scholarly journals „FAIDONAS“: SIELOS NEMIRTINGUMO ĮRODYMŲ STRUKTŪRA IR PRASMĖ

Problemos ◽  
2005 ◽  
Vol 68 ◽  
pp. 63-81
Author(s):  
Skirmantas Jankauskas

Straipsnyje analizuojami ir interpretuojami Platono dialoge „Faidonas“ pateikti sielos nemirtingumo įrodymai. Platonas šiame dialoge siekia rekonstruoti sokratiškojo imperatyvo „Pasirūpink savo siela, kad ji taptų kuo geresnė“ prielaidas. Kadangi rūpestis siela kasdieniame gyvenime nepasiteisina, tai tenka ieškoti atpildo už tą rūpestį garantijų anapus šio gyvenimo, o tai ir numato sielos nemirtingumo prielaidą. Dialoge išskiriami keturi sielos nemirtingumo įrodymai – dialektinis, gnoseologinis, ontologinis bei aksiologinis. Rekonstruojama kiekvieno jū loginė struktūra ir prielaidos, kurias tematizuojant antikos mąstymo kontekstu atskleidžiamos kiekvieno įrodymo tiesioginės ir netiesioginės intencijos. Nagrinėjama ir antikoje populiarus požiūris, kad siela yra kūno daliū harmonija. Nurodoma, kad Platonas šį požiūrį aptaria ne tiek dėl savų konceptualinių sumetimų, kiek atiduodamas duoklę tokios sampratos populiarumui antikoje. Tačiau bene daugiausia dėmesio straipsnyje skiriama aiškintis platoniškajai pažinimo sampratai. Parodoma, kad esminius pažinimo kaip atsiminimo sampratos ypatumus lemia graikiškojo mąstymo sinkretiškumas, savo ruožtu anonimizuojantis pažinimo subjektą. Straipsnis pradedamas ir baigiamas etiniais akcentais. Konstatuojama, kad Platono „Faidonas“ yra bene pirmasis mėginimas teoriškai pagrįsti etinę žmogaus elgseną ir kad jame jau nurodyti tik gerokai vėliau I. Kanto suformuluoti praktinio proto postulatai.Reikšminiai žodžiai: pažinimas, atsiminimas, kasdienis mąstymas, etinis mąstymas, prasmė. PHAIDON”: STRUCTURE AND MEANING OF THE PROOFS OF IMMORTALITY OF SOULSkirmantas Jankauskas Summary The paper deals with the proofs of immortality of soul in Plato’s ‘Phaidon’. It is demonstrated here that in the dialogue, Plato attempts to reconstruct theoretical premises of the Socratic imperative ‘first and chiefly care about the greatest improvement of the soul’. The concern with the quality of soul has no warrants of reward in everyday life, therefore, it is necessary to search for such warrants beyond this life, which implies the prerequisite of the immortality of soul. Four proofs of the immortality of soul are distinguished in the dialogue: dialectical, gnoseological, ontological ant axiological. The logical structure and the premises of every proof are reconstructed. The premises are thematized in the context of Greek thinking, and in this way the direct and indirect intentions of every proof are revealed. The popular Antique concept of the soul as a harmony of the parts of body is analyzed as well. It is pointed out  that Plato deals with the concept not because of his own conceptual preoccupations but just paying a debt to the popularity of this concept in the Antique world. However, the focus of the paper centers upon the Platonic concept of knowledge. The author maintains that the essential features of the concept of knowledge as anamnesis are predetermined by the sincretic character of the Greek thinking that in its turn anonimizes the subject of knowledge. The paper begins and ends with ethical accents. It is stated here that ‘Phaidon’ could be treated as the first attempt to produce a theoretical foundation of ethical behavior and that therein the postulates of practical reason, as formulated much more later by I. Kant, are already distinguished. Keywords: knowledge, anamnesis, everyday thinking, ethical thinking, sense.

2021 ◽  
pp. 15-19
Author(s):  
V. G. Napadysta

The article discusses the logic of structuring and content of the discipline "Culture of Everyday Life", due to the complexity and versatility of the phenomenon of everyday life and interdisciplinarity of methodological optics of its research, the variety of theoretical tools, which, in turn, determines the ambiguity of views on the very essence of the phenomenon of everyday life and its components. The analysis of educational programs on "Culture of Everyday Life", that are among the elements of educational-professional and educational-scientific training programs on "Culturology" in higher education institutions in Ukraine, demonstrated the wide variability of their content and structure. The first part of the article substantiates the need to discuss among stakeholders the boundaries and basic elements of the subject field of the discipline, which would determine its specifics and features when considering the phenomenon of everyday life. A certain model of the logical structure of the "Culture of Everyday Life" as a discipline is proposed, the main elements of its structure and their content are considered. The main stages and thematic directions of historiography of the phenomenon of everyday life in accordance with the scientific specializations of researchers are analyzed. The main achievements in the study of the everyday life phenomenon, initiated by experts of life of certain social groups representing different cultural and historical epochs, as well as the work of historians, philosophers, sociologists, carried out during the XXth century, are considered. The most common definitions of the phenomenon of everyday life, which operate in different segments of modern socio-humanitarian knowledge are analyzed, to understand the situation in modern "everyday science" in terms of systematization / structuring of accumulated knowledge about the phenomenon of everyday life, defining the boundaries of everyday life and its opposing worlds, which more clearly outline the contours of everyday life and thus contribute to the definition of the thematic field of the discipline "Culture of Everyday Life".


2009 ◽  
pp. 255-264 ◽  
Author(s):  
Mirjana Gligorijevic-Maksimovic

In Byzantine painting, starting from the XIII and particularly during the XIV century, there was a visible return to models from the period of Antiquity. The influences of ancient, ostensibly, Hellenistic heritage were reflected in the shapes, in the content of the compositions, as well as in the drawing, modellation and colours. In the art that came into being in the course of the XIII century, in the endowments of the Serbian donors numerous elements emerged that had existed in ancient art. In the frescoes in the Church of the Mother of God in Studenica, the endowment of Stefan Nemanja and his sons, we see personifications, symbols, the introduction of details, and space acquiring depth, features that were later to come to full expression, especially from the middle of the XIII century. The few preserved frescoes dating from the XIII century in the Church of the Resurrection in the Zica monastery, the endowment of Stefan the First Crowned, his son Radoslav and his brother Sava, are an iconographic continuation of the trends in the art one encounters in Studenica. The frescoes in the Church of Christ's Ascension in Mileseva, the endowment of King Vladislav, with their subtly fashioned figures and carefully modelled faces, as well as refined colouring, signal a return to the Hellenistic models. The painting in the Church of Dormition of the Virgin in the Moraca monastery, the endowment of Prince Stefan, nephew of king Stefan, with its well-proportioned, firmly modelled figures, landscapes and architecture deepening the space, reminds one of the Sopocani frescoes. In the fresco painting of the Holy Apostles in Pec, the endowment of Archbishop Sava which owed its outcome to the efforts of Archbishop Arsenije I, the images are very vivid, and the painted architecture is depicted in an abbreviated form, using different kinds of perspective. The painting in the Church of the Holy Trinity in Sopocani, the endowment of king Uros I, represents an ensemble of new artistic trends that appeared during the first half of the XIII century. Its spacious and monumental compositions present solutions that give the figures a quality of flexibility and breadth to their movements, while their faces resemble those of Antiquity. The space is indicated by architecture painted in an abbreviated manner, the iconostasis and icons are framed in an ornament of stucco bearing antique motifs, some scenes contain personifications, while the rich and harmonious colours and gold in the background emphasise the Hellenistic spirit. The frescoes in the Church of the Annunciation in the Gradac monastery, the endowment of Queen Jelena followed the trends in painting from Sopocani. The figures in the narthex of the Church of St. George in Djurdjevi Stupovi and in the parekklesion of the entrance tower, the endowment of King Dragutin, were painted in a rather similar fashion. The decoration of St. Ahilije in Arilje, the endowment of King Dragutin, consists of monumental figures of ancient beauty, richly painted architecture in the background, and greater depth painted in different forms of perspective and scenes containing details from everyday life. During the XIII century, the proportions of the compositions became larger, the number of participants in them increased, various episodes were added to the existing scenes, and the space was defined by a larger number of plans and buildings of ancient forms. At the same time, the painted architecture was presented in the perspective of different projections, deepening the space when necessary and highlighting the subject matter. The landscape is presented in the background, keeping to the rhythm of the scene or partitioning the episodes within the composition, while depicting vegetation and animals that resemble the mosaic flooring of ancient times. Special attention was paid to appearance and workmanship, to the modeling of the faces and human figures that acquired the proportions and harmony of Antiquity. Characters with lively movements were more numerous and were located more freely in the space. Compositions were more numerous, enriched with details from everyday life, while into the established scenes as regards Christian iconography were included personifications, symbolic and allegorical figures. The influences of Antiquity were also reflected in the precise drawing, plastic modeling and rich, refined colours. During the XIII century, the revival of models from Antiquity evolved gradually in the painting of the endowments belonging to the Serbian ktetors, most of whom were members of the Nemanjic ruling house. First of all, single elements appeared that were related to the proportions of the compositions and the images, personifications, symbolic presentations, the temperate voluminousity of the figures, refined colours all of which heralded further trends in painting. In addition, the painted architecture, of Hellenistic forms, gained an increasing role in the definition of space. The painting in Sopocani, with its monumental dimensions, its harmony of ancient proportions, precise drawing and modeling, wealth of colours and splendour of gold, reached an outstanding level in the Byzantine painting of that epoch. The decoration of the monuments that were built later, up to the end of the XIII century, mirrored the achievements of the Sopocani painting and continued to develop by including elements from the Antiquity. Thus, at the beginning of the XIV century, the emulation of models from the Antiquity came to full expression in the monumental endowments of King Milutin.


1949 ◽  
Vol 69 ◽  
pp. 1-17 ◽  
Author(s):  
J. D. Beazley
Keyword(s):  

The drawings we shall be looking at are those engraved on the backs of bronze hand-mirrors. The shape of the mirror is circular. The handle is sometimes made in one piece with the disc; but sometimes, especially in the earlier period, it was made separately of wood and bone, and joined to the disc by means of a tang. At a guess there may be fifteen hundred such mirrors. The quality of the drawing varies from good to bad. The range of subject is wide. There are, first, scenes from everyday life, especially, as is natural, toilet-scenes and courting-scenes; and secondly, scenes in which the lovers are not ordinary mortals, but divinities or heroes and heroines. Among these it is not surprising that two couples are especially popular: Aphrodite, and Adonis; Helen, and Paris or Menelaos. But there are also a very great number of heroic scenes that have no connection with toilet or courting. Sometimes one can see why a particular subject is chosen to decorate a mirror: the interest in Helen extends to the egg from which she was born. If Tyro is a favourite, one might perhaps guess that it is for the sake of the perfect complexion which gave her her name: but nearly always the subject chosen testifies only to the boundless love of the Etruscans for Greek heroic legend and Greek heroic characters, a love which women shared with men. Some legends are represented with more circumstance on Etruscan mirrors than in any extant Greek monument; of others there is no Greek representation, only an echo in a late writer; to others an Etruscan mirror is the only witness. Etruscan ladies could read: the personages are very often named; and these hundreds of inscriptions not only enable us to identify the persons and increase our knowledge of the myths, but are an invaluable aid to the study of the Etruscan language. The names of Greek heroes, heroines, and minor deities appear in Etruscanized versions, from which much may be learned about the character of the Etruscan tongue.


2013 ◽  
pp. 77-90
Author(s):  
Yen Nguyen Thi Hoang

This paper focuses on the understanding of service quality in the context of Vietnamese universities. It proposes an approach for measuring the quality of the higher education service provided by universities in Vietnam. Firstly, an exploratory study was conducted. Then, the set of items which were generated became the subject of a questionnaire that was then administered to 675 students of a Vietnamese university to determine the dimensions of higher education service quality in this context. The obtained results permit us to appropriate a measurement scale which is slightly different from the SERVQUAL scale widely known as the standard for measuring service quality. The results also show that tangible elements, responsiveness and assurance seem to be three specific dimensions of the higher education service of Vietnamese universities.


Moreana ◽  
2002 ◽  
Vol 39 (Number 149) (1) ◽  
pp. 41-60 ◽  
Author(s):  
Eugenio M. Olivares Merino
Keyword(s):  

The recent reprinting of Álvaro de Silva’s 1998 edition of a selection of More’s letters prompts the author to examine the subject of Spanish translations of More, and of de Silva’s general commentary on More’s correspondence and on his relationship to other humanists. The author reflects on aspects of More’s personality as exposed in his letters and uses what he finds as a corrective to several biographical misconceptions. He points out the strengths and weaknesses of de Silva’s work and compares it with that of other translators, particularly Elizabeth Rogers, and notes the particularly Spanish quality of de Silva’s edition.


2016 ◽  
Vol 2 (2) ◽  
pp. 81
Author(s):  
Arkadiusz Urbanek

The aspiration to keep the synergy in relations between majorities and minorities repeatedly emerges as the cause of conflicts in social relations. It is also a subject of the interest of the multicultural education, particularly in countries of Eastern Europe, building contacts with the culturally and ethnically diverse groups to a wider scale. Relations in culturally, religiously and ethnic diverse societies, are becoming more and more related to the personal attitudes and a given policy. These issues acquire in the prison circumstances even greater significance, as given moods and personal attitudes of the prison staff create the pragmatic aspects of the professional activities addressed to the sentenced. Additionally, the key role is played by the quality of the penitentiary policy and the legal culture. The article presents the comparative analysis of the research carried out in 2016 amongst the prison staff in Poland. The subject of the research concerned attitudes that influence the decisive processes. The personal relations have been analyzed in the context of the relation with the sentenced Muslims. The aim of the research was not only to reveal the quality of the decisions concerning the sentenced Muslims, but also the sources of such decisions. The latter, in consequence, may shift, as the research results prove, towards synergy or discrimination. The diversification of the discrimination was one of the intriguing aspects, disclosed at various levels that not always explicitly concerned the discrimination of the minority.


2019 ◽  
Author(s):  
Nur Tsalits Fahman Mughni

Teaching materials by integrating local culture makes easier for students to understand the subject matter in the learning process. The aims of the study is to measure the effectiveness of teaching materials based on local wisdom of agriculture in Binjai in improving the students problem solving abilities. The research method was a quasi experimental which use non equivalent control group in the pretest posttest design. The sample of study were students of Senior High School grade X in Binjai that consisted of experiment group which used teaching materials based on local wisdom of agriculture in Binjai and control group that used student handbooks. Teaching materials are tested by material experts and technology experts to ensure the quality of teaching materials. Data collection was conducted through test. The results showed that the teaching materials based on local wisdom of agriculture in Binjai effective in improving students problem solving abilities in the experimental group students based on the results of N gain value was 0.67 which has medium criteria. It means teaching materials based on agricultural local wisdom of agriculture in Binjai can be used as one of the teaching materials in learning activities.


Author(s):  
Sri Winarsih

This study aims to determine the appropriate steps in carrying out academic supervision so as to be able to improve the pedagogical competence of teachers, especially in the learning process which in turn will affect the improvement of the quality of education.The study was conducted in two cycles. Each cycle has different planning, implementation, observation and reflection. Research subjects of the principal and teacher. The school principal with his academic supervision measures, while the Kunto Darussalam Elementary School 017 teacher as an object as well as the subject in providing academic supervision treatment. Data collection techniques through class supervision with stages of supervising teachers in the learning process and observation of classroom learning, to record important events related to research, especially at the time of the processlearning takes place.Data analysis techniques that guide data processing using a percentage (%) of achievement with 100 constants. And to see the interpertation using score interpertation criteria to strengthen the interpretation in conclusions as follows: 80% - 100% (Very Good), 66% - 79 % (Good), 56% - 65% (Enough), and 40% - 55% (Less).The results showed that the ability of teachers in the implementation of the learning process experienced an increase in the percentage at each stage, from the first cycle reached an average of 63% (sufficient) and in the second cycle reached an average of 68% (good). There is an increase in teacher's ability by 5% from cycle I. In detail there is a significant increase in the initial condition of the school when compared to the final condition in the second cycle. The accuracy of teachers entering the class increased by 48%, the use of learning media increased by 32%, varied methods increased by 31%, and learning strategies increased by 36%.


Author(s):  
Dr. Vidhyasri M ◽  
Dr. S. M. Pasha

Introduction: This is the case report of child who was diagnosed with LCA reported with complaints of large-amplitude, slow-frequency, roving nystagmus, frequent tendency to press on his eyes, enopthalmos, with completely normal ophthalmoscopic examination with normal appearing optic nerve and retina and has a non recordable ERG; considering this condition under the lines of Vataja Nanatmaja Vyadhi treatment was structured to render effective visual rehabilitation which showed marked results. Methods: 4 years old male child who was diagnosed with lebers congenital amaurosis was brought by his parents to Eye OPD, GAMC, Bengaluru. The presentation of this case includes bibliographic review of the subject, presentation of a clinical case and description of the importance of Ayurvedic prespective of handling of these patients. Results: The child showed improvement in fixing for light and also nystagmus showed marked improvement and there were considerable behavioural changes observed. Discussion: It is important to deepen the environment of the disease to know the possible implications in Ayurvedic management, recognize the magnitude of visual disability that our patient presents for the establishment of the treatment plan and provide an integral care of excellence in an interdisciplinary way in favor of visual rehabilitation of our patients and also help to restore quality of life with no potential risks of side effects.


Author(s):  
Daniel Leech-Wilkinson

The concept of shape is widely used by musicians in talking and thinking about performance, yet the mechanisms that afford links between music and shape are little understood. Work on the psychodynamics of everyday life by Daniel Stern and on embodiment by Mark Johnson suggests relationships between the multiple dynamics of musical sound and the dynamics of feeling and motion. Recent work on multisensory and precognitive sensory perception and on the role of bimodal neurons in the sensorimotor system helps to explain how shape, as a percept representing changing quantity in any sensory mode, may be invoked by dynamic processes at many stages of perception and cognition. These processes enable ‘shape’ to do flexible and useful work for musicians needing to describe the quality of musical phenomena that are fundamental to everyday musical practice and yet too complex to calculate during performance.


Sign in / Sign up

Export Citation Format

Share Document