scholarly journals UNFOLDING FLESH TOWARDS THE OTHER: LEVINAS’ PERSPECTIVE OF MATERNITY AND THE FEMININE

Problemos ◽  
2013 ◽  
Vol 84 ◽  
pp. 138-152
Author(s):  
Irina Poleshchuk
Keyword(s):  
Emmanuel Levinas ◽  
The Other ◽  
Central Question ◽  
Face To Face ◽  
The Feminine ◽  
The Face ◽  
The One ◽  
Conceptual Work

The paper discusses a formation of the ethical body in Levinas’ philosophy. The central question is how different modalities of subjectivity, brought into light in face-to-face relation with the other, constitute a particular ethical and sensible embodiment. The main topics of the paper are caress, touch, and pain, and their role in constructing ethical embodiment. The focus is given to such existential modalities as being-in-one’s-own-skin, the-one-for-the-other and having-the-other-under-one’s-own-skin. The conceptual work of maternity and the feminine in the face-to-face situation accentuate a meaning of responsive and responsible sensibility which Levinas reveals in his major works Otherwise than Being or Beyond the Essence and Totality and Infinity. Keywords: Emmanuel Levinas, sensibility, embodiment, flesh, face, the other, skin, caress, touch, pain, maternity, feminineAtveriant kūną kitam: leviniškoji motinystės ir moteriškumo interpretacijaIrina Poleshchuk SantraukaStraipsnyje analizuojamas etinis kūnas Levino filosofijoje. Pagrindinis klausimas – kaip skirtingi subjektyvybės modalumai, išnirę į šviesą betarpiškoje akistatoje su Kitu, įsteigia konkretų etinį ir juslinį įkūnytumą. Pagrindinės straipsnio temos yra glamonė, lietimas ir skausmas bei jų vaidmuo kuriant etinį įsikūnijimą. Dėmesys skiriamas tokiems egzistenciniams modalumams kaip „buvimas savo paties odoje“, „vienas kitam“, „kito buvimas po mano oda“. Motinystės ir moteriškumo konceptualinis veikimas akistatos situacijoje išryškina reikšmę atsakančio ir atsakingo juslumo, kurį Levinas atskleidžia savo pagrindiniuose darbuose „Kitaip negu būtis, arba anapus esmės“ ir „Totalybė ir begalybė“.Pagrindiniai žodžiai: Emmanuel Levinas, juslumas, įkūnytumas, kūnas, veidas, kitas, oda, glamonė, lietimas, skausmas, motinystė, moteriškumas.

The Hierophanic Facets of the Seraphic Hymns

Trictrac ◽  
2018 ◽  
Vol 10 ◽  
Author(s):  
Petru Adrian Danciu
Keyword(s):  
Mutual Recognition ◽  
The Other ◽  
Human Being ◽  
Material World ◽  
Face To Face ◽  
The People ◽  
Musical History ◽  
The Face ◽  
The One

Starting from the cry of the seraphim in Isaiahʹ s prophecy, this article aims to follow the rhythm of the sacred harmony, transcending the symbols of the angelic world and of the divine names, to get to the face to face meeting between man and God, just as the seraphim, reflecting their existence, stand face to face. The finality of the sacred harmony is that, during the search for God inside the human being, He reveals Himself, which is the reason for the affirmation of “I Am that I Am.” Through its hypnotic cyclicality, the profane temporality has its own musicality. Its purpose is to incubate the unsuspected potencies of the beings “caught” in the material world. Due to the fact that it belongs to the aeonic time, the divine music will exceed in harmony the mechanical musicality of profane time, dilating and temporarily cancelling it. Isaiah is witness to such revelation offering access to the heavenly concert. He is witness to divine harmonies produced by two divine singers, whose musical history is presented in our article. The seraphim accompanied the chosen people after their exodus from Egypt. The cultic use of the trumpet is related to the characteristics and behaviour of the seraphim. The seraphic music does not belong to the Creator, but its lyrics speak about the presence of the Creator in two realities, a spiritual and a material one. Only the transcendence of the divine names that are sung/cried affirms a unique reality: God. The chant-cry is a divine invocation with a double aim. On the one hand, the angels and the people affirm God’s presence and call His name and, on the other, the Creator affirms His presence through the angels or in man, the one who is His image and His likeness. The divine music does not only create, it is also a means of communion, implementing the relation of man to God and, thus, God’s connection with man. It is a relation in which both filiation and paternity disappear inside the harmony of the mutual recognition produced by music, a reality much older than Adam’s language.

Levinas in therapy

2018 ◽  
Vol 28 (3) ◽  
pp. 279-297
Author(s):  
Bob Plant
Keyword(s):  
Emmanuel Levinas ◽  
The Other ◽  
Potential Significance ◽  
Therapeutic Practice ◽  
Face To Face ◽  
Critical Questions ◽  
Conceptual Apparatus ◽  
The Face ◽  
Short Explanation ◽  
The Way

Emmanuel Levinas’ semi-phenomenological analyses of the “face-to-face” encounter with “the other” are frequently alluded to in the therapeutic literature. Indeed, for some therapists, Levinas provides the conceptual apparatus to reconfigure traditional therapeutic practice. While acknowledging the importance of his work, in this article I raise critical questions about the way Levinas’ ideas are often used by psychotherapists. The discussion is divided into five sections: First, I provide a short explanation of the motivations for writing this paper. Second, I offer an overview of some prominent themes therapists typically draw from Levinas’ writings. Next, I present my own reconstruction of the face-to-face encounter. Then, drawing on the previous reconstruction, I outline the main questions Levinas-inspired therapists need to address. Finally, I reconsider the potential significance of Levinas’ work for therapists.

scholarly journals The Other, Shame, and Politics: Levinas, Justice, and Feeling Responsible

Religions ◽  
2018 ◽  
Vol 9 (12) ◽  
pp. 381
Author(s):  
Steve Larocco
Keyword(s):  
Public Sphere ◽  
Emmanuel Levinas ◽  
The Other ◽  
The Political ◽  
Face To Face ◽  
The Public ◽  
Political Sphere ◽  
The Face ◽  
The Public Sphere ◽  
Political Realm

Adi Ophir has suggested that the political realm is an order of evils, producing and managing regular forms of suffering and violence rather than eliminating them. Thus, the political is always to some extent a corrupted order of justice. Emmanuel Levinas’ work presents in its focus on the face-to-face relationship a means of rethinking how to make the political more open to compassionate justice. Though Levinas himself doesn’t sufficiently take on this question, I argue that his work facilitates a way of thinking about commiserative shame that provides a means to connect the face-to-face to its potential effects in the political sphere. If such shame isn’t ignored or bypassed, it produces an unsettling relation to the other that in its adversity motivates a kind of responsibility and care for the other that can alter the public sphere.

Not Only What or How, but Who? Subjectivity, Obligation, and the Call to Teach

2006 ◽  
Vol 10 (1) ◽  
pp. 61-73 ◽  
Author(s):  
Clarence W. Joldersma
Keyword(s):  
Subject Matter ◽  
Emmanuel Levinas ◽  
Teaching Method ◽  
The Other ◽  
The People ◽  
Asymmetric Relation ◽  
The Face ◽  
The Subject ◽  
God's Call ◽  
The One

THIS PAPER ARGUES that the call to teach ought to be conceptualized not so much in terms of subject matter (‘what’) or teaching method (‘how’) but with respect to the subjectivity of the people involved – that is, of the one who teaches and of the one who is taught. Building explicitly on the work of Emmanuel Levinas, the essay develops the idea of a responsible subject as the condition that makes visible the distinctiveness about the call to teach, suggesting that God's call to teach manifests itself through the face of the student, in the asymmetric relation between the teacher and the student as the other. In doing so, the teacher becomes a responsible subject for and to the student, instead of merely for the subject matter and the methods of teaching. Familiar tensions in teaching illustrate this call to responsibility.

Gratitude as a Performative

2021 ◽  
pp. 000332862110238
Author(s):  
Armand E Larive
Keyword(s):  
General Theory ◽  
Emmanuel Levinas ◽  
Speech Act ◽  
Paul Ricoeur ◽  
Judith Butler ◽  
The Other ◽  
Face To Face ◽  
The Face ◽  
The Subject ◽  
Over Time

Rather than a general theory of gratitude, the paper focuses on gratitude as a human dynamic in appreciative recognition of others. The phenomenology of Emmanuel Levinas’ face-to-face ethics is discussed as the subject’s call to responsibility for an Other. Following Jacques Derrida’s criticism of how this responsibility binds the subject into a hostage position regarding the Other, Paul Ricoeur repairs the working value of Levinas’ ethics by loosening the face-to-face obligation of the Other into one of reconnaissance, or thankful recognition. Without losing the face-to-face dynamic, the expression of reconnaissance is then investigated through J. L. Austin’s theory of performatives where gratitude is expressed as a speech act, or with the help of Judith Butler, where performativity is an activity expressing a reconnaissance between people over time. Three examples are given at the end.

scholarly journals The Possibility/Impossibility of Ethical Community during the COVID-19 Pandemic: a Philosophical Reflection

2021 ◽  
Vol 13 (2) ◽  
pp. 235-243
Author(s):  
Shining Star Lyngdoh
Keyword(s):  
Emmanuel Levinas ◽  
The Other ◽  
Community Life ◽  
Philosophical Reflection ◽  
Face To Face ◽  
Ability To Act ◽  
The Face ◽  
Meaningful Engagement ◽  
Global Concern ◽  
Ethical Demand

AbstractThe outbreak of COVID-19 has raised a global concern and calls for an urgent response. During this perpetual time of epidemic crisis, philosophy has to stand on trial and provide a responsible justification for how it is still relevant and can be of used during this global crisis. In such a time of crisis like that of COVID-19, this paper offers a philosophical reflection from within the possibility/impossibility of community thinking in India, and the demand for an ethical responsivity and response-ability to act ethically towards the Other (autrui) to show that philosophy always already emerges from within the context of crisis. As an alternative outlook to the thinking of totalitarian singularity and individualism, community—in its possible and impossible making—can offer more meaningful engagement with the other human being by being responsible and extending care towards the Other. The thinking of a shared community life is the facticity of one’s own being-together-in-common without the dismissal of individual differences as can be seen in the works of Jean-Luc Nancy, and there is an ethical demand that comes from the face-to-face ethical relationship with the Other as argued by Emmanuel Levinas.

Ruler Visibility and Popular Belonging in the Ottoman Empire, 1808-1908

2018 ◽  
Author(s):  
Darin Stephanov
Keyword(s):  
Public Space ◽  
Ottoman Empire ◽  
The Other ◽  
Group Consciousness ◽  
Central Question ◽  
Point Model ◽  
The Everyday ◽  
National Movements ◽  
Tanzimat Reforms ◽  
The One

‘What do we really speak of when we speak of the modern ethno-national mindset and where shall we search for its roots?’ This is the central question of a book arguing that the periodic ceremonial intrusion into the everyday lives of people across the Ottoman Empire, which the annual royal birthday and accession-day celebrations constituted, had multiple, far-reaching, and largely unexplored consequences. On the one hand, it brought ordinary subjects into symbolic contact with the monarch and forged lasting vertical ties of loyalty to him, irrespective of language, location, creed or class. On the other hand, the rounds of royal celebration played a key role in the creation of new types of horizontal ties and ethnic group consciousness that crystallized into national movements, and, after the empire’s demise, national monarchies. The book discusses the themes of public space/sphere, the Tanzimat reforms, millet, modernity, nationalism, governmentality, and the modern state, among others. It offers a new, thirteen-point model of modern belonging based on the concept of ruler visibility.

Óscar Romero and the Politics of Sainthood

2011 ◽  
Vol 5 (3) ◽  
pp. 265-291
Author(s):  
Manuel A. Vasquez ◽  
Anna L. Peterson
Keyword(s):  
Human Rights ◽  
Civil War ◽  
El Salvador ◽  
The Other ◽  
Post Colonial ◽  
Holy See ◽  
The Poor ◽  
The Face ◽  
Crisis Of Modernity ◽  
The One

In this article, we explore the debates surrounding the proposed canonization of Archbishop Oscar Romero, an outspoken defender of human rights and the poor during the civil war in El Salvador, who was assassinated in March 1980 by paramilitary death squads while saying Mass. More specifically, we examine the tension between, on the one hand, local and popular understandings of Romero’s life and legacy and, on the other hand, transnational and institutional interpretations. We argue that the reluctance of the Vatican to advance Romero’s canonization process has to do with the need to domesticate and “privatize” his image. This depoliticization of Romero’s work and teachings is a part of a larger agenda of neo-Romanization, an attempt by the Holy See to redeploy a post-colonial and transnational Catholic regime in the face of the crisis of modernity and the advent of postmodern relativism. This redeployment is based on the control of local religious expressions, particularly those that advocate for a more participatory church, which have proliferated with contemporary globalization

Challenging Gender Hierarchies in Narratives of the Nation: Representations of Women in Zintgraff and the Battle of Mankon and Hard Choice

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Naomi Epongse Nkealah ◽  
Olutoba Gboyega Oluwasuji
Keyword(s):  
The Other ◽  
Literary Texts ◽  
Gender Differentiation ◽  
Hard Choice ◽  
Other Hand ◽  
Gender Hierarchies ◽  
The Face ◽  
The One ◽  
Representations Of Women ◽  
Do So

Ideas of nationalisms as masculine projects dominate literary texts by African male writers. The texts mirror the ways in which gender differentiation sanctions nationalist discourses and in turn how nationalist discourses reinforce gender hierarchies. This article draws on theoretical insights from the work of Anne McClintock and Elleke Boehmer to analyse two plays: Zintgraff and the Battle of Mankon by Bole Butake and Gilbert Doho and Hard Choice by Sunnie Ododo. The article argues that women are represented in these two plays as having an ambiguous relationship to nationalism. On the one hand, women are seen actively changing the face of politics in their societies, but on the other hand, the means by which they do so reduces them to stereotypes of their gender.

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