scholarly journals Działalność publiczna Tadeusza Staniewskiego w Swarzędzu do roku 1918

2018 ◽  
Vol 5 ◽  
pp. 43-61
Author(s):  
Barbara Ksit
Keyword(s):  
Middle Class ◽  
Public Sphere ◽  
Present Article ◽  
20Th Century ◽  
City Council ◽  
Early 20Th Century ◽  
Social Activist ◽  
Lower Middle Class ◽  
The Public ◽  
The Public Sphere

mieście Swarzędz. Funkcję tę pełnił społecznie przez dziewięć miesięcy. Ponownie wybrany burmistrzem w 1929 r., pełnił tę funkcję do 1939 r. Dotychczasowe opracowania omawiają działalność Tadeusza Staniewskiego w Swarzędzu, począwszy od listopada 1918 r. Niniejszy artykuł ma być próbą poszerzenia wiadomości na jego temat we wcześniejszym okresie. Syn nauczyciela, ukończył Gimnazjum Fryderyka Wilhelma w Poznaniu. Na początku XX w. osiadł w Swarzędzu, gdzie zyskał uznanie jako kupiec i społecznik. W odniesieniu do lat 1900–1918, kiedy Tadeusz Staniewski stawiał pierwsze kroki w działalności publicznej, najlepszym źródłem jest prasa wielkopolska, zwłaszcza „Postęp” i „Orędownik” – czasopisma reprezentujące interesy drobnomieszczaństwa. Działalność Tadeusza Staniewskiego była omawiana na ich łamach szczególnie w kontekście dwóch wydarzeń istotnych dla Polaków w Swarzędzu – wyborów do Rady Miejskiej w 1909 r. i sprawy budowy Domu Katolickiego. Public activity of Tadeusz Staniewski in Swarzędz until the year 1918 In 1919, Tadeusz Staniewski was the first Pole to become mayor of Swarzędz, a town just outside of Poznań. He held this position for 9 months with no remuneration. He was re-elected in 1929 and remained the mayor of Swarzędz until 1939. Previous articles on the activity of Tadeusz Staniewski in Swarzędz discuss his life from November 1918. The present article aims at expanding this timespan and includes information about him in earlier periods. Son of a teacher, he graduated from Frederick William College in Poznań. In the early 20th century he settled down in Swarzędz, where he gained recognition as a tradesman and social activist. Regarding the years 1900–1918, when Tadeusz Staniewski entered the public sphere, the best sources are press articles published in Greater Poland journals, especially “Postęp” and “Orędownik” which represented the interests of the lower middle class. The activity of Tadeusz Staniewski was discussed there particularly with regard to two events of major importance for Poles in Swarzędz: the 1909 City Council elections and the construction of the Catholic House.

Colonial Material Collections and Representations of Devadasi Bodies in the Public Sphere in the Early 20th-Century South India

Anthropos ◽  
2019 ◽  
Vol 114 (2) ◽  
pp. 531-546
Author(s):  
Rajalakshmi Nadadur Kannan
Keyword(s):  
Public Sphere ◽  
20Th Century ◽  
South India ◽  
Material Objects ◽  
Early 20Th Century ◽  
The Public ◽  
Ideal Woman ◽  
The Public Sphere ◽  
Historical Developments ◽  
The Guardian

This article discusses how the politics of morality in the early 20th-century South India, in its gendered nation-building exercise, reified a distinction between sacred/profane by using devadasis’ bodies as material objects in the public sphere. Traditional performers of dance and music, devadasis were chosen to represent the profane in a series of historical developments in which both Europeans and Indian colonial elites participated in constructing and using the categories of the sacred and profane to classify sex and body as material, profane, and obscene. Specifically targeting devadasis, these developments resulted in ostracization and criminalization of devadasis and their communities. Using statues, poems, and literature as examples, this article shows how devadasis were collected as material objects and used to represent the notion that some bodies and sex were fundamentally materialistic whilst others were not, such as that of the “new woman” who was imagined to be an ideal woman, and the guardian of the sacred space in the colonial and postcolonial India.

Inscribing Boundaries in John Sloan's Hairdresser's Window: Privacy and the Politics of Vision

Prospects ◽  
1999 ◽  
Vol 24 ◽  
pp. 393-416
Author(s):  
Janice M. Coco
Keyword(s):  
Public Sphere ◽  
20Th Century ◽  
Social Issues ◽  
Early 20Th Century ◽  
Social Relevance ◽  
The Public ◽  
The Social ◽  
Social Meanings ◽  
The Public Sphere ◽  
Working Class Women

The Public Reception Of An Image stands as a testament to its cultural 1 and social meanings. Nevertheless, the painting Hairdresser's Window (Figure 1) by the American Realist John Sloan (1871–1951) has yet to be considered in light of its contemporary criticism. The response of Sloan's early-20th-century audience was ambivalent and thus raises questions concerning the social issues embodied in this painting. Because Hairdresser's Window contains the major motifs recurring throughout Sloan's oeuvre (for example, windows, stereotyped figures, working-class women, and the inclusion of spectators within the picture), it will be used as paradigm to explore the social relevance of his personal mode of spectatorship, a practice that had its counterpart in the public sphere and was paralleled in other works of American Realist painting.

Multicultural differences in the public sphere

2014 ◽  
Vol 2014 (1) ◽  
pp. 285-300
Author(s):  
Rudi Visker
Keyword(s):  
Public Sphere ◽  
Academic Question ◽  
Present Article ◽  
Private Sphere ◽  
Great Length ◽  
The Public ◽  
Religious Symbols ◽  
Private Realm ◽  
The Public Sphere

The present article plays off two conceptions of the public sphere against one another. The first one sees in it a sign of what is already present in the private sphere, whereas the second regards it as a symbol that has to inscribe its own symbolic force into the private realm. That this is by no means a mere academic question becomes obvious by way of several examples analyzed at great length: the institution of mourning and the discussion about the presence of religious symbols in the public sphere. An argument for considering the Muslim veil as a protection against the divine is put forward in an attempt to clarify the presuppositions of our current predisposal against it. Ultimately, pluralism should perhaps not just be taken to refer only to the presence of others outside of us who we are able to numerically count, but might be the more difficult plight of having to cope with an otherness within each of us. Should the latter be the case, then we are in need of a public sphere where we can leave behind and thus honor what is not only differentiating us from others but also from ourselves.

The Politics of Immersive Storytelling

2020 ◽  
pp. 175-190
Author(s):  
Christian Stiegler
Keyword(s):  
Social Media ◽  
Virtual Reality ◽  
Mass Media ◽  
Public Sphere ◽  
20Th Century ◽  
21St Century ◽  
Digital Platforms ◽  
The Public ◽  
Media Logic ◽  
The Public Sphere

This article applies and extends the concept of social media logic to assess the politics of immersive storytelling on digital platforms. These politics are considered in the light of what has been identified as mass media logic, which argues that mass media in the 20th century gained power by developing a commanding discourse that guides the organization of the public sphere. The shift to social media logic in the 21st century, with its grounding principles of programmability, popularity, connectivity, and datafication, influenced a new discourse on the logics of digital ecosystems. Digital platforms such as Facebook are offering all-surrounding mediated environments to communicate in Virtual Reality (‘Facebook Spaces') as well as immersive narratives such as Mr. Robot VR. This article provides an understanding of the politics of immersive storytelling and of its underlying principles of programmability, user experience, popularity, and platform sociality, which define immersive technologies in the 21st century.

scholarly journals I Don't Want to Be a Citizen (if it Means I Have to Watch the ABC)

2002 ◽  
Vol 103 (1) ◽  
pp. 14-23 ◽  
Author(s):  
Alan McKee
Keyword(s):  
Middle Class ◽  
Public Sphere ◽  
Social Engagement ◽  
Social Organisation ◽  
The Political ◽  
Contemporary Culture ◽  
The Public ◽  
Political Processes ◽  
The Media ◽  
The Public Sphere

This paper argues that much writing about media and citizenship tends to rely on a set of realist or structuralist assumptions about what constitutes a state, a citizen and politics. Because of these assumptions, other forms of social organisation that could reasonably be described as nations, and other forms of social engagement that could be called citizenship are excluded from consideration. One effect of this blindness is that certain identities, and the cultural formations associated with them, continue to be overvalued as more real and important than others. Areas of culture that are traditionally while, masculine, middle-class and heterosexual remain central in debates, while the political processes of citizens of, for example, a Queer nation, continue to be either ignored or devalued as being somehow trivial, unimportant or less real. The paper demonstrates that this need not be the case — that the language of nation and citizenship can reasonably be expanded to include these other forms of social organisation, and that when such a conceptual move is made, we can find ways of describing contemporary culture that attempt to understand the public-sphere functions of the media without falling back into traditional prejudices against feminised, Queer, working class or non-white forms of culture.

scholarly journals Post-Sekulerisme Islam Populis di Indonesia

2019 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
M Mujibuddin ◽  
Rina Zuliana
Keyword(s):  
Middle Class ◽  
Public Sphere ◽  
Qualitative Description ◽  
Modern World ◽  
The Public ◽  
Islamic Movement ◽  
Library Research ◽  
The Public Sphere ◽  
Religious Aspects

<p>This article explores the phenomenology of post-secularism in Indonesia. Populist Islamic movement strike for islamization public sphere as a sign of post-secularism in Indonesia. The islamization proceeded both in government dan the public sphere. These phenomena show that the community of urban Muslims can’t leave religious aspects in the public sphere. This research uses the qualitative-description method and library research models. The first result of this research shows that Islamic populism is coming from the urban Muslim middle class who have access to the modern world. Second, the populist Islamic movement who did islamization of the public sphere shows the strengthening of religion's role in the public sphere.</p><p> </p><p> </p>

New Technologies, New Work

2016 ◽  
Author(s):  
Lee Skinner
Keyword(s):  
Middle Class ◽  
Public Sphere ◽  
Technological Innovation ◽  
New Technologies ◽  
Spanish America ◽  
Job Market ◽  
The Public ◽  
Vital Component ◽  
The Public Sphere ◽  
And Gender

This chapter argues that towards the end of the nineteenth century in Spanish America the acceleration of technological innovation and the development of a middle class created new opportunities for middle-class women to enter the labor market. Although women increasingly worked outside the home, writers typically sent the message that women’s work is not valuable or important, that women should avoid work, especially paid work, as much as possible, and that men should help them stay out of the labor force and the capitalist job market. This chapter reads these statements as contesting certain discourses of modernity from the metropolis that privileged women’s entry into the public sphere via paid employment as a vital component of the modernizing project and as taking advantage of modernity’s newfound emphasis on domesticity. Technologies of transportation (trains) and communication (telephones) in Matto de Turner’s Aves sin nido, Manuel Gutiérrez Nájera’s La novela del tranvía, the Chilean journals Zig-Zagand Familia, and the Guatemalan La Ilustración Guatemalteca. Depictions of work, consumer culture, and gender in Gorriti’s La oasis en la vida, César Duáyen’s Mecha Iturbe and Federico Gamboa’s Santa are also analysed.

Sign in / Sign up

Export Citation Format

Share Document