scholarly journals Gender and Memory: Depictions of Femininity in Irish Revolutionary Art

Perceptions ◽  
2019 ◽  
Vol 5 (2) ◽  
Author(s):  
Pearl Joslyn

This paper uses artistic depictions of the allegorical figure, Kathleen ni Houlihan, who represented the personification of Ireland, to analyze the role of gender in the Irish Revolution. Drawing on a number of primary source artistic works from the years surrounding the 1916 Easter Rising, this paper questions the impact highly gendered portrayals of Irish nationalism had on nationalist communities. This paper also relies on primary and secondary sources that highlight the highly gendered environment of revolutionary Ireland, and the hardships faced by nationalist women. In this study, I found that gendered depictions of Kathleen ni Houlihan were rooted in the gendered revolutionary environment, and reflected typical ideas of the roles men and women should play in the independence movement. The figure of Kathleen ni Houlihan offers an excellent case study of the role the arts played in both reflecting and altering Irish revolutionary society. Additionally, these artistic portrayals reflect the strict binaries of Irish society at the turn of the century, and provide insight into the ways women negotiated their positions in the revolution.

2013 ◽  
Vol 83 (1) ◽  
pp. 15-39 ◽  
Author(s):  
Jennifer Groff

In this article, Jennifer Groff explores the role of the arts in education through the lens of current research in cognitive neuroscience and the impact of technology in today's digital world. She explains that although arts education has largely used multiple intelligences theory to substantiate its presence in classrooms and schools, this relationship has ultimately hindered the field of arts education's understanding of the relationship between the arts, human development, and learning. Emerging research on the brain's cognitive processing systems has led Groff to put forth a new theory of mind, whole-mindedness. Here she presents the evidence and construct for this frame of mind, how it sits in relation to multiple intelligences theory, and how it might redefine the justification for arts education in schools, particularly in our digitally and visually rich world.


2021 ◽  
Author(s):  
Miranda Feasey

This Major Research Paper investigates Street Voices Magazine as an instrument and communications tool to engage and empower street youth in Toronto. The following questions guided my study: What are the ways in which Street Voices Magazine gives voice to the marginalized and silenced? Why is Street Voices Magazine an appropriate medium for connecting with street youth? A mixed-method approach was used to analyze the texts and images in three issues of the magazine to determine the effectiveness of the print medium, what these texts and images suggest about the motivations of the contributors, and whether the magazine meets its objective of serving street youth. The study suggests that the transformative potential of the arts, the role of the magazine in fostering in the contributors the identity of an artist, and the lack of other spaces for expression are significant themes that underpin Street Voices Magazine’s appeal and effectiveness. The study also leads to suggestions for further research, which could improve an understanding of this diverse demographic and confirm the impact of Street Voices Magazine.


2020 ◽  
pp. 289-316
Author(s):  
Robert Kelz

This concluding chapter takes a look at the German theaters of Argentina between the 1930s and the 1960s. During this time, Buenos Aires was a volatile, conflict-ridden place which allowed both antifascist and nationalist German blocs to cultivate intercultural alliances without modifying many aspects of their own political platform. Here, the chapter revisits the themes introduced in this volume by linking them to a more poignantly profiled reflection on the salient themes of this study, including inclusion and exclusion, integration, transnationalism, drama theory, theatrical energies, and, of course, competition. The central role of theater enables a reexamination of German-speaking immigrants in Argentina, emphasizing previously underexplored events and individuals while offering new perspectives on more frequently studied topics. The chapter thus depicts the impact of theater on existing narratives about Germans in Argentina, as well as the power of a focus on culture and the arts to inform and shape studies of migrant groups.


2019 ◽  
Vol 12 (1) ◽  
pp. 101-125
Author(s):  
Damian Hesse ◽  
Katja Lurie

Purpose The purpose of this paper is to review the development of the German advertising industry starting from 1950 to 2018 with a special focus on the American influence. Design/methodology/approach The paper uses the oral history methodology. The content is based on 27 semi-structured interviews with current and former experts from the German and American advertising industry. An analysis of secondary sources supports the line of argumentation. Findings The paper confirms the outstanding role of the American influence on the German advertising industry, owing to new standards of professionalism, to novel versions of terminology and to the introduction of the theory of marketing. However, incompatible management styles, increasing global competition and financial pressure diminished the impact. Likewise, the American interference did not suppress the development of specific German industry characteristics such as a strong entrepreneurial culture or sustainable leadership. Originality/value This paper provides an overview of the history of German advertising with a focus on advertising agencies in the period from 1950 to today (2018). Further, this paper assesses the special impact of the American influence on the German advertising industry. Further, subjects of investigation are particularities of the German advertising industry, such as special attributes of agency leaders and their relationship with clients, distinct versions of ownership structures, agency service offerings and, finally, the role of creativity.


Author(s):  
Kenette Fru Mbangari ◽  
Mathias Fru Fonteh ◽  
Guillaume Hensel Fongang Fouepe

This study was carried out from February 2018 to June 2019 in Mezam Division-Cameroon, under the auspices of the Program for the Improvement of Competiveness of Family Agro-pastoral Farms (PCP-ACEFA) and the North West Farmers’ Organization (NOWEFOR). The objective of the study was to assess the role of FOs in the reinforcement of the economic capacities of farmers in the region. Secondary sources data were reviewed while primary source data were gotten directly from farmrs in the field. Two hundred and eighty (280) farmers’ members of these FOs were interviewed using a semi-structured questionnaire and 7 leaders were interviewed using an interview guide. In addition, direct observations were made. The data collected were analyzed using SPSS. The findings show that, 18.57% of the respondents who possessed agricultural equipments in their farms  from the support of SOS Faim/EC, 17.14%  as a result of MINADER  support, 20% as a result of ACEFA support and 44.28% coming from the farmers own capital. Beneficiaries of the aid hired 30% of workerss compared to 12.8% the non beneficiaries. The contribution of FOs in the development of the economic capacities of farmers was overall positive as 48.57% of the beneficiary farmers had a higher income than non beneficiaries. The beneficiaries’ respective mean annual gross margin for market gardening (263, 863), poultry (375,343) and piggery (64,615) are statistically higher than that of non beneficiaries. Conclusively FOs are pivotal for famers in the development process and the strengthening of the economic capacities of farmers.


2018 ◽  
Vol 1 ◽  
pp. 11-24 ◽  
Author(s):  
Titus E. Amalu ◽  
Peter A. Ojugbo ◽  
Otop O. Oqua

This study examined the influence of the tourism industry on socio-economic growth of Calabar, Cross River State with special interest on the role of the resorts operating within the study area. Primary and secondary sources of data were employed for the study. The primary source involved the use of questionnaires, interview with participatory research appraisal methods while the secondary sources involved the use of journals, textbooks and records from the management of the various resorts within the area. The study observed that the highest medium of awareness of the existence of the resorts was through family and friends leading to 36% of the entire visitors to the resorts. It was also observed that 89% of the employed workers in the resorts were residents of the study area. The study analysis revealed that the number of employed workers in the resorts varied significantly across the various resorts with F=5.243; P<0.05 and also a significant variation across the class of employment with F=8.383; P<0.05. The study also observed that the resorts provided opportunities for employment, generation of more income and infrastructural enhancement within the area. Based on these findings, it was therefore recommended that government of Cross River State should direct interest in investing in the tourism industry through collaboration with private investors and providing an enabling business environment by the reduction of tax, provision of loan facilities and provision of infrastructures in the study area.


2018 ◽  
Vol 229 ◽  
pp. 01001 ◽  
Author(s):  
Deny Hidayati

As a country with high risk of disasters, the people of Indonesia have to prepare and anticipate these calamities. One of the most important aspects of disaster risk reduction at the local level is social capital. This paper discusses the role of social capital in strengthening community disaster preparedness for effective respond and its potential for building back after recovery, focusing on local wisdom, prior experiences and re-establishment of community livelihoods. Local wisdom plays an important role in raising community efforts to find relief and recover from the impact of the earthquake in Bantul and floods in Jambi. The spirit of community-self, mutual help and fundraising help the Javanese in Bantul to be strong and care among neighbors. The community that supported by the local leaders and institutions agreed to set up priority for affected people who need more help. Meanwhile, experiences of the people in Jambi on regular floods made them aware and assisted them to develop self-efficacy beliefs in disaster preparedness, including making plans as well as increasing skill to get ready for and respond to this disaster. This paper also shows that in addition to economic recovery programs from the government and donor in Bantul and Aceh, the community in Jambi used floods as a source of their alternative livelihood through fishing and its related activities, and perceived floods as economic opportunities. This paper utilises empirical evidence from cases across Indonesia that are collected from my research results under LIPI and Human Ecology research activities. Data is also collected from secondary sources that largely rely on desk reviews of relevant books, documents, papers, and other references.


2001 ◽  
Vol 28 (1) ◽  
pp. 93-110 ◽  
Author(s):  
Leonard Goodman ◽  
Dan Palmon

This paper considers how innovations in information technology have changed the process by which accounting historians collect primary and secondary sources of information. It examines how web-based systems have made it possible for historians to collect data from what is effectively a twenty-four-hour “on-line library”. The paper explores some of the limitations of technological innovations and considers the steps necessary to ensure future access to information stored in digital electronic form. It also considers the challenges involved in authenticating primary source documents such as e-mail and facsimiles and the impact of encryption on the availability of data in the future. Advances in information technology suggest that future generations of accounting historians will require new skills.


Prospects ◽  
1999 ◽  
Vol 24 ◽  
pp. 339-375
Author(s):  
Laural Weintraub

In 1891, the influential literary realist William Dean Howells stated that “the arts must become democratic” in order to have “the expression of America in art.” This vision of a democratic culture, though modified, continued to inspire American writers and artists well after the turn of the century. The idea of democracy in American culture remained an important touchstone for conservative as well as progressive-minded writers on art and literature even as modernism took hold in the second decade of the century. For James Oppenheim, for example, editor of the eclectic little magazine The Seven Arts, which published some of the most significant cultural criticism of the day, the role of democracy in American art was an unresolved yet still vital issue. “Our moderns slap democracy on the back,” he wrote in 1916, “but what are they giving it in art?” “Yes,” he goes on to state, “we have magazines that circulate in the millions: we have cities sown thick with theaters: we have ragtime and the movies.” These manifestations are signs of cultural democracy, he implies, albeit devoid of art.


2017 ◽  
Vol 46 (8) ◽  
pp. 1835-1851 ◽  
Author(s):  
Julia Richardson ◽  
Uma Jogulu ◽  
Ruth Rentschler

Purpose The purpose of this paper is to examine the role of social capital for career success and sustainability among arts managers and the implication for human resource practice. Design/methodology/approach This paper is a qualitative study comprising interviews with 73 arts managers in Australia. Findings While answering an occupational calling and having a sense of passion for the arts is a key driver to embark upon a career in arts management, it is social capital that is essential for both objective and subjective career success and thus for career sustainability. The authors also identify the value of education, global experience and well-honed soft skills for building social capital. Research limitations/implications The study is located in Australia – arts management in other national contexts and industries may be different. Practical implications This paper identifies the need for arts managers to develop heterogeneous social capital to support both career success and sustainability. It also indicates that whereas passion for the arts may be an important driver, other skills and competencies are required. Both of these themes need to be incorporated into human resource practice in the arts industry. Social implications This paper demonstrates the growing need to acknowledge the impact of relational social capital in the arts in an increasingly volatile work environment. Originality/value This paper fills the gap in our understanding of careers that bridge both the arts and management as professional domains of activity and extends understanding on the role of social capital in management careers more generally.


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