scholarly journals A historiografia da arquitetura brasileira no século XIX e os conceitos de estilo e tipologia

2006 ◽  
Vol 31 (2) ◽  
Author(s):  
Sonia Gomes Pereira

Esse artigo analisa os conceitos de estilo e tipo, examinando as suas diferenças estruturais – a base histórica e geográfica do estilo em oposição à relação entre solução formal, gênero e função no tipo –, e tentando evidenciar a operacionalidade de ambos na reavaliação crítica da produção artística do século XIX. Abstract The present article analyses he concepts of style and type, by examining its structural differences – the historical and geographical base of style as opposed to the relation between formal solution, genre and function concerning type – and attempts to show the operationality of both in the critical reevaluation of the artistic production of the 21st century. Palavras-chave: Estilo. Tipologia. Historiografia da arte. Século XIX. Key words: Style. Typology. Historiography of art. 19st century.

1970 ◽  
Vol 10 (3) ◽  
pp. 200-202 ◽  
Author(s):  
NB Nagaveni ◽  
KV Umashankara ◽  
NB Radhika ◽  
TS Satisha

Oligodontia (severe partial anodontia) is a rare developmental dental anomaly refers to congenital lack of more than six teeth. Most often oligodontia appears as part of some congenital syndromes that affects several organ systems. The exact etiology for oligodontia is unknown. Management includes various restorative and orthodontic procedures to improve the esthetics and function. The present article reports a case of oligodontia of 14 number of permanent teeth excluding third molars in a non-syndromic female patient. Key words: oligodontia; hypodontia, partial anodontia, tooth agenesis. DOI: http://dx.doi.org/10.3329/bjms.v10i3.8365 BJMS 2011; 10(3): 200-202


PARADIGMI ◽  
2009 ◽  
pp. 45-51
Author(s):  
Mauro Carbone

- Image The present article focuses on two topics underlying the lecture given by Maurice Merleau-Ponty in 1945 at the Institut des Hautes Études Cinématographiques, in Paris. One is the reflection on the peculiarities of filmic expression and cinematic image; the other, the convergence between the inspiration of cinema and that of philosophy, which Merleau-Ponty sees as a significant feature of his time: a convergence which the cinema of the nouvelle vague was also to acknowledge and which Christian Metz was to confirm retrospectively. Moreover, in developing both topics, the author finds a way to interpret Merleau-Ponty's lecture as an undeclared polemical response to Henri Bergson's famous negative judgement on cinema.Key words: Cinematic Image, Gestalt Psychology, Melody, Montage, Perception, Rhythm.Parole chiave: Dinamica di legittimazione, Immagine, Identitŕ, Narrazione, Soggetto, Tempo.


2020 ◽  
Vol 59 (10) ◽  
pp. 61-67
Author(s):  
Inna Alimovna Khatipova ◽  

The present article examines pieces for piano written by Moldavian composers Ștefan and Gheorghe Neaga. Created in the 1930s and 1950s, they are representative examples of the genre of miniature in the national music of the 20th century. The pieces share a number of common traits: they have a solid national basis, are rooted in the genres of Moldavian folklore and are characterized by simplicity of the musical language and convincing compositional and dramaturgic developments. Figurative-emotional and intonational brightness of these miniatures, which were written at a high professional level, determined their viability and their ample potential for being included in the pedagogical repertoire. Key words: Ștefan Neaga, Gheorghe Neaga, piece for piano, pedagogic repertoire, Moldavian folklore, piano texture.


Author(s):  
Adriana Iezzi

After illustrating the varied artistic production of the Kwanyin Clan, one of the most important Chinese graffiti crews, this paper analyses six of their main artworks in detail (styles, techniques, aesthetic conceptions and artworks texts). In these artworks, the Kwanyin Clan tried for the first time to merge Euro-American graffiti practice with the ancient traditional arts practiced and appreciated by the Chinese literati (calligraphy, poetry, painting, seals and ceramics). Comparing the Kwanyin Clan members to ‘modern literati writers’, the present article shows how this crew succeeded in reinventing ancient Chinese art forms using Euro-American graffiti vocabulary, paving the way for a new development of graffiti art in China.


Author(s):  
Vilmar Alves Pereira ◽  
Michèle Sato ◽  
Márcia Pereira da Silva

O presente artigo apresenta um estudo em que se reflete sobre os contextos das pesquisas em Educação Ambiental (EA), especialmente olhando para publicações brasileiras realizadas pela Revista Eletrônica do Mestrado em Educação Ambiental (REMEA) e, mexicanas apresentadas na revista JANDIEKUA. A análise destes periódicos apresentou-nos um panorama das principais tendências epistemológicas presentes nas pesquisas em EA em ambos os países. O estudo objetivou pensar como estas pesquisas têm contribuído para superação da perspectiva que separa o método da episteme. Para realização deste estudo tomou-se como base perspectiva apontada por GAMBOA (2007) sobre as tendências epistemológicas que compõem as pesquisas em educação. A compreensão do movimento presente nas pesquisas ocorreu através da leitura dos resumos, títulos e palavras- chave dos três exemplares da Revista Mexicana de Educación Ambiental- JANDIEKUA, correspondentes ao período de (2013 e 2014), e do período de 2015 e 2016 da REMEA A análise realizada apontou que as pesquisas no campo de Educação Ambiental encontram-se em sua maioria fundamentadas numa tendência empírico- analítica, porém observou-se um avanço em direção a uma crescente de presença nas pesquisas de uma perspectiva fundamentada na tendência hermenêutica-fenomenológica, especialmente na revista brasileira. The present article presents a study that reflects on the contexts of Environmental Education (EE) research, especially looking at Brazilian publications accomplished by Revista Eletrônica do Mestrado em Educação Ambiental (REMEA) and, Mexican publications presented in JANDIEKUA magazine. The analysis of these journals presented an overview of the main epistemological tendencies present in the research in EE in both countries. The study aimed to think how these researches have contributed to overcoming the perspective that separates the method from the episteme. For the accomplishment of this study it was taken as base perspective pointed out by GAMBOA (2007)) On the epistemological tendencies that compose the researches in education.. The understanding of the present movement in the researches occurred through the reading of the abstracts, titles and key words of the three copies of the Revista Mexicana de Educación Ambiental - JANDIEKUA, corresponding to the period of 2013 and 2014, and the period of 2015 and 2016 of REMEA The analysis showed that research in the field of Environmental Education is mostly based on an empirical-analytical tendency, but it was observed a progress towards a growing presence in the research from a perspective based on the hermeneutic-phenomenological tendency, Especially in the Brazilian magazine. El presente artículo presenta un estudio en que se reflexiona sobre los contenidos de las pesquisas en Educación Ambiental (EA), especialmente mirando para publicaciones brasileras realizadas por la “Revista Electrónica del Maestrando” en Educación Ambiental (REMEA) y, mejicanas presentadas en la revista JANDIEKUA. El análisis de estos periódicos nos presentó un panorama de las principales tendencias epistemológicas presentes en las pesquisas en EA en ambos países. El estudio tuvo como objetivo pensar como estas pesquisas han contribuido para la superación de la perspectiva que separa el método de la episteme. Para la realización de este estudio se tomó como base la perspectiva apuntada por GAMBOA (2007) sobre las tendencias epistemológicas que componen las pesquisas en educación. La comprensión del movimiento presente en las pesquisas ocurrió a través de la lectura de los resúmenes, títulos y palabras-llave de los tres ejemplares de la Revista Mejicana de Educación Ambiental JANDIEKUA correspondientes al periodo de (2013 y 2014), y del periodo de 2015 y 2016 de la REMEA. El análisis realizado apunto que las pesquisas en el campo de Educación Ambiental se encuentran en su mayoría fundamentadas en una tendencia empírico-analítica, no obstante se observó un avance en dirección a un crecimiento de la presencia en las pesquisas de una perspectiva fundamentada en la tendencia hermeneutica-fenomenologica, especialmente en la revista brasilera.


Author(s):  
María José Punte

Childhood is taken up time and again in Argentine literature of the first decades of the 21st century. These are novels that engage various forms of humor, from extreme satire to imposed naivety. This broad register serves to destabilize ideas established throughout the 20th century about the management of the lives of minors. Imaginaries formed by television have become part of several texts, together with what could be termed the “infant library”, that is to say, the children’s literature read by contemporary writers. Argentine narrative of the period accounts for the serious social crisis caused by the hegemony of neoliberalism, as well as its consequences on children’s lives, revealing the fissures in the discourses surrounding their rights. The present article examines these issues in relation to three recent novels: Quedate conmigo (2017) by I. Acevedo, La maldición de Jacinta Pichimahuida (2007) by Lucía Puenzo and Osos (2010) by Diego Vecchio. They will be addressed here within the theoretical frameworks offered by Kathryn B. Stockton in her book The Queer Child (2009). --- La infancia es retomada por la literatura escrita en Argentina durante las primeras décadas del siglo XXI en novelas que apuestan a diversas formas del humor. Desde la sátira extrema hasta una ingenuidad impostada, aparece un registro amplio que sirve para desestabilizar ideas fijadas a lo largo del siglo XX en lo relacionado con la administración de la vida de los menores de edad. Los imaginarios televisivos entran a formar parte de los textos fundiéndose con la “biblioteca infante”, es decir, con las lecturas que acompañaron las infancias de los y las escritoras contemporáneos. La narrativa argentina del período también da cuenta de la grave crisis social producida por la hegemonía del neoliberalismo, así como sus consecuencias en las vidas de las infancias, lo que tendió a mostrar las fisuras de los discursos en torno a sus derechos. Estas discusiones quedan registradas en las tres novelas—Quedate conmigo (2017) de I. Acevedo, La maldición de Jacinta Pichimahuida (2007) de Lucía Puenzo, Osos (2010) de Diego Vecchio—que serán abordadas aquí desde los marcos teóricos ofrecidos por la teoría queer, en particular por la propuesta de Kathryn B. Stockton.


2020 ◽  
Vol 24 (2) ◽  
Author(s):  
Wellington José Santana

The present article analyses critically the paradox of phenomenon claimed by Danish Philosopher Kierkegaard and Marion’s new concept named saturated phenomenon. While the concept of God, by definition, must surpass the realm of empiricism, perhaps the something may shed light over what God must be: Excess. However, Marion developed a new concept of phenomenon that not only occupies the immanence world, but also goes beyond. It is called saturated phenomenon. In order to address the question one might understand the limit of the givenness and then what does it mean saturated givenness. We probably all have had the sense of being overwhelmed by something and this can lead toward a sense of torpor or numbness. In the other hand, Kierkegaard affirms that God is so different than a human being, so totally other that we may think we’re right in demanding God make himself understood and be reasonable towards us. Kierkegaard upholds that we’re always dealing with God in the wrong way. I will argue that Marion, however, following phenomenological footsteps indicates a new path toward how to address God properly.   Key words: Paradox; Saturated phenomenon; freedom; Excess. 


Revista Prumo ◽  
2019 ◽  
Vol 4 (7) ◽  
pp. 124-137
Author(s):  
Lucas Gadelha Parente

The present article results from research around the concept of Zone in what refers to a boundary, symbolic and urban space that activates multiple networks of meaning according to its use in social history, literature, cinema, urbanism and theory of art. Secondly, the text deals with the stalker as a character who traces the paths of the Zone. The article analyzes its emergence in Soviet science fiction, in modern cinema, and its unfolding in theoretical discussions, relating both to cyberspace and to a number of contemporary pedestrian practices. Key-Words: cyberspace; misery belt; science fiction; urbanism.


Author(s):  
PAVEL VUK

Povzetek V prispevku predstavljamo znanstvena in aplikativna spoznanja pomembnih teoretikov in avtorjev 19., 20. in 21. stoletja s področij teorije strategije, teorije in filozofije vojne in vojskovanja ter vojaške zgodovine, ki so pripomogli k prepoznavanju in utrjevanju pomena obrambnega planiranja (Carl von Clausewitz, Liddell Hart, Bernard Brodie, Colin S. Gray, Harry R. Yarger, Williamson Murray in drugi). Na podlagi analize njihovih teoretičnih spoznanj proučujemo nujnost razvijanja strateške misli v obrambnem planiranju in nujnost obstoja obrambnega planiranja. Ta je v sodobnem svetu prepoznan kot eden od najučinkovitejših instrumentov države pri zagotavljanju njenih obrambnih potreb in obvladovanju negotove prihodnosti nacionalne varnosti. Ključne besede: politika, strategija, obrambno planiranje. Abstract The article presents scientific and applicative findings of important 19th, 20th and 21st century theoreticians and authors in the field of strategy theory, war and warfare theory and philosophy, and military history, who have contributed to the acknowledgment and reinforced importance of defence planning (Carl von Clausewitz, Liddell Hart, Bernard Brodie, Colin S. Gray, Harry R. Yarger, Williamson Murray et al.). On the basis of the analysis of their theoretical findings, we examine the urgency of developing a strategic thought in defence planning and the urgency of its existence. In the contemporary settings, defence planning is recognised as one of the most effective national instruments in the support of its defence needs and management of national security’s uncertain future. Key Words: Defence Planning, Strategy, Policy.


Author(s):  
Edward H. Wouk

The artist and polymath Lambert Lombard of Liège developed a radical outlook on the theory and practice of artistic creation that he sought to illustrate in a ‘grammar’ of formal studies. Devised during a period of intense crisis for image-making in northern Europe, this ‘grammar’ offered a means to restore authority to the visual arts by recovering a canon of forms that had been perfected in antiquity yet became diluted over time. The present article examines the development and function of Lombard’s ‘grammar’, focusing on its role in the instruction he provided to a new generation of Netherlandish artists. It explores similarities between Lombard’s project and Aby Warburg’s celebrated Mnemosyne Atlas, compiled between 1924 and 1929. This comparison provides new insights into the visual, material and conceptual strategies through which Lombard’s ‘grammar’ illuminated the entwined properties of motion and emotion that he defined as the essence of perfect art.


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