 ◽  
Author(s):  
Melanie Bell

Women's marginalization in the British feature film industry is well documented: gender discrimination, and sometimes overt segregation, shut most women out of senior creative roles after the introduction of sound. What has received less critical attention is their participation in nonfiction filmmaking, which offered women greater employment opportunities, especially in the decades after World War II as Britain rebuilt its economy. This article provides the first historical mapping of women's involvement in sponsored nonfiction filmmaking in Britain in the period between 1945 and 1970, using newly available statistical data from Britain's film trade union, the Association of Cinematograph, Television and Allied Technicians (ACTT). It also draws on oral histories, extant films, and specialist trade publications to outline two case studies, one featuring three editors, and the other a director (Sarah Erulkar) who between them produced, directed and edited more than two hundred shorts on topics ranging from mineshaft sinking to French cookery. It argues that evidence of women's creative agency in this sector offers new ways of thinking about film history.


2021 ◽  
pp. 53-77
Author(s):  
Maja Szűcs

The name of the Hungarian animation film maker and producer George Pal (1908–1980) is almost unknown both in his home country Hungary and in the Netherlands, even though he played a key role in the formation of the Dutch animation film industry and was later granted with eight Oscars after he had emigrated to the USA. Once personally for the invention of a new animation film making technique, the so-called Puppetoon system. In this article I would like to summarize and fill his biography with until now unknown facts. Besides that, I would like to introduce his development, the puppetoon-system and demonstrate why we should see Pal as the founder of the Dutch industrial animation production.


Author(s):  
Eleftheria Thanouli

THE THIN RED LINE AND THE HOLLYWOOD WORLD WAR II TRADITION The Thin Red Line is a three-hour epic about the World War II, directed by Terrence Malick, who made his comeback to the film industry after 20 years with a subject that had been neglected for almost as long.(1) The film is based on James Jones' novel, published in 1962, which was first adapted for the big screen by Andrew Marton in 1964 rather unsuccessfully. For many years, the book seemed to defy cinematic adaptation due to its deliberately choppy, episodic storyline, its lack of a single heroic protagonist and the multiplicity of perspectives.(2) However, Malick tried to overcome these obstacles by creating a film which broke "most of the commercial rules about narrative and drama"(3), as a critic observes. My interest in The Thin Red Line is therefore twofold: firstly, I will try...


2019 ◽  
Vol 20 (2) ◽  
pp. 37-41
Author(s):  
Maftuna Sanoqulova ◽  

This article consists of the politics which connected with oil in Saudi Arabia after the World war II , the relations of economical cooperations on this matter and the place of oil in the history of world economics


Author(s):  
Pavel Gotovetsky

The article is devoted to the biography of General Pavlo Shandruk, an Ukrainian officer who served as a Polish contract officer in the interwar period and at the beginning of the World War II, and in 1945 became the organizer and commander of the Ukrainian National Army fighting alongside the Third Reich in the last months of the war. The author focuses on the symbolic event of 1961, which was the decoration of General Shandruk with the highest Polish (émigré) military decoration – the Virtuti Militari order, for his heroic military service in 1939. By describing the controversy and emotions among Poles and Ukrainians, which accompanied the award of the former Hitler's soldier, the author tries to answer the question of how the General Shandruk’s activities should be assessed in the perspective of the uneasy Twentieth-Century Polish-Ukrainian relations. Keywords: Pavlo Shandruk, Władysław Anders, Virtuti Militari, Ukrainian National Army, Ukrainian National Committee, contract officer.


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