scholarly journals ‘El trabajo dignifica’ Twentieth Century Afro-Costa Rican Women and Informal Work in Port Limon, Costa Rica

2019 ◽  
Vol 6 (2) ◽  
pp. 39
Author(s):  
Carmen Hutchinson Miller

The patriarchal system has convinced most that women’s respectable place and function are exclusively within the private space of the home. When women ‘transgress’ and venture out into the public sphere by choice or by force, the reception is far from welcoming both by individuals and institutions. The analysis seeks to enquire, based on women of African descent history, how this ideology affects their participation in the public sphere. The main objective is to unearth and make visible some of the informal financial activities women were involved in during the 20th century in Port of Limon, Central America, Costa Rica. The information was gathered through interviews, some early 20th-century newspaper research, and other documentation. The analysis is conducted from a historical and gender perspective.

Antichthon ◽  
2013 ◽  
Vol 47 ◽  
pp. 156-172
Author(s):  
James S. McLaren

AbstractDuring the late republic and early principate the Jews who called Rome their home occasionally found themselves in the public gaze. Some of their customs and aspects of their ways of life also attracted occasional comment, often for their apparently strange and foreign manner. At no stage, however, during this period did they feature prominently in the public sphere of life in Rome. The aftermath of the war of 66-70 CE brought about an abrupt change in circumstances for the Jews living in Rome. Apart from the immediate visual celebration of the triumph, there followed a number of substantial monumental and numismatic commemorations of the Roman victory. In this article the purpose and function of those commemorations and the possible consequences for the Jews who lived in Rome are examined. In particular, the impact of the public profiling of the war on Jewish identity and of how the writings of Josephus are to be read in this setting is explored. Rather than regard Josephus as a supporter of the Flavian rulers, writing an account of the war that encouraged fellow Jews to collaborate with Rome, it is argued that he was offering Jews in Rome a counter-narrative to the way the war was being publicly commemorated.


2019 ◽  
Vol 87 (4) ◽  
pp. 1008-1049
Author(s):  
M Gail Hamner

Abstract Religion scholars require a theory of public encounter that is evental, technological, and affective. Instead of a spatial public sphere, today’s encounters occur through technological mediations that are affective and image-laden. This essay examines the latter “publicness” and illustrates its roles as an affective technology of whiteness as that which frames and distributes the persevering powers of, and reluctantly tracks resistances to, white supremacy. Film is a fruitful cultural site for examining the whiteness of publicness. The essay turns to Moonlight (Jenkins, 2016) to demonstrate how film can resist and interrupt normative whiteness and to show how this transvaluative cultural labor can be seen as religious. The essay conceptualizes religion as a hinged form and function through which subjects and publics co-emerge and by which social and sedimented valuations are (re)bound. Grappling with religion as social forms and functions of valuation opens it to algorithmic variability that mandates attention to circulations of power as both capacity and intensity.


2020 ◽  
pp. 175-190
Author(s):  
Christian Stiegler

This article applies and extends the concept of social media logic to assess the politics of immersive storytelling on digital platforms. These politics are considered in the light of what has been identified as mass media logic, which argues that mass media in the 20th century gained power by developing a commanding discourse that guides the organization of the public sphere. The shift to social media logic in the 21st century, with its grounding principles of programmability, popularity, connectivity, and datafication, influenced a new discourse on the logics of digital ecosystems. Digital platforms such as Facebook are offering all-surrounding mediated environments to communicate in Virtual Reality (‘Facebook Spaces') as well as immersive narratives such as Mr. Robot VR. This article provides an understanding of the politics of immersive storytelling and of its underlying principles of programmability, user experience, popularity, and platform sociality, which define immersive technologies in the 21st century.


Anthropos ◽  
2019 ◽  
Vol 114 (2) ◽  
pp. 531-546
Author(s):  
Rajalakshmi Nadadur Kannan

This article discusses how the politics of morality in the early 20th-century South India, in its gendered nation-building exercise, reified a distinction between sacred/profane by using devadasis’ bodies as material objects in the public sphere. Traditional performers of dance and music, devadasis were chosen to represent the profane in a series of historical developments in which both Europeans and Indian colonial elites participated in constructing and using the categories of the sacred and profane to classify sex and body as material, profane, and obscene. Specifically targeting devadasis, these developments resulted in ostracization and criminalization of devadasis and their communities. Using statues, poems, and literature as examples, this article shows how devadasis were collected as material objects and used to represent the notion that some bodies and sex were fundamentally materialistic whilst others were not, such as that of the “new woman” who was imagined to be an ideal woman, and the guardian of the sacred space in the colonial and postcolonial India.


2020 ◽  
Vol 2 (2) ◽  
pp. 68-106
Author(s):  
Débora Machado Visini

O presente artigo investiga as intervenções urbanas – pertencentes a um grupo composto por muitas manifestações artísticas realizadas no espaço público – que dialogam com a cidade. Compreendidas como práticas artísticas e socioespaciais, as intervenções urbanas do coletivo lesbiano Velcro Choque (Brasil) são analisadas a partir das potências que surgem com a ocupação das ruas da cidade e da esfera pública, já que tal ato coloca em cheque normas e narrativas históricas, que serão apontadas a partir do viés da crítica feminista da cultura. Conforme mostra a prática do coletivo, o artivismo associado aos feminismos e às dissidências sexuais e de gênero podem oportunizar a criação de subjetividades libertárias e formas de existência e resistência através das produções coletivas nas artes visuais.Palavras-chave: Cidade. Intervenção Urbana. Feminismos. Artivismo. AbstractThis paper investigates urban interventions – belonging to a group composed of many artistic manifestations carried out in the public space – that dialogue with the city. Understanding the urban interventions as an artistic and socio-spatial practice, the production of the lesbian collective Velcro Choque (Brazil) will be analyzed based on the potency that emerges with the occupation of the streets and the public sphere, since this act can put in check historical norms and narratives, which will be pointed out from the bias of the feminist critic of the culture. As the practice of the collective shows, artivism associated with feminism, sexual and gender dissidences can create opportunities for the creation of libertarian subjectivities and forms of existence and resistance through collective productions in the visual arts.Keywords: City. Urban Interventions. Feminisms. Artivism.


2018 ◽  
Vol 5 ◽  
pp. 43-61
Author(s):  
Barbara Ksit

mieście Swarzędz. Funkcję tę pełnił społecznie przez dziewięć miesięcy. Ponownie wybrany burmistrzem w 1929 r., pełnił tę funkcję do 1939 r. Dotychczasowe opracowania omawiają działalność Tadeusza Staniewskiego w Swarzędzu, począwszy od listopada 1918 r. Niniejszy artykuł ma być próbą poszerzenia wiadomości na jego temat we wcześniejszym okresie. Syn nauczyciela, ukończył Gimnazjum Fryderyka Wilhelma w Poznaniu. Na początku XX w. osiadł w Swarzędzu, gdzie zyskał uznanie jako kupiec i społecznik. W odniesieniu do lat 1900–1918, kiedy Tadeusz Staniewski stawiał pierwsze kroki w działalności publicznej, najlepszym źródłem jest prasa wielkopolska, zwłaszcza „Postęp” i „Orędownik” – czasopisma reprezentujące interesy drobnomieszczaństwa. Działalność Tadeusza Staniewskiego była omawiana na ich łamach szczególnie w kontekście dwóch wydarzeń istotnych dla Polaków w Swarzędzu – wyborów do Rady Miejskiej w 1909 r. i sprawy budowy Domu Katolickiego. Public activity of Tadeusz Staniewski in Swarzędz until the year 1918 In 1919, Tadeusz Staniewski was the first Pole to become mayor of Swarzędz, a town just outside of Poznań. He held this position for 9 months with no remuneration. He was re-elected in 1929 and remained the mayor of Swarzędz until 1939. Previous articles on the activity of Tadeusz Staniewski in Swarzędz discuss his life from November 1918. The present article aims at expanding this timespan and includes information about him in earlier periods. Son of a teacher, he graduated from Frederick William College in Poznań. In the early 20th century he settled down in Swarzędz, where he gained recognition as a tradesman and social activist. Regarding the years 1900–1918, when Tadeusz Staniewski entered the public sphere, the best sources are press articles published in Greater Poland journals, especially “Postęp” and “Orędownik” which represented the interests of the lower middle class. The activity of Tadeusz Staniewski was discussed there particularly with regard to two events of major importance for Poles in Swarzędz: the 1909 City Council elections and the construction of the Catholic House.


Author(s):  
Anthea Garman

The public sphere is a social entity with an important function and powerful effects in modern, democratic societies. The idea of the public sphere rests on the conviction that people living in a society, regardless of their age, gender, religion, economic or social status, professional position, sexual orientation, ethnicity, race, or nationality, should be able to publicly express their thoughts, ideas, and opinions about issues that matter to them and impact their lives. This expression should be as free as possible in form and function and should operate through means and methods that people themselves deem suitable, so not via channels that are official or state-sanctioned. The classic Habermasian idea of the public sphere is that it is used by private individuals (not officials or politicians) who should be able to converse with each other in a public-spirited way to develop opinions that impact state or public-body decisions and policies. Also contained within this classic idea is the conviction that public sphere conversations should be rational (i.e., logical, evidence-based, and properly motivated and argued using an acceptable set of rhetorical devices) in order to convince others of the usefulness of a position, statement, or opinion. In commonsensical, political, and journalistic understandings, the public sphere is a critical component of a democracy that enables ordinary citizens to act as interlocutors to those who hold power and thereby hold them to account. As such it is one of the elements whereby democracy as a system is able to claim legitimacy as the “rule of the people.” Journalism’s imbrication in the social imaginary of the public sphere dates back to 17th- and 18th-century Europe when venues like coffee houses, clubs, and private homes, and media like newspapers and newsletters were being used by a mixture of gentry, nobility, and an emerging middle class of traders and merchants and other educated thinkers to disseminate information and express ideas. The conviction that journalism was the key vehicle for the conveyance of information and ideas of public import was then imbedded in the foundations of the practice of modern journalism and in the form exported from Western Europe to the rest of the world. Journalism’s role as a key institution within and vehicle of the public sphere was thus born. Allied to this was the conviction that journalism, via this public sphere role and working on behalf of the public interest (roughly understood as the consensus of opinions formed in the public sphere), should hold political, social, and economic powers to account. Journalists are therefore understood to be crucial proxies for the millions of people in a democracy who cannot easily wield on their own the collective voices that journalism with its institutional bases can produce.


2019 ◽  
Vol 76 (3) ◽  
pp. 769-783 ◽  
Author(s):  
John Buschman

Purpose The purpose of this paper is to analyze and re-direct recent schematic and empirical scholarship on Habermas’ theory of the public sphere in library and information science (LIS). Design/methodology/approach This paper conducts a critical analysis of the relevant literature in light of Habermas’ origination and use/purpose of the public sphere concept. Findings The authors examined here produced a schematic operationalization of the public sphere that thinned the concept, but in turn, that schematization has produced insight into the civil society functions and communications of libraries, both within and without. For this work to be meaningful, the considerations and contexts of democratic society must be reinserted. Research limitations/implications Further explorations of the relationship between the public sphere and civil society as they are manifested around and in libraries is called for. Additionally, Weigand’s approach to producing data/evidence on the public sphere and libraries should be furthered. Practical implications Understanding the role and function of libraries in democratic societies is essential for libraries to play a productive democratic role in those societies and thus, in guiding them. Social implications This paper helps to situate the bewildering circumstances of libraries who face both popular support and broad political-social questioning of their role and place. Originality/value This paper arguably interjects a more sophisticated and nuanced theoretical picture of the public sphere than prior precis presented in the LIS literature have undertaken. It also engages a unique set of empirical-theoretical students from another perspective in order to deepen and shift that research discourse.


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